SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mrs Long"/1) | (@(roleclean,performerclean) "Mrs Long")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 23335 matches on Performance Comments, 4489 matches on Event Comments, 4208 matches on Performance Title, 18 matches on Roles/Actors, and 9 matches on Author.

Performances

Mainpiece Title: The School For Scandal

Cast
Role: Lady Teazle Actor: Mrs Jordan.
Role: Mrs Candour Actor: Miss Pope
Role: Lady Sneerwell Actor: Mrs Sparks

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Shipwreck

Cast
Role: Sally Shamrock Actor: Mrs Bland.

Song: In III: song-Dignum; End 2nd piece: Soft Musick let my humble lay (composed by Suett)-Master Suett; In 3rd piece: Crazy Jane-Mrs Bland

Performances

Mainpiece Title: The Belles Stratagem

Performance Comment: As17991029, but Letitia Hardy-Mrs Jordan.
Cast
Role: Letitia Hardy Actor: Mrs Jordan.
Role: Mrs Racket Actor: Miss Pope

Afterpiece Title: The Shipwreck

Cast
Role: Sally Shamrock Actor: Mrs Bland.

Song: In afterpiece: Crazy Jane-Mrs Bland

Performances

Mainpiece Title: Love For Love

Cast
Role: Miss Prue Actor: Mrs Jordan.
Role: Mrs Foresight Actor: Mrs Sparks
Role: Mrs Frail Actor: Miss Pope

Afterpiece Title: The Follies of a Day

Song: In course evening: The Soldier tir'd of War's alarms-Miss Stephens; End I afterpiece: Crazy Jane-Mrs Bland

Performances

Mainpiece Title: The Child Of Nature

Cast
Role: Amanthis Actor: Mrs Jordan.

Afterpiece Title: Othello Moor of Venice

Performance Comment: Duke of Venice-Maddocks; Brabantio-Packer; Gratiano-Sparks; Lodovico-Webb; Othello-Lacy; Cassio (1st time)-Holland; Iago (1st time)-Cory; Roderigo (1st time)-Talbot; Montano-DeCamp; Gentlemen-Wentworth, Ryder; Officers-Evans, Fisher; Desdemona-Mrs Powell; Aemilia-Mrs Sparks.
Cast
Role: Desdemona Actor: Mrs Powell
Role: Aemilia Actor: Mrs Sparks.

Song: End 2nd piece: Crazy Jane-Mrs Bland

Entertainment: Imitations. After Singing: Imitations-Caulfield; Monologue. Previous: An Address-Lacy

Performances

Mainpiece Title: Sighs Or The Daughter

Performance Comment: Von Snarl-Suett; Totum-Fawcett; Adelbert-C. Kemble; Leopold-Barrymore; Hans William-Palmer; Nicolas-Chippendale; Josephine-Miss DeCamp; Louisa-Mrs Gibbs; Mrs Rose-Mrs Davenport; Ellen-Mrs Bland.
Cast
Role: Louisa Actor: Mrs Gibbs
Role: Mrs Rose Actor: Mrs Davenport
Role: Ellen Actor: Mrs Bland.

Afterpiece Title: Tis All a Farce

Cast
Role: Ursula Actor: Mrs Whitmore.

Song: [not listed on playbill]in II: 'Twas in the solemn mid@night hour-Mrs Bland

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Captain Macheath-A Gentleman (1st appearance on any stage [unidentified]); Lucy-Mrs Mather (1st appearance on this stage); Polly-Mrs Mountain.
Cast
Role: Lucy Actor: Mrs Mather
Role: Polly Actor: Mrs Mountain.

Afterpiece Title: The Author

Dance: In II: a Hornpipe-

Song: After Imitations: Sweet Echo-Mrs Mountain

Entertainment: Imitations End: Variety of Imitations-T. Trueman

Event Comment: Last time of performing both pieces this season. Zenobia deferr'd. Hopkins MS Memorandum Book: waited on Mrs Dancer & told her the Managers gave their compliments to Mr Barry and her & as their going to Ireland would be of such advantage to 'em, they would not hinder 'em, & they had their permission to go the 15th. The only reason they wish'd they would have stay'd a few days longer, was to have kept up the reputation of Zenobia, as the play had got a reputation. They were sorry it had not been played oftener. Mrs Dancer's answer was: Their compliments to the Managers, that it was now too late, & that Mr Barry has wrote word they should not go to Ireland as the Managers seem'd against it & that Mr Barry & She was ready to do anything the Managers desir'd, as long as the House was open. I ask'd, if they stay'd, if she thought Mr Barry would be able to play in Zenobia the Thursday following, & if it would be agreeable to her do play Mrs Sullen [Stratagem] the next week. Her answer was she would play that or anything else the Managers pleas'd & that she was going to Mr Barry the next morning & that she would send word if he thought he should be able to play in Zenobia on Thursday next. When I left her the Maid follow'd me into the street & told me Mrs Dancer meant by saying as long as the House was open was--as long as the usual time of keeping the House open

Performances

Mainpiece Title: False Delicacy

Afterpiece Title: The Elopement

Event Comment: Paid salary list 3 days at #72 4s. 1d. per diem #216 12s. 3d.; Mr Weston on his note #5 5s.; Mrs Abington 3 first days not on list #2 10s. (Treasurer's Book). [From a long review in the Public Advertiser 3 Oct.: Two new performers in parts very difficult to execute-Mr Cautherly a pupil of the greatest master of the art of acting that ever graced the English stage (if not European)...has this summer convinced us that he is susceptible of the most refined instructions of his great patron and tutor. Of the Lady, I can say nothing prior to her appearance 30 Sept. as I am noways acquainted with her history any more than that by declaration of common report; she is the spouse of the brother of that Mr Barry who has so greatly pleas'd the town this summer at the Opera House." [Comments on her figure, voice and countenance well adapted to express the stronger passions.] She seemed to be so much in love with Romeo as to forget she represented a young and inexperienced virgin unused to men...The first scene of consequence is the Masquerade scene, which was as to business very badly conducted; but this, I doubt not will be rectified another night, they were discovered in disorder and they went off in confusion. It appeared a tumultous assembly rather than a Masquerade of nobility in an Italian Palace. Romeo stayed so long behind the crow that he was oblig'd to run to his station opposite Juliet to be in time for "Cousin Benvolio, do you mark that lady." [A long and detailed review of the stage action act by act.] In the Garden scene an unlucky accident happened to Cautherly...his nose ran with blood and he was oblig'd to keep his handkerchief to his nose all through, which was a great loss to the audience...The Apothecary is the best figure I ever saw, and spoke more sensibly than I ever heard an apothecary speak in my life. Mr Castle has rescued that character from ridicule, and worked by pity what buffoonery used to run off with-applause." Receipts: #145 11s. 6d. (Treasurer's Book.

Performances

Mainpiece Title: Romeo And Juliet

Cast
Role: Lady Capulet Actor: Mrs Bennet
Role: Nurse Actor: Mrs Cross
Role: Juliet Actor: Mrs Barry
Role: Vocal parts Actor: Vernon, Champness, Mrs Vincent, Miss Young

Afterpiece Title: The Hermit

Performances

Mainpiece Title: Speculation

Cast
Role: Lady Project Actor: Mrs Davenport

Afterpiece Title: Lord Mayors Day

Performance Comment: Act I. Scene I. A View in Laplandv; The Death and Renovation of the Elk-; Harlequin-Farley; Whalebone-Follett; Ulan Shmolinski Czernsdorff [, the Gynosophist-Thompson; Columbine-Mlle St.Amand; Aerial Spirit-Mrs Martyr; [Scene II. Cornhillv-Mr Deputy Gobble's Housev; The False Step-O'Flanagan's Blunders-The Desponding Maiden-The Sailor's Return-Gobble's Disaster-with a Triumphal Procession of English Amazonians. Captain O'Flanagan-Johnstone; Sailor-Townsend; Polly-Mrs Mountain (with the Duetto, Oh! welcome home, my dearest Jack, composed by Shield); English Amazonians-Mrs Platt, Miss Logan, Miss Walcup, Mrs Blurton, Mrs Crowe, Mrs Cranfield, Miss Kirton, Miss Cox, Miss Coombs, Mrs Norton, Mrs Rowson; [Scene III. Inside of Gobble's Housev. The Widow Bewitched-How to restore a Deputy Common Council-Man. Scene IV. Outside of Dancing, Shaving and Hair-dressing Academyv; Scene V. Inside of Dancing Academyv; In which The Long Minuet-(Taken from the Caricature Print [see17951109]); Principal Dancers-Cranfield, King, Bayzand, Jackson, Coombs, Price, Rayner, Noble, Mrs Watts, Mrs Follett, Miss Ives, Mrs Castelle, Mrs Masters, Miss Webb, Miss Smith, Mrs Bayzand; Dancing Master-Simmons; [Scene VI. Inside of Hair-dressing Academyv; Shaving made easy to the meanest Capacity. Master of the Academy-Wilde; Irish Song-Johnstone; [To conclude with a Dance of Block Heads-; [Act II. Scene I. Cornhillv; Lord Mayor's Coach returning to Guildhall. I sup with Gobble, My names's O'Flanagan-Johnstone?; [Scene II. A Streetv; A Balcony on each side of the Stage. The Lover's Leap-Harlequin's Flight across the Theatre. Scene III. Inside of Gobble's Housev; The Power of Harmony. Music hath Charms-O'Flanagan's performance on the Violin-Water parted from the Sea-The Lads of the Village-Come sing round my favorite Tree-and Stoney Batter, all the same to O'Flanagan. Scene IV. A Tavernv; A Meeting of the Council-Men. Most Learned Debates!!-The Magical Nosegay-with the Crying, Laughing, Sneezing, Yawning, Dancing and Whistling Glee, by Shield-Carriage for the Company-Running without Horses-and on one Wheel only. Common Council@men-Davenport, Rees, Williamson, Wilde, Thompson, Abbot; [Scene the Last. A View of Londonv; taken from the Surrey Shorev, with an exact Representation of the Lord Mayor's Show on the Water. To conclude with a Dance-; a Finale-[composed by Shield.composed by Shield.

Performances

Mainpiece Title: The School For Wives

Performance Comment: Belville-Lewis; General Savage-Wilson; Conolly-Aickin; Torrington-Quick; Leeson-Farren; Captain Savage-Davies; Miss Walsingham-Mrs Mattocks; Mrs Belville-Mrs Pope.
Cast
Role: Miss Walsingham Actor: Mrs Mattocks
Role: Mrs Belville Actor: Mrs Pope.

Afterpiece Title: The Union or St

Performance Comment: Andrew's Day. Old Quiz-Quick; Easy-Johnstone; Taffy-Blanchard; Scotch Cobler [Archey McNab]-Wilson; Young Quiz-Munden; Helm-Incledon; Quotations-Bernard; Plausible-Macready; Long Cork-Bannister; English Girl Nancy]-Miss Broadhurst; Scotch Girl [Jeannet]-Mrs Mountain; Scotch Cobler's Wife [Mrs McNab]-Mrs Webb; Irish Girl [Peggy]-Mrs Martyr; [The names in brackets are as specified in the cast listed in Larpent MS.] Prologue-Wilson; [PART I A Cruel fate-Williamson, Miss Broadhurst, Mrs Mountain, Mrs Martyr; I sit on my sunkie-Mrs Mountain; The passion of Love I never felt-Miss Broadhurst; To be sure she don't like a brisk Irish lad-Mrs Martyr; We bipeds made up of frail clay-Quick; My Joe Jannet-Wilson, Mrs Webb; When Bibo went down-Bannister; A Sailor's life's the life for me-Incledon; [PART II The charms of my Peggy-Johnstone; Farili bo boo-Wilson; On the lake of Killarney-Mrs Martyr; The bells of Aberdovey-Blanchard; Scotch Song-Incledon; Sigh no more Ladies-Bannister, Johnstone, Incledon, Mrs Mountain, Mrs Martyr; And their aw nodding at our house at hame-; [PART III The Stranger's at Home. President-Bannister; The Prince and Old England for ever-Johnstone; Comic Constitutional Song-Bernard; A Stammering Glee [Goody Groaner]-Incledon, Reeve, Blanchard; Come come all noble souls, Beviamo tutti tre-Bannister, Incledon, Blanchard, Reeve, Williamson, Johnstone.

Dance: Afterpiece conclude: Highland Fling-the Scotch Characters

Song: End II: Black Eyed Susan-Incledon

Music: In afterpiece: will be introduced the Highland Competition Prizeexactly as represented annually in the City of Edinburgh,-McLane, McGregor, McTavish; several Strathpays, Laments, Pebruchs-several other celebrated Pipers

Entertainment: Monologue End: Epilogue (riding on an Ass,)-Wilson

Performances

Mainpiece Title: The Relapse

Performance Comment: Lory-Penkethman; Foppington-Husband; Young Fashion-Mrs Kent; Lovelace-Elrington; Worthy-Thurmond; Sir Tunbelly-Leigh; Surgeon-Norris; Coupler-Spillar; Amanda-Mrs Baker; Berinthia-Mrs Sapsford; Hoyden-Mrs Shepard; Nurse-Mrs Powell; With a new Prologue-Powell; a new Epilogue-Powell, Spiller, Expressing the dreadful Hardships Laywers and Players suffer in a long Vacation.

Song:

Dance: Too many to be inserted in the bills

Performances

Mainpiece Title: First Faults

Performance Comment: Characters by Dowton, Barrymore, C. Kemble, Russell, Suett, Bannister Jun., R. Palmer, Wewitzer, Maddocks, Webb, Mrs Jordan, Miss Biggs, Miss Mellon, Mrs Walcot. [Cast from European Magazine, May 1799, p. 329: Cleveland-Dowton; Seymour-Barrymore; Lord Fallible-C. Kemble; Sir Charles Careless-Russell; Long Odds-Suett; Prater-Bannister Jun.; O'Neil-R. Palmer; Rolland-Wewitzer; Plodwell-Maddocks; Claw-Webb [in European Magazine: Hollingsworth]; Emma-Mrs Jordan; Lady Careless-Miss Biggs; Tulip-Miss Mellon; Mrs Sanderson-Mrs Walcot; Prologue-C. Kemble.
Cast
Role: Long Odds Actor: Suett
Role: Emma Actor: Mrs Jordan
Role: Mrs Sanderson Actor: Mrs Walcot

Afterpiece Title: Katharine and Petruchio

Performance Comment: Petruchio-Bannister Jun. (1st appearance in that character); Baptista-Packer; Hortensio-Trueman; Grumio-Hollingsworth; Biondello-R. Palmer; Music@master-Sparks; Taylor-Suett; Katharine-Miss DeCamp (1st appearance in that character); Bianca-Mrs Coates; Curtis-Mrs Maddocks; Haberdasher-Mrs Jones.
Cast
Role: Bianca Actor: Mrs Coates
Role: Curtis Actor: Mrs Maddocks
Role: Haberdasher Actor: Mrs Jones.

Dance: End: Minuet de la Cour-Miss DeCamp, Mlle Parisot

Performances

Mainpiece Title: The Winters Tale

Performance Comment: Leontes-Smith; Polixenes-Bensley; Florizel-Bannister Jun.; Camillo-Aickin; Old Shepherd-Packer; Clown-Suett; Autolicus-Dodd; Hermione-Mrs Ward; Paulina-Mrs Hopkins; Perdita (with the sheep-shearing long)-Mrs Crouch .
Cast
Role: Hermione Actor: Mrs Ward
Role: Paulina Actor: Mrs Hopkins
Role: with the sheep Actor: shearing long-Mrs Crouch
Role: Perdita Actor: Mrs Crouch

Afterpiece Title: The Jubilee

Performance Comment: Cast not listed. [Cast from General Evening Post, 19 Nov.; Morning Post, 19 Nov.; Public Advertiser, 7 and 27 Dec. 1785; Morning Post, 22 Dec. 1786: Bumpkin-Parsons; Irishman at Stratford-Moody; Country Girl-Mrs Wrighten. In Pageant: Cupid-Master Canlets; Iachimo-Palmer; Malvolio and Posthumus-Bensley; Touchstone-King; Richard III-Kemble; Romeo-Bannister Jun.; Hamlet-R. Palmer; Sir Hugh Evans-Parsons; Doctor Cains-Baddeley; Sir Andrew Aguecheek-Waldron; Lear-Wrighten; FalstafT-Chaplin; Henry V-Barrymore; Coriolanus-Phillimore; Edgar-Dodd; Macbeth-Williames; Antony-Staunton; Tragic Muse-Mrs Siddons [whose "car was fitted up exactly in the stile of the picture of the Tragic Music by Sir Joshua Reynolds"]; Comic Muse-Mrs Cuyler; Lady Macbeth-Miss Kemble; Beatrice-Miss Pope; Volumnia-Mrs Brereton; Cleopatra-Mrs Wilson; Rosalind-Mrs Jordan; Queen in Richard III-Mrs Hopkins; Cordelia-Miss Collins; Venus-Mrs Crouch. Vocal Parts by Bannister, Dignum, Suett, Chapman, Fawcett.] hathi. hathi.

Performances

Mainpiece Title: The Royal Merchant Or Beggars Bush

Performance Comment: Merchant-Wilks; The edition of ca. 1706 lists also: Woolfort-Williams; Gerrard-Keen; Hubert-Mills; Hemskirk-Bickerstaff; Vandunck-Bullock; Merchants-Carnaby, Phillips, Kent, Toms; Higgen-Estcourt; Prig-Norris; Snap-Kent; Ferret-Fairbank; Ginks-Tom. Wright; Boors-Sherman, Harris, Cross; Jaculine-Mrs Cox; Bertha-Mrs Rogers; Epilogue-Pinkeman mounted on an ass; a long wig on the ass's head. a long wig on the ass's head.
Cast
Role: Jaculine Actor: Mrs Cox
Role: Bertha Actor: Mrs Rogers

Song: As17050428

Dance: As17041124

Event Comment: A riot caused the acting of Cato to cease in Act IV. See The Weekly Packet 1 March, The Evening Post 22-25 Feb., The Post Boy 22-25 Feb. The most complete account appeared in Read's Original Weekly Journal, 1 March: The Night before had been the Third Night of a New Comedy, written by a young Gentleman of good Interest, and well respected, and the Boxes were bespoke for Monday Night, but a certain Ruler of that House, remarkable for Ill-Nature and Immorality, stop'd the Run of the Play, and caus'd the Tragedy of Cato to be given out...and tho' he was earnestly expostulated with on the Injustice of such a Proceeding, yet he obstinately persisted in his Resolution, which the Friends of the Author of the New Play very much resented: But this was not all, for when Cato came to be play'd, Mr Wilks, Mrs Oldfield, and Mrs Porter, who have principal Parts had given them to some of the inferior Players, which was look'd on as Riding the Audience, who would no longer Brook what they look'd on as an Insult, but with their hisses, Catcalls, &c. deafen'd the House, and drown'd the Shrill Pipes of the Actors; insomuch that the loudest Rant in Lee or Shakespear had been no more to be prefer'd to it, than the Noise of a Flagelot to the whistling of a Tempest; till the End the Players were obliged to retreat to their Fastnesses, unable any longer to Stand their Assaults; for they were storm'd with Orange-Peals, &c. as well as bombarded with Hisses Huzzas and Catcalls. Nor wou'd the Audience suffer them to Capitulate or receive any Offers of Submission, but calling for a Dance, put an End to the Play, in the middle of the 4th Act

Performances

Mainpiece Title: Cato

Afterpiece Title: The Loves of Mars and Venus announced but possibly not acted

Performances

Mainpiece Title: Alexanders Feast Grand Selection 0

Afterpiece Title: Alexanders Feast 1

Performance Comment: PART I. Overture-; 'Twas at the Royal Feast-Harrison; Happy Pair-Harrison, Chorus; The song began from Jove-Miss Poole; The Listening croud-Chorus; With ravished ears-Miss Poole; The praise of Bacchus-Harrison; Bacchus ever fair and young-Sale, Chorus; Sooth'd with the sound-Harrison; He chose a mournful muse-Mrs Billington; He sung Darius-Chorus; Softly sweet in Lydian measures-Mrs Billington; War he sung is toil and trouble-Incledon; The many rend the skies-Chorus; The Prince unable to conceal his pain-Mrs Billington; The many rend the skies repeated-Chorus.

Afterpiece Title: Alexanders Feast 2

Performance Comment: PART II. Now strike the golden lyre again-Harrison; Revenge! Timotheus cries, Behold a ghastly band-Griffith; Give the vengeance due-Incledon; The Princes applaud-Incledon, Chorus; Thais led the way-Mrs Billington, Chorus; Thus long ago-Harrison; At last divine Cecilia came-Chorus; Let's imitate their notes above-Mrs Billington, Harrison; Let old Timotheus yield the prize-Chorus.

Afterpiece Title: PART III

Performance Comment: A Grand Miscellaneous Act. ; Overture and Dead March (Saul)-; Balmy sweetness-Harrison (Boyce); Thou shalt bring them in-Mrs Piele (Israel in Egypt); Disdainful of danger-Harrison, Incledon, Sale (Judas Maccabaeus); The Soldier tir'd of war's alarms-Mrs Billington (Dr Arne); Bless the true Church and save the King-Incledon, Chorus (Athalia); There in myrtle shades-Miss Poole (Hercules); But bright Cecilia, As from the power of sacred lays-Mrs Billington; The dead shall live-Chorus (Dryden's Ode).

Performances

Mainpiece Title: Alexanders Feast 0 Redemption 0 Lallegro Ed Il Pensieroso 0

Afterpiece Title: Alexanders Feast 1

Performance Comment: 'Twas at the royal feast-Harrison; Happy happy pair-Harrison, Chorus; Timotheus placed on high-Harrison; The song began from Jove-Mrs Second; The list'ning croud-Chorus; With ravish'd ears-Mrs Second; The praise of Bacchus-Harrison; Bacchus ever fair and young-Bartleman; Bacchus' blessings-Chorus; Sooth'd with the sound-Harrison; He chose a mournful muse, He sung Darius-Mrs Billington; With downcast looks the joyless victor sat, Behold Darius great and good-Chorus; The mighty master, Softly sweet in Lydian measure-Mrs Billington; War he sung-Mrs Second; The many rend the skies-Chorus; The prince unable-Mrs Billington; The many rend the skies [repeated]-Chorus.

Afterpiece Title: Alexanders Feast 2

Performance Comment: Now strike the golden lyre-Harrison; Break his bands of sleep asunder-Chorus; Hark hark the horrid sound-Harrison; Revenge revenge Timotheus cries, Behold a ghastly band-Bartleman; Give the vengeance due, The princes applaud-; Thais led the way-Mrs Billington; The princes applaud [repeated]-Chorus; Thus long ago-Harrison; At last divine Cecilia came-Chorus; Your voices tune-Mrs Billington; Let's imitate her notes above-Harrison, Bartleman; Let old Timotheus-Chorus.

Afterpiece Title: Grand Miscellaneous Act

Performance Comment: Overture-(Berenice, Handel); The Mansion of Peace-Harrison (Webbe); Mad Bess-Mrs Billington (Purcell); The mighty power-Chorus (Athalia, Handel); Se constanta per timore-Mrs Second (Caruso); Together let us range-Mrs Billington, Harrison (Boyce); Shall I in Mamre's-Bartleman (Joshua, Handel); Bravura song-Mrs Billington (Sacchini); Gloria Patri-Chorus.
Event Comment: Tickets deliver'd out by Mr Davis will be taken. [Bransby doubled in Oxford and Tyrrel. The General Advertiser quoted a long Epilogue on the Birthday of his Royal Highness the Duke of Cumberland Written by the Farmer (who had taken over the role of Swift's Drapier) and spoken by Garrick in Dublin. It also quoted the following long puff for Ray's Benefit to come]: Sir, As long acquaintance best entitles us to friendly good natured offices, and as no more proper time can be found to confer them than when the person is in the Decline of life, give me leave to recommend (thro' your means) Mr Ray of Drury Lane Theatre, the oldest actor now belonging to that House, to the Favour of the Town, at his ensuing Benefit next Saturday. A person who once agreeably entertained the Public, should always feel the warmth of their Indulgence, tho' the Infirmities of Old age may have render'd him less pleasing than formerly. This Application is therefore meant to those friends of his, whom Distance of time, and change of Situation may have made it impossible any other way to acquaint them, that The Merchant of Venice is to be acted for his Benefit on Saturday next; therefore 'tis hoped they will be so kind as to send for his Tickets to Mr Hobson, in the Playhouse Passage, or to Mr Ray's lodgings, the second Door in Queen's Court, Great Queen St., Lincoln's Inn Fields, and the Favour will ever be greatly acknowledged by him

Performances

Mainpiece Title: Richard Iii

Afterpiece Title: The Anatomist

Cast
Role: Mrs Crispin Actor: Mrs Bridges

Performances

Mainpiece Title: Proclamation Southwark

Performance Comment: Whereas the Fair, called Lady Fair, in this Borough, is by charter appointed to be held the seventh, eighth, and ninth days of September O.S. yearly, w ll this year begin, and holden this day the 16th day of September, N.S. occasioned by the alteration of the Stile, and continued the two following days, to wit the 19th and 20th and no longer. And whereas the said Fair hath for several years past been continued against Law, for a longer time than the said three days, contrary to the institution thereof, whereby divers Riots, and other Disorders have been committed in breach of His Majesty's peace; for preventing of which misdemeanors and abuses it is thought fit and needful to give this Publick notice that if any persons do presume to keep open any Booth, Shed, or other Building, or permit and further any Stall, or Stand to be and remain before their Door longer than the said 18th, 19th, and 20th days of September NS, with intent to prolong said Fair, and put to sale there goods and wares, or shall act and exhibit any Droll or Show, or foster to be acted and exhibited in any Booth or Dwelling house any Droll, or Show, or other Entertainment of the Stage, or shall play at, or encourage any sort of gaming contrary to the Laws and Statutes of his realm; such person or persons so offending will be prosecuted and punished according to the Law (General Advertiser, 16, 18, 19, 20, Sept. 1752).
Event Comment: The King's Company. Pepys, Diary: And wife and Deb. to the King's house, there to see The Wild-goose Chase, which I never saw, but have long longed to see it, being a famous play, but as it was yesterday I do find that where I expect most I find least satisfaction, for in this play I met with nothing extraordinary at all, but very dull inventions and designs. Knepp come and sat by us, and her talk pleased me a little, she telling me how Mis Davis is for certain going away from the Duke's house, the King being in love with her; and a house is taken for her, and furnishing; and she hath a ring given her already worth #600: that the King did send several times for Nelly, and she was with him, but what he did she knows not; this was a good while ago, and she says that the King first spoiled Mrs Weaver, which is very mean, methinks, in a prince, and I am sorry for it, and can hope for no good to the State from having a Prince so devoted to his pleasure. She told me also of a play shortly coming upon the stage, of Sir Charles Sidly's, which, she thinks, will be called The Wandering Ladys, a comedy that, she thinks, will be more pleasant; and also another play, called The Duke of Lerma; besides Catelin, which she thinks, for want of the clothes which the King promised them, will not be acted for a good while

Performances

Mainpiece Title: The Wild Goose Chace

Event Comment: Alice Hatton, writing on (possibly) 20 Jan. 1699@1700: I was last night (with Lady Longuevil and Lady Arundel) at ye Princess's, and Lady Long: was so kind to offer to carry me to ye Oppera to day with her and Lady Portland; but I was so unfortunate as to be engaged to go to Lady Denbighs to see ye famous Mrs Binges dance, or else I should have bin glad to have waited on Lady Long: tho I had seen it before and think it very silly. Mr Abel is to have a fine musicke meeting to morrow, and ye tickets are guineas a piece, wch is a little to much for me to throw away; so I shall not be there, and I find so many yt can afford it better of my mind, yt I fancy, if he had lower rates, he would have got more (Hatton Correspondence, Camden Society, XXIII [1878], 245). It is difficult to assign a proper date to this letter. It is unlikely that it was written on Saturday 20 Jan., as Abell was not likely to offer a concert on Sunday at which admission would be charged. It is possible that the opera referred to is The Grove, which is known to have been performed on 19 Feb. 1700, but the fact that this opera was unsuccessful makes it unlikely that it had its premiere in mid-January and was played again in mid-February. Perhaps the letter should be dated mid-February

Performances

Event Comment: G. Berkeley to Sir John Percival: Mr Addison's play has taken wonderfully, they have acted it now almost a month, and would I belive act it a month longer were it not that Mrs Oldfield cannot hold out any longer, having had for several nights past, as I am informed, a midwife behind the scenes (Rand, p. 115)

Performances

Mainpiece Title: Cato

Event Comment: [The Public Advertiser published a long New Historical Epilogue, intended by the Author as a proper sequel to the Tragedy of the Brothers. It speaks of the authentic history in the play, and of the effective moral lesson, closing: @As public woes a Prince's crimes pursue,@So public blessings are his Virtues' due.@Shout Britons, shout!--auspicious Fortune Bless!@And cry, Long live--OUR title to success!@ This was followed by a Letter from Mr Booth in the Shades to Dr Young, on his Tragedy call'd the Brothers (an elaborate puff). In it Booth forgives Young for withdrawing the play from rehearsal thirty years earlier, and thus precluding his playing the part of Demetrius: "And I the more readily pardon you, as you have not disgraced me by giving the part to any of my successors, till this Garrick appeared, whose reputation, I can assure you, is by no means confined to your world, and who, I am told, hath more than supply'd my place, hath rendered the loss even of Betterton himself very supportable." He then lets Young in on a secret that there will be a performance of his play in the shades by all the old actors as soon as Curll can steal a copy of it for them.] We are assured that on Thursday the 22nd instant will be publish'd a Comedy in 2 acts, call'd The Rehearsal; or, Bayes in Petticoats, witten by Mrs Clive, and to be performed that evening, after the Mourning Bride, for her Benefit at Drury Lane. Mr Yates's Benefit will be on Thursday the 5th of April, when the tragedy of the Gamester will be played, being the twelfth day. A new farce will be added to it, the preparing of which has oblig'd Yates to defer his Benefit till the above day. Receipts: #150 (Cross)

Performances

Mainpiece Title: The Brothers

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-DuBellamy (from Covent Garden); Peachum-Kennedy; Lockit-Morris; Filch-Hamilton; Mat-Fearon; Ben Budge-Pitt; Lucy-Miss Atkinson; Polly-Mrs Baker (from Covent Garden); In Act III, Hornpipe-Miss Long.
Cast
Role: Polly Actor: Mrs Baker
Role: Hornpipe Actor: Miss Long.

Afterpiece Title: The King and The Miller of Mansfield

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 68. See also Nicoll, Restoration Drama, p. 350. This play was also reprinted in 1686. Memoirs of the Life of William Wycherley, Esq; With a Character of his Writings [by George, Lord Lansdowne, but part possibly by Charles Gildon (1718)], pp. 7-8: [After the death of Wycherley's wife, he was committed to Newgate for debt.] From hence he remov'd himself by a Habeas Corpus to the Fleet, where he continued seven Years in a close Imprisonment, almost forgot by his old Friends, till in the Reign of King James the Second, some of them bespeaking the Plain-Dealer, got the King to the Play, who declaring his Approbation of the Poet's Performance, they improv'd his liking so far as to get him to deliver him from his long Confinement. But here the Modesty of the Man did him a considerable Prejudice, for instead of giving in a full List of his Debts, he only mention'd those, the discharge of which wou'd set him at Liberty, which was done with this additional Bounty, that the same King allow'd him Two hundred Pounds a Years as long as he Reign'd; and this was the reason that made Mr Wycherley always a Jacobite

Performances

Mainpiece Title: The Plain Dealer