Event Comment: Mainpiece: Not acted these 9 years. [Mrs Worthington is identified in MS list in Kemble playbills of new performers for this season.] Ballet: 1st time; composed by Giacomo? Gentili. Afterpiece [1st time: ENT 1, by Richard Brinsley Sheridan; acted in place of The Prize, advertised on playbill of 4 Mar. Text (C. Lowndes, 1797)]: Altered from a Dramatick Entertainment performed 1794 [The Glorious First of June]. In the course of which will be introduced a representation of the late Glorious Engagement between the British and Spanish Fleets on the Fourteenth of February [1797, under Sir John Jervis, off Cape St. Vincent]. Receipts: #253 9s. (151.2.6; 100.17.0; 1.9.6)

Event Comment: Benefit for Mr and Mrs Knight. 3rd piece: Illumination, &c. as 18 May. Books of the Songs to be had at the Theatre. True Briton, 1 May: Tickets to be had of Mr and Mrs Knight, No. 47, Rathbone Place. Receipts: #221 9s. 6d. (93.0.6; 17.8.6; tickets: 111.0.6)

Event Comment: Account-Book: Tickets delivered by Mrs Masters, Gillet, Goodwin, Larkman, Robson (music porter), Smart, Strahan, Anselmo will be admitted. Receipts: #174 (26.5.6; 3.15.6; tickets: 143.19.0)

Event Comment: Benefit for Phillimore, Denman, Cooke, Stokes, Miss Tidswell, Miss Heard, Mrs Benson. Morning Herald, 9 June: Tickets to be had of Miss Heard at Mrs Fletcher's, No. 239, Piccadilly; True Briton, 5 June: of Mrs Benson, No. 31, Hart-street, Bloomsbury [no others listed]. Receipts: #78 10s. (35.0.6; 41.2.6; 2.7.0; tickets: none listed) (charge: #224 15s. 3d.)

Event Comment: Benefit for Mrs Gibbs. 1st piece: The Musick composed by Storace

Event Comment: "In point of voice, there are few women so highly favoured as Mrs Litchfield [whose 1st appearance at cg was on 27 May 1796]; through every gradation of tone it is perfect, combining strength and melody, it is equal to any task which the theatre (large and extensive as it is) can impose. It is suited to the firmness of declamation, the tenderness of pathos, and the burst of indignant passion" (Monthly Mirror, Oct. 1797, p. 226). The Epilogue is not listed on the playbill, but "The audience would not be satisfied without the original Epilogue [by Miles Peter Andrews], which Lewis came forward and spoke" (True Briton, 21 Sept.). [Afterpiece in place of The Poor Soldier, advertised on playbill of 18 Sept.] Receipts: #225 0s. 6d. (195.14.0; 29.6.6)

Event Comment: [This was Mrs Abington's 1st appearance on the stage since 12 Feb. 1790, except for 14 June 1797, when she spoke an epilogue at a charity benefit.] "Her former Beatrice was a chaste, animated, unaffected and captivating performance; but her Beatrice of this night was, for the greater part, languid and unattractive. Her deportment, however, is easy and graceful; but her person is too big and heavy to give any effect to the more gay and sprightly scenes. We conceive it to be the height of folly and imprudence in her to come forward in the present advanced period of her existence; and that too, with a person so ill calculated for the department, and attempt characters which demand all the vigour and activity of youth" (Monthly Visitor, Oct. 1797, p. 352). [Address by George Colman, ynger (London Chronicle, 7 Oct.).] Receipts: #348 2s. (336.18; 11.14)

Event Comment: Mainpiece: Not acted these 20 years [acted 4 Jan. 1786. Mrs Johnstone, who is identified in Thespian Dictionary, 1805, was from the Birmingham theatre]. Receipts: #222 6s. (200.13; 21.13)

Event Comment: Benefit for Mrs Jordan. Times, 25 Apr.: Tickets to be had of Mrs Jordan, No. 14, Somerset-street, Portman-square. Receipts: #296 14s. 6d. (234.7.6; 59.6.6; 3.0.6; tickets: none listed) (charge: #20)

Event Comment: Benefit for Mrs Mattocks. 1st piece [1st time; INT 1, by John Cartwright Cross. Larpent MS 1213; not published]. Genest, VII 365, states that the Epilogue Address "was in all probability the Epilogue to Alonzo [by David Garrick]." 3rd piece: conclude with a Rural Procession: Four Lads bearing Streamers-Plough decorated with Flowers-Four Countrymen bearing a May-day Garland-Four Lasses Bearing Implements of Husbandry-Country Girls leading a Lamb, decorated with Flowers-Four Lasses bearing a Garland-a Chorus and Finale. Tickets delivered for Every One has His Fault will be admitted. Times, 17 Apr.: Tickets to be had of Mrs Mattocks, No. 8, Great Russell-street, Covent-garden. Receipts: #259 16s. 6d. (124.7.0; 2.13.0; tickets: 132.16.6)

Event Comment: Benefit for Miss Pope. [Mrs Jordan's 1st appearance as Lady Bell was at this theatre, 21 Apr. 1789.] 3rd piece: To conclude with a Prospect of the Infernal Regions, and a Rain of Fire. Times, 4 May: Tickets to be had of Miss Pope, No. 63, Great Queen-street, Lincoln's-Inn-Fields. Receipts: #318 11s. 6d. (78.0.6; 84.18.0; 4.12.6; tickets: 151.0.6) (charge: #216 8s. 1d.)

Event Comment: The Last Night of the Company's Performing this Season. [Mrs Francis, who is identified in Monthly Mirror, June 1798, p. 371, was from the Royalty Theatre.] Account-Book: Outstanding tickets taken. Receipts: #95 16s. 6d. (19.17.6; 5.6.6; tickets: 70.12.6)

Event Comment: [In 2nd piece the playbill assigns Madelon to Mrs Bland, but she, "piqued at the levy of the customary, and very proper fines on account of her non-attendance at rehearsals, stayed away from the theatre on this evening, and Mrs Edwards [sic] was obliged to undertake the part of Madelon" (Monthly Mirror, July 1798, p. 52).

Event Comment: Benefit for Mrs Mattocks. Morning Chronicle, 8 Apr.: Tickets to be had of Mrs Mattocks, No. 16, Soho-square. Receipts: #290 13s. (144.12.6; 3.10.6; tickets: 142.10.0)

Event Comment: Benefit for Mrs Powell. [1st piece: Prologue by the author (see text).] 3rd piece: To conclude with Robinson Crusoe's departure from the Island. Morning Chronicle, 22 Apr.: Tickets to be had of Mrs Powell, No. 6, Craven-street, Strand. Receipts: #489 14s. 6d. (164.8.0; 67.15.6; 0.16.6; odd money: 6.14.6; tickets: 250.0.0) (charge: #213 2s. 4d.)

Event Comment: Benefit for Mrs Pope. Mainpiece: Not acted these 6 years. In I a Grand Banquet Scene. A Procession from the Abbey at the Coronation of Queen Anne Bullen. The Piece to conclude with the ceremony at the Royal Christening. [Holman's 1st appearance as King Henry was at this theatre, 24 May 1793.] Morning Chronicle, 27 Apr.: Tickets to be had of Mrs Pope, Half Moon-street, Piccadilly. Receipts: #391 0s. 6d. (299.15.6; 2.9.0; tickets: 88.16.0)

Event Comment: [Account-Book: Tickets delivered by Stokes, Archer, Sparks, Fisher, Chatterley, Chippendale, Miss Heard, Miss Tidswell, Mrs Benson will be admitted.] Receipts: #613 0s. 6d. (125.18.0; 43.11.6; 0.4.0; odd money: 18.18.0; tickets: 424.9.0)

Event Comment: Benefit for Mrs Gibbs. Afterpiece [1st time; F 2, by Andrew Franklin. Larpent MS 1264; not published; synopsis of plot in Morning Post, 6 Aug.]

Event Comment: Afterpiece [1st time; M. ENT 2, by William Linley. Larpent MS 1246; not published]: With new Scenes, Dresses, and Decorations. The Overture and Musick entirely new, composed by William? Linley. Books of the Songs to be had in the Theatre. [Notice on playbill of 20 Nov.: The Author of The Pavilion, submitting with deference to the decision of the Public, has withdrawn it for the present to make such alterations as he hopes may render it an Entertainment better entitled to their approbation. (On 21 Jan. 1800, altered, it was acted as The Ring.)] "Miss DeCamp need never wish to have a better foil to her exquisite style of acting, than the puny efforts of Kelly and Mrs Crouch. They may be singers, but never should attempt to perform" (Dramatic Censor, I, 9). Receipts: #291 4s. 6d. (157.3.0; 131.8.6; 2.13.0)

Event Comment: Benefit for Mrs Pope. 1st piece: Not acted these 7 years [acted 1 Jan. 1795]. Morning Chronicle, 23 Apr.: Tickets to be had of Mrs Pope at her house, Half-moon-street, Piccadilly. Receipts: #272 4s. 6d. (159.14.0; 2.10.0; tickets: 110.0.6)

Event Comment: Benefit for Emery, Mrs T. Dibdin & Mrs Johnson. 1st piece: Not acted these 3 years [acted 11 Apr. 1798]. Receipts: #326 12s. (47.4.6; 7.8.0; tickets: 271.19.6)

Event Comment: Account-Book: Tickets delivered by Shotter, Atkins, Wall, Hall (box-keeper), Haseler, Paskin, Larkman, Furkins, Rye, Smart, Pitt, Noble, Mrs Finley will be admitted. Receipts: #420 13s. (40.2.6; 5.2.6; tickets: 375.8.0)

Event Comment: 3rd piece [1st time; P 2, by John Fawcett. Text 1st published by Duncombe and Moon, c. 1825]: With entire new Scenes, Dresses, and Decorations. The Overture and most of the Musick composed by Dr Arnold. The Selections from eminent Masters, and the whole adapted by him to the Action of the Drama. The Scenery, comprehending a display of Views in the Island of Jamaicav, designed and painted [on playbill of 1 July: from Views taken on the Spot, and documents of undoubted authority] by S. Whitmore. The Machinery by Ronaldson, Sylvester, &c. The Dresses [on playbill of 1 July: made for the purpose by Persons acquainted with the spot where the Scene of Action lyes] by Gay, Mrs Egan, &c. A Prospectus of the Action with the Songs annexed, Price Six-pence, to be had at the Theatre [and reprinted in Dramatic Censor, III, 21-29]

Event Comment: The date of the first performance is not certainly known, but Pepys, on 2 July, saw Part II, stating that 2 July was the premiere of Part I and the opening of the Duke's Company's new theatre in Lincoln's Inn Fields. Downes (Roscius Anglicanus, pp. 20-21): His [Davenant's] Company Rehears'd the First and Second Part of the Siege of Rhodes...at Pothecaries-Hall: And in Spring 1662 [1661], Open'd his House with the said Plays, having new Scenes and Decorations, being the first that e're were Introduc'd in England....All Parts being Justly and Excellently Perform'd; it continu'd Acting 12 Days without Interruption with great Applause. Downes, p. 34: I must not forget my self, being Listed for an Acotr in Sir William Davenant's Company in Lincolns-Inn-Fields: The very first Day of opening the House there, with the Siege of Rhodes, being to Act Haly; (The King, Duke of York, and all the Nobility in the House, and the first time the King was in a Publick Theatre). The sight of that August presence, spoil'd me for an Actor too. HMC, 10th Report, Appendix, Part IV, p. 21: @For the Siege of Rhodes all say@It is an everlasting play@Though they wonder now Roxalana is gon@What shift it makes to hold out so long@For when the second part took, butt for Bully@The first did not satisfie so fully.@ [Presumably this verse was written after Mrs Davenport left the stage, in 1662(?).

Event Comment: The Duke's Company. Pepys, Diary: To the Opera, and there saw Romeo and Juliet, the first time it was ever acted; but it is a play of itself the worst that ever I heard in my life, and the worst acted that ever I saw these people do, and I am resolved to go no more to see the first time of acting, for they were all of them out more or less. Downes (p. 22): Note, There being a Fight and Scuffle in this Play, between the House of Capulet, and House of Paris; Mrs Holden Acting his Wife, enter'd in a Hurry, Crying, O my Dear Count! She Inadvertently left out, O, in the pronuntiation of the Word Count! giving it a Vehement Accent, put the House into such a Laughter, that London Bridge at low-water was silence to it. This Tragedy of Romeo and Juliet, was made some time after into a Tragi-comedy, by Mr James Howard, he preserving Romeo and Juliet alive; so that when the Tragedy was Reviv'd again, twas Play'd Alternately, Tragical one Day, and Tragicomical another; for several Days together. [No specific notices are known which would indicate when Howard's version appeared.