SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mrs Jordan"/1) | (@(roleclean,performerclean) "Mrs Jordan")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 23327 matches on Performance Comments, 4246 matches on Event Comments, 4199 matches on Performance Title, 1409 matches on Roles/Actors, and 12 matches on Author.
Event Comment: At the Great Room, George Inn Yard. Mrs Charke and King's Company of Comedians. A new Droll. Pit 1s. 6d. First Gallery 1s. Upper Gallery 6d. 12 noon to ten p.m. during the time of the Fair

Performances

Mainpiece Title: Ngland Triumphant; Or, The British General

Afterpiece Title: The Merry Beggars; with the Comical Humours of his Royal Consort Queen Tatter

Entertainment: Variety of Singing, Dancing, Rope Dancing, Tumbling-eminent performers lately arrived from Italy

Related Works
Related Work: The Goldsmiths Jubilee; or, London's Triumph: Containing, A Description of the several Pageants: On which are Represented, Emblematical Figures, Artful Pieces of Architecture, and Rural Dancing: with the Speeches Spoken on each Pageant. Author(s): Thomas Jordan
Event Comment: At the Great Room, Dean St., Soho. At 6:30 p.m. Prices half a Guinea and 5s. Benefit Mrs Pontifex, Downey, West Wycombe, Bucks, whose Husband was murdered, and all Stock in their Farm destroyed by Fire

Performances

Mainpiece Title: L'allegro, Il Pensoroso

Performances

Mainpiece Title: The Triumph Of Time And Truth

Performance Comment: See17580210. Time-Champness, bass; Counsel (or Truth)-Miss Young [Mrs Scott?] [mezzosoprano; Beauty-Signora Frasi[, soprano; Pleasure-Beard[, tenor; Deceit-Signora Beralta[, soprano (Deutsch, Handel, p. 783)., soprano (Deutsch, Handel, p. 783).

Performances

Mainpiece Title: Belshazzar

Performance Comment: Larpent MS lists parts: Belshazzar, Daniel, Cyrus, Gobryas (An Assyrian Noble revolted to Cyrus), Nitocris (Mother to Belshazzar), Arioch (a Babylonian Lord), Chorus of Babylonians , Jews , Medes , and Persians . [Deutsch, Handel, p. 794, lists: Belshazzar-Beard; Nitocris-Signora Frasi; Cyrus-Miss Young [Mrs Scott]; Daniel-Miss Frederick; Gobrias-Champness.

Performances

Mainpiece Title: Jeptha

Performance Comment: Jeptha-Beard; Iphis-Signora Frasi; Hamor-Miss Young [Mrs Scott]; Storage-Miss Frederick; Zebul-Champness (Dean, Handel's Dramatic Oratorios, p. 619).
Event Comment: Benefit for Mrs Frasi. By Mr Handel. This is the only Opportunity the Public will have of hearing this favourite Oratorio, Mr Handel being determined not to perform it this Season. Tickets: Pit and Boxes Half Guinea. First Gallery 5s. Upper Gallery 3s. 6d. Galleries to be opened half an hour after four, Pit and Boxes at Five; to begin at half an hour after Six

Performances

Mainpiece Title: Samson

Music: Concerto on the Organ-Stanley

Event Comment: The Words by Mrs Elizabeth Rowe. The Musick by Chas. Barbandt. Pit and Boxes 5s. Gallery 3s. To begin at Seven o'Clock. Books of the Oratorio to be had at the Theatre 6d

Performances

Mainpiece Title: Oratorio On The Divine Veracity

Event Comment: On 21 March died of a Consumption, at Somerset House, Mrs George Garrick, wife of Mr George Garrick, a Lady in whom was united every amiable quality (Public Advertiser, 22 March.)

Performances

Performances

Mainpiece Title: The Minor

Performance Comment: . Foote, Holland, Burton, Baddeley, Bransby, Blakes, Vaughan, Miss Pritchard. Shift, Smirk, Mrs Cole, Epilogue-Foote; Sir Geo Wealthy-Holland; Sir Wm Wealthy-Baddeley; Transfer-Blakes; Lucy-Miss Pritchard (Genest, IV, 602); Parts-Burton, Bransby, Vaughan.

Afterpiece Title: A Duke and no Duke

Dance: II: The Colliers, as17601024

Performances

Mainpiece Title: The Minor

Performance Comment: Principal Characters-Wilkinson (1st appearance there), Dyer, Sparks, Dunstall, Davis, Bennet, Collins, Mrs Burden.

Afterpiece Title: The Lottery

Dance: As17601013

Event Comment: Never acted. [See Genest's comment (IV, 618) derived from Cumberland and the London Magazine-its appeal to the fashionable circles, its damnation at first performance because of the hanging of Harlequin in full view, and its modification thereafter. See 18 June and Horace Walpole to George Montagu [Arlington Street] July 28, 1761: I came to town yesterday through clouds of dust to see The Wishes, and went ac- [I, 381] tually feeling for Mr Bentley, and full of the emotions he must be suffering. What do [you] think in a house crowded was the first thing I saw! Mr and Madam Bentley perked up in the front boxes and acting audience at his own play--no, all the impudence of false patriotism never came up to it! Did one ever hear of an author that had couraee to see his own first night in public? I don't believe Fielding or Foote himself ever did--and this was the modest bashful Mr Bentley, that died at the thought of being known for an author, even by his own acquaintance! In the stage-box was Lady Bute, Lord Halifax and Lord Melcomb-I must say the two last entertained the house as much as the play-your King was prompter, and called out to the actors every minute to speak louder-the other went backwards and forwards behind the scenes, fetched the actors into the box, and was busier than Harlequin. The curious prologue was not spoken, the whole very ill-acted. It turned out just what I remembered it, the good parts extremely good, the rest very flat and vulgar-the genteel dialogue I believe might be written by Mrs Hannah. The audience was extremely fair. The first act they bore with patience, though it promised very ill-the second is admirable and was much applauded-so was the third-the fourth woeful-the beginning of the fifth it seemed expiring, but was revived by a delightful burlesque of the ancient chorus-which was followed by two dismal scenes, at which people yawned-but were awakened on a sudden by Harlequin's being drawn up to a gibbet nobody knew why or wherefore-this raised a prodigious and continued hiss, Harlequin all the while suspended in the air-at last they were suffered to finish the play, but nobody attended to the conclusion-modesty and his lady all the while sat with the utmost indifference-I suppose Lord Melcombe had fallen asleep [p. 382] before he came to this scene and had never read it. The epilogue was about the King and new Queen, and ended with a personal satire on Garrick-not very kind on his own stage-to add to the judge of this conduct, Cumberland two days ago published a pamphlet to abuse him. It was given out for tonight with more claps than hisses, but I think it will not do unless they reduce it to three acts." [p. 383]. Correspondence with George Montagu. Ed. W. S. Lewis & Ralph Brown. (New Haven: Yale University Press, 1941), I, 381-83] Note: (I, 381n): Bentley's play of The Wishes or Harlequin's Mouth Opened, was offered to Garrick and Rich the beginning of 1761, but wasrefused by both. His nephew Cumberland showed it to Lord Melcomb, who carried it to Lord Bute, with a compliment in verse to that Lord by Mr Cumberland. Lord Bute showed it to the King, who sent Bentley #200 and ordered the new summer company to play [it]. There was a prologue, flattering the King and Lord Bute which Foote refused to act. Two days before it was played, Cumberland wrote an anonymous pamphlet, addressed to Mr Bentley, and abusing Garrick, who had refused to act Cumberland's tragedy of Cicero's banishment, which he printed this year [1761], unacted. The Wishes were played for the first time July 27th, 1761; the 2d 3d and part of the 4th, acts were much applauded, but the conclusion extremely hissed. The Epilogue concluded with a satire on Garrick. It was acted five nights. About the same time he wrote a tragedy called Philodamus, which he was to read to Garrick, but the latter was so angry at their treatment of him, that he declared against seeing Mr Bentley" (MS account by HW of Bentley's writings, in the collection of Lord Waldegrave at Chewton Priory)

Performances

Mainpiece Title: The Wishes; Or, Harlequin's Mouth Opened

Dance: Master Rogier, Miss Capitani

Event Comment: The Winston Theatrical Record suggests the following initial outlay for the season, which on 26 Nov. was subtracted from the total receipts to leave the company solvent at #715 9s., when Beard took over: @50 Performers' salary #210 0s. 10d.@50 Servants' salary #16 16s.@Music expenses #52 16s. 7d.@#279 13s. 5d.@To Mr Rich on account #1000@Habadasher's Bill for Coronation #4 16s. 4d.@Ribbons for Coronation #2 16s. 5d.@Window Curtain for Mrs Bellamy's Room #1 4s. 8d.@Printing #3 8s. 6d.@#1291 19s. 4d.

Performances

Mainpiece Title: None

Performances

Mainpiece Title: Artaxerxes

Performance Comment: Principal parts: Beard, Tenducci, Peretti, Mattocks, Miss Thomas, Miss Brent. Artabanes-Beard; Arabaces-Tenducci; Rimenes-Mattocks; Artaxerxes-Peretti, first appearance on English stage; Mandane-Miss Brent, Edition of 1762; Semira-Miss Thomas. (Genest, IV, 650) mistakenly assigns the part to Mrs Vernon.

Ballet: II: A New Ballet call'd The Statue Animated. Pygmalion-Maranesi; Scaramouch-Sodi; Inchantress-Miss Valois; Statue-Miss Wilford

Dance: End Opera: A New Dutch Dance-Maranesi, Mlle Capdeville

Event Comment: Oratorio By Desire. "Mrs Pritchard's great demand for places tomorrow night, obliges her to request the Ladies will send their Servants early to prevent any mistakes in placing them.

Performances

Mainpiece Title: Samson

Music: As17620305

Performances

Mainpiece Title: Trial Scenes Of The Cock Lane Ghost

Afterpiece Title: Tars of Old England

Entertainment: Exhortation of the Little Lilliputian Squire Hum, a child of five years old. TheGrand Hornpipical Balletin the taste and after the manner of Mrs Vernon and Miss Nancy Dawson,-a young lady

Performance Comment: TheGrand Hornpipical Balletin the taste and after the manner of Mrs Vernon and Miss Nancy Dawson,-a young lady.
Event Comment: Benefit for Mrs Mingotti

Performances

Mainpiece Title: Leucippo

Dance: I: A new dance-Miss Lalauze; The Tambourine-Fischer; the Terzetto-Duval, Berardi, Miss Tetley; II: Le Matelot Provencalle-Fischer, Miss Auretti; III: Le Mariage du Village-Duberval, Miss Auretti; a new dance-Miss LaLauze

Song: By desire Nasce nel Bosco (Giordini)-Sga Mingotti; O che Salvo (Hasse)-Sga Mingotti; Se Il mio dual (Hasse)-Sga Mingotti; Non fau in che parlo (Perez)-Sga Mingotti; Act III: To mon@fugaste (Vento)-Sga Mingotti

Event Comment: Jan. 30, 1766, died Mrs Cibber. Was Miss Arne, born 1715. Married Theo Cibber 21 April 1734. Brought to bed of a son 5 April 1736. Left stage 1738 with Mr Sloper, who was charged with damages. Acted Dublin 1741. Returned to Covent Garden and performed till 1747. Joined Garrick till 1750. Returned to cg till 1753. Returned to dl and remained till she died (Winston MS 9 from Burney's Actor's MS)

Performances

Mainpiece Title: None

Event Comment: This Week a Patent passed the Great Seal for the Establishment of a new Theatre, to Samuel Foote, Esq. only (Public Advertiser, London notes, p. 2, col. 3). Mr Barry and Mrs Dancer from Dublin are said to be engaged for this summer at the Theatre Royal in the Haymarket (Gazetteer and New Daily Advertiser, London notes, p. 2, col. 2, which corroborates the Foote patent)

Performances

Event Comment: With several curious and uncommon performances by the Venetian and his children. Neville MS Diary: At 6 got into the Pit at Sadler's Wells just as the entertainment began with concerts. The singing by Mrs Lampe, Master Herryman, &c. Dancing by Sg Grimaldi, Tassoni, Miss Reynolds from Drury Lane. Tumbling, but not equal to that by Plaida's company. Postures in which the Venetian and his children (a boy and a girl particularly) excel greatly. One stands on his hands, turns his feet backwards to his haunches, and walks in this position or forms an arch with his breast, while the other stands on his head upon it, the father carries one on his hand around his body, one stands on his head on his father's hand. These I mention as a specimen of many more, equally curious, tho' seeing these postures is disagreeable to a humane mind. The Father balances too the slack rope. The whole concluded with the pantomimic entertainment called Merlin

Performances

Mainpiece Title: Merlin; Or, The Enchanter Of Stonehenge

Event Comment: By Command of their Majesties. Paid to Mrs Nuttall for an engine etc. #6 6s. Paid Jas. Abbott 16s. 4d. for covering an elephant, etc. (Account Book). House charges: #35 (Account Book)

Performances

Mainpiece Title: Judas Macchabaeus

Music: As17680219

Event Comment: Account Book: @Receiv'd of Vincent for Music Forfeits this season #21 11s. 10d.@Rece'v'd for stage forfeits this season #14 4s. 2d.@Receiv'd of Mrs Carne for ends of Candles & Oyl #70 6s. 7d.@Receiv'd of Proprietors of Public Advertiser #50@Receiv'd of Proprietors of Daily Gazetteer #50@Paid Vincent for Music Books #4 5s. 2d.@9 June@Rec'd Assurance on 50 Renter's Old Shares at 4s. 10d. each #12 1s. 8d.@Rec'd Assurance on 50 Renter's New Shares at 2s. 6d. each #6 5s.@15 July@Rec'd of His Majesty by Mr Mathias #40@Rec'd of Madam Schellenbergen by Ditto #9@Total Income 1768-69: #30,759 16s. 2 1!2d.@Total Expense 1768-69: #24,035 8s. 3d.@31 May: Paid Arnold Composer #50 13s.@2 June: Paid Kirkman for tuning #20@

Performances

Mainpiece Title: None

Event Comment: By particular Desire of several Persons of Distinction (on account of Mrs Cornelys Ball) the Opera will begin at 6:30 p.m

Performances

Mainpiece Title: Le Serve Rivali

Event Comment: Died at Bristol, William Powell aged 33. His share retained by Mrs Powell who later married Fishar (Winston MS 10)

Performances

Mainpiece Title: None

Event Comment: Oratorio performed but once. [Usual note about servants and sale of books of performance.] Receiv'd deficiencies for last season from Morris #13 9s. 3d.; Mrs Pitt #12 6s. 6d.; Curtat #6 6s. 2 1!2d.; Bates #6 6s. 2 1!2d.; Fox #6 5s. 5d. (Account Book). Charges: #35

Performances

Mainpiece Title: The Resurrection

Related Works
Related Work: London's Resurrection to Joy and Triumph: Celebrious to the much-meriting Magistrate Sir George Waterman Knight, Lord Mayor of the City of London Author(s): Thomas Jordan

Music: As17700302

Performances

Mainpiece Title: The Magic Girdle

Performance Comment: As17700717 but Concert vocalist Cheney and Mrs Barthelemon omitted .