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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr and Mrs Phillips"/1) | (@(roleclean,performerclean) "Mr and Mrs Phillips")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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24371 results for: Keyword - Mr and Mrs Phillips
We found 23665 matches on Performance Comments, 7666 matches on Event Comments, 4719 matches on Performance Title, 107 matches on Author, and 0 matches on Roles/Actors.

24151
13 May 1718 @ Lincoln's Inn Fields

Event Comment: Benefit Knapp and Mrs Elsam

Performances

Mainpiece Title: The Island Princess

Afterpiece Title: The Jealous Doctor

Dance: As17171022

24152
20 January 1719 @ Long Room

Event Comment: Benefit Mrs Aubert. At 7 p.m. Tickets 5s

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-

24153
21 February 1719 @ King's Theatre

Event Comment: Benefit Mrs Robinson. By Command. Boxes and Pit at half a guinea. Gallery 2s. 6d. At 7 p.m. The King present

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-

24154
30 March 1719 @ Drury Lane Theatre

Event Comment: Benefit Mrs Santlow. By His Majesty's Command. [The King present.

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Dumb Farce

24155
04 April 1719 @ Lincoln's Inn Fields

Event Comment: Benefit Moreau and Mrs Moreau

Performances

Mainpiece Title: King Henry The Fourth, Part I

Afterpiece Title: The Jealous Doctor; or, The Intriguing Dame

24156
06 April 1719 @ Drury Lane Theatre

Event Comment: Benefit Mrs Bicknell. By His Majesty's Command. Written by Shakespear. Pit and Front Boxes together at 5s. Tickets for The Man of Mode taken. [The King present.

Performances

Mainpiece Title: King Henry Viii

24157
07 May 1719 @ Lincoln's Inn Fields

Event Comment: Benefit Egleton, Boheme, and Mrs Giffard

Performances

Mainpiece Title: Love For Love

Song: As17181103

Dance: Moreau, delaGarde's Two Sons, Sandham, Pelling, Newhouse, Cook, Miss Schoolding; Four Scaramouches-

24158
11 June 1719 @ Lincoln's Inn Fields

Event Comment: Benefit Mrs Aylet, Gallery Doorkeeper. Tickets for Sawney the Scot taken

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Cobler of Preston

Dance:

24159
09 March 1720 @ Stationer's Hall

Event Comment: Benefit Mrs Sarah Ottey. At 6 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Masters; Harpsichord, Bass Violin, Violin-Sarah Ottey

24160
10 March 1720 @ Drury Lane Theatre

Event Comment: Benefit Mrs Porter. The Front Boxes railed into the Pit at 5s. N.B. To prevent the Ladies Waiting, none but the Gallery Doors will be opened till 5 a Clock

Performances

Mainpiece Title: The Lady's Last Stake

24161
04 April 1720 @ Drury Lane Theatre

Event Comment: Benefit Mrs Bicknell. By His Majesty's Command. Admission as 10 March

Performances

Mainpiece Title: The Relapse

Dance: As17200315

24162
27 April 1720 @ Drury Lane Theatre

Event Comment: Benefit the Autnor. Written by Mrs Manley

Performances

Mainpiece Title: Lucius, The First Christian King Of Britain

24163
28 April 1720 @ Lincoln's Inn Fields

Event Comment: Benefit Diggs and Mrs Robertson

Performances

Mainpiece Title: The Provok'd Wife

Dance: Leveridge; The Tippling Philosophers-

Dance: delaGarde's Two Sons, Sandham's Son

24164
01 June 1720 @ York Buildings

Event Comment: Benefit Mrs Aubert. At the particular Desire of several Persons of Quality. At 7 p.m. Tickets 5s

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-

24165
27 January 1721 @ Lincoln's Inn Fields

Event Comment: As 26 Jan. Receipts: #42 15s. Daily Journal, 27 Jan.: A New Tragedy, call'd, Friendship Betray'd; Or, the Injured General, was to have been Acted on Tuesday next...but is deferred, on Account of Mrs Bullock's hourly Expectation of being brought to Bed, she having the Principal Part in the Play

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Cobler of Preston

24166
27 April 1721 @ Lincoln's Inn Fields

Event Comment: Benefit Mrs Bullock. By His Majesty's Command. Receipts: money #59 18s. 6d.; tickets #67 1s

Performances

Mainpiece Title: Love's Last Shift

Dance: Monsieur Pierrot, Mademoiselle Vaurinville , formerly call'd Mademoiselle DeChalier from the French House

24167
09 May 1721 @ Lincoln's Inn Fields

Event Comment: Benefit Newhouse, Hulett, Mrs Cook. Receipts: money #7 9s.; tickets #77 18s

Performances

Mainpiece Title: Don Sebastian, King Of Portugal

Dance: As17201214

Music: Solo on Hautboy, Concerto on Little Flute-Keitch

24168
10 March 1722 @ Lincoln's Inn Fields

Event Comment: Benefit Mrs Bullock. Receipts: money #48 12s. 6d.; tickets #68 19s

Performances

Mainpiece Title: The Busie Body

Performance Comment: See17211129, but Marplot-Pack , being the first Time of his Acting this Season, and the last Time he will Act on any Stage.
Cast
Role: Marplot Actor: Pack , being the first Time of his Acting this Season, and the last Time he will Act on any Stage.

Dance:

24169
12 March 1722 @ Drury Lane Theatre

Event Comment: Benefit Mrs Porter. By Their Royal Highnesses' Command. [Theodosius advertized, but Booth's illness deferred it. Daily Courant lists The Man of Mode, but Rich's Register lists The Earl of Essex.

Performances

Mainpiece Title: The Man Of Mode or The Earl Of Essex

24170
26 March 1722 @ Mrs Bellamy's School

Performances

Mainpiece Title: Love Triumphant; Or, The Rival Goddesses

Performance Comment: The Young Ladies of Mrs Bellamy's School; Prologue-; Epilogue-.

24171
28 January 1723 @ Haymarket Theatre

Event Comment: Benefit Mrs Fryar, who has played but once since the days of King Charles, and taught three Queens to Dance

Performances

Mainpiece Title: The Half Pay Officers

Afterpiece Title: Hob's Wedding

Dance: The Bashful Country Maid, Irish Trot-Peggy Fryar

24172
02 March 1723 @ King's Theatre

Event Comment: Admission as 7 Nov. 1722. London Journal, 2 March: The new Opera Tickets are very high, and like to continue so as long as Mrs Cotzoni is so much admired. They are traded in at the other End of the Town, as much as Lottery Tickets are in Exchange-Alley

Performances

Mainpiece Title: Coriolanus

24173
06 March 1723 @ Haymarket Theatre

Event Comment: Benefit Mrs Atkins. Pit and Boxes 5s. Gallery 2s. At 7 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; Concerto-Kytch

24174
18 March 1723 @ Drury Lane Theatre

Event Comment: Benefit Mrs Booth. By His Majesty's Command

Performances

Mainpiece Title: The Recruiting Officer

Dance: As17221211

24175
26 March 1723 @ King's Theatre

Event Comment: Benefit Signora Francesca Cuzzoni. With an Addition of three new Songs, and an entire new Scene. Whereas this Benefit for Signora Cuzzoni is part of her Contract, the Directors...resolve not to make use of the Liberty of the House for this Night. And particular Care will be taken to place Benches on the Stage for the Accomodation of the Company. London Journal, 30 March: On Tuesday last was perform'd...Otho...for the Benefit fo Mrs Cuzzoni; and a considerable Benefit it was to her indeed, for, we hear, that some of the Nobility gave her 50 Guineas a Tickets. Daily Journal, 29 March: The Benefit of the famous Seignora Francesca Cuzzoni...we hear amounted to upwards of 700l

Performances

Mainpiece Title: Otho, King Of Germany