SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Redding"/1) | (@(roleclean,performerclean) "Redding")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2 matches on Performance Title, 2 matches on Event Comments, 1 matches on Performance Comments, 1 matches on Roles/Actors, and 0 matches on Author.

Performances

Mainpiece Title: The Novelty 0

Afterpiece Title: The Novelty 1; Thyrsis, A Pastoral

Afterpiece Title: The Novelty 2; All Without Money

Afterpiece Title: The Novelty 3; Hercules [By Peter Motteux

Performance Comment: ]. A Masque; Set to Musick- [by Mr John Eccles; Hercules-Redding; Omphale-Mrs Boman; Dejanira-Mrs Willis; Two of Hercules' Children-Miss Bradshaw, Jemmy Laroche; Nesica-Mrs Perrin.
Cast
Role: Hercules Actor: Redding

Afterpiece Title: The Novelty 4; The Unfortunate Couple

Afterpiece Title: The Novelty 5; Natural Magick

Performances

Mainpiece Title: Medley

Song: A new song in Praise of the Antient Britons-; Single Songs in English and Italian-Mrs Redding; three English Dialogues-her Mrs Redding, Aston

Performances

Mainpiece Title: Medley

Song: Mrs Redding, Aston

Performances

Mainpiece Title: Doctor Faustus

Event Comment: The United Company. The date of the first performance is not precisely known, but by 9 May 1693 it had been acted four times (see Dryden's letter, below); on the other hand, the Gentleman's Journal, February 1692@3 (issued in March) had stated that D'Urfey's new farce would not appear until after Easter. Hence, it may well have been the first new play after Passion Week. A dialogue, Behold, the man with that gigantick might, the music by Henry Purcell and sung by Mr Reading and Mrs Ayliff, is in Orpheus Britannicus, 1690. See Purcell's Works, Purcell Society, XXI (1917), viii-x. A dialogue, By these pigsnes eyes that stars do seem, the music by John Eccles and sung by Dogget and Mrs Bracegirdle, is in Joyful Cuckoldom, ca. 1695. Another, Stubborn church division, folly, and ambition, to a Ground of Mr Solomon Eccles, is in Thesaurus Musicus, 1694. And Maiden fresh as a rose, the verse by D'Urfey and sung by Pack, but not printed in the play, is in The Merry Musician, I (1716), 56-57. This last song may have been for a later revival. Gentleman's Journal, April 1693 (issued in May 1693): Since my last we have had a Comedy by Mr Durfey; 'tis called the Richmond Heiress or a Woman once in the right (p. 130). Dryden to Walsh, 9 May 1693: Durfey has brought another farce upon the Stage: but his luck has left him: it was sufferd but foure dayes; and then kickd off for ever. Yet his Second Act, was wonderfully diverting; where the scene was in Bedlam: & Mrs Bracegirdle and Solon [Dogget] were both mad: the Singing was wonderfully good, And the two whom I nam'd, sung better than Redding and Mrs Ayloff, whose trade it was: at least our partiality carryed it for them. The rest was woeful stuff, & concluded with Catcalls; for which the two noble Dukes of Richmond and St@Albans were chief managers (The Letters of John Dryden, pp. 52-53)

Performances

Mainpiece Title: The Richmond Heiress; Or, A Woman Once In The Right