*p1745 03 18 dl Tancred and Sigismunda. Tancred-Garrick; Siffredi-Sheridan; Osmond-Delane; Rodolpho-Havard; Sigismunda-Mrs Cibber; Laura-Miss Budgell; Epilogue-Miss Budgell, Mrs Cibber [1st edition, but listed in order of actors given by <i>General Advertiser</i>, except General Advertiser adds $Bridges= & $Mozeen=].*c1745 03 18 dl Tragedy never acted. By $James Thomson=. Characters New Dress'd. But as it is rather more fashionable to run mad about Mr Thomsons's play, I will change my theme and talk to you of Tancred. I want much to know how you like it, at this distance I would lay any wager you do not like it so well as your sister does, who certainly cannot be your sister and not have been to see it long ago. Everybody agrees that no play was ever so much improved in acting, at least since the $Booths= and $Bettertons=. That first scene expecially, where <i>Siffredi</i>r discovers to <i>Tancred</i>r who he is, pleased me almost beyond anything I ever saw, indeed even before I saw it, that scene was my favourite. But what do you think of the story, and what of the style?-<i>A Series of Letters between Mrs Elizabeth Carter and Miss Catherine Talbot</i>, I, 60 (dated strangely 2 March). [On 26 April, the <i>Daily Post</i> published a letter by $Bellario= on <i>Tancred and Sigismunda</i>, discussing the kind of support it received]: A very remarkable new <i>Lord of the Treasury</i> was proud of appearing its Foster Father, and attended at the public rehearsals; the first night of the performance this celebrated person and his friends in the Box with him (all very lately most flaming Patriots) were seen clapping their hands at the following remarkable speech: First of You All...To Quit Mistakes. [The letter also discussed political aspects of the play, then the poetry of the lines. The author heard that three hundred lines were cut out after the first performance, and was of opinion that double that amount would have been beneficial.]