SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mrs Day"/1) | (@(roleclean,performerclean) "Mrs Day")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 23440 matches on Performance Comments, 5952 matches on Event Comments, 4695 matches on Performance Title, 325 matches on Roles/Actors, and 9 matches on Author.
Event Comment: Mainpiece: Altered into Three Acts. "All the comic part of the play is cut out" (Monthly Mirror, Dec. 1795, p. 123). Afterpiece [1st time; P 2, by William Pearce]: The Incidents principally selected from the legendary Ballads of the 13th Century. The Scenery, Machinery, Music, Dresses and Decorations entirely new, and in correct conformity to the Times. The Pantomime invented by Mr Lonsdale. The Songs written by Mr O'Keeffe. The Overture and the Music (with the exception of a few Antient Ballad Tunes) by Reeve. The Dances invented by Byrn. [The concluding Grand Scene regulated by Thomas Harris (Monthly Mirror, supra).] The Scenery painted by Hodgins, Lupino, Phillips, Thorne, Hollogan, Blackmore, and assistants. The Machinery by Sloper and Goosetree. The Dresses by Dick and Mrs Egan. Books of the Songs to be had at the Theatre. [For a further assignment of the Vocal Characters and for a more detailed synopsis, see 4 Jan. 1796.] Account-Book, 16 Jan. 1796: Paid Goosetree for the Keep and Hire of Horses for the Pantomime #15 13s. Receipts: #321 19s. (318.10; 3.9)

Performances

Mainpiece Title: Oroonoko

Performance Comment: Oroonoko-Pope; Governor-Richardson; Blandford-Macready; Capt. Driver-Davenport; Stanmore-Williamson; Aboan-Harley; Imoinda-Mrs Pope.
Cast
Role: Imoinda Actor: Mrs Pope.

Afterpiece Title: Merry Sherwood; or, Harlequin Forester

Performance Comment: Principal Vocal Characters-Incledon, Johnstone, Munden, Fawcett, Bowden, Knight, Townsend, Richardson, Haymes, Gray, Street, Linton, Spofforth, Tett, Mrs Serres, Mrs Mountain, Mrs Clendining, Mrs Martyr; Principal Pantomimic Characters: Robin Hood-Follett; Arthur of Bradley-Farley; Little John-Simmons; Will Scarlet-Cranfield; Will Stukely-Williamson; Locksley-Gray; Midge the Miller-Street; Clerk-Rees; Parson of Barnsdale-Platt; Sheriff of Nottingham-Thompson; Prince of Arragon-Holland; Two Giants-; Price, Stevens; Harlequin-Simpson; Maid Marian-Mlle St.Amand; Part I. Scene I. A View in Sherwood Forest, Robin Hood's Well; Principal Archer (with In Merry Sherwood)-Bowden; Dialogue Ballad-Robin Hood, the Tanner; The Witch of Sherwood-Mrs Martyr; Scene II. A View of the Suburbs of Nottingham; The Bellman's Chaunt-Fawcett; Scene III. A Hall in the Sheriff's House; Scene IV. A View of the Town Hall of Nottingham; Scene V. A Country Alehouse; Tinker's Song-Knight; Scene VI. The Pinfold of Wakefield Town; Scene VII. Robin Hood's Bower; Scene VIII. View in Plumpton Park; Song by Allen o'Dale-Incledon; Scene IX. Pollard Wood; Song by the Damsel-Mrs Clendining; Scene X. Song by the Earl's Daughter-Mrs Serres; The Defeat of the Two Giants. The Princess's Marriage with Will Scarlet. A Grand Dance of Warriors-in the Field of Combat. Part II. Scene I. A View of Fountain Dale; Song by Curtal Fryar-Bowden; Scene II. Fountain Abbey Wall; Scene III. A View of Nottingham Castle; Beggar's Ballad-Townsend; Scene IV. Nottingham Market Place; Robin's rescue of Will Stukely from the Sheriff of Nottingham. Song by Irish Pilgrim-Johnstone; Scene V. View in Barnsdale; Song by Allen o'Dale-Incledon; Scene VI. Barnsdale Church Yard; Song by the Old Knight-Munden; Scene VII, VIII and IX. Scarborough Cliffs; A View at Sea; A Plough Field; Scene X. A Forest View in Yorkshire; Song by Martha-Mrs Mountain; Scene XI. Birksley Monastery; Robin Hood's Death. Epitaph and Revival. Song by the Witch-; The Piece to conclude with a Grand Scene, representing the Triumphs of Archery. Order of the Procession: Banner, "Fabulous Archery." Apollo-Hercules-Diana-Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn; Finale, Chorus-.
Event Comment: Benefit for Farley, Mrs Chapman & Mrs Mills. 1st piece: Not acted these 3 years. 2nd piece [1st time; M. INT 1]. 3rd piece: With Alterations and Additions. Not acted these 20 years [acted 29 Oct. 1781.] Receipts: #313 12s. 6d. (95.13.0; 3.1.6; tickets: 214.18.0)

Performances

Mainpiece Title: Life's Vagaries

Performance Comment: Lord Arthur D'Aimurle-Lewis; Dickins (1st time)-Emery; Timolin-Johnstone; Sir Hans Burges-Munden; George Burges-Fawcett; Lord Torrendale (1st time)-Waddy; Robin-Townsend; Leillet-Farley; Augusta (1st time)-Mrs Chapman; Fanny Dickins (1st time)-Mrs Mills; Miss Clare-Mrs Follett; Poor Woman-Mrs Whitmore; Lady Torrendale (1st time)-Miss Chapman.
Cast
Role: Augusta Actor: Mrs Chapman
Role: Fanny Dickins Actor: Mrs Mills
Role: Miss Clare Actor: Mrs Follett
Role: Poor Woman Actor: Mrs Whitmore

Afterpiece Title: Saturday Night at Sea; or, Tars at Anchor

Afterpiece Title: The Norwood Gipsies

Performance Comment: Harlequin-Bologna Jun.; Squire Breakneck-Farley; Beggar-Townsend; (with) A Beggar I am of low degree-Townsend; Natty Sammy-Simmons; Justice Smallwit-Whitmore; Deputy Paunch-Hawtin; Baker-Blurton; Captain Swagger-Coombs; Highwaymen-Dyke, Blurton [i.e. doubled Baker]; Waiters-Webb, Rees Jun.; Serjeant-Claremont; Corporal-L. Bologna; Countrymen-Abbot, Rees; Pierrot (for that night only)-Laurent (1st appearance on this stage); Hunter and Huntress-Mrs Martyr, Mrs Atkins; (with) Tantara-Mrs Martyr, Mrs Atkins; Gipsies-Ms Iliff, Ms Castelle, Ms Leserve, Ms Burnett, Ms Norton, Ms Masters, Mt Linton, Mt Street, Mt Thomas, Mt Lee, Mt Curties; (with) O who has seen the miller's wife-Ms Iliff, Ms Castelle, Ms Leserve, Ms Burnett, Ms Norton, Ms Masters, Mt Linton, Mt Street, Mt Thomas, Mt Lee, Mt Curties; Pierrot's Wife-Mrs Watts; Mother to Columbine-Mrs Whitmore; Nurse-Mrs Lloyd; Deputy's Lady-Mrs Gilbert; Columbine-Mrs Mills.

Song: End II 1st piece: Admiral Benbow-Incledon; End 1st piece: The Group of Lovers-Munden

Event Comment: The United Company. The date of the first performance is not precisely known, but by 9 May 1693 it had been acted four times (see Dryden's letter, below); on the other hand, the Gentleman's Journal, February 1692@3 (issued in March) had stated that D'Urfey's new farce would not appear until after Easter. Hence, it may well have been the first new play after Passion Week. A dialogue, Behold, the man with that gigantick might, the music by Henry Purcell and sung by Mr Reading and Mrs Ayliff, is in Orpheus Britannicus, 1690. See Purcell's Works, Purcell Society, XXI (1917), viii-x. A dialogue, By these pigsnes eyes that stars do seem, the music by John Eccles and sung by Dogget and Mrs Bracegirdle, is in Joyful Cuckoldom, ca. 1695. Another, Stubborn church division, folly, and ambition, to a Ground of Mr Solomon Eccles, is in Thesaurus Musicus, 1694. And Maiden fresh as a rose, the verse by D'Urfey and sung by Pack, but not printed in the play, is in The Merry Musician, I (1716), 56-57. This last song may have been for a later revival. Gentleman's Journal, April 1693 (issued in May 1693): Since my last we have had a Comedy by Mr Durfey; 'tis called the Richmond Heiress or a Woman once in the right (p. 130). Dryden to Walsh, 9 May 1693: Durfey has brought another farce upon the Stage: but his luck has left him: it was sufferd but foure dayes; and then kickd off for ever. Yet his Second Act, was wonderfully diverting; where the scene was in Bedlam: & Mrs Bracegirdle and Solon [Dogget] were both mad: the Singing was wonderfully good, And the two whom I nam'd, sung better than Redding and Mrs Ayloff, whose trade it was: at least our partiality carryed it for them. The rest was woeful stuff, & concluded with Catcalls; for which the two noble Dukes of Richmond and St@Albans were chief managers (The Letters of John Dryden, pp. 52-53)

Performances

Mainpiece Title: The Richmond Heiress; Or, A Woman Once In The Right

Performance Comment: Edition of 1693: Sir Charles Romance-Freeman; Sir Quibble Quere-Bright; Tom Romance-Powel; Dr Guiacum-Sandford; Frederick-Williams; Rice ap Shinken-Bowman; Dick Stockjobb-Underhill; Hotspur-Hudson [Hodgson]; Quickwit-Dogget; Cummington-Bowen; Fulvia-Mrs Bracegirdle; Sophronia-Mrs Barry; Mrs Stockjobb-Mrs Bowman; Madam Squeamish-Mrs Knight; Marmalette-Mrs Lee; Prologue-Mr Dogget [with a Fools Cap with Bells on his Head; Epilogue-.
Cast
Role: Fulvia Actor: Mrs Bracegirdle
Role: Sophronia Actor: Mrs Barry
Role: Mrs Stockjobb Actor: Mrs Bowman
Role: Madam Squeamish Actor: Mrs Knight
Role: Marmalette Actor: Mrs Lee
Event Comment: The United Company. The date of the premiere is not certain, but the fact that a song in the play, composed by Henry Purcell and sung by Mrs Hudson, is in the Gentleman's Journal, January@February 1693@4 (advertised in the London Gazette, No 2955, 5-8 Marcn 1693@4) suggests that the play had its premiere in February. The play was advertised in the London Gazette, No 2959, 19-22 March 1693@4. The music for additional songs was composed by Henry Purcell: The danger is over, sung by Mrs Hudson, is in Joyful Cuckoldom, ca. 1695; I sighed and owned my love, sung by Mrs Ayliff, is in Thesaurus Musicus, Book III, 1695. See also Purcell's Works, Purcell Society, XX (1916), i-iii. Two songs were composed by John Eccles: Still, I'm grieving, sung by Mrs Bracegirdle; and Give then royal maid your sorrows o're, sung by Mrs Cibber, are in Thesaurus Musicus, 1695. Gentleman's Journal, March 1694 (advertised in London Gazette, No 2964,5-9 April 1694): Mr Southern's new Play call'd The Fatal Marriage; or, The Innocent Adultery, has been so kindly receiv'd, that you are by this time no stranger to its merit. As the world has done it justice, and it is above my praise, I need not expatiate on that subject. [See also 22 March 1693@4.

Performances

Mainpiece Title: The Fatal Marriage; Or, The Innocent Adultery

Performance Comment: Edition of 1694: Prologue-Mrs Bracegirdle; Count Baldwin-Kynaston; Biron-Williams; Carlos-Powell; Villeroy-Betterton; Frederick-Verbruggen; Fernando-Doggett; Fabian-Mich. Lee; Jaqueline-Bowen; Sampson-Underhill; Bellford-Harris; Pedro-Freeman; Isabella-Mrs Barry; Julia-Mrs Knight; Villeria-Mrs Bracegirdle; Nurse-Mrs Lee; Epilogue-Mrs Verbruggen.
Cast
Role: Prologue Actor: Mrs Bracegirdle
Role: Isabella Actor: Mrs Barry
Role: Julia Actor: Mrs Knight
Role: Villeria Actor: Mrs Bracegirdle
Role: Nurse Actor: Mrs Lee
Role: Epilogue Actor: Mrs Verbruggen.
Event Comment: Betterton's Company. The date of the first production is not known, but the play was probably not acted later than September 1695, as it was advertised in the London Gazette, No. 3122, 10-14 Oct. 1695. Preface, Edition of 1696: It was the first I ever made Publick by appearing on the Stage, which (with the Advantage it met with, of admirable Acting) is all the Recommendations I have for exposing it...Ariadne. A song, Restless, in thought disturbed, set by John Eccles and sung by Mrs Hodgson, is in A Collection of Songs, 1696

Performances

Mainpiece Title: She Ventures And He Wins

Performance Comment: Edition of 1696: Prologue-Mrs Bowman [in Man's Cloaths; Epilogue-Mr Dogget [drest as a Beau, by Mr Motteux; Sir Charles Frankford-Boman; Sir Roger Marwood-Scudamore; Lovewell-Hudson [Hodgson]; Freeman-Freeman; Squire Wouldbe-Doget; Charlot-Mrs Bracegirdle; Juliana-Mrs Boman; Bellafira-Mrs Martyn; Urania-Mrs Barry; Dowdy-Mrs Bowtel; Mrs Beldam-Mrs Lee; Doll-Mrs Lawson.
Cast
Role: Prologue Actor: Mrs Bowman
Role: Charlot Actor: Mrs Bracegirdle
Role: Juliana Actor: Mrs Boman
Role: Bellafira Actor: Mrs Martyn
Role: Urania Actor: Mrs Barry
Role: Dowdy Actor: Mrs Bowtel
Role: Mrs Beldam Actor: Mrs Lee
Role: Doll Actor: Mrs Lawson.
Event Comment: Rich's Company. The date of the premiere is not known, but the second edition (1700) states: The first appearance of this Play was on a Wednesday in Lent; for then (it seems) the Town look for a bad Entertainment. [As the play was advertised in the Flying Post, 2 April 1700, the first performance probably occurred in early March.] A Prologue by Sir Charles Sedley which may have been intended for this play is in Sedley's Works, ed. V. de Sola Pinto (London, 1928), I, 46-47, 288-89. A song in this play, separately printed ca. 1700, indicates that the music was composed by Daniel Purcell and that the song was sung by Mrs Erwin

Performances

Mainpiece Title: The Reform'd Wife

Performance Comment: Edition of 1700: Sir Solomon Empty-Johnson; Freeman-Wilks; Careless-Toms; Clerimont-Mills; Doctor-Haines; Astrologer-Fairbank; Astra-Mrs Knight; Clarinda-Mrs Rogers; Sylvia-Mrs Temple; Lady Dainty-Mrs Verbruggen; Mrs Friendly-Mrs Powell; Fidelia-Mrs Moor; Cloe-Mrs Stephens; Pert-Mrs Baker; Prologue-; Epilogue-the Sickly Lady.
Cast
Role: Astra Actor: Mrs Knight
Role: Clarinda Actor: Mrs Rogers
Role: Sylvia Actor: Mrs Temple
Role: Lady Dainty Actor: Mrs Verbruggen
Role: Mrs Friendly Actor: Mrs Powell
Role: Fidelia Actor: Mrs Moor
Role: Cloe Actor: Mrs Stephens
Role: Pert Actor: Mrs Baker
Event Comment: Mainpiece: [By Mrs Eliza Haywood.] By Reason of the Indisposition of an Actress, the Part of the Wife is to be perform'd by Mrs Haywood, the Author. Afterpiece (Daily Post, 10 Aug.): A new Dramatic Entertainment...design'd by Mr Theo. Cibber, with new Music compos'd and adapt'd by Mr Jones, which proper Judges allow to be the best of the kind now extant

Performances

Mainpiece Title: A Wife To Be Let

Performance Comment: Edition of 1735 lists: Fairman-Boman; Graspall-Evans; Sir Harry Beaumont-W. Wilks; Captain Gaylove-Bridgwater; Courtly-Oates; Toywell-Th. Cibber; Sneaksby-Parler; Shamble-Harper; Tim-Peplow; Widow Statley-Mrs Willis; Mrs Graspall-Mrs Haywood; Celemena-Mrs Tenoe; Marilla-Mrs Lindar; Amadea-Mrs Brett; Dogood-Mrs Davison; Prologue-Th. Cibber; Epilogue-Mrs Haywood.
Cast
Role: Widow Statley Actor: Mrs Willis
Role: Mrs Graspall Actor: Mrs Haywood
Role: Celemena Actor: Mrs Tenoe
Role: Marilla Actor: Mrs Lindar
Role: Amadea Actor: Mrs Brett
Role: Dogood Actor: Mrs Davison
Role: Epilogue Actor: Mrs Haywood.

Afterpiece Title: Apollo and Daphne

Event Comment: Benefit Mrs Woffington. Mainpiece: By the late Mr Taverner, never acted there before. Tickets deliver'd out for the 19th of February, and 5 March will be taken this night

Performances

Mainpiece Title: The Artful Husband

Performance Comment: Sir Harry Freelove-Mills; Winwife-Giffard; Stockwell-Yates; Frank Flash-Neale; Mrs Winwife-Mrs Giffard; Ned-Blakes; Lady Upstart-Mrs Furnival; Mademoiselle-Mrs Macklin; Mrs Decoy-Mrs Bridges; Steward-Taswell; Butler-Winstone; John-Usher; Robin-Bransby; Mrs Prink-Miss Cole; Betty-Miss Pitt; Belinda-Mrs Woffington; with a New Epilogue in Man's clothes-Mrs Woffington , addressed to the Young Gentlemen, who call themselves the Town.

Afterpiece Title: The Stage Coach

Dance: Salomon, Signora Padouana

Event Comment: Benefit for Mrs Clive-She did Zara (Cross). Farce (not acted these 2 years) with Alterations and an Additional Scene. Part of Pit laid into Boxes. [None behind scenes.] Tickets of Mrs Clive in Henrietta St., Covent Garden, and at The Stage Door. Receipts: #250 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Performance Comment: Osmyn-Garrick; Zara-Mrs Clive first time, and by Desire"; Gonzales-Havard; Garcia-Palmer; Almeria-Miss Bellamy; King-Berry.

Afterpiece Title: Bayes in Petticoats

Performance Comment: Witling-Woodward; Sir Albany Odelove-Shuter; Prompter-Cross; Mrs Hazard-Mrs Clive; Tom-Mozeen; Miss Giggle-Miss Minors; Miss Crochet-Miss Hippisley; Miss Sidle-Mrs Simpson; Mrs Dawdle-Mrs Toogood; Gatty-Mrs Bennet; Corydon-Beard; Miranda-Miss Thomas; Marcella-Mrs Clive; with Dancing-Devisse, Mlle Auretti, Mlle Auguste; with an Epilogue-Mrs Clive.
Cast
Role: Mrs Hazard Actor: Mrs Clive
Role: Miss Sidle Actor: Mrs Simpson
Role: Mrs Dawdle Actor: Mrs Toogood
Role: Gatty Actor: Mrs Bennet
Role: Marcella Actor: Mrs Clive
Role: with an Epilogue Actor: Mrs Clive.
Event Comment: Play never acted before. [This new tragedy by MacNamara Morgan is mercilessly scourged by Paul Hiffernan in Tuner No 1, (21 Jan.), pp. 41-61]: To Tune it in Lilliputian Score : @Such sighing@Such Billing@Such Flashing@Such Heeling@And Dying@And Killing@And Dashing@And Kneeling@Such Rizing@Surprizing!@Such Falling@And Bawling@Such Attitudes@And Flattitudes@Were ne'er exhibited before.@ In the representation Mr Barry spared no pains; Miss Nossiter and Mr Smith strained hard-Mrs Bland, as far as her part exposed itself, did it with alacrity, but vanished abruptly in a storm of Lust. Mrs Vincent put as good a face on wanton barbarity as possible-and Mr Sparks who can do justice to a more spirited character, supported his Arcadian Kingship with becoming equanimity...It is a Romance crush'd together without choice, unconnected and full of Exidents not Incidents. Musidorus and Pamela , are duplicates to Pyrocles and Philoclea , which lengthen by so much the play, with repetition of the same dull nauseous tale of love, stirr'd up now and then by a bounce and a cracker-many persons come on we know not why, and disappear we know not wherefore....This new piece is an outlaw from all rules of Criticism; the Unities of Time, Place, and Action are unobserv'd; Plot, Moral, Verisimilitude, or even Probability unknown: many scenes bid defiance to possibility....Mr Rich stopp'd at no expence as to the Dresses and Decorations, and reprieving the play's duration to the utmost extent of Managerian clemency

Performances

Mainpiece Title: Philoclea

Performance Comment: Parts-Barry, Sparks, Smith, Ridout, Usher, Mrs Bland, Mrs Vincent, Miss Kennedy, Mrs Griffith, Miss Nossiter. [ Basilius-Sparks; Pyrocles-Barry; Musidorus-Smith; Amphialus-Usher; Philanax-Ridout; Euristus-Anderson; Dametas-Redman; Thyrsis-Holtam; Gynecia-Mrs Bland; Pamela-Miss Kennedy; Philoclea-Miss Nossiter; Cecropia-Mrs Vincent; Eugenia-Mrs Griffith; Phebe-Miss Mullart; Prologue-Sparks; Epilogue-Mrs Bland [[Edition of 1754).][Edition of 1754).]
Event Comment: I Went With Mallet to breakfast with Garrick; and from thence to Drury-Lane house, where I assisted at a very Private rehearsal, in the Green-room, of a new tragedy of Mallet's, called Elvira. As I have since seen it acted, I shall defer my opinion of it till then; but I can't help mentioning here the surprising versatility of Mrs Pritchard's talents, who rehearsed, almost at the same time, the part of a furious Queen in the Green-room, and that of a Coquette on the stage; and passed several times from one to the other with the utmost ease and happiness. I dined with Darrel, saw The Way of the World afterward (Edward Gibbon's Journal, ed. D. M. Lowe (New York, n.d.) pp. 185-86). [Apparently Mrs Pritchard rehearsed Millamant in the morning.

Performances

Mainpiece Title: The Way Of Ye World

Performance Comment: Mirabel-Palmer; Fainall-Havard; Sir Wilful-Yates; Witwood-OBrien; Lady Wishfort-Mrs Clive; Mrs Fainall-Mrs Davies; Mincing-Mrs Simson; Waitwell-Bransby; Petulant-Blakes; Foible-Mrs Bennet; Millamant-Mrs Pritchard; Mrs Marwood-Mrs Hopkins.
Cast
Role: Lady Wishfort Actor: Mrs Clive
Role: Mrs Fainall Actor: Mrs Davies
Role: Mincing Actor: Mrs Simson
Role: Foible Actor: Mrs Bennet
Role: Millamant Actor: Mrs Pritchard
Role: Mrs Marwood Actor: Mrs Hopkins.

Song: III: A Cantata-Miss Young

Event Comment: MMr Foote, the author of the Farce play'd Majr Sturgeon. Mrs Clive Hiss'd, in Mrs Sneak (Hopkins). Mrs Clive not liked in Mrs Sneak (Hopkins Diary-MacMillan). [Mainpiece by Brooke.] Afterpiece: A Farce in 2 acts, never acted there. Receipts: #170 5s. (MacMillan)

Performances

Mainpiece Title: The Earl Of Essex

Cast
Role: Countess of Nottingham Actor: Mrs Hopkins
Role: Rutland Actor: Mrs Yates
Role: Queen Actor: Mrs Pritchard

Afterpiece Title: The Mayor of Garratt

Performance Comment: Parts by Foote, Baddeley, Weston, Bransby, Moody, Clough, Vaughan, Fox, Mrs Lee, Mrs Clive. Major Sturgeon-Foote; Jerry Sneak-Weston; Sir Jacob Jollup-Baddeley; Bruin-Moody; Mug-Foote; Mrs Sneak-Mrs Clive; Roger-Clough; Snuffle-Vaughan; Heeltap-Bransby; Lint-Castle; Mrs Bruin-Mrs Lee; Mob-Fox, Marr, Watkins, Strange (Edition of 1764).
Cast
Role: Mrs Sneak Actor: Mrs Clive
Role: Mrs Bruin Actor: Mrs Lee

Dance: IV: The Provancalle, as17631014

Event Comment: Benefit for Legg, Mrs Lampe, Mrs Jones. Afterpiece: For the last time this season. Tickets deliver'd for Hamlet will be taken. The Dragon of Wantly cannot be perform'd on account of indisposition of Mrs Pinto. Charges #67 9s. 6d. [Profit to each beneficiary #2 19s. 6d. plus income from tickets: Legg #84 2s. (Box 129; Pit 251; Gallery 142); Mrs Lampe and Mrs Jones combined #74 15s. (Box 102; Pit 219; Gallery 164).] Paid Bryan a bill for writing parts #1 1s. 6d. Paid Cooper (printer) #27 2s. Paid Condell for Coach hire, the last command by order of Mr Beard 2s. (Account Book). Before 5 went to ye Play...It was played tolerably well; Cleopatra very well by Mrs Bellamy, Octavia (for ye 1st time) by Mrs Mattocks, Antony by Smith, Vent. by Gibson not badly. We had ye Dances, Rural Love and ye Wapping Landlady (Neville MS Diary). Receipts: #76 8s. (Account Book)

Performances

Mainpiece Title: All For Love

Performance Comment: Antony-Smith; Ventidius-Gibson; Dolabella-Clarke; Alexas-Dyer; Serapion-Gardner; Charmion-Mrs Stephens; Iras-Mrs Godwin; Cleopatra-Mrs Bellamy; Octavia-Mrs Mattocks (1st time).
Cast
Role: Charmion Actor: Mrs Stephens
Role: Iras Actor: Mrs Godwin
Role: Cleopatra Actor: Mrs Bellamy
Role: Octavia Actor: Mrs Mattocks

Afterpiece Title: Midas

Cast
Role: Juno Actor: Mrs Stephens
Role: Nysa Actor: Mrs Mattocks
Role: Daphne Actor: Mrs Baker

Dance: III: Rural Love, as17661120; End: Double Hornpipe, as17670427

Ballet: End: The Wapping Landlady. As17670427

Event Comment: [Alter'd from +Lionel and Clarissa. Mrs Wrighten made her first appearance in the Stage in Diana. A very fine Voice--Aukward & Clumsy figure--Well faced (Hopkins Diary). Mrs Wrighten's first Appearance (Cross Diary). New Scenes, Dresses and Decorations. Greater part of the Music entirely New (playbill)

Performances

Mainpiece Title: lionel And Clarissa; Or, The School For Fathers

Performance Comment: Parts-Vernon, Aickin, Parsons, Dodd, Bannister, Fawcett, Mrs Baddeley, Miss Radley, Mrs Bradshaw, Mrs Dorman, A Young Gentlewoman, her first appearance. Lionel-Vernon; Col. Oldboy-Parsons; Jessamy-Dodd; Sir John Flowerdale-Aickin; Jenkins-Bannister; Harman-Fawcett; Clarissa-Mrs Baddeley; Diana-Mrs Wrighten, first appearance; Jenny-Miss Radley; Lady Mary Oldboy-Mrs Bradshaw; Servant?-Mrs Dorman (MacMillan, p. 272).

Afterpiece Title: [The Old Maid

Performance Comment: Clerimont-Cautherly; Harlow-Packer; Capt. Cape-Baddeley; Mrs Harlow-Miss Pope; Miss Harlow-Mrs Cross.
Cast
Role: Mrs Harlow Actor: Miss Pope
Role: Miss Harlow Actor: Mrs Cross.
Event Comment: Mainpiece: by Shakespeare, in 5 acts. With New Music, Scenes, Dresses and Decorations. Public Advertiser, 6 Jan.: The Shipwreck, which opened the Piece, was designed and executed under the Direction of DeLoutherbourg. The new Airs and Chorusses are composed by Linley Jun. The Musical Instrument (played behind the Scenes) is the Invention of Merlin. Morning Chronicle, 6 Jan.: Caliban is by much the best performed character in the piece... The dresses were rich, but to our amazement those of Ferdinand, Sebastian, &c. were in the Spanish taste. [Ibid., 8 Jan., remarks that the entire omission of I. i is to be regretted. Miss Field and Mrs Cuyler are identified by MS annotations on Kemble playbill.] Receipts: #231 9s. 6d. (211.19.0; 17.5.6; 2.5.0)

Performances

Mainpiece Title: The Tempest

Performance Comment: Prospero-Bensley; Stephano-Moody; Trincalo-Baddeley; Caliban-Bannister; with songs-Bannister; Gonzalez-Aickin; Alonzo-Bransby; Sebastian-Farren; Francisco-Norris; Boatswain-Carpenter; Antonio-Hurst; Master of the Ship-Wrighten; Ferdinand-Vernon; Ariel-A Young Lady (A Scholar of Linley; 1st appearance upon any stage [Miss Field]); Miranda-A Young Lady (1st appearance upon any stage [Mrs Cuyler]); Chorus of Spirits-Gaudry, Legg, Fawcett, Kear, Carpenter, Chaplin, Holcroft, Follett, Mrs Scott, Miss Abrams, Miss Collett, Miss Jarratt, Miss Boyd, Mrs Love, Mrs Booth, Mrs Pitt, Mrs Smith.

Afterpiece Title: Harlequin's Invasion

Dance: I: a Dance of Spirits (composed by Gallet)-Mlle Dupre; III: [a Fantastic Dance-Grimaldi; [Both these dances, as here assigned, except on 14, 25 Apr. and 0 May, were included in all subsequent performances.] End IV: The Double Festival, as17761107, but Giorgi, +Blurton

Event Comment: Benefit for Mrs Bradshaw, Mrs Love, Mrs Booth & Miss Field. Mainpiece: With the Grand Triumphal Entryv. Afterpiece: View of the Grand Campv as 6 Nov. 1779. Tickets delivered by Collins will be taken. Public Advertiser, 4 May: Tickets to be had of Mrs Bradshaw at Nichole's, baker, Bridges Street; of Mrs Love at Mrs Baker's, Gerrard-street; of Mrs Booth and Miss Field, No. 10, corner of Martlet Court, Bow-street, Covent Garden. Receipts: #201 6s. (41.13.0; 15.8.6; 3.0.6; tickets: 141.4.0) (charge: #93 7s. 10d.)

Performances

Mainpiece Title: Alexander The Great

Cast
Role: Parisatis Actor: Mrs Sharp
Role: Sisigambis Actor: Mrs Davenett
Role: Statira Actor: Mrs Robinson.

Afterpiece Title: The Camp

Performance Comment: Sir Harry Bouquet-Dodd; Gage-Parsons; O'Daub-Moody; Mons Bluard-Baddeley; William-Davies; Serjeant Drill (1st time)-Gaudry; Nancy-Miss Field (1st appearance in that character); Nell-Mrs Wrighten; other Characters-Burton, Wrighten, Waldron, Wright, Holcroft, Fawcett, Philimore, Norris, Mrs Cuyler, Miss Collett, Mrs Colles.
Event Comment: Mainpiece: Altered from [The Scornful Lady, by] Beaumont and Fletcher [1st time; c 5, by William Cooke; incidental music by Michael Arne. Prologue by the alterer. Epilogue by George Colman, the elder (see text)]. Public Advertiser, 27 Jan. 1783: Wednesday Morning [29 Jan.] will be published The Capricious Lady (price not listed). "The costume of James's reign was strictly attended to in the dresses of the characters; and I remember the enjoyment of Mrs Abington, in a high ruff and a rich silver silk edged with black velvet" (Boaden, Siddom, I, 371). Receipts: #228 4s. 6d. (218/10/6; 9/14/0)

Performances

Mainpiece Title: The Capricious Lady

Performance Comment: Principal Characters by Wroughton, Lee Lewes, Quick, Wilson, Wewitzer, Davies, Mahon, Lewis; Mrs Morton, Mrs Lewis, Mrs Webb, Mrs Abington. [Cast from text (C. Dilly, 1783): Elder Loveless-Wroughton; Welford-Lee Lewes; Savil-Quick; Morecraft-Wilson; Poet-Wewitzer; Traveller-Davies; Captain-Mahon; Younger Loveless-Lewis; Servants-Fearon, Helme; Widow-Mrs Morton; Martha-Mrs Lewis; Abigail-Mrs Webb; The Lady-Mrs Abington.] Prologue spoken by Lee Lewes. Epilogue spoken by Mrs Abington. [These were spoken as here assigned, at all subsequent performances.] hathi. Prologue spoken by Lee Lewes. Epilogue spoken by Mrs Abington. [These were spoken as here assigned, at all subsequent performances.] hathi.
Cast
Role: Widow Actor: Mrs Morton
Role: Martha Actor: Mrs Lewis
Role: Abigail Actor: Mrs Webb
Role: The Lady Actor: Mrs Abington.

Afterpiece Title: Rosina

Cast
Role: William Actor: Mrs Kennedy
Role: Phoebe Actor: Mrs Martyr
Role: Dorcas Actor: Mrs Pitt
Role: Rosina Actor: Mrs Bannister

Dance: As17820927

Event Comment: [Huddart, whose 1st appearance on the stage was at the Crow Street Theatre Dublin, on 14 May 1798, is identified in European Magazine, Oct. 1798, p. 258.] "In the gentle and tender scenes [Huddart] was impressive...but in the impassioned parts he was often too boisterous, and from his too eager exertion, he exhausted himself, in a great measure, before the conclusion of the piece" (Morning Herald, 16 Oct.). [Mrs Pope, as Miss Campion, had 1st appeared as Desdemona at the same theatre, 11 Mar. 1790. Mrs Wybrow was from the Royal Circus. She had appeared at cg on 6 June 1798.] Afterp iece [1st time; BALL. PI, by John Cartwright Cross. Larpent MS 1228. Text (i.e. synopsis of the ballet, and the songs) in his Circusiana (Lackington, Allen & Co., 1890), Vol. 1; it lists the cast for the Royal Circus]: Taken chiefly from the favourtie Piece of the latter Title [1st acted at the Royal Circus, 9 Apr. 1798], with Alterations and Additions by the original Author. The Music by Sanderson, and Scenery by Phillips, Lupino, Hollogan, Blackmore, &c. Receipts: #294 15s. 6d. (290.8.6; 4.7.0)

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: Othello-A Young Gentleman (from the Theatre Royal Dublin; 1st appearance on this, and 4th on any stage [Huddart]); Roderigo-Knight; Cassio (1st time)-Betterton; Brabantio-Hull; Lodovico-Whitfield; Duke-Waddy; Gratiano-Powel; Montano-Clarke; Iago-Murray; Emilia (1st time)-Mrs Litchfield; Desdemona-Mrs Pope (1st appearance in that character [in London]).in London]).
Cast
Role: Emilia Actor: Mrs Litchfield
Role: Desdemona Actor: Mrs Pope

Afterpiece Title: The Genoese Pirate; or, Black-Beard

Performance Comment: Principal Ballet Characters-Follett, Bologna Jun., Bologna Sen., Dyke, Whitmore, Abbot, Wilde, Blurton, Platt, Jackson, Hawtin, Powers, Findlay, Rayner, Webb, Farley, Mrs Watts, Mrs Follett, Mrs Bologna, Miss Burnett, Mrs Ward, Miss Bologna, Mrs Wybrow (1st appearance); Vocal Characters-Townsend, Hill, Linton, Street, Tett, Curties, Master Standen, Miss Gray; [Larpent MS lists the parts: Abdallah, Capt. Teach, Garrat Gibbons, Cesar, Gunner, Carpenter, Seamen-Clarke, William, Drunken Negro-$Simmons, Servants, Negro Boy-$Master Standen, Lieut. Maynard, Sailors, Nancy, Servants, Orra, Ismena. For the three assigned parts see Songs, below.] the following new Scenes, Songs: Grand Cabin. While the jolly grog-Townsend, Hill, Linton, Street, Abbot; [Entrance into Cabin. My Willy was a Sailor bold-Miss Gray; [Between Decks. Stand to your guns our cannons thunder-Townsend, Hill; [Entrance into Cabin. A pirate's Life-Townsend; [Roads of Madagascar. Negro Air: When sunny Beams-Master Standen; [Sea Ballad. Three Years I've bade sweet Home adieu-Hill; [Inside of Black-Beard's Hut. West Indian View. Seaman and Drunken Negro: In Search of a Pirate-Clarke, Simmons; [Romantic Heights, with Black-Beard's Ship at a Distance. Grand cabin by Moonlight. No longer heave the heart@felt sigh-Hill, Miss Gray [The Powder Magazine. To conclude with a representation of the recent Glorious Engagement fought by His Majesty's Sloop, L'Espoir, of 14 Guns, and the Genoese Pirate's Ship, $the Liguria, of 42 Guns and 120 Men [on 7 Aug. 1798, off Malaga], with the Striking the Black Flag, and Plunging the Pirate into the Sea.The Powder Magazine. To conclude with a representation of the recent Glorious Engagement fought by His Majesty's Sloop, L'Espoir, of 14 Guns, and the Genoese Pirate's Ship, the Liguria, of 42 Guns and 120 Men [on 7 Aug. 1798, off Malaga], with the Striking the Black Flag, and Plunging the Pirate into the Sea.

Dance: In afterpiece: Dance of Negroes-

Event Comment: The Duke's Company. The date of the first production is not known, and it may have been acted before this season; hence, it is entered also in the preliminary list in the season of 1676-77. As the play was licensed for printing on 4 Oct. 1677, September 1677 is probably the latest time at which it could have been produced. The play is an alteration of Thomas Middleton's No Wit, No Help, Like a Woman's. It has been attributed to both Mrs Aphra Behn and Thomas Betterton

Performances

Mainpiece Title: The Counterfeit Bridegroom; Or, The Defeated Widow

Performance Comment: Possibly by Mrs Aphra Behn or ThomasBetterton. Edition of 1677: Prologue-Mrs Currar; Sir Oliver Santloe-A. Leigh; Peter Santloe-Bowman; Sanders-Gilloe; Noble-Crosby; Hadland-Williams; Sir Gregory Lovemuch-Persivall; Gazer-Norris; Noddy-John Lee; Sam-Richards; Lady Santloe-Mrs Norris; Clarina-Mrs Gibbs; Widow Laudwell-Mrs Osborne; Eugenia-Mrs LeGrand; Mrs Hadland-Mrs Currar.
Cast
Role: Prologue Actor: Mrs Currar
Role: Lady Santloe Actor: Mrs Norris
Role: Clarina Actor: Mrs Gibbs
Role: Widow Laudwell Actor: Mrs Osborne
Role: Eugenia Actor: Mrs LeGrand
Role: Mrs Hadland Actor: Mrs Currar.
Event Comment: The Duke's Company. The date of the first performance is not known. Luttrell, however, dated the copy he purchased 6 July 1680 (VanLennep, Two Restoration Comedies, pp. 57-58) and attributed it to Mrs Aphra Behn. If copies were available in early July, the play was most probably performed in June 1680. Langbaine (English Dramatick Poets, p. 547) had heard that Mrs Behn was the author, but A Comparison between the Two Stages (p. 11) attributed it to Thomas Betterton. For a discussion of the authorship, see also Ten English Farces, ed. Leo Hughes and A. H. Scouten (Austin, Texas, 1948), pp. 203-4

Performances

Mainpiece Title: The Revenge; Or, A Match In Newgate

Performance Comment: Edition of 1680: Wellman-Smith; Friendly-Williams; Mr Shatter-Bowman; Trickwell-Jevorn; Mr Dashit-Lee; Glisten-Bright; Jock-Mumford; Corina-Mrs Barry; Marinda-Mrs Butler; Diana-Mrs Price; Ample-Anybody; Mrs Dashit-Mrs A. Lee [Elinor Leigh]; Mrs Dunwell-Mrs Norice.
Cast
Role: Corina Actor: Mrs Barry
Role: Marinda Actor: Mrs Butler
Role: Diana Actor: Mrs Price
Role: Mrs Dashit Actor: Mrs A. Lee
Role: Mrs Dunwell Actor: Mrs Norice.
Event Comment: Rich's Company. The date of the first production is not known, but the fact that it was advertised in the London Gazette, No. 3122, 10-14 Oct. 1695, indicates that it was probably acted not later than September 1695. Three songs were published separately: O how you protest, possibly set by Henry Purcell and sung by Mrs Knight; 'Twas within a Furlong, the words by Thomas D'Urfey, set by Henry Purcell, and sung by the Girl [Miss Cross]; and Man is for the woman made, the words by Pierre Motteux and set by Henry Purcell, are in Deliciae Musicae, The Third Book, 1696. See also Purcell's Works, Purcell Society, XX (1916), xix-xx. Preface, Edition of 1696: Notwithstanding the many Accidents that concurr'd to the Ruin of this Play, it succeeded above my Expectations: And I must own my self infinitely oblig'd to the Town, in receiving so favourably, what I at first never design'd for the Stage. Gildon, English Dramatick Poets, p. 121: This particular Play met with pretty good Success, for the Season of the Year, considering it the first Essay by a Young Writer, unacquainted with the Town. A Comparison Between the Two Stages (1702), p. 18: Sullen: Mock-Marriage, a young Fellows of the Town, a Retainer, and kind of Pensioner to the Stage. Ramble: What was it's Fate? Sullen: Damn'd, Damn'd

Performances

Mainpiece Title: The Mock-marriage

Performance Comment: Edition of 1696: Prologue-Miss Cross; Epilogue-Mrs Knight; Lord Goodland-Disney; Fairly-Horden; Willmot-Powell; Belfont-Verbruggen; Sir Simon Barter-Johnson; Sir Arthur Stately-Lee; Lady Barter-Mrs Knight; Marina-Mrs Rogers; Clarinda-Mrs Verbrugen; Flavia-Mrs Finch; Betty-Mrs Newman; Alice-Mrs Clark; Landlady-Bullock; Quaker-Mrs Powell; Daughter-Mrs Urwin.
Cast
Role: Epilogue Actor: Mrs Knight
Role: Lady Barter Actor: Mrs Knight
Role: Marina Actor: Mrs Rogers
Role: Clarinda Actor: Mrs Verbrugen
Role: Flavia Actor: Mrs Finch
Role: Betty Actor: Mrs Newman
Role: Alice Actor: Mrs Clark
Role: Quaker Actor: Mrs Powell
Role: Daughter Actor: Mrs Urwin.
Event Comment: Benefit Mrs Nokes

Performances

Mainpiece Title: The Metamorphosis Of The Beggar's Opera

Performance Comment: Macheath-Mrs Nokes; Peachum-Mrs Martin; Lockit-Mrs Mullart; Filch-Miss Palms; Mat-Mrs Kirk; Crookfinger'd Jack-Miss Wood; Ben Budge-Mrs Hayns; Robin-Mrs Clarke; Harry-Mrs Williams; Polly-Stopler; Lucy-Mullart; Mrs Peachum-Reynolds; Jenny-Lacey; Mrs Slammekin-Jones; Suky-Dove; Molly-Wells; Dolly-Hicks; Mother Rye-Reynolds.
Cast
Role: Macheath Actor: Mrs Nokes
Role: Peachum Actor: Mrs Martin
Role: Lockit Actor: Mrs Mullart
Role: Mat Actor: Mrs Kirk
Role: Ben Budge Actor: Mrs Hayns
Role: Robin Actor: Mrs Clarke
Role: Harry Actor: Mrs Williams
Role: Mrs Peachum Actor: Reynolds
Role: Mrs Slammekin Actor: Jones

Afterpiece Title: Damon and Phillida

Cast
Role: Phillida Actor: Mrs Nokes.
Event Comment: Benefit Mrs Hamilton, and the Little Chimney-Sweepers, her Sons. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: The Gamester

Performance Comment: Gamester-Giffard; Hector-Penkethman; Sir Thomas-W. Giffard; Lovewell-Rosco; Dorante-Norris; Marquis-Bardin; Cogdie-Martin; Lady Wealthy-Mrs Giffard; Mrs Security-Mrs Wetherilt; Mrs Favorite-Miss Tollet; Betty-Mrs Woodward; Mrs Topknot-Mrs M. Giffard; Angelica-Mrs Hamilton .

Afterpiece Title: The Devil to Pay

Performance Comment: Jobson-Hulett; Nell-Mrs Hamilton; Sir John-Jenkins; Lady Loverule-Miss Jones .
Cast
Role: Nell Actor: Mrs Hamilton

Dance: III: Pierrots by Vallois and Delagarde. V: Scotch Dance, as17350329

Song: II: Watermen's Song in Britannia by the two Masters Hamilton. IV: In Italian by Mrs Chambers

Performance Comment: IV: In Italian by Mrs Chambers .
Event Comment: Benefit Mrs Mills. At the particular Desire of several Ladies of Quality. [Part of the Stage will be formed into Side-Boxes.

Performances

Mainpiece Title: The Funeral

Performance Comment: Hardy-Milward; Lady Brumpton-Mrs Roberts; Trim-Macklin; Sable-Johnson; Campley-Mills; Harriet-Mrs Mills; Charlotte-Mrs Butler; Brumpton-Winstone; Trusty-Berry; Puzzle-Shepard; Tom-Yates; Cabinet-Ridout; Swagger-Ray; Madem D'Epingle-Mrs Chetwood; Tattleaid-Mrs Macklin; Mrs Fardingale-Mrs Woodward; Mrs Matchlock-Marten.
Cast
Role: Lady Brumpton Actor: Mrs Roberts
Role: Harriet Actor: Mrs Mills
Role: Charlotte Actor: Mrs Butler
Role: Madem D'Epingle Actor: Mrs Chetwood
Role: Tattleaid Actor: Mrs Macklin
Role: Mrs Fardingale Actor: Mrs Woodward
Role: Mrs Matchlock Actor: Marten.

Afterpiece Title: The Devil to Pay

Performance Comment: See17400416 but Sir John (with The Early Horn)-Beard; Nell-Mrs Pritchard; Jobson-Berry; Lady Loverule-Mrs Bennet; Butler-Raftor.
Cast
Role: Nell Actor: Mrs Pritchard
Role: Lady Loverule Actor: Mrs Bennet

Music: I: Preamble on Kettle Drums-Master Ferg; with Handel's Water Musick-

Dance: II: La Jalouzie-Desnoyer, Lalauze, Mlle Chateauneuf; III: Muilment; V: Le Tambourine-Mlle Chateauneuf

Song: IV: English Captain (as17400325-Beard

Event Comment: Benefit Mrs Woffington. Six rows of the pit will be laid into the Boxes, and Boxes will be built on stage. Tickets of Hobson at the stage door

Performances

Mainpiece Title: The Provoked Husband; Or, A Journey To London

Performance Comment: Townly-Garrick, 1st time; Manly-Delane; Sir Francis-Yates; Lady Grace-Mrs Mills; Lady Wronghead-Mrs Roberts; Basset-Neale; Squire Richard-Green; John Moody-Winstone; Poundage-Turbutt; Miss Jenny-Mrs Ridout; Mrs Motherly-Mrs Egerton; Myrtilla-Mrs Horsington; Trusty-Mrs Bennet; Lady Townly-Mrs Woffington, 1st time.

Afterpiece Title: The Mock Doctor

Performance Comment: Mock Doctor-Cibber Jun?.; Sir Jasper-Arthur; Leander-Morland; Dr Hellebore-Green; Davy-Taswell; James-Woodburn; Harry-Collins; Robert-Gray; Charlotte-Mrs Ridout; Dorcas-Mrs Dunstall.
Cast
Role: Charlotte Actor: Mrs Ridout
Role: Dorcas Actor: Mrs Dunstall.