SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr and Mrs Bridges"/1) | (@(roleclean,performerclean) "Mr and Mrs Bridges")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 23624 matches on Performance Comments, 7665 matches on Event Comments, 4684 matches on Performance Title, 31 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Afterpiece: The Music composed by Haydn, Sacchini and Shield. Boxes 6s. 2nd Price 3s. Pit 3s. 6d. 2nd Price 2s. Gallery 2s. 2nd Price 1s. Upper Gallery 1s. No Money to be returned. Places for the Boxes to be taken of Brandon, at the Office, in Hart-street. The Doors to be opened at 5:30. To begin at 6:30 [see 11 Nov.]. Receipts: #276 14s. 6d. (269.15.0; 6.19.6)

Performances

Mainpiece Title: Wild Oats; Or, The Strolling Gentlemen

Performance Comment: Rover-Lewis; Sir George Thunder-Quick; Harry-Holman; Ephraim Smooth-Munden; Sim-Blanchard; John Dory-Fawcett; Banks-Hull; Gammon-Cubitt; Midge-Macready; Trap-Evatt; Lamp-Farley; Landlord-Powel; Zachariah-Rees; Jane-Mrs Martyr; Amelia-Miss Chapman; Lady Amaranth-Mrs Pope.
Cast
Role: Landlord Actor: Powel
Role: Jane Actor: Mrs Martyr
Role: Lady Amaranth Actor: Mrs Pope.

Afterpiece Title: Hartford Bridge; or, The Skirts of the Camp

Performance Comment: Sir Gregory Forrester-Quick; Peregrine Forrester-Munden; Capt. Fieldair-Incledon; Peter-Blanchard; Cartridge-Fawcett; Capt. Forrester-Macready; Waiter-Farley; Susan-Mrs Martyr; Bar Maid-Miss Stuart; Clara-Mrs Clendining.
Cast
Role: Susan Actor: Mrs Martyr
Role: Clara Actor: Mrs Clendining.

Dance: In afterpiece: The Lucky Escape-Byrn, Holland, Mrs Watts, Mme Rossi

Performances

Mainpiece Title: The Road To Ruin

Performance Comment: Goldfinch-Lewis; Silky-Quick; Harry Dornton-Holman; Dornton-Munden; Milford-Harley; Sulky-Davenport; Smith-Powel; Hosier-Macready; Jacob-Rees; Marker-Farley; Sheriff's Officer-Thompson; Tradesmen-Williamson, Cross, Abbot, Coombs; Postillion-Simmons; Servant-Ledger; Sophia-A Young Lady (1st appearance on any stage [Miss Mansel]); Jenny-Miss Stuart; Mrs Ledger-Mrs Platt; Milliner-Miss Leserve; Mantuamaker-Mrs Blurton; Mrs Warren-Mrs Mattocks.
Cast
Role: Mrs Ledger Actor: Mrs Platt
Role: Mantuamaker Actor: Mrs Blurton
Role: Mrs Warren Actor: Mrs Mattocks.

Afterpiece Title: Hartford Bridge

Performance Comment: Sir Gregory Forrester-Quick; Peregrine Forrester-Munden; Capt. Fieldair-Incledon; Peter-Townsend; Cartridge-Fawcett; Capt. Forrester-Macready; Waiter-Farley; Susan-Mrs Martyr; Bar@Maid-Miss Stuart; Clara-Mrs Clendining.
Cast
Role: Susan Actor: Mrs Martyr
Role: Clara Actor: Mrs Clendining.

Dance: In afterpiece: The Lucky Escape-Byrn, Holland, Mrs Watts, Mlle St.Amand

Performance Comment: Amand.

Performances

Mainpiece Title: The Wise Man Of The East

Afterpiece Title: Hartford Bridge

Performance Comment: Sir Gregory Forrester-Emery; Peregrine Forrester-Munden; Capt. Fieldair-Incledon; Peter-Townsend; Cartridge-Farley; Capt. Forrester-Claremont; Waiter-Simmons; Susan-Mrs Martyr; Clara-Mrs Chapman.
Cast
Role: Susan Actor: Mrs Martyr
Role: Clara Actor: Mrs Chapman.
Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft, based on DER DEUTSCHE HAUSVATER, by Otto Heinrich Freiherr von Gemmingen. Prologue by the author and John Thelwall (Boaden, Kemble, II, 114). Epilogue by the author (Knapp, p. 263)]: With new Scenes, Dresses and Decorations. Morning Chronicle, 18 Feb. 1794: This Day is published LOVE'S FRAILTIES (2s.). Oulton, 1796, II, 154: It was the first play published at the advanced price of 2s. [i.e. hitherto (since, at least, 1776) the price of full-length plays had been 1s. 6d.]. Receipts: #308 17s. 6d. (296/8/6; 12/9/0)

Performances

Mainpiece Title: Love's Frailties; Or, Precept Against Practice

Performance Comment: Principal Characters by Lewis, Quick, Holman, Munden, Farley, Blurton//Mrs Esten, Mrs Mattocks, Mrs Fawcett, Mrs Platt, Miss Leserve, Mrs Pope. [Cast from text (Shepperson and Reynolds, 1794): Mr Muscadel-Lewis; Sir Gregory Oldwort-Quick; Charles Seymour-Holman; Mr Craig Campbell-Munden; James-Farley; Footman [unassigned in text]-Blurton//Paulina-Mrs Esten; Nannette-Mrs Mattocks; Lady Louisa Compton-Mrs Fawcett; Mrs Wilkins-Mrs Platt; Julette-Miss Leserve; Lady Fancourt-Mrs Pope.] Prologue spoken by Bernard. Epilogue spoken by Mrs Esten. [These were spoken, as here assigned, at all subsequent performances.] hathi. Prologue spoken by Bernard. Epilogue spoken by Mrs Esten. [These were spoken, as here assigned, at all subsequent performances.] hathi.

Afterpiece Title: HARTFORD BRIDGE

Performance Comment: As17930916, but Clara-Mrs Mountain .
Cast
Role: Clara Actor: Mrs Mountain
Role: Susan Actor: Mrs Martyr
Event Comment: Benefit for Mrs Martyr. 3rd piece [1st time; M. INT I; author unknown. MS: Larpent 1022; not published; synopsis of plot in Morning Herald, 10 May]: Books of the Songs may be had at the Theatre. [In 4th piece Brown is identified in Thespian Magazine, June 1794, p. 226.] Morning Chronicle, 5 May: Tickets to be had of Mrs Martyr, No. 16, Martlett-court, Bow-street, Covent Garden. Receipts: #272 19s. (81/14; 5/12; tickets: 185/13)

Performances

Mainpiece Title: Hartford Bridge

Afterpiece Title: THE FOLLIES OF A DAY

Cast
Role: Page Actor: Mrs Martyr
Role: Marcelina Actor: Mrs Leicester
Role: Agnes Actor: Mrs Follett
Role: Susan Actor: Mrs Pope.
Role: Tom Thumb Actor: Miss Standen
Role: Huncamunca Actor: Mrs Mountain
Role: Glumdalca Actor: Mrs Webb
Role: Dollalolla Actor: Mrs Martyr.

Afterpiece Title: LOVE AND HONOR; or, Britannia in Full Glory at Spithead

Performance Comment: William-Incledon; Dick-Blanchard; Grapple-Townsend; Lieutenant Capstem-Johnstone//Mary-Mrs Martyr. [European Magazine, May 1794, p. 388, adds: Farmer Ploughfield-Thompson; Clodpole-Rees; Hobnail-Abbot.] In which: The Wand'ring Tar, the Words taken from the Epilogue to THE RIVALS, by R. B. Sheridan, Esq., new composed by Shield, sung by Incledon. A Sea Storm by Incledon, for the 1st Time in Public. The British Salute, new composed by Reeve, by Johnstone. The Sailor's Lullaby, the Words new, adapted to the original Lullaby composed by Storace. A Doun at the Gangway, new composed by W. Parke, by Blanchard. The Pride of the Sea, new composed by W. Parke, by Townsend. I'll bless my King and cheerly sing, new composed by Shield, by Mrs Martyr in the character of a Sailor Boy. Maidens listen, new composed by W. Parke, by Mrs Martyr. Rule Britannia by Incledon, Johnstone, Mrs Martyr. To conclude with a beautiful representation of a Grand Naval Review, with a display of the Firing and Manoeuvring of the Spanish and English Fleets at Spithead . In which: The Wand'ring Tar, the Words taken from the Epilogue to THE RIVALS, by R. B. Sheridan, Esq., new composed by Shield, sung by Incledon. A Sea Storm by Incledon, for the 1st Time in Public. The British Salute, new composed by Reeve, by Johnstone. The Sailor's Lullaby, the Words new, adapted to the original Lullaby composed by Storace. A Doun at the Gangway, new composed by W. Parke, by Blanchard. The Pride of the Sea, new composed by W. Parke, by Townsend. I'll bless my King and cheerly sing, new composed by Shield, by Mrs Martyr in the character of a Sailor Boy. Maidens listen, new composed by W. Parke, by Mrs Martyr. Rule Britannia by Incledon, Johnstone, Mrs Martyr. To conclude with a beautiful representation of a Grand Naval Review, with a display of the Firing and Manoeuvring of the Spanish and English Fleets at Spithead .

Afterpiece Title: THE PRISONER AT LARGE

Dance: In 1st piece The Lucky Escape, as17930916, but omitted: Mrs Watts; In 3rd piece, by Byrn, Holland, Mme Rossi, &c

Related Works
Related Work: Ignoramus; or, The Academical Lawyer Author(s): Ferdinando Parkhurst

Song: In the course of the Evening Water parted from the Sea by Incledon, after the manner of a celebrated Italian Opera Singer; End of Act I of 4th piece Sally in our Alley by Incledon

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Hartford Bridge

Performance Comment: As17951008, but Bar@Maid-Mrs Norton.
Cast
Role: Bar@Maid Actor: Mrs Norton.
Role: Susan Actor: Mrs Martyr
Role: Clara Actor: Mrs Clendining.

Dance: As17951008

Song: Vocal Parts, as17950914, but Townsend, _Bowden, Mrs +Clendining, Mrs _Davenport, Miss +Logan, Miss _Stuart, +Little, +Sawyer, +Tett, Mrs +Blurton

Performances

Mainpiece Title: Live Lumber; Or, Unburied Dead

Afterpiece Title: The Lie of the Day

Performance Comment: As17960319but Principal Characters-Miss _Wallis, Mrs Knight.
Cast
Role: 960319but Principal Characters Actor: Miss _Wallis, Mrs Knight.
Role: Catharine Actor: Mrs Mattocks.
Role: Pantomimic Characters Persian Merchant and Actor: Farley
Role: Landlord Actor: Thompson
Role: Persians and Arabs Actor: Cranfield, Platt, Bayzand, T. Cranfield, Goosetree
Role: Columbine Actor: Mlle St.Amand
Role: Pleasure Actor: Mrs Martyr
Role: Virtue Actor: Mrs Mountain
Role: Arabian Girl Actor: Mrs Clendining
Role: Glees and Chorusses Actor: Linton, Street, Spofforth, Williamson, Holland.
Role: The Banditti Actor:
Role: song Actor: Mrs Clendining composed by Shield.
Role: , Actor: Bowden, Townsend, Richardson, Haymes, Linton, Street, Spofforth, Williamson, Holland
Role: The Building Scene and Falling Scaffold Actor:
Role: The Outside of Pantaloon's House Actor: the Mandarine-the Inside-the Magic Candles-
Role: the Mandarine Actor: the Inside-the Magic Candles-
Role: the Inside Actor: the Magic Candles-
Role: the Magic Candles Actor:
Role: Harlequin from the Tea Urn Actor: , invented by Messink and Martinelli.
Role: The Dog Kennel and Pigeon House Actor: invented by Rich.
Role: An exact Representation of the Telegraphe Actor: , in which is shewn the Manner of conveying Intelligence, demanding Questions, and receiving Answers.
Role: A Landscape Actor:
Role: Pantaloon's House and Garden Wall Actor: a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: and the Piece concludes with a Finale Actor:
Role: Grand Dance Actor: Byrn, Holland, Mlle St.Amand.

Afterpiece Title: The Way to Get Un-Married

Performance Comment: Characters by Knight, Townsend, Davenport; Miss Mansel, Mrs Martyr (with a new incidental song). Cast from Cross's Parnassian Bagatelles (Bellamy, 1796): Luckless-Knight; John-Townsend; Irritable-Davenport; Tradesmen-Holland, Abbot; Glazier-Wilde; Shoemaker-Blurton; Sweep-Simmons; Amelia-Miss Mansel; Gymp-Mrs Martyr.
Cast
Role: Tradesmen Actor: Holland, Abbot
Role: Gymp Actor: Mrs Martyr.

Afterpiece Title: Hartford Bridge

Performance Comment: As17951008, but Bar@Maid-Mrs Norton; Waiter-_.
Cast
Role: Bar@Maid Actor: Mrs Norton
Role: Susan Actor: Mrs Martyr
Role: Clara Actor: Mrs Clendining.

Dance: End of 3rd piece: The Lucky Escape, as17951008

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Hartford Bridge

Performance Comment: As17990515, but added: Waiter-Simmons; Bar@maid-Mrs Norton.
Cast
Role: Bar@maid Actor: Mrs Norton.
Role: Susan Actor: Mrs Martyr
Role: Clara Actor: Mrs Chapman.

Dance: End: A Scotch Divertisement-Jackson, Platt, Dyke, Miss Bologna, Mrs Watts

Event Comment: This being the Last time of Mr G. performing he generously gave the Profits of the Night to the Theatrical Fund, he spoke the Usual prologue & after the play he went forward & address'd the Audience in so pathetic a Manner as draw Tears from the Audience & himself & took his leave of them forever (Hopkins Diary). [Accounts of the farewell address in the Morning Post and in Davies; Life of Garrick.] So Ends the Season 67 different Play 32 different Farce 189 Nights in all (Hopkins Diary). N.B. The profits of this night appropriated to the benefit of the Theatrical Fund: Cash #309 2s.; After Money #2 10s. 6d. Received #311 12s. 6d. Paid #36 5s. 9d. viz: @Renters #8@Supernumeraries & Kettle Drum #2 11s.@Soldiers 14s.@Extra Constables #1 10s. 6d.@Candles, Oyl & Lampmen #3 18s. 6d.@Carpenters Extras #2 1s.@Music Band #7 18s. 9d.@Messrs. Legg, Lauchery, Larivere, Garland & Langlois Salary #1 13s. 4d.@Sundry Doorkeepers & Servants #7 18s. 8d. @#36 5s. 9d.@Rec'd #311 12s. 6d.@Paid #36 5s. 9d.@Remains #275 6s. 9d.@Brought Fd #62 3s. 7d. from 10th May@Total #337 10s. 4d.@ N.B. The above sum of the two Nights for Theatrical Fund-order'd by Mr Garrick this 25th day of June 1776 to be paid into the hands of Mr Hatsell (Treasurer's Book). AFTER SEASON RECEIPTS (Treasurer's Book): 11 June: Rec'd Box office keeper's cash #25; Candles, Oil &c. the 2nd Fund night #7 17s.; From Mr Dodd in Full #21. 24 June: From Sinking Fund (3rd) in full #963 10s.; From Grimaldi on acct #70; From Mrs Smith (singer) in full #31 10s. 2 July: From Public Advertiser for this season #50; Gazetteer ditto #50. 4 July: Their Majesties Acct this season #76; from Mr Harrison one yrs. rent Land tax deducted #37 5s. 5 July: From Mr Parsonage 1 yr. & one quarter rent to Midsummer (tax deducted) #53 15s. 15 July: From Mr Pope 1 yr. & one quarter rent to Mids. Last (taxes deducted) #35 12s. 6d.; Mr Heath 1 yr. and 1!2 Rent to Mids last #15. 19 July: From Mrs Johnston 1 yr. & one quarter rent to Mids. last #7 10s.; Mrs Groath 1!2 year to ditto #1 10s. Mr Percy three quarters Rent to ditto #7 10s.; Mr Waterer five quarters rent to ditto (land tax deducted) #51 7s. 25 July: Sundry forfeits taken up by Evans #38 5s. AFTER SEASON EXPENDITURES (Treasurer's Book): 11 June: Five days salary to sundries at #88 2s. 10d. per diem #440 14s. 2d.; George Garrick in full of #400 #5 13s. 4d.; Slingsby in full of #350 #1 3s. 4d.; Everard on note #10 10s.; Davis on note #21; Mr King to make up #500 in full #32 10s.; Lauchery on note #15 15s.; Mr Page in full of #25 #1 12s. 6d. 28 June: To Lord Walpole for one year's acting season #315; Mr Highly in Full of his building acct #85 19s.; Ditto for 3 yrs. ground rent to the 24th inst. #42. [For explanation of Walpole payment, see Boaden, Garrick Correspondence, II, 155 an involved agreement re an annuity dating from October 1761, now being collected because of new taxes on Carriages, and because Lady Walpole was footsore and would walk nowhere.] 20 June: Adelphi Tavern Bill & Waiters #20 10s. 6d.; Mr Park, chorus 4 nights in full #1 10s.; Mr R. Johnston's property Bills in full #33 1s. 6d. 24 June: Mr D. Garrick in full of #1,300 #235 13s. 2d.; Mr R. Harwood's gratuity #5 5s. 2 July: One yrs. subscription for St George's Hospital for both the managers #10 10s. 5 July: Three quarter's rent pd for Miss Abrahams at Gardners #37 10s. 9 July: Blakes (hatter) #11 15s.; Mrs Chitty (coals) #94 17s.; Hadley & Co., Engine, #12 12s.; Thomson (smith) #6 15s.; Barrow & Co., Oil, #108 13s. 6d.; Ireland (upholsterer) #17 2s. 6d.; Stevens (mason) #42 7s. 6d.; Hewetson (laceman) #9 2s.; Racket (taylor) #16 9s.; Barret (wax chandler) #14 5s.; Waller (hosier) #11 5s. 11 July: Machin, Chorus singer, #6, Bibb (sword cutler) #2 5s.; Gardner (shoemaker) #3 2s.; Marshall (plumber) #4 13s.; Stacey (colourman) #4 17s. 15 July: Daley (sadler) #5 5s.; Scott (copperlace) #25 14s. 6d.; Norfolk (glazier) #3 7s.; Carpue (silk Dyer) #18 13s.; Mrs Carter (scowerer) #1 14s. 6d.; Chettle (timber) #4 6s. 7d.; Pope, for Wiggs, #12 12s.; ditto for 81 extra nights dressing #8 2s.; Mr Preston 69 nights dressing Mr Garrick #5 3s. 6d.; Hatsell (mercer) #47 3s. 16 July: Powney (stationer) #2 10s.; Jennings (glover) #25 17s. 6d.; Prior (turner) #9 5s. 6d; Hopkin's Prompter's bill #13 18s.; Palmer for Sperma. Candles #7 14s.; Kirkman (harpsicord maker) #13 17s. 6d.; Hele (surveyor) #26 10s. 19 July: Mrs Garwood (laundress) #2 12s. 8d.; a Green coat for Mr Garrick #3 3s.; Mr Woods, chorus, 63 nights in full, #15 15s.; Mr French's bills in full #235 3s. 6d. 22 July: Mr Waterer, Black Lyon dinner Bills #56 8s. 6d. 25 July: Mrs Vaughan (haberdasher) #3 18s. 6d.; Cubit (tinman) #2 15s.; Kirk (housekeeper) three quarter's salary to Midummer #30; Victor's gratuity and two weeks salary #35; Evans in lieu of Benefit #42 and 2 weeks salary #3; Mr Westley 2 weeks salary #1 10s. AFTER SEASON COMPUTATION: DRURY LANE 1775-1776: Books closed 25 July 1776. @Total income #37,917 3s. 10d.@Total Expense #33,453 18s. 4d.@Profit #4,463 5s. 6d. divided as follows:@Mr Clutterbuck #1,000@Managers #3,240@ In Victor's hands #223 5s. 6d. [presumably for summer expenses and opening the next season. The Treasurer's Book also mentions a sum of #575 18s. 8d. at Mr Clutterbucks, without indication of its source or contemplated use.

Performances

Mainpiece Title: The Wonder

Cast
Role: Flora Actor: Mrs Wrighten, first time
Role: Violante Actor: Mrs Yates
Role: Inis Actor: Mrs Bradshaw.

Afterpiece Title: The Waterman

Cast
Role: Mrs Bundle Actor: Mrs Wrighten
Role: Miss Wilelmina Actor: Mrs Jewell

Dance: I: The Grand Garland Dance as17760410 but-Slingsby, Sga Crespi, Mrs Sutton

Event Comment: NNeale had Tickets (Cross). Last time of the Company's performing this season. Neale had tickets on this night for which it is customary to pay half price, the whole amount of his tickets in the House came to #22 7s. (Powel). Receipts: #60 (Cross); #33 18s. 6d. (Powel). General Advertiser, 23 June: Yesterday was married by the Rev. Mr Franklin at his Chapel Russel St?, Bloomsbury,--David Garrick Esq. to Mlle Eva Maria Violette. Comments by John Powel in MS Tit for Tat: This was the last night of the season, having play'd 175 nights. Rec'd by forfeits of the Band of Music #32 11d. Rec'd ditto from actors #1 15s. Rec'd of Mr Neale for half share of his tickets #11 3s. 6d. So that they received as appears by their own books in the two seasons that Mr G k has been concern'd as manager, the sum of #40,906 2s. 7d. having play'd in the whole time 346 nights. But as Mr Garrick's Benefit and Mrs Cibber's charges were included in the account as a blind to the Principle Treasurer, I must therefore, among some few other things, subtract them from the total amount, and then it will stand as follows: @The first season:@Cash return'd by licencer #2 2s.@G k's Benefit, whole amount of house #193 16s.@Mrs Cibber's charges at her Bt. #60@Mr Berry #1 10s.@Mrs Pritchard for a ticket as agreed #10 10s.@The last season G k receiv'd as author of Lethe, for 6th night #56 8s. 6d.@Mr Warner #5 14s.@G k's benefit as before #187@Mrs Cibber's charges #60@Mrs Pritchard's #10@Total #587 16s. 6d.@ The sum subtracted, it wil remain #40,318 6s. 1d., which is at the rate of #116 10s. 6d. for each night, one night with another, Benefit nights and all Disadvantages included. As I have no given an exact account of the Receipts of Cash, I must also endeavor to give an account of the nightly charge, that the reader may be able to judge of the Profits. But it must be first consider'd, that all nights will not amount to the same, as for example the play of Macbeth requires more incidents, than a common play, such as wine, fruit made use of in the Banqueting Scene, also spirits of wine for the Cauldron in the scene of the Witches, Rosin for lightening, &c. Whereas in another play, such as the Orphan perhaps there are few or no incidents, and consequently the charges must be less, so that it is impossible to be quite exact without giving the particulars of each night's play throughout the two seasons which would not only tire the reader's patience, but swell this pamphlet to a greater bulk than the nature of the thing requires; besides as all the Account Books are in their own custody, there can be no such thing as making an abstract. But as my own memorandums will let me into the most principle things, it is an easy matter to make an allowance for others of less consequence, which I shall take care as much as I can to do rather in their favor than against them. In the first place I shall begin with their Rents and Taxes as they stood last season: @A Calculation of the Nightly Expence of Drury Lane Playhouse:@Renter's Shares in the House, being in number Thirty-Six at #23 6s. 8d. each share for the season amounts in all to #840, and supposing they play but 170 nights (tho' they play'd 175 last season which is allowing them as much advantage as I possibly can) then will it amount to per night #4 18s. 9d.@Land Tax for the year #88, which calculated at the rate of 170 nights as above, is per night 10s. 4d.@Ground Rent, and for the rent of a Wardrobe call'd the Sparrow's Nest, for the year #80, which is per night 9s. 4d.@Poor's rate for the year #33 6s. 8d., which is per night 3s. 11d.@Scavanger for the House, and another place call'd the King's Passage, for the year #7 9s. 4d., which is 10 1!2d.@Rent for a Place call'd the King's Passage for the year #31 10s., which is per night 3s. 8 1!4d.@Watch Rate for the Playhouse and a House in Russel St, call'd the King's Passage #7, which is per night 9 3!4d.@Window lights for the Playhouse and the King's Passage, #6 per year, which is per night 8 1!4d.@Water for the year, #2, which is per night 2 3!3d.@Rent of a room call'd the Scene Room for the year #60, which is per night 7s. 1!2d.@Fruit money to be divided among the renters, as by their Lease #40, which is per night 4s. 8 1!4d.@(N.B.: It has not been the custom for some years past to pay this money to the Renters, but as they are entitled to receive it, I think proper to make it one of the charges.)@A Perquisite payable out of the P t [Patent?] for the year #815, which is per night #1 1 7s. 1!2d.@The Total amount of their Rent and Taxes is per night #8 17s. 6d.@ Thus far I have given an account of their rents] and Taxes and before I proceed any farther I believe it will be necessary to acquaint the reader, that the Renter's Lease will expire in the year 1753, and then the whole affair will come into the hands of Messrs G k and L y, for the term of near 21 years at an annual Rent of #210. This is a purchase made not long ago, for which they gave #3000. But the Annual rent of #210 commences before the Renters time is out, occasioned by an addition of several dwelling Houses in the Playhouse Passages which they had thrown into their agreement, and for some of which they now receive Rent. The next principal charge is the Nightly Salaries of the people belonging to the House, such as actors, dancers, musicians, office keepers, doorkeepers, dressers, and sweepers. The customary way of paying these people is once a week; on a Saturday Morning their names being all enter'd alphabetically upon a list (which is call'd the Pay List). This List is always made out according to the number of nights that the House has played in the week, but I must set it down at 6 which is a full week's pay. This is also a fluctuating affair, as well as the incidents, their generally being a necessity of either adding or striking off some names before the season is out, which consequently either makes an increase or decrease in the charges, but as I am oblig'd to be as particular as possible, and to bring it to a point, I will fix upon salaries of the latest date. @Sat. Feb. 25, 1748-49. The salaries amounted to per week #296 9s. 6d., and on Sat. 15 Apr. 1749, the salaries were per week #294 6d. But as I chuse to make the thing rather more than less, I will enter it according to the former list, which is per night #49 8s. 8d.@N.B. Mr Lacy has #2 15s. 6d. per night upon this list for management, but I cannot comprehend that this is any part of the charge because he has a moity, or equal half-share of the Profits, as being a partner; and consequently ought not to be paid for inspecting into his own affairs. I shall therefore subtract this from the Nightly expence at the end.@The next charge to be consider'd is that of the Tallow Chandler, which generally amounts to per week about #17, but this is not always certain, it varying sometimes either a trifle over or under. This person makes an allowance of 8 per cent Discount upon account of his receiving ready money for his goods, which deducted from the #17 makes it per night #2 12s. 1d.@The Printer's Bill generally amounts to between #7 and #8 per week, but as I rather chuse to be over than under the mark, I will set it down at #8, which is per night #1 6s. 8d.@Advertisements in the General Advertiser, there has been nothing charg'd for these two years and upwards, which I believe is occasion'd by the Managers having a share in that paper, that perhaps may bring as much as their advertisements come to.@I shall find the greatest difficulty of any yet in making an Allowance for the nightly use of their cloaths, Scenes, &c, there being a vast number of rich cloaths bought into their wardrobe within these two years, and large sums paid to the Taylor, Mercer and other Tradesmen, on account of the same, but then the Stock remains, and will serve for a considerable time with some little addition, and it is well known the wardrobe was never so rich before, as at this juncture, a great many of the cloaths having been bought ready-made at dery great bargains, and when they are no longer fit to appear upon the stage, the Lace will burn to a considerable part of their money again; And as it is impossible to be quite exact, I must submit to the reader whether #3 3s. a Night only for the use of their cloaths, Scenes and other things that appertain to the dress, is not sufficient, for according to the calculation of playing 170 nights in the season it will amount to #535 10s., only for the use, which in my opinion is enough, and if they can contradict it let them make it appear #3 3s.@Mr Fleetwood (who was the late manager) when he made an assignment of the Playhouse to Mr Lacy in trust for the Bankers (Gr n, and Am r, late of the Strand) and himself to care to keep a Reserve of #500 a year during the Time then to come on the P t [patent?], a part of which has been paid annually to a Gentleman appointed to receive the same by Mr Fleetwood. But when Mr G k came in as manager, it was agreed by the consent of that Gentleman, that it should be paid at the rate of #300 a year, and so to take a longer time for the payment of the whole. This annuity had it stood at the rate of #500 a year as was first design'd would have expir'd with the P t, which is several months before the Renter's time is out, but this affair ought to be look'd upon rather as a Debt than part of the nightly charge of the Playhouse. However, as it always stood in that Rank in their books, I shall make the same allowance here and leave the reader to judge of it as he thinks proper, which is per night according to the former calculation #1 15s. 3d.@The Lamp Lighter's bill for lighting the lamps will amount to about 7 shillings sixpence a night, but as there is an occasion sometimes for Tin Wares and reparations, I shall set it down at Per night 10s.@Coals made use of are generally about 40 Chaldrons for the season, which bought in the summer time, we must suppose not be to above 34s. a chaldron, amounting in the whole to #68, which is per night 8s.@Properties, or Incidents, are sometimes more, sometimes less, as I have before observed, and are according to the play. They are under the Denomination of Fruit, Wines, Sweetmeats, Sticks, Stage Money, &c, but to take one night with another throughout the season they don't amount to quite 5s.@Bill Stickers are those men that stick the Large Bills about the Town, being Six in number, and have 18 pence per night each. They are not enter'd on the pay List among other servants, on account of their sticking Bills sometimes when the House does not play, which makes a difference, and supposing them to be in full pay, which is not always the case, then it would amount to per night 9s.@Two men that deliver Handbills, at 1 shilling a night each per night 2s.@Four constant supernumerary scene-men to assist the scene-men belonging to the House, and a Candle-man that sees all tne candles put out after the play is over, at 1 shilling each, which is per night 5s.@There are sometimes extraordinary Supernumerary scene-men, made use of in plays, to help the traps, &c, such as Richard III, Macbeth, The Tempest, &c, which have a shilling each, but one night with another it will not amount to above 3s.@Kettle Drums and French Horns are not included among the Band of Music, and as there are but two French Horns, and one pair of Kettle Drums made use of, which are only in some particular things, at 5 shillings a night, I cannot think they will amount to throughout the season more than per night 7s. 6d.@Chorus singers, which are people that stand behind the scenes, whose additional voices are sometimes necessary in grand pieces of vocal music, and are made use of in the Tempest, Comus, Macbeth, &c., and seldom in number so many as 6, at 5 shillings each,--but if I make allowance for two each night throughout the season, I am very confident it is more than sufficient, which supposition is per night 10s.@The Prompter is allowed for Paper, Pens, Ink and Wafers per night 3d.@The Carpenters, being sometimes employed in doing work in the House, save 2s. 6d. a day each, and as this is also a fluctuating affair, I shall put them down throughout the season at per night 5s.@The Glover's bill amounts one night with another to about 6s.@The Stationer's Bill, perhaps about #15 in the season, every Boxkeeper, &c being oblig'd to find his own Paper, which is per night 1s. 9d.@The Feather-man, Shoe-maker, Sword-Cutler, Hatter, Taylor, Scene Painter, Lace-man, Mercer, &c, I have already made an allowance for,--the #3 3s. per night for the use of the Cloaths, Scenes, &c. ....@The Brick-layer and Iron-monger are casual tradesmen, and as accidents so frequently happen, I think it necessary to put them down at per night 7s. 6d.@The Turner's Bill perhaps may amount in the season to about #6 which is per night 8d.@The person that has the care of the Candles brings in a bill for small wax candles, &c, and one night with another about 1s. 6d.@The House-keeper sometimes brings in a bill for little things to the amount of about per night 1s.@The Prompter for writing parts, one night witn another 8d.@I have thus endeavored to give the most minute Part of the charges that belongs to the House, but as most of these affairs depends upon accident and for fear of any omission (At the beginning of the first season their salaries were a few weeks at #54 per night, but as this was but of a short duration it cannot make any great difference) and lest they say I fix them to certain sums which have alter'd to their disadvantage, I will as a guard against such a supposition allow them per night #3@#74 6s. 8d.@[Subtracting Mr Lacy's #2 15s. 6d.] then according to the nearest calculation I can make the whole nightly charge is #71 11s. 2d.@ The next thing to be consider'd (supposing this charge to be right) is their Profits, which will appear by multiplying the sum of #71 11s. 2d. by 346 (the number of nights they play'd in the two seasons) and the total sum will be #24,759 10s. 10d., which subtracted from #40,318 6s. 1d., the remainder will be #15,558 15s. 2d., the profits, according to the best calculations I can make arising from the two last seasons. But I think it incumbent on me to inform the reader that this money was not all at the Managers' disposal, because there was a mortgage upon the Playhouse, &c to one Mr Clutterbuck?, a tradesman in the Strand, who was Mortgagee in trust for Mr G k himself and others, and the Mortgagee was entitled to take up #1000 a year and interest at 5 per cent. This security was made at Mr G k's first commencing manager in order to purchase the Bankers' two shares in the old P t, &c. which was sold for #3,500, also to discharge an old mortgage made by Mr Fleetwood, and other debts due from the playhouse. Thus have I made appear to the Town the receipts and charges as near as possibly can, and hope not to the disadvantage of the Managers. But perhaps they will say that they have expended more money than I have already given an account of, which I must readily submit to, but then it has been upon different affairs than the nightly charge of the House; as for example the first season they, as will appear by their own Books, #15,179 12s. 3d.; the second season #13,663 3s. 3d., so at this rate the profits do not amount to above #10,475 10s. 8d., which is noways right, for as I have already observed, they bought large quantities of ready-made rich cloaths, merely because they were great bargains. These cloaths they now have by them, and doubtless are as good as money, and which I make an allowance for at #3 3s. a night. They also made alterations in the House, by enlarging the first Gallery, and adding more seats, which are placed so neighborly together, that they keep people pure warm in a cole [sic] winter's night, especially at the upper end. The transformation of that Part adjoining to the Box-Lobby into a standing place for the Quality, that they may pay before they go in, is another charming contrivance, and many other alterations much to advantage, but these conveniences being once finish't become Perpetual, and are no longer chargeable. Besides they lent out of the said sums money to several actors for some of which they have bonds that bear 5 per cent interest, and these are the things that were the occasion of the Extraordinary Advancement, which perhaps they under a pretence may call part of the Nightly charges, but as I have made the thing as clear as well can be, I shall submit to the reader's judgment. I thought it necessary to set down each night's farce with the play as near as I could throughout the two seasons, and I believe upon strict examination the reader will find that the whole number consists of about 25 good old Stagers, one of them having mounted upwards of that times. But however dis[agreea]ble these antient attendants may prove to an Audience, yet they are absolutely necessary on account of keeping up the [starf--l P[rice]s, which could not decently be done without them as Mr Rich has Pantomime entertainments. [starWhilst their rent, Taxes, &c are so very high, it is my firm opinion, they cannot afford to take under full prices, and therefore I would not have any one imagine to the Contrary. And the reason of publishing this account is no more than to do my self common justice and to shew how well they could afford to make me amends for my past Labours. Tho in my opinion Mr G-k is such a rarity, that he needs no embellishment, and I hope I shan't be thought too lavish in his Praise when I say that his great condesention in playing oftener since he has been a manager (almost in spite of his sickness) than he did when he was under management, is such an obligation conferr'd on the town, that it is questionable whether the salary he now receives as an Actor is equivalent. But lest it should not be generally known what it is (as such things do sometimes slip the ears of the People) I think it proper to inform the Reader, and having first ask'd Mr Garrick the manager's pardon, I shall begin with Mr Garrick the Actor, whose salary for the season is #525 certain, and as most players have a benefit once a year, so has he, but only this difference, that they pay for theirs (Mrs Cibber excepted) and he does not. Nor need he give himself any trouble to make an interest at the time; for it is only playing Richard, or Lear, and the job is done without putting his name up in large characters at the top of the Playbill, for every inquisitive person to gape at. What these Benefits have brought him in is easily seen by looking backwards. This added to the salary makes upwards of #700 a year, and so much for Mr G-k the actor. As to Mr Garrick the Manager, he only takes up #500 a year out of the profits under the denomination of Management, which does but just put him upon a footing with his brother manager, who takes up the same, and if I may presume to put the Manager and Actor together, it will appear that Mr Garrick's income from the Playhouse is upwards of #1200 a year exclusive of a Mortgage of #4000 upon the Playhouse, Patent, Cloaths, Scenes, &c., which brings him in #200 per year, at the rate of 5 per cent interest. These things put together and added to his half share of Profits, makes it a comfortable living enough, and I heartily wish every brave fellow that ventured his life and limbs for his Country's service could meet with the same success. I make no doubt but it will create some wonder that I have laid these things before the Town, without saying for why. But I must assure the reader that after weighing every circumstance well within my own breast, I think I have sufficient reason, and would relate each particular reason, but that I have given to understand Facts may be Libels--that all advantages will be taken--that I must have a care what I do, and that Power may get the better of Truth. I must confess I think it very hard that if a man is hurt he must not only suffer the injury, but be also hindered from telling his grievance. However, as I have often groan'd in private, I will run the risk of venturing one groan in public, but will be as concise as possible, for fear my antagonists may be too impatient to stay till my tale is told. Let it suffice them that I was Deputy Treasurer of D-y L-ne Playhouse upwards of four years, and resigened my office the beginning of this season. Several messages were sent to me to return again, and I had my place kept for me several weeks, which plainly shows I have been guilty of no misdemeanor, but have been rather look'd upon as a valuable sl-ve than other ways, and could I have been content with much more labor and little pay I don't doubt but I might have been suffer'd to trudge on and carry my Burthen to the end of my days. But having forgot my station, and that I had no right to make terms for myself, was so impudent as to imagine I had some Gratitude due me for past services, and that as I had weather'd a most terrible Storm, I had some right to share in the calm, but alas! I was mistaken. Property was not intended for me, I was only design'd to share in Adversity and help others to cut their passage to happiness. I believe it is pretty well known that near two years before Mr G-k came in as manager, the Playhouse was involved [in] many difficulties, much money being due to tradesmen, Actors, &c occasioned by his not playing there, which [would] not have been the case had Mr Lacy, who was then manager in trust for the Bankers and himself, agreed with him, and given what he demanded as an actor, which was as Mr Lacy order'd him #500 for the season, and as Mr G-k did not chuse to be under him he went to Ireland where he remain'd during the season. The Bankers who advanc'd #6,800 to purchase the Playhouse, the Renters, and Mr Lacy begun to see their folly, and were so unfortunate as to become Bankers' prey afterwards, though one of them (Mr Amber) has had the grant to be made a Pit office-keeper in the Playhouse, where he now remains at a salary of about #29 a year. I shall return to the difficulties. The People that had the demands to them (being upwards of #140) began to be very uneasy, and they very clamorous, that we perceiv'd what we were to depend upon. Distruction, seemingly as it was a dark cloud over our heads, we expected daily to burst upon us; and tho' Mr Lacy had given as many fair promises as a man could do, yet it availed nothing, for every word they spoke had something of danger in it (which oblig'd him to keep pretty much within doors). Here I interposed, and stood between him and his creditors, for upwards of a year and a half, ever breaking my rest to preserve his, and was continually forming excuses and pledging my word, to divert them from their design, and as it was unsafe for him to come to the playhouse for a long time together, for fear of arrests, I was oblig'd to undertake the management there (which they now take up #500 a year for) and go through a very hard Task to an account of the people's not having their pay. Added to this I had the Accounts of the Treasurer's Office to keep and as we were in debt every particular person's belonging to the playhouse, beside. I also took upon myself the Inspection of the Wardrobe and kept an account of that (which was almost one man's business alone to do). I drew all the articles between the manager and actor, and at other times were [sic] continually either writing, walking, though lame, or contriving for Mr Lacy's welfare. In the day I had no rest, in the night very little sleep, and my whole study was to extricate him from his troubles. I was bail for him to the Sheriff in two actions for #200, and brought at the suit of Mr Fl-dyer in Bazinghall St, and Mr Ho-se, Tinman in High Holborn, and had a great deal of trouble in getting one of these actions defended in order to gain time. I was arrested twice myself for him: one of these times dragg'd out of my lodgings at twelve o'clock at night. In short I went through every trouble that a sincere friend could do, while he was endeavouring to get the new Patent, which he and Mr Garrick now enjoy, and did imagine if ever those difficulties were got over (which I then very much question'd) that I should have met with some gratification, but instead of that as soon as Mr G-k came to be concern'd as a partner (who knew very well that I had gone through for the service of the Playhouse) I found another Person was to be put in Principal Treasurer over my head, with this Reason: "That it was their interest it should be so, because his Wife, Mrs Pr-h-d was to play for them." Not that I envy the gentleman that has it, for I think him worthy of much more, and hope my being under a necessity of mentioning it will be a sufficient plea for my excuse. This I very easily look'd over, and had not the least doubt but they would make me some amends another way, but adding something to my salary, which was at the rate of #44 a year, and this I was entitled to for doing the business of Deputy treasurer in the Office which was nothing in competition with the other affairs I had gone through. But I found I was mistaken here too for I had no addition, and discover'd when too late that I should have made use of the opportunity when I had it in my power,--but though I knew the time when everything must have been granted that I ask'd, yet I did not take the advantage, nor would by compulsion force the thing that I knew was due from the strongest ties of Friendship. How wretched must such a disappointment make me! What must that man deserve that can betray such confidence, and without blushing deny the breach he had made in Honour. If after this I can point out a way to do myself justice, have I not Right to make use of it? Must I lose my health, Time, Labor, for other's happiness, and not consider my miseries? It is against Nature and I hope the Reader will make my Case his own, and then judge accordingly. In my next I shall give the full history of the Stage ever since Mr Fl-w-d was manager, down to the end of the last season, wherein will be the Bankers' affair set forth at large. The manner of obtaining the new P-t, and Gratitude displayed in a particular manner. The intended partnership between Mr Rich and Mr Lacy, how Mr Garrick came to be admitted. His compact with Mrs Pritchard, and some other affairs necessary to be known both to the Public and the Theatres. @Then let the stricken deer go weep@The hart ungall'd go play...&c. &c.@Finis.@ [Powel's second pamphlet seems not to have been written, as this one seems never to have been printed. His total income for the two seasons #40,906 2s. 7d. corresponds favorably with Cross's total estimates for the same period of #40,995. His analysis of the cost of many items in his attempt to arrive at a reasonable statement of nightly charges is most valuable. If his figure of #71 11s. 2d. is correct, then the managers lost from #8 to #11 on each benefit night, which hardly seems probable.

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: As17490429 but Hero-Mrs Elmy; Balthasar-_ Fryar-Bridges; Borachio-Blakes; Margaret-Mrs Havard.
Cast
Role: Hero Actor: Mrs Elmy
Role: Balthasar Actor: _ Fryar-Bridges
Role: _ Fryar Actor: Bridges
Role: Margaret Actor: Mrs Havard.
Role: add Masquerade Dance Actor: Mrs Addison.
Role: Friar Actor: Bridges
Role: Beatrice Actor: Mrs Pritchard
Role: Musical parts Actor: Beard, Reinhold, Mrs Clive.

Afterpiece Title: The Intriguing Chambermaid

Cast
Role: Mrs Highman Actor: Mrs Bennet.
Role: Lettice Actor: Mrs Clive.

Dance: Cook, Anne Auretti, Mathews, Mrs Addison

Event Comment: Benefit for Miss Sherry & Sga Crespi. Tickets delivered by Harwood will be taken. Afterpiece: Not acted these 2 years [see 31 Mar.]. Public Advertiser, 17 Apr.: Tickets to be had of Miss Sherry, at Nicholl's, Baker, Bridge's-street, Covent Garden; of Sga Crespi, Poland-street, opposite the Back Door of the Pantheon. Receipts: #257 0s. 6d. (91.14.0; 23.0.6; 0.0.0; tickets: 142.6.0) (charge: #70 17s. 6d.)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Register Office

Performance Comment: Irishman-Moody; Capt. LeBrush-Palmer; Gulwell-Packer; Scotchman-Parsons; Frenchman-Baddeley; Frankly-Davies; Harwood-Lamash [Public Advertiser: Wheeler]; Lord Brilliant-Fawcett; Williams-Wrighten; Margery Moorpout-Mrs Love; Maria-Miss Platt; Melpomene-Miss Stageldoir; Mrs Doggerel-Miss Pope.
Cast
Role: Margery Moorpout Actor: Mrs Love
Role: Mrs Doggerel Actor: Miss Pope.

Dance: End II: a New Pastoral Ballet, composed by Helme, The Garden of Love-Helme, Sga Crespi, Miss Armstrong, Sga Ricci; End: Chaconne-Sga Crespi

Song: original Music by Matthew Locke-Bannister, Legg, Kear, Fawcett, Follett, Chaplin, Carpenter, Mrs Scott, Miss Abrams, Mrs Greville, Mrs Davies, Miss Jarratt, Miss Collett, Mrs Love, Mrs Booth, Mrs Pitt, Mrs Smith, Gaudry

Event Comment: Benefit Mrs Walter. Mainpiece: Written by the late Sir John Vanbrugh. [Tickets at Mrs Walter's House, near the Baker's, in Bridges-Street, cg. Tickets for Pelling, Rector, Woodburn taken also.

Performances

Mainpiece Title: The Provok'd Wife

Cast
Role: Mademoiselle Actor: Mrs Cross.
Role: Lady Brute Actor: Mrs Butler
Role: Lady Fanciful Actor: Mrs Clive
Role: Belinda Actor: Mrs Mills

Afterpiece Title: The What D'ye Call It

Dance: I: English Maggot-Rector, Mrs Walter; II: Grand Dance of Moors-Muilment, Mrs Walter, Rector; IV: Pierots-Pelling, Leviez; V: Minuet-Rector, Mrs Walter

Event Comment: Benefit for Wild, prompter. 2nd piece [1st time; M. INT 1]: The Words of the Ode will be given in the Theatre. 3rd piece: A Short Description of the Scenery, &c. The Hall of Fingal-the Banquet preparatory to the celebration of the Nuptials of Oscar and Malvina; The Mountain of Ben Lomond; The Military Procession of Carrol to the Hall of Fingal; A View of the Sea and Rock, from which Oscar escapes, by leaping from a precipice, 20 feet high, into the arms of his Soldiers; A View of the Bridge, with the Camp of Carrol-the Death of Carrol, by the hands of Malvina, with his Descent into the Sea, and the Burning of the Camp of Carrol. The new Music composed, and the Ancient Scots Music selected and adapted by Shield. The Overture by Reeve. Morning Herald, 3 May: Tickets to be had of Wild, No. 46, Drury-lane. Receipts: #394 13s. (187.9; 3.10; tickets: 203.14)

Performances

Afterpiece Title: A Melocosmiotes

Performance Comment: Scene I. A Valley. The Primrose Girl (near bowery Richmond's) by Spofforth-Mrs Clendining; Scene II. A Kitchen. Fat Dolly the Cook-Munden; Scene III. A Landscape and Cottage. The Sportsman's snug little Cot (At the dawn of Aurora) by Shield-Incledon; Scene IV. A View in Ireland. The Heart of Steel (from The Lad of the Hills) by Shield-Bowden; Scene V. A Cathedral, with the Statue of Shakespeare. An Ode selected from Ben Jonson, in honor of Shakespeare, composed for Two Choirs by Shield expressly for the Evening's Performance,-Incledon, Bowden, Townsend, Richardson, Linton, Spofforth, Mrs Martyr, Mrs Mountain, Mrs Clendining, Mrs Serres, Chorus; To conclude with The Barber's Petition-Fawcett; Wigs-Fawcett, as17960506.
Cast
Role: Spofforth Actor: Mrs Clendining
Role: composed for Two Choirs by Shield expressly for th Actor: Incledon, Bowden, Townsend, Richardson, Linton, Spofforth, Mrs Martyr, Mrs Mountain, Mrs Clendining, Mrs Serres, Chorus
Role: 960319but Principal Characters Actor: Miss _Wallis, Mrs Knight.
Role: Catharine Actor: Mrs Mattocks.
Role: Pantomimic Characters Persian Merchant and Actor: Farley
Role: Landlord Actor: Thompson
Role: Persians and Arabs Actor: Cranfield, Platt, Bayzand, T. Cranfield, Goosetree
Role: Columbine Actor: Mlle St.Amand
Role: Pleasure Actor: Mrs Martyr
Role: Virtue Actor: Mrs Mountain
Role: Arabian Girl Actor: Mrs Clendining
Role: Glees and Chorusses Actor: Linton, Street, Spofforth, Williamson, Holland.
Role: The Banditti Actor:
Role: song Actor: Mrs Clendining composed by Shield.
Role: , Actor: Bowden, Townsend, Richardson, Haymes, Linton, Street, Spofforth, Williamson, Holland
Role: The Building Scene and Falling Scaffold Actor:
Role: The Outside of Pantaloon's House Actor: the Mandarine-the Inside-the Magic Candles-
Role: the Mandarine Actor: the Inside-the Magic Candles-
Role: the Inside Actor: the Magic Candles-
Role: the Magic Candles Actor:
Role: Harlequin from the Tea Urn Actor: , invented by Messink and Martinelli.
Role: The Dog Kennel and Pigeon House Actor: invented by Rich.
Role: An exact Representation of the Telegraphe Actor: , in which is shewn the Manner of conveying Intelligence, demanding Questions, and receiving Answers.
Role: A Landscape Actor:
Role: Pantaloon's House and Garden Wall Actor: a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: and the Piece concludes with a Finale Actor:
Role: Grand Dance Actor: Byrn, Holland, Mlle St.Amand.
Role: Tradesmen Actor: Holland, Abbot
Role: Gymp Actor: Mrs Martyr.
Role: Bar@Maid Actor: Mrs Norton
Role: Susan Actor: Mrs Martyr
Role: Clara Actor: Mrs Clendining.
Role: Betty Blackberry Actor: Mrs Knight
Role: Molly Maybush Actor: Mrs Martyr
Role: Louisa Actor: Mrs Mountain
Role: Landlady Actor: Mrs Platt

Afterpiece Title: Oscar and Malvina

Performance Comment: As17960416, but Bards-Spofforth, +Abbot, +Holland, Mrs +Castelle, Miss +Leserve, Mrs +Masters, Mrs +Norton, Mrs +Lloyd, Miss +Walcup; Farmer-Rees. [The parts are assigned.]The parts are assigned.]

Song: End II of 1st piece: The Sea Storm-Incledon; In 3rd piece: I am a jolly gay Pedlar-Townsend; Come every jovial Fellow-Rees, Mrs Martyr, Mrs Mountain; O ever in my bosom live-Mrs Martyr, Mrs Mountain

Event Comment: Afterpiece: Taken from Ossian; composed by Byrn. A View of the Sea and Rock from which Oscar escapes, by leaping from a Precipice into the arms of his Soldiers; A View of the Bridge with the Camp of Carrol; The Death of Carrol by the Hand of Malvina, with his Descent into the Sea, and the Burning of the Camp of Carrol. [This was included in all subsequent performances.] The Ballet under the direction of Farley. The Overture by Reeve, with a Harp Accompaniment by Weippert. The Doors to be opened at 5:30. To begin at 6:30, and so continue for the remainder of the Season. Receipts: #234.13 (228.13; 6.0)

Performances

Mainpiece Title: Jane Shore

Performance Comment: As17971227, but Jane Shore-Mrs Pope [i.e. formerly Mrs Spencer].i.e. formerly Mrs Spencer].
Cast
Role: Jane Shore Actor: Mrs Pope
Role: Alicia Actor: Mrs Crawford.

Afterpiece Title: Oscar and Malvina; or, The Hall of Fingal

Performance Comment: The Hall of Fingalv. Oscar (the Descendant of Fingal)-Bologna Jun.; Fingal-Bologna; Male Domestics-Blurton, Platt, Wilde, Dyke, T. Cranfield, Gourion, Pitman, Parsloe; Male Bards-Linton, Street, Sawyer, Smith; Malvina-Mrs Parker; Female Domestics-Mrs Watts, Mrs Follett, Mrs Bologna, Miss Cranfield, Miss Burnett, Miss Cox, Miss Crow, Miss Davenett; Female Bards-Mrs Castelle, Mrs Henley, Miss Wheatley, Miss Gray; A View of a Cataractv, with the Descent of the Irish from the Mountains of Ben Lomond. Carrol (the Irish Chieftain)-Follett; Draco (his Captain)-Simpson; Officers-Lee, Abbot, Barnes; Morven (his lieutenant)-Farley; Vocal Charactersv. Scotch Lad-Mrs Martyr; Scotch Pedlar (with I'm a jolly gay Pedlar)-Simmons; Farmer-Gray; Scotch Lassie-Mrs Mountain.

Song: In afterpiece: Come every jovial Fellow-Mrs Martyr, Gray, Mrs Mountain; O ever in my Bosom live-Mrs Martyr, Mrs Mountain

Event Comment: Afterpiece: Composed by Byrn. A View of the Sea and Rock, from which Oscar escapes, by leaping from a precipice, into the arms of his Soldiers; A View of the Bridge with the Camp of Carrol; The Death of Carrol by the Hand of Malvina, with his Fall into the Sea, and the Burning of the Camp of Carrol. [This was included in all subsequent performances.] With entire new Dresses and Decorations, and the Scenery new painted. The Ballet under the direction of Farley. The Overture by Reeve, with an accompaniment on the Union Pipes and Harp by Murphy and Weippert. Receipts: #378 11s. (369.6; 9.5)

Performances

Mainpiece Title: Lover's Vows

Related Works
Related Work: Lovers' Vows Author(s): August Friedrich Ferdinand von Kotzebue

Afterpiece Title: Oscar and Malvina; or, The Hall of Fingal

Performance Comment: The Hall of Fingal. Oscar (the Descendant of Fingal)-Bologna Jun.; Fingal-Bologna; Male Domesticks-Blurton, Platt, Wilde, Duke, Jackson, Powers, L. Bologna, T. Cranfield; Male Bards-Hill, Linton, Street, Thomas, Smith, Little; Female Domesticks-Ms Watts, Ms Follett, Mrs Bologna, Ms Burnett, Ms Cox, Miss Bologna, Ms Crow, Ms Dibdin; Female Bards-Ms Waters, Miss Mitchell, Miss Wheatley, Ms Castelle, Mrs Iliff, Miss Gray, Ms Leserve, Ms Walcup; Malvina (Daughter to Toscar)-Mrs H. Johnston (1st appearance in that character); A View of a Cataractv, with the Descent of the Irish from the Mountains of Ben Lomond. Carrol (the Irish Chieftain)-H. Johnston (1st appearance in that character); Draco (his Captain)-Simpson; Standard Bearers-Lee, Abbot; Morvan (his Lieutenant)-Farley; Vocal Characters. Scotch Lad-Mrs Chapman; Scotch Pedlar (with I am a jolly gay Pedlar)-Townsend; Farmer-Gray; Scotch Lassie-Mrs Atkins.

Song: In afterpiece: Come every jovial fellow-Mrs Chapman, Gray, Mrs Atkins; O ever in my bosom live-Mrs Chapman, Mrs Atkins

Performances

Mainpiece Title: The Maid Of Bath

Afterpiece Title: The Dutchman

Performance Comment: Parts by Bannister, Brett, Wilson, Walters, Mrs Wilson, Mrs Love, Miss Weller. Dutchman-Bannister; Sir William-Brett; Thomas-Wilson; Claussen-Walters; Dutchman's Wife-Mrs Love; Miss Sophy-Mrs Weller; Lettice-Mrs Wilson; Dutchwoman-Mrs Weston.
Cast
Role: Dutchman's Wife Actor: Mrs Love
Role: Miss Sophy Actor: Mrs Weller
Role: Lettice Actor: Mrs Wilson
Role: Dutchwoman Actor: Mrs Weston.
Related Works
Related Work: The Dutchman Author(s): Thomas Bridges

Dance: The Merry Lasses-

Event Comment: Benefit Mrs Walter. Tickets at Mrs Walter's House, near the Fishmonger's, in Bridges Street. Afterpiece: As 30 April

Performances

Mainpiece Title: The Confederacy

Performance Comment: As17391208, but Moneytrap-Taswell; Corinna-Mrs Walter.
Cast
Role: Corinna Actor: Mrs Walter.
Role: Clarissa Actor: Mrs Butler
Role: Araminta Actor: Mrs Pritchard
Role: Cloggit Actor: Mrs Marshall
Role: Amlet Actor: Mrs Macklin
Role: Flippanta Actor: Mrs Clive.

Afterpiece Title: The Tragedy of Tragedies

Cast
Role: Queen Dollalolla Actor: Mrs Bennet

Dance: I: Tambourine-Mlle Chateauneuf; II: Muilment; III: Wooden Shoes-Master Ferg; IV: Pierots-Lalauze, Livier; V: Minuet-Rector, Mrs Walter; End Afterpiece: Maggot-Cooke, Mrs Walter

Song: V: Eccho Song (Comus)-Mrs Arne

Event Comment: Benefit for Benson. Tickets to be had of Mrs Benson, No. 8, Dorville's Row. 3rd piece: With two Scenes of the Ombres Chinoises; or, The Lilliputian World, representing the Broken Bridge; or, Insolent Carpenter; and a View of a Sea Fight

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Performance Comment: Lord Townly-Gibbons; Manly-Smith; Squire Richard-Benson; Count Basset-Wilson; John Moody-Watts; Poundage-Sadler; Sir Francis Wronghead-Waldron; Lady Grace-Mrs Chambers; Miss Jenny (with songs in character)-Mrs Benson; Lady Wronghead-Mrs Johnston; Mrs Motherly-Miss Williams; Myrtilla-Mrs Clarke; Trusty-Mrs Harlowe; Lady Townly-A Young Lady (1st appearance on this stage [unidentified]) .unidentified]) .
Cast
Role: Lady Grace Actor: Mrs Chambers
Role: Miss Jenny Actor: Mrs Benson
Role: Lady Wronghead Actor: Mrs Johnston
Role: Mrs Motherly Actor: Miss Williams
Role: Myrtilla Actor: Mrs Clarke
Role: Trusty Actor: Mrs Harlowe

Afterpiece Title: The Padlock

Performance Comment: Don Diego-Waldron; Leander-Price; Mungo-Benson; Ursula-Mrs Johnston; Leonora-Mrs Benson .
Cast
Role: Leander Actor: Price
Role: Ursula Actor: Mrs Johnston
Role: Leonora Actor: Mrs Benson

Afterpiece Title: Harlequin's Gambols

Performance Comment: Harlequin-Wright; Columbine-Mrs Clarke. The other Characters by the Rest of the Company .

Song: End of 1st Monologue A Tax on Old Maids, as sung by Mrs Kennedy at Vauxhall, by Mrs Benson. monologues. End of mainpiece Peeping Tom of Coventry's Peep into Hammersmith; End of 3rd piece A Description of the Tombs in Westminster Abbey, both by Benson

Event Comment: Benefit Mrs Walter. Tickets at Mrs Walter's, next door the Baker's, in Bridges Street

Performances

Mainpiece Title: The Provok'd Wife

Performance Comment: As17401111, but Mademoiselle-Mrs Walter.
Cast
Role: Mademoiselle Actor: Mrs Walter.
Role: Lady Fanciful Actor: Mrs Clive
Role: Belinda Actor: Mrs Mills
Role: Lady Brute Actor: Mrs Butler.

Afterpiece Title: The Mock Doctor

Performance Comment: See17410427 but Mock Doctor-Macklin; Leander-Lowe; Dorcas-Mrs Pritchard; Charlotte-Miss Woodman.
Cast
Role: Leander Actor: Lowe
Role: Dorcas Actor: Mrs Pritchard

Dance: I: Maltere, Mlle Maltere; II: L'Allemande-Muilment, Mlle Chateauneuf; IV: La Tambourine-Mlle Chateauneuf; V: Minuet-Rector, Mrs Walter

Song: III: Blow Blow-Lowe

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; Particularly a Sonata for a Flute and a Violin-Signior Gasperini, Mr Paisable; And likewise a Sonata for two Flutes-Mr Paisable, Mr Banister; the whole being entirely New. Margaretta Gallia mention'd in my former Bills, has since got a Cold, and is very much indispos'd, therefore will not venture to Sing; but in her room Several Pieces of the late Mr Henry Purcell-Mrs Lindsey, Mrs Hudson, Mr Hughes, Mr Laroone

Performance Comment: Margaretta Gallia mention'd in my former Bills, has since got a Cold, and is very much indispos'd, therefore will not venture to Sing; but in her room Several Pieces of the late Mr Henry Purcell-Mrs Lindsey, Mrs Hudson, Mr Hughes, Mr Laroone.
Event Comment: At Cross and Bridges' Booth, opposite the Hospital Gate. A new Dramatick Droll...being founded on a Story in Real Life, as related in the Memoirs of the celebrated Mrs Constantia Phillips. In which will be introduc'd a New Scene of Bedlam...Interspers'd witn a Merry Interlude call'd The Jovial Tars...with the Comical Humours of Nurse Prate and Will Bowling the Jovial Tar; as also of Jack Hanspite, Nick Hatchway, and Simon Bucket, Sailors; with Mary the Chambermaid, Susan of the Dairy, Kate of the Kitchen, and Nan the Spinster. To begin each day at noon. An extraordinary band of music is provided. Prices: 1s. 6d., 1s., 6d

Performances

Mainpiece Title: The Fair Lunatick; Or, The Generous Sailor

Performance Comment: Charles-Holtham; Constant-Bridges; Mrs Constant-Mrs Greenwood; Peggy (the Fair Lunatick)-Miss Davies.
Cast
Role: Constant Actor: Bridges
Role: Mrs Constant Actor: Mrs Greenwood

Afterpiece Title: Modern Madness; or, A Touch of the Times

Performance Comment: Keeper-Bridges; Clack-Smith; Master Clack-Master Cross; Mrs Clack-Mrs Daniel; Madam Taste-Mrs Cross; Solomon Overzeal-Clough; Modern Poet-Cross.
Cast
Role: Keeper Actor: Bridges
Role: Mrs Clack Actor: Mrs Daniel
Role: Madam Taste Actor: Mrs Cross

Afterpiece Title: The Jubilee Ball, a Grand Scene

Monologue: 1749 8 24 bf I+Interlude The Jovial Jack Tars, or All Well Match'd. Nurse Prate-Mrs Cross; Mary-Mrs Daniel; Jack Bridle-Cross; Will Bowling-Clough

Performance Comment: Nurse Prate-Mrs Cross; Mary-Mrs Daniel; Jack Bridle-Cross; Will Bowling-Clough.
Cast
Role: Nurse Prate Actor: Mrs Cross
Role: Mary Actor: Mrs Daniel

Dance: TThe Medley of Jokes-; the French Peasants-Master Matthews, Mrs Annesley

Event Comment: By Permission of the Lord Chamberlain. Benefit for an Infant Orphan Family. Tickets to be had at No. 17, Tufton-street, Westminster; of Appleby, Hosier, Parliament-street; Mrs Cleaver, Cannon-row, Parliament-street; Newcomb, Confectioner, Bridge-street, Westminster; Taylor, Linen-draper, Whitehall; Thomas, Butcher, Charing-cross; Medhurst, Pastry Cook, Russel-court, Drury-lane; Rice, at the Theatre, where Places for the Boxes may be taken

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Portia-Mrs Sumbel (late Mrs Wells; who has generously volunteered her services for that Evening); Nerissa-A Young Lady (1st appearance on the stage [unidentified]). The rest of the characters by Ladies and Gentlemen who, actuated by movies of humanity, have made a voluntary offer of their respective services.unidentified]). The rest of the characters by Ladies and Gentlemen who, actuated by movies of humanity, have made a voluntary offer of their respective services.
Cast
Role: Portia Actor: Mrs Sumbel

Afterpiece Title: The Irishman in London

Entertainment: End: Her much admired Imitations-Mrs Sumbel

Event Comment: By Command of Their Majesties. Tickets and places to be taken of Mr Johnston at the Stage Door of the Theatre at Half a Guinea. Pit 5s. First Gallery 3s. 6d. Second Gallery 2s. Doors to be opened at Five o'clock. To begin at Half past Six. Theatrical Review (London, 1772), appendix, pp. 207-8: The Oratorios performed at this House were conducted by Messrs. Stanley and Smith, for their own emolument; the Managers of the theatre having had no Share of the profit arising from these performances, nor any advantage, except a premium for the use of the house. Mr Stanley's musical abilities are well known. Mr Smith, was, if we are not mistaken, a pupil of the celebrated Mr Handel's; and, we believe, that Gentleman left Mr Smith the greatest part of his music, if not his whole library; so that Mr Smith may with great propriety claim the right of succeeding Mr Handel in the exhibition and conduct of his Oratorios, which he has undertaken (in conjunction with Mr Stanley) every since Mr Handel's death. Their band was composed of some of the most capital performers in this kingdom, and was led by Mr Ximenes. The vocal performers (exclusive of Chorus singers) were Mr Norris, well known to all lovers of Music, for his taste and delicacy of execution. Mr Parry (a Bass voice) from the Cathedral Church of Salisbury. This gentleman, though very young, has an extensive compass, and a great power of voice, and acquits himself with considerable reputation. Mrs Weichsel and Mrs Scott, of whom it would be superfluous and unnecessary to say anything, since their abilities are generally known. And lastly Signora Grassi, a performer of great merit. Theatrical Review, 6 March: This is Mr Dryden's celebrated Ode on St Cecelia's Day, and not an Oratorio, but performed as such...It contains many beauties and such as are worthy of Mr Handel's genius...Being much shorter than the usual length of oratorios, Mr Handel's celebrated Coronation Anthems were added in order to make the evening's entertainment of a proper length. Also a Solo on the Violincello by Mr Janson...lately arrived from Paris, said to have been a pupil of Mr Duport's but, though his taste and excution is very astonishing, we cannot give him the preference of his master. [See 13 April 1773.Charge seems to have been #28 per night plus expenses for oil, candles &c.

Performances

Mainpiece Title: Alexander's Feast, With Coronation Anthems

Music: First Violin-Mr Ximene; with a Solo on the Violincello-Mr Janson, lately arrived from Paris, (Who has never performed in Public in England)

Event Comment: Benefit Berry. For the Entertainment of the Grand Master and the rest of the Brethren of...Free and Accepted Masons. [Three Rows of the Pit railed into the Boxes for Masons only. Tickets at Berry's in Bridges Street.

Performances

Mainpiece Title: The Double Dealer

Performance Comment: As17390111, but Brisk-Woodward; With a New Prologue upon the Occasion-Milward; Epilogue-Mrs Clive.
Cast
Role: Epilogue Actor: Mrs Clive.
Role: Lady Touchwood Actor: Mrs Butler
Role: Lady Froth Actor: Mrs Clive
Role: Lady Pliant Actor: Mrs Roberts
Role: Sylvia Actor: Mrs Mills.

Afterpiece Title: The Virgin Unmask'd

Performance Comment: See17390512, but Lucy-Mrs Clive; Blister-Turbutt; Coupee-Macklin; Goodwill-Taswell; Thomas-Green; Quaver-Raftor.
Cast
Role: Lucy Actor: Mrs Clive

Song: I: Come let us Prepare-Brother Berry; III: On on my Dear Brethren-Brother Beard; IV: Ye Brethren of the Ancient Craft-Brother Berry; End Afterpiece: Thus mighty Eastern Kings-Brother Beard

Dance: II: Ethiopian Dance-Muilment, Livier, Baudouin, Rector, Fromont; V: Hungarian Dance-Denoyer, Mrs Walter

Event Comment: Benefit for Bridges and Desse

Performances

Mainpiece Title: Volpone; Or, The Fox

Performance Comment: Volpone-Bridges; Mosca-Ryan; Corbaccio-Bridgwater; Voltore-Ridout; Corvino-Rosco; Sir Politic-James; Bonario-Gibson; 1st Avocatori-Marten; Peregrine-Anderson; Celia-Mrs Hale; Lady Wou'dbe-Mrs Horton; In I, Dance-Master Granier, Miss Granier; In III, a Punch Dance-Harrison.
Cast
Role: Volpone Actor: Bridges
Role: Peregrine Actor: Anderson
Role: Celia Actor: Mrs Hale
Role: Lady Wou'dbe Actor: Mrs Horton

Afterpiece Title: Phebe; or, The Beggar's Wedding

Performance Comment: Hunter-Beard; Phebe-Mrs Dunstall; Tippet-Mrs Bland; Justice Quorum-Marten; Chanter-Bridgwater.
Cast
Role: Phebe Actor: Mrs Dunstall
Role: Tippet Actor: Mrs Bland

Song: II: Mrs Storer; IV: Miss Faulkner

Dance: HHornpipe-Harrison