Event Comment: Benefit Mrs Charke. 4s., 2s., 1s. Tickets at Mrs Charke's@Stake@and@Soup@House in Drury Lane, near Stuart's Rents

Event Comment: Benefit Mrs Vincent and Mrs Bonneval (Daily Advertiser)

Event Comment: NNew Theatre. Benefit Mrs Charke. 7 p.m. Prices 2s. 6d., 1s. 6d., 6d

Event Comment: TTamerlane is oblig'd to be deferr'd on account of Mrs Cibber's indisposition

Event Comment: Mainpiece: By Particular Desire. The Musick for the Afterpiece compos'd by Mr Arne. With a New Overture founded on some favourite Irish tunes. Nothing Under Full Prices will be taken during the Performance.--General Advertiser. [See Poem by S. G. To Mrs Sybilla, on her Acting the Goddess of Dullness and persuading her to attempt Melantha in Dryden's Marriage Alamode in Gentlemen's Magazine, Feb. 1745, p. 98. Authorship of afterpiece unknown; possible a revision of Theobald's The Happy Captive. See 16 April 1741 hay.

Event Comment: Benefit Mrs Charke. 6 p.m. 5s., 3s., 2s., will be presented a Concert, etc. [In the bill for 21 Feb. it is announced as: By Permission...will be reviv'd an Historical Play, not acted these sixty years.] Tickets and Places to be had of Mr Meredith, at the Theatre. [Puffs in the Daily Advertiser announce their pleasure that Mrs Charke is actually going to play a woman's role. A rehearsal was held on 1 March.

Event Comment: Benefit Mrs Giffard. Mainpiece: At the Particular Desire of Several Persons of Quality. Servants will be admitted to keep places on the stage; and the ladies are desired to send their servants by 3 o'clock. Mr Giffard having receiv'd directions for places at his benefit takes this opportunity of acquainting his friends he shall desist from troubling them on that occasion this season. Tickets to be had of Mrs Giffard at No. 11, in Craven Buildings, Drury Lane; and of Hobson at the Stage door

Event Comment: Tragedy never acted. By James Thomson. Characters New Dress'd. But as it is rather more fashionable to run mad about Mr Thomsons's play, I will change my theme and talk to you of Tancred. I want much to know how you like it, at this distance I would lay any wager you do not like it so well as your sister does, who certainly cannot be your sister and not have been to see it long ago. Everybody agrees that no play was ever so much improved in acting, at least since the Booths and Bettertons. That first scene expecially, where Siffredi discovers to Tancred who he is, pleased me almost beyond anything I ever saw, indeed even before I saw it, that scene was my favourite. But what do you think of the story, and what of the style?-A Series of Letters between Mrs Elizabeth Carter and Miss Catherine Talbot, I, 60 (dated strangely 2 March). [On 26 April, the Daily Post published a letter by Bellario on Tancred and Sigismunda, discussing the kind of support it received]: A very remarkable new Lord of the Treasury was proud of appearing its Foster Father, and attended at the public rehearsals; the first night of the performance this celebrated person and his friends in the Box with him (all very lately most flaming Patriots) were seen clapping their hands at the following remarkable speech: First of You All...To Quit Mistakes. [The letter also discussed political aspects of the play, then the poetry of the lines. The author heard that three hundred lines were cut out after the first performance, and was of opinion that double that amount would have been beneficial.

Event Comment: Benefit Mr Daniel and Mrs Bainbridge; tickets deliver'd out for Love's Last Shift will be taken

Event Comment: Mainp1ece, a Comedy written by Colley Cibber, Poet Laureate. Not acted in 30 years [see 18 Oct. 1718. An Epilogue for Mrs Woffington in the Character of Brittania was sent this day to the Licenser.

Event Comment: Benefit Mrs Hooper. Boxes 4s. Pit 3s. First Gallery 2s. Upper Gallery 1s

Event Comment: Benefit Mr and Mrs Dove. Prices Boxes 3s. Pit 2s. First Gallery 1s. 6d. Upper Gallery 1s. Note, Several Lots of ground to be lett for Gardening. Enquire at the Taphouse of the Wells

Event Comment: Benefit Picq, Bibby and Mrs Mann, Brownlow St., Long Ave

Event Comment: Tickets deliver'd out by Wright, Atkinson, Mrs King, Miss Bradshaw, Miss Pitt, &c for the Confederacy will be taken. Care will be taken to stop those Tickets that are sold at the door

Event Comment: Benefit I. Sparks. Tickets deliver'd out by Lloyd, Mason, Caustin, &c will be taken, and tickets deliver'd out by Brooks, Bride, Mrs Barclay, Mrs Fenn, and others for the Country Wife for Thursday last will be taken this night. Being the last time of the Company's performing this season. [The advance notice of this night had included the Musical Entertainment of Neptune and Amphitrite (compos'd by Arne), but this is omitted from the notice of the day.

Event Comment: WWalpole to Sir Horace Mann: We have operas but no company at them; the Prince and Lord Middlesex Impresarii. Plays only are in fashion; at one house the best company that perhaps ever were together, Quin, Garrick, Mrs Pritchard, Mrs Cibber: at the other Barry, a favorite young actor and the Violette, whose dancing our friends don't like: I scold them, but all the answer is "Lord! you are so English."-Horace Walpole's Correspondence with Sir Horace Mann, II, 42

Event Comment: 1 Ladies send servants by three o'clock to keep places. [A customary note for subsequent performances this season.] Paid Mrs LaFont for her performance 3 nights in The Rape of Proserpine 15s. Receipts: #189 7s

Event Comment: At the particular Desire of several Persons of Quality. Benefit Mrs Giffard. Tickets to be had of her at her house, No 11 in Craven Buildings, Drury Lane, and of Hobson at the stage door where places may be taken

Event Comment: Benefit Brett and Mrs Cushing

Event Comment: Benefit Mrs Elmy. Tickets and places of Hobson, and of Mrs Elmy at her lodgings at the Star in Bow St., Covent Garden

Event Comment: Benefit Cross (Prompter) and Mrs Cross. Mainpiece not acted for 40 years [see 22 Dec. 1710]. Written by the author of The Yeoman of Kent [Thomas Baker]. Tickets deliver'd by Mr Burton will be taken. Tickets to be had of Cross at his lodgings over against the Rose Tavern in Russell St., Covent Garden

Event Comment: Benefit Dunstall and Davies. Receipts: #15 16s. 6d., plus #91 15s. from tickets, distribution unspecified. Charges #60. Paid Bridgwater in part of his Bond #50 (Account Books, Egerton 2268). Tickets to be had at Dunstall's in Hunt's Court, Castle St; and of Davies at Mrs Cox's at the Indian Queen, in Cranbourn St., Leicester Fields

Event Comment: CCross: An apology made for Mrs Cibber's being ill, tho she play'd her part. Receipts: #180 (Cross); #181 5s. 6d. (Powel)

Event Comment: Benefit for Mrs Elmy. Tickets and Places of Mrs Elmy at the corner of Tavistock St. next Southampton St., Covent Garden; and of Hobson at the stage door. Being the last time of acting till the Holidays. Cash, #92 12s.; tickets, #56 8s.; total, #149 (Clay MS page reproduced in Oct. 1926 issue of Connoisseur, p. 93). A few days ago arriv'd in Town Mr Sheridan, Manager of the Theatre Royal in Dublin, and we hear as his stay is to be but short, he intends to perform only once, for the benefit of the poor sufferers by the late Fire (General Advertiser). [The fire happened the 25th in "Exchange alley (London) and in the space of 10 hours consumed a great number of houses occupied by persons in middling circumstances and with large families." Subscriptions were raised and distributed by a committee of ten bankers. See General Advertiser.] Receipts: #160 (Cross); house charges, #63 (Powel)

Event Comment: [Benefit for Berry and Mrs Green. Stage form'd into Front and Side Boxes. Tickets of Hobson at stage door; or Berry at his lodgings in Little Bridges St., Covent Garden; and Mrs Green at her Lodgings at the Green Canister in Great Shier Lane, Carey St., Lincolns Inn. [This day one B. B. (presumably Macklin) inserted a letter to the author of the General Advertiser in that paper framing the historical background for the Lover's Melancholy, to be performed as benefit for his wife on 22 April. It gave a short account of the author (John Ford), his works in general, and of that dramatic piece in particular, and sought to align Ford as an intimate and profess'd admirer of Shakespeare. See comment for 23 April]. Receipts: #207 (Cross); house charges, #63 N.B.: Mr Berry paid, but at the rate o 60 pounds for his benefit, therefore I must make a draw back of #1 10s. for his half (Powel); cash, #88 9s. tickets, #118 12s. (Clay MS)