Event Comment: Benefit for Ridout and Barrington. On Wednesday 24 April for the Benefit of Leveridge, The City Wives Confederacy: @To all generous Britons I sound this endeavour,@To beg that this season my play you ll promote,@By granting as usual your bountiful favour,@Which by Old Silenus shall ne'er be forgot.@Whilst Life I'm enjoying, and health do inherit,@With grateful Remembrance all thanks I'll renew@Still raising my voice to the Heighth of my Spirit,@Then swan-like will sing out my final adieu. tickets fbr the play, with the Musical note printed on them may had of Leveridge at his Lodging over against the Red Lion in Brownlow St., by Drury Lane, and of Mr Page at the Stage Door. Tickets for the 17th will be taken

Event Comment: Benefit for one Barry a Jeweller (Cross). A Charity Play, recommended by the City of London for Barry, Jeweller in Salisbury Court (being in great distress). Tickets at Grigsby's, Shadwell's, Janeway's and Sam's Coffee Houses by the Royal Exchange; Peele's, Nando's Anderton's and Temple Exchange in Fleet St., Marsh's Coffee House in Silver St., and at the stage door. Stage will be form'd into an Amphitheatre (General Advertiser). Mr Reinhold dy'd (Cross). A man no less admired for his private character than his publick performance. He has left behind him a Wife and Four small children in great distress; for the relief of whom the Managers of Drury Lane, and the actors have agreed to perform a play Gratis, some time next week; when it is hop'd the good nature of the publick will favour the intention of the performers. Tickets to be had of Mr Beard, at his house in North St., Red Lion Square, and at the theatre (General Advertiser, 16 May). Receipts: #60 (Cross)

Event Comment: Afterpiece: A Musical Entertainment in two Interludes. Someday this week, Mr Ross, will perform the part of Young Bevil in the Conscious Lovers, at Drury Lane, being the first time of his appearance on the English Stage. Receipts: #180 (Cross)

Event Comment: The Dr New Dress'd & in a New Manner with a Prologue by ye old Dr to introduce the New by the Author of the Hilliad. The Prologue was forbid by the Licencer, & struck out of the bills, but by Mistake was left in ye News; a great noise for it, Woodward said; as he had face to study, he had not time to do it--more Noise--I went on--& told 'em the Prologue was forbid--Noise still--Woodward went on & said it was forbid by L@or@d Chamberlain--it cool'd a little but when he came on dress'd like Dr Hill, it began again, & so ye farce ended (Cross). Benefit for Mr Woodward. Part of Pit laid into Boxes, and Stage commodiously built in form of an Amphitheatre. Boxes and Stage 5s. Ladies send servants by 3. Tickets to be had of Woodward in Great Piazza, Covent Garden; and at Stage Door. This day publish'd The Chaplet at 6d. a Musical entertainment as performed at Drury Lane. Receipts: #330 (Cross)

Event Comment: Both pieces by His Majesty's command. [John Pringle wrote to Blayney Townley on 14 Nov.: Great are the disputes at present between the rival theatres, vieing with each other in different characters which afford unusual entertainment to all frequenting the stage. His Majesty on Saturday night paid his first visit to Covent Garden in perference to the opera at Drury Lane, when Lady Townley by Pegg Woffington gave him great pleasure, with the addition of unusual huzzas in a part of the Miller of Mansfield." -Historical MS Commission, 10th Report, Appendix, Part IV (London 1887), p. 257.

Event Comment: Compos'd by Mr Smith--the Introduction, which was a Dialogue in Prose, between Mr Havard & Yates, Much hiss'd & dislik'd. The Opera had great Applause. Miss Young recover'd (Cross). The Opera never performed before with songs from Shakespear, Dryden, &c. The Music by Mr Smith. [The Bill lists no cast or actors. The cast has been retrieved by Hogan from the 1756 ed. plus the musical score published by J. Walsh. Note some parts were doubled. See "Shakespeare's Tempest at Drury Lane During Garrick's Management", G. W. Stone Jr, Shakespeare Quarterly, Winter 1956.] Receipts: #180 (Cross)

Event Comment: Afterpiece: A new farce by Doctor Heffinal [sic] for his benefit. O Sad! (Cross). Tickets at Forrest Coffee House, The Bedford, and Randall's, and author's lodgings at Mew's Coffee House. To the Printer of the Public Advertiser, 24 April: Sir, Let this suffice for a general answer to all unfriendly whispers or paragraphs against the new farce to be performed tonight at Drury Lane -its author never previously Caballed, never published his sentiments of any stage performance till after the run -then neither the writer nor manager could be injured -its principal characters are Lady Protea, a coquet alarmed at the apprehension of dying amid; Lord Epigram Strainwit, a pert coxcomical witling; Dr Matho, a Virtuoso, Antiquarian, and in love; Dreadnought Broadside, a sea-officer and strenuous Antigallican. I am &c. Receipts: #90 (Cross)

Event Comment: Both Pieces By Command of his Royal Highness the Prince of Wales. This day is publish'd The Male Coquette, or 1757, a Farce in 2 acts, As it is performing at Drury Lane. Printed for Paul Vaillant, faning Southampton St. in the Strand. Price 1s. (Public Advertiser). Receipts: #200 (Cross)

Event Comment: The Tragedy of the Roman Father, written by William Whitehead, Esq: the present Poet Laureate, will be reviv'd at Drury Lane soon after the Holidays (Public Advertiser). Receipts: #140 (Cross)

Event Comment: Benefit for Beard. Tickets of Beard next door to Old Slaughter's Coffee House, St. Martin's Lane, and of Varney at stage door. Part of Pit laid into Boxes. Amphitheatre on stage. Receipts: #280 (Cross)

Event Comment: Farce not so much hiss'd (Cross). This month published A Defence of Mr Garrick in Answer to the Letter Writer [See 13 Oct.], 37 pp. [Closes with the paragraph: "Nor need I take notice of your accusation against the manager for his neglect in the Decorations of the Scenery, since it is notorious to everyone who has eyes, that the scenes at Drury Lane are as well adapted to the Representations, and as well executed, as any Covent Garden can boast of (though you are pleased to assert the contrary) Pantomimical Decorations not excepted."] Receipts:#100 (Cross)

Event Comment: Mainpiece: By Particular Desire. I slept [?] at Drury Lane before the play & was at my Office, it was a cold frostly night (Hailey, "Brietzcke Diary," Vol. 197, p. 69). Receipts: #200 (Cross)

Event Comment: Never Acted before. A Tragedy [By John Home]. I went to my Office and then slept [?] in at Drury Lane w here I see Mr and Miss Hayes, Lady Lindores who I see into a coach, I slept in at Covent Garden Gallery before the play, but see nobody I knew so I would not stay, otherwise I would have went out as I had set my mind on the Beggar's Opera for once more, but waived it all & went to my Office (Hailey Brietzcke Diary, Vol. 197, p. 72)

Event Comment: Mainpiece: By Particular Desire. Benefit for Bowers (box-keeper) and Veal (1st gallery door-keeper). Play begins exactly at six o'clock. House charges #84. [Deficit to beneficiaries #61 5s. 6d.] Tickets deliver'd for The Busy Body will be taken. Paid Rector's rate and Watch 4 quarters #1 13s. Rec'd from Messrs Powell & Co for cloaths #11 11s.; Eight days from the Certainties #82 13s. 4d.; Stopages #1 18s. (Treasurer's Book). Receipts: #22 14s. 6d. (Treasurer's Book). Took a place in ye front Boxes at Drury Lane for Wednesday next, when ye Suspicious Husband is to be performed for ye Decayed Actors' Fund, scarcely a place remaining untaken. I wanted one in ye Pit (Neville MS Diary)

Event Comment: Mainpiece: Not acted these 12 years. [See 24 Jan. 1758.] Prologue written by Paul Whitehead. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant (only) at the Stage-Door. No persons can be admitted behind scenes, nor any Money returned after curtain is drawn up. To begin exactly at 6 o'clock. [Customary note in succeeding bills.] Receipps: #190 14s. (Account Book). @The New Occasional Prologue@As when the merchant to increase his store@For Dubious seas, advent'rous quits the shore;@Still anxious for his freight, he trembling sees@Rocks in each buoy, and tempest in each breeze@The curling wave to mountain billow swells,@And every cloud a fancied storm fortells:@Thus rashly launch'd on this Theatric main,@Our All on board, each phantom gives Us pain;@The Aatcall's note seems thunder in our ears,@And every Hiss a hurricane appears;@In Journal Squibs we lightning's blast espy,@And meteors blaze in every Critic's eye.@Spite of these terrors, still come hopes we view,@Hopes, ne'er can fail us--since they're plac'd--in you.@Your breath the gale, our voyage is secure,@And safe the venture which your smiles insure;@Though weak his skill, th' adventurer must succeed,@Where Candour takes th' endeavor for the deed.@For Brentford's state, two kings could once suffice;@In ours, behold! four kings of Brentford rise;@All smelling to one nosegay's od'rous savor@The balmy nosegay of--the Public favor.@From hence alone, our royal funds we draw,@Your pleasure our support, your will our law.@While such our government, we hope you'll own us;@But should we ever Tyrant prove--dethrone us.@Like Brother Monarchs, who, to coax the nation@Began their reign, with some fair proclamation,@We too should talk at least--of reformation;@Declare that during our imperial sway,@No bard shall mourn his long-neglected Play;@But then the play must have some wit, some spirit,@And We allow'd sole umpires of its merit.@For those deep sages of the judging Pit,@Whose taste is too refin'd for modern wit,@From Rome's great Theatre we'll cull the piece,@And plant on Britain's stage the flow'rs of Greece.@If some there are, our British Bards can please,@Who taste the ancient wit of ancient days,@Be our's to save, from Time's devouring womb,@Their works, and snatch their laurels from the tomb.@For you, ye Fair, who sprightlier scenes may chuse,@Where Music decks in all her airs the Muse,@Gay Opera shall all its charms dispense,@Yet boast no tuneful triumph over sense;@The nobler Bard shall still assert his right,@Nor Handel rob a Shakespear of his night,@To greet the mortal brethren of our skies [upper galleries]@Here all the Gods of Pantomime shall rise:@Yet midst the pomp and magic of machines,@Some plot may mark the meaning of our scenes;@Scenes which were held, in good King Rich's days,@By sages, no bad epilogues to plays.@If terms like these your suffrage can engage,@To fix our mimic empire of the stage;@Confirm our title in your fair opinions,@And crowd each night to people our dominions.@--(Poems and Miscelaneous Compositions, Ed. Capt. Edward Thompson, 1777) Covent Garden opened with the Rehearsal with alterations. I was in the Pit. Powell, from Drury Lane, one of the new managers who have bought the patent from Rich's heirs, spoke an occasional Prologue. Shuter did Bayes pretty much to my liking, adding many crochets of his own.... Entertainment The Mock Doctor,...Young Jasper pretty well by one Massey, being his first appearance on that stage (Neville MS Diary)

Event Comment: Benefit for the City of London Lying@In Hospital. Tickets at half a guinea. At Haberdashers Hall, Maiden Lane in Wood Street

Event Comment: [Before the performance this evening Macklin came to the audience in person with a sheaf of newsclippings in his hand and belabored his detractors, falsely accusing Reddish and Sparks from Drury Lane as leading a planned coalition against him. The play went on with applause, but affidavits sworn under oath by both Sparks and Reddish the following day, brought the dispute to such a head in the newspaper that a riot occured the night of 18 Nov., when Macklin did Shylock (since Colman would not risk Macbeth after 13 Nov.) and announcement was made by Colman that Macklin had been dismissed. See 23 Oct.] Receipts: #152 11s. 6d. (Account Book)

Event Comment: Benefit for Kennedy. Afterpiece: Never performed in this theatre. [No mention of permission.] Mr Kennedy intended having this performance before the Benefits commenced at Drury Lane and Covent Garden Theatres, but having been detained at Bristol, could not pay his respects to his friends sooner

Event Comment: Benefit for Curteen, Roberts, Shuter. Tickets delivered by Miller, Walker, Reed, Colley, Robinson, Brandon, Booth, Flight, Mrs Paddick, Mr Watson will be taken. Doors open half past 5. To begin half past 6 o'clock

Event Comment: Ladies send servants by 5 to keep Places and prevent Confusion. Doors will be opened at half after five o'clock. To begin at half after 6 o'clock (playbill). Mr G. Voice and Spirits was never finer he never wanted Spirit or Voice thro' the whole part and Convinced the Audience that those Amazing powers he has always possess'd are now as brilliant as ever. Never was a part play'd with greater Propriety nor an Audience more lavish of their Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] [A full column letter for the Morning Chronicle this date from Theatricus to Garrick protested the fact that his announced benefit for the Theatrical Fund on the 30th of May would be all sold out to the highest bidders for tickets; that a nobleman offering ten Guineas for four box seats would get them in preference to the tradesmen who offered only a pound, the stated price of the tickets. Since charity was the cause this writer suggested that Garrick give a second benefit night to the Fund, with the hopes (1) that the Fund would be thereby vastly increased, and (2) that opportunity might be given for twice as many People to see a Garrick final performance. It was, perhaps, in response to this public request that Garrick gave a second Benefit night for the Fund on 10 June. The Morning Post, 29 May, noted: "The concourse of servants assembled yesterday morning at seven o'clock, at Drury Lane Stage Door, to take places for the approaching benefit, in which it is said Mr Garrick will again play Richard III , was astonishing, amounting to many hundreds, three fourths of which were not able to Succeed in their embassies' (Hampden, Journal).] Receipts: #307 3s. 6d. (Treasurer's Book)

Event Comment: By Authority of the Lord Chamberlain. Benefit for Mitchell and Sinclair. The Doors to be opened at 5:15. To begin at 6:00 precisely. Tickets to be had of Mitchell at the Old Castle Tavern, near Gray's Inn Gate, Holborn; of Sinclair, Church-Lane, near St. Martin's Church, Strand

Event Comment: By Command of Their Majesties."The croud was so great at Drury-lane playhouse, to see the young prince William in his naval uniform, that it was found necessary to throw a kind of bridge from the stage to the pit to liberate several people, who otherwise must have perished in the throng" (Gentleman's Magazine, Mar. 1780, P. 151). Receipts: #271 14s. (259.13; 9.6; 2.15)