*p1798 03 19 cg Jane Shore. ^As17971227^, but Jane Shore-Mrs Pope [i.e. formerly $Mrs Spencer=].*a1798 03 19 cg Oscar and Malvina; or, The Hall of Fingal. <i>The Hall of Fingal</i>v. Oscar (the Descendant of Fingal)-Bologna Jun.; Fingal-Bologna; Male Domestics-Blurton, Platt, Wilde, Dyke, T. Cranfield, Gourion, Pitman, Parsloe; Male Bards-Linton, Street, Sawyer, Smith; Malvina-Mrs Parker; Female Domestics-Mrs Watts, Mrs Follett, Mrs Bologna, Miss Cranfield, Miss Burnett, Miss Cox, Miss Crow, Miss Davenett; Female Bards-Mrs Castelle, Mrs Henley, Miss Wheatley, Miss Gray; <i>A View of a Cataract</i>v, with the Descent of the Irish from the Mountains of Ben Lomond. Carrol (the Irish Chieftain)-Follett; Draco (his Captain)-Simpson; Officers-Lee, Abbot, Barnes; Morven (his lieutenant)-Farley; <i>Vocal Characters</i>v. Scotch Lad-Mrs Martyr; Scotch Pedlar (with <i>I'm a jolly gay Pedlar</i>)-Simmons; Farmer-Gray; Scotch Lassie-Mrs Mountain.*s1798 03 19 cg In afterpiece: <i>Come every jovial Fellow</i>-Mrs Martyr, Gray, Mrs Mountain; <i>O ever in my Bosom live</i>-Mrs Martyr, Mrs Mountain.*c1798 03 19 cg Afterpiece: Taken from $Ossian=; composed by $Byrn=. A View of the Sea and Rock from which Oscar escapes, by leaping from a Precipice into the arms of his Soldiers; A View of the Bridge with the Camp of Carrol; The Death of Carrol by the Hand of Malvina, with his Descent into the Sea, and the Burning of the Camp of Carrol. [This was included in all subsequent performances.] The Ballet under the direction of $Farley=. The Overture by $Reeve=, with a Harp Accompaniment by $Weippert=. The Doors to be opened at 5:30. To begin at 6:30, and so continue for the remainder of the Season. Receipts: #234.13 (228.13; 6.0).