SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr and Miss Wright"/1) | (@(roleclean,performerclean) "Mr and Miss Wright")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 14599 matches on Performance Comments, 5715 matches on Event Comments, 4922 matches on Performance Title, 20 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Paid Quin on account #100. Gilbert Walmesley to Garrick, 3 Nov,: I see by the prints you are engaged with Mr Rich. I hope you will take care not to hurt your health by playing more than you can well bear....But I must not forget to tell you what Lord Chesterfield says of you. He says you are not only the best tragedian now in the world, but the best, he believes, that ever was in the world; but he does not like your comedy, and particularly objects to your playing Bayes, which he says is a serious solemn character and that you mistake it. He spoke much in praise of Barry's handsome figure, but made a joke of his rivaling or hurting you.-Boaden, Private Correspondence of Garrick, I, 44. Receipts: #170 9s

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Garrick; Johnson-Ryan; Smith-Cashell; Kings of Brentford-Arthur, Morgan; Prince Prettyman-Havard; Gentleman Usher-Hippisley; Prince Volscius-Gibson; Physician-Rosco; Drawcansir-Dunstall; Lt. General-Ridout; Tom Thimble-James; Thunder-Bridgwater; Lightning-Miss Morrison; Sun-Bencraft; Moon-Leveridge; Earth-Roberts; Amarillis-Miss Hippisley; Chloris-Mrs Bland; Pallas-Woodward; Two Sing song Dancing Spirits-Mrs Lampe, Miss Young; Players, Soldiers (Horse and Foot), Heralds, Cardinals, Judges, Serjeants at Arms-the rest of the comedians; With all the Music-; Songs-; Dances-; Scenes-; Machines, Habits and Other Decorations proper to the play; The vocal parts-Leveridge, Bencraft, Roberts, Mrs Lampe, Miss Young; Also an Additional Reinforcement of Mr Bayes's new/rais'd troops-.

Afterpiece Title: The Virgin Unmasked

Cast
Role: Miss Lucy Actor: Miss Hippisley
Event Comment: With proper scenes, Machines, &c. [This is the Dryden-Davenant version.] Paid G. Garrick balance of his bill #6 13s.; Christmas Box to ye Beadle 3s. 6d.; Mr Norton 5 chorus #1 5s.; Xmas Jury #1 1s.; Mr Madden for an Embroidered Coat and a velvet suit of Cloaths #12 (Treasurer's Book). [This month was published A Dissertation on Comedy (by John Hippisley, Jr) in which the Rise and Progress of that Species of the Drama is particularly considered and deduced from the earliest to the present age. By a Student of Oxford. Printed for T. Lowndes (Gentleman's Magazine, Register of Books). The "Student of Oxford" seems to have been a Garrick apologist in the extreme: "But whatever reason there may have been formerly for this complaint [the immorality of the stage] since Mr Garrick's management the Stage is become the school of manners and morality: Ribaldry and Profaneness are no longer tolerated, Sense and Nature exert their influence; Pantomime daily declines, Dancers are but little encouraged; the Burletta performs to empty benches, and the British can now vie with the Athenian Drama when in its severest state of purity" (p. 15). Also, from the same source, Reflections on that Species of Dramatic Writing which it improperly call'd Serious Comedy: from the French of M Maillet du Boulley.] Receipts: #120 (Cross); #126 3s. (Treasurer's Book)

Performances

Mainpiece Title: The Tempest; Or, The Inchanted Island

Performance Comment: Prospero-Bridges; Ferdinand-King; Trincalo-Yates; Hippolito-Mrs Willoughby; Caliban-Blakes; Stephano-Shuter; Mustachio-James; Ventoso-Ray; Sycorax-Taswell; Miranda-Miss Cole; Dorinda-Mrs Green; Ariel-Mrs Clive (with Proper Songs); With Decorations-; particularly: A Dance of Aerial Spirits-Mlle Mariet, Miss Baker, Mrs Shawford, Mrs L'Font; A Dance of Winds-Macneale, Shawford, Pelling, Master Shawford; A Grand Dance of Fantastic Spirits- in the shapes of four Demons, four Monsters, and four Pigmies; Infernals-Reinhold, Bennet; The whole to conclude with the Masque of Neptune and Amphitrite-; Neptune-Beard; Amphitrite-Miss Norris.

Afterpiece Title: The Anatomist

Event Comment: Play never acted. 'Tis hoped no gentleman will take it ill that he cannot possibly be admitted behind scenes this night (General Advertiser). This play was wrote by Mr Whitehead Tutor to my Lord Jersey,--it was receiv'd with Extravagant applause--& it was Agreed Mr-(Cross). Paid Mr Ackman for writing voice parts in Don Severio #1 1s.; Salary list #305 6d. Norton 6 chorus #1 10s. (Treasurer's Book). [Of some interest is the fact that a ship plying between London and Dublin was named the Roman Father, perhaps in response to the popularity of this play. See note of its safe arrival in Crookhaven in General Advertiser 25 Oct. 1750.] Receipts: #190 (Cross); #191 7s. 6d. [Treasurer's Book)

Performances

Mainpiece Title: The Roman Father

Performance Comment: Horatius-Garrick; Publius Horatius-Barry; Tullius Hostilius-Sowdon; Valerius-King; Valeria-Mrs Ward; Horatia-Mrs Pritchard [from 1st edition but listed in order of actors named in General Advertiser]; Prologue-Barry; Epilogue-Mrs Pritchard; Vocal Parts-Beard, Miss Norris, Miss Cole [1st edition].1st edition].
Event Comment: [Cast taken from 1st edn. The bill merely lists actors and notes "With proper Music, Scenes, and Decorations. Never acted before." It mentions no Prologue or Epilogue.] This Masque was wrote about eleven years ago, by Mr Malet & Mr Thomson, & play'd in the Garden at Clifden before the P. of Wales &c.--Mr Malet has now alter'd it, & it was play'd with great Applause, only some of the Dances, being too long were dislik'd, & some of the Songs had ye same reception (Cross). Receipts: #180 (Cross)

Performances

Mainpiece Title: Alfred, A Masque

Performance Comment: Alfred-Garrick; Earl of Devon-Lee; Hermit-Berry; Edwin-Burton; Corin-Blakes; Danish King-Sowdon; First Dane-Palmer; Eltruda-Miss Bellamy; Emma-Mrs Bennet; Vocal Parts-Mrs Clive, Miss Norris, Beard, Reinhold, Wilder, Master Vernon; Second Dane-Mozeen; Shepherdess-Miss Minors; Dances-Devisse, Mad Auretti, Mathews, Madam Camargo; Prologue-Garrick; Epilogue-Mrs Clive.
Event Comment: Benefit for Sparks. Miss Radley became Mrs Fitzgerald (Winston MS 10). Ld. Townly, Mr Sparks Jun: first Appearance (Cross Diary). Mr Sparks Junr Son of Mr Isaac Sparks made his first Appearance on any Stage in Ld. Townly a fine figure and met with Applause (Hopkins Diary)

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: As17701102; Lord Townly-Young Gentleman, first appearance on any stage [Sparks Jun]; John Moody-I. Sparks; Lady Townly-Mrs Abington; Jenny-Mrs Fitzgerald (late Miss Radley).

Afterpiece Title: A Peep behind the Curtain

Dance: End: Comic Dance, as17710416

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Young Bevil-Reddish; Myrtle-Jefferson; Sir John Bevil-Burton; Sealand-Aickin; Cimberton-Love; Daniel-Waldron; Tom-King; Phyllis-Miss Pope; Indiana-Miss Younge, 1st time; Humphrey-Keen; Lucinda-Miss Platt; Mrs Sealand-Mrs Cross; Isabella-Mrs Johnston; Song in Act II-Mrs Scott.
Cast
Role: Sealand Actor: Aickin
Role: Phyllis Actor: Miss Pope
Role: Indiana Actor: Miss Younge, 1st time
Role: Lucinda Actor: Miss Platt
Role: Mrs Sealand Actor: Mrs Cross

Afterpiece Title: The Institution of the Garter

Event Comment: Benefit for Miss Younge. Afterpiece: Not acted these 5 years. [See 13 Oct. 1763.] Last time of performing till Easter. Paid 4 days salary list #348 15s.; Mr Weston per Mr G. G's 2 notes #14 7s. 6d.; Mr J. French on Acct #20 5s. (Treasurer's Book). Receipts: #217 3s. 6d. Charges: #68 7s. 6d. Profits to Miss Younge: #148 16s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Merope

Cast
Role: Ismene Actor: Miss Mansell
Role: Merope Actor: Miss Younge, first time

Afterpiece Title: The Intriguing Chambermaid

Performance Comment: Goodall-Bransby; Drunken Colonel-King (first time); Oldcastle-Baddeley; Valentine-Wheeler; Lord Pride-J. Bannister; Lord Puff-Yates; Security-Wrighten; Trusty-Burton; Slap-Griffith; Mrs Highman-Mrs Cross; Charlotte-Miss Platt; Lettice-Mrs Abington, for that night only.
Cast
Role: Security Actor: Wrighten
Role: Charlotte Actor: Miss Platt

Dance: V: A New Dance-Tassoni's Scholar; End Farce: (By Particular Desire) a Hornpipe-Tassoni's Scholar

Performances

Mainpiece Title: The Rehearsal

Performance Comment: As17421102, but other characters-Miss Wright, Miss _Cibber.

Dance: I: Peasant Dance, as17420921; III: Tyrolean Dance, as17421129

Performances

Mainpiece Title: Macbeth

Performance Comment: As17430101, but The Vocal parts-_Salway, Miss _Davis, Mrs _James, Miss Wright.

Afterpiece Title: Perseus and Andromeda

Event Comment: Benefit Wright and the Widow Penkethman

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: Harlequin Doctor Faustus

Performance Comment: As17280517, but Countrymen-Miller, Oates, Wright.

Dance: DDrunken Man-Harper

Event Comment: Benefit for Keen and Wright. Tickets deliver'd by Philips will be taken. [For Philips' first dance, see 7 May 1754.

Performances

Mainpiece Title: All In The Wrong

Performance Comment: As17701023, but Sir William-Wright; Blandford-Keen.
Cast
Role: Sir William Actor: Wright
Role: Blandford Actor: Keen.

Afterpiece Title: Harlequin's Invasion

Cast
Role: Harlequin Actor: Wright
Role: Dolly Snip Actor: Miss Pope

Dance: V: A Clown's Dance, in which will be introduc'd a mock Minuet-Philips

Ballet: II: The Drunken Peasant. Drunken Peasant-Philips (The Original); Clown-Wright

Performance Comment: Drunken Peasant-Philips (The Original); Clown-Wright.
Cast
Role: Clown Actor: Wright.
Event Comment: Benefit for Wright, Carpenter & Butler. Public Advertiser, 5 May: Tickets to be had of Carpenter at Sutton's, No. 11, Little Russel-street, Covent Garden; of Butler, next Door to the Theatre. Receipts: #283 15s. 6d. (42.2.0; 7.2.6; 0.2.0; tickets: 234.9.0) (charge: #74 14s.)

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: As17771117, but Filch-Carpenter; Mat o' th' Mint-Wright.
Cast
Role: Mat o' th' Mint Actor: Wright.
Role: Polly Actor: Miss Walpole.
Role: Lucy Actor: Mrs Wrighten

Afterpiece Title: Queen Mab

Cast
Role: Harlequin Actor: Wright
Role: Queen Mab Actor: Miss Abrams
Role: Colombine Actor: Miss Collett.

Dance: End II: Minuet de la Cour, as17780508

Event Comment: This Musical Farce of one Act was wrote by Mr G on purpose to introduce Miss Abrams (a Jew) about 17 Years old. She is very small, a Swarthy Complexion, has a very sweet Voice and a fine Shake, but not quite power enough yet-both the Piece and Young Lady were receiv'd with Great Applause (Hopkins Diary). Books of the Songs, Choruses etc. of Afterpiece to be had at the Theatre. The Conscious Lovers oblig'd to be deferred till Monday, with which will be performed the last new Grand Ballet, The Savage Hunters. [Advertisement to the published edition: "The author of this musical Farce, begs leave to inform the readers, if there should be any, that it was merely intended to introduce The Little Gipsy to the public, whose youth and total inexperience of the stage made it necessary to give as little dialogue to her character as possible, her success depending wholly upon her singing-This reason added to another, which is that the piece was produced at an early part of the season, when better writters are not willing to come forth, is the best apology the Author can make for its defects."] Paid 6 days salary list at #104 7s.-per diem, #626 2s.; Mr Lamash on note #5 5s. (Treasurer's Book). [The note on sale of books of the songs and choruses for the afterpiece occurs on all subsequent bills this season in which May Day is mentioned. The songs and chorusses and overture by Dr Arne. The afterpiece reviewed in Westminster Magazine for Nov.: The preparation is palatable, and the hand of the preparer is discoverable from the affinity between the scene of Roger and the Old Man, and that of whittle and Thomas in the Irish Widow....The Music of the overture and Finale were remarkably light and pretty: some of the airs also did Dr Arne credit. As to Miss Abrams, she has a sweet pipe, and a natural shake that charmed us;-If maturity does but strengthen her voice, at the same time that it gives her ease in deportment, she will prove an ornament to the stage."] Receipts: #205 3s. (Treasurer's Book)

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: Horatio-Bensley; Altamont-Brereton; Sciolto-Aickin; Rossano-Whitfield; Lothario-Reddish; Lavinia-Miss Sherry; Lucilla-Mrs Davies; Calista-Mrs Yates.
Cast
Role: Lavinia Actor: Miss Sherry

Afterpiece Title: May Day; or, The Little Gipsy

Performance Comment: Parts by Vernon, Wrighten, Parsons, Bannister, Kear, Legg, Fawcett, Cubitt, etc., Mrs Wrighten, Mrs Scott, Mrs Davies, Miss Platt, Miss Robbins, Miss Hopkins, Miss Jarratt, etc., and a Young Lady. Farmer Furrow-Parsons; William-Vernon; Clod-Bannister; Dozey-Weston; Cryer-Wrighten; Dolly-Mrs Wrighten; Little Gipsy-Young Lady, first appearance on any stage (Miss Abrams); Country lads-Kear, Fawcett, Legg, Cubitt; Country lasses-Mrs Scott, Mrs Davies, Miss Platt, Miss Robins, Miss Jarratt (Genest, V, 480).
Event Comment: The United Company. The date of the premiere is not known, although a reference in the text to 1690 suggests that the play may have been produced in that year; but the fact that it was not advertised in the London Gazette until 6-9 April and not entered in the Term Catalogues until May 1691 suggest that it posaibly appeared early in 1691. This play was discussed in Wit for Money, or Poet Stutter; A Dialogue between Smith, Johnson, and Poet Stutter; containing Reflections on some late Plays, and particularly on Love for Money, or The Boarding School. The British Museum copy of this pamphlet has a manuscript date of 23 April 1691. Downes, Roscius Anglicanus, p. 42: The Boarding School; Wrote by Mr Durfy, it took well being justly Acted. Earl of Ailesbury, mid-January 1690@1: My Lady Fenwick was a great intriguer, and had always castles in the air in her imagination to that degree, that I was present at a play where she was brought in. If I mistake not it was The Boarding School, and the famous comic, Mr Lee, in woman's clothes represented her to the life, and so exactly had her features and complexion that one could hardly have distinguished one from the other (Memoirs, [London, 1890], II, 390-91)

Performances

Mainpiece Title: Love For Money; Or, The Boarding School

Performance Comment: Edition of 1691: Prologue-; Epilogue-Mr Mountfort, Mrs Butler; Sir Rowland Rakehell-Underhill; Jack Amorous-Mountfort; Will Merriton-Hodson; Old Merriton-Freeman; Nedd Bragg alias Captain Bouncer-Powel; Old Zachary Bragg-Bright; Deputy Nincompoop-Dogget; Monsieur Le Prate-Bowen; Singing Master-Kirkham; Dancing Master-Bowman; Presbyterian Parson-Peire; Lady Addleplot-Anthony Leigh; Lady Straddle-Mrs Richardson; Mirtilla-Mrs Bracegirdle; Miss Jenny-Mrs Knight; Miss Molly-Mrs Davies; Betty Jiltall-Mrs Butler; Crowstich-Mrs Cory; Teareshift-Mrs Osborn; Oyley-Mrs Leigh.
Cast
Role: Sir Rowland Rakehell Actor: Underhill
Role: Miss Jenny Actor: Mrs Knight
Role: Miss Molly Actor: Mrs Davies
Event Comment: Betterton's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Boy, 25-28 April 1696, suggests that it was acted not later than the period preceding Passion Week (6-11 April 1696). In addition, the large number of minor performers in the cast suggests a Lenten performance by the young actors. In Act I, Scene i, there is an Entertainment of Instrumental Musick, Compos'd by Signior Finger: Then a Song, set by Mr John Eccles, and Sung by Young La Roche. In III, iii: A Dialogue set by Seignior Baptist. The play is an adaptation of John Webster's Cure for a Cuckold. A Comparison Between the Two Stages (1702): The City Bride, by another Player, Damn'd

Performances

Mainpiece Title: The City Bride; Or, The Merry Cuckold

Performance Comment: Edition of 1696: Prologue-Mr Thurmond; Bonvile-Boman; Friendly-Thurmond; Justice Merryman-Bright; Summerfield-Scudemore; Mr Ventre-Arnold; Mr Spruce-Bayly; Compasse-Freeman; A Councellor-Davis; Pettifog-Trefusis; Dodge-Eldred; Arabella-Mrs Boman; Clara-Mrs Boutell; Mrs Ventre-Mrs Lacy; Peg-Mrs Perin; Nurse-Mrs Lawson; Lucy-Miss Prince; Epilogue-the City-Bride.
Cast
Role: Lucy Actor: Miss Prince
Event Comment: Betterton's Company. The date of the first performance is not known, but the fact that the Dedication of the play is dated 15 Jan. 1696@7 suggests that it was probably first acted not later than December 1696. The play was advertised in the Post Man, 21-23 Jan. 1696@7. The music was set by John Eccles. Dedication, Edition of 1697: I make you a Present of a Play, that miscarri'd on the first Nights Performance; tho' afterwards, without any farther Discouragement, it kept it self alive till the third day was over, and then I must confess the City Lady expir'd....This I am confident on, that the like Unfortunate Accidents which attended this Comedy, wou'd have been sufficient to have Dam'd a much better Play. The tedious waiting to have the Curtain drawn, after the Prologue was spoke, occasion'd by Mr Underhill's violent Bleeding, put the Audience out of Humour, and made it susceptible of the least Disgust; and when once the Torrent of its Displeasure break bounds, nothing cou'd put a stop to his Vehemence. After Mr Underhill was no longer able to come upon the Stage, scarce any thing was done but by Halves, and in much Confusion; in the midst of which, I think my self oblig'd to applaud the Justice I receiv'd from the Incomparable Mrs Barry. I very well know that the Ode in the third Act seems to be introduc'd something unseasonably. It was made and set long since, in hopes of having it perform'd before the King, at his return from Flanders; and the Music being so finely compos'd by Mr John Eccles, I was loath it shou'd be wholly lost to the Town. A Comparison Between the Two Stages (1702), p. 20: Damn'd

Performances

Mainpiece Title: The City Lady; Or, Folly Reclaim'd

Performance Comment: Edition of 1697: Prologue-Mr Hodgson; Epilogue-Miss Howard; Sir Geo. Grumble-Bright; Bevis-Underhill; Bellardin-Bowman; Lovebright-Hodgson; Pedanty-Harris; Burgersditius-Freeman; Brassby-Scudamore; Flash-Baily; Cash-Arnold; Jasper-Bowen; Lady Grumble-Mrs Barry; Lucinda-Mrs Bowman; Formosa-Mrs Prince; Secreta-Mrs Leigh; Fidget-Mrs Lawson; Biddy-Mrs Robinson.
Cast
Role: Epilogue Actor: Miss Howard
Event Comment: Benefit Mr Connor, who kept the Key and Garter Tavern in Pall-Mall. Written by the late Mr Addison, and Set to Musick by Mr Arne. Reduced to Two Acts. 6:30 p.m

Performances

Mainpiece Title: Rosamond

Performance Comment: King Henry-Lowe; Queen Elinor-Mrs Arne; Rosamond-Mrs Clive; Page-Miss Edwards; Sir Trusty-Savage; Grideline-Mrs Jones; between the Interludes will be performed several Grand Concertos-; end Act I, will be performed the Solemn Invocation@Scene in Oedipus-; with the Chorusses-; And after the Opera the Songs and Chorusses in As You Like It-; In which (By Desire) will be introduced the Song of Sweet Bird in the L'Allegro-Mrs Arne; accompanied on the Violin-Mr Arne.
Event Comment: This play was reviv'd instead of ye London Cuckolds by way of Compliment to the City--not lik'd at all--Mr Ross being ill Mr Mattocks did his part at 2 Day's Notice, wch at the end of the 4 Act Mr Woodward told the Audience, & tho Mr Mattocks was hiss'd before, when he next appear'd they gave him great Applause. Mattocks never play'd a principal part before in London (Cross). Mainpiece: Never Acted there. [Inspector No 206 reports a letter on the lack of wisdom of giving the London Cuckolds on Lord Mayor's Day, as the morals of the trading youth have been corrupted by it the writer rejoices to see the substitution of Eastward Hoe for it (Daily Advertiser and Literary Gazette).] Receipts: #130 (Cross)

Performances

Mainpiece Title: Eastward Hoe; Or, Ye Prentices

Performance Comment: Quicksilver-Woodward; Sir Petronel Flash-Palmer; Security-Shuter; Seagull-Blakes; Golding-Mattocks; Bramble-Simson; Spendall-Mozeen; Scapethrift-W. Vaughan; Wolf-Burton; Touchstone-Yates; Holdfast-Atkins; Constable-H. Vaughan; Drawer-Ackman; Page-Master Cross; Mildred-Miss Minors; Mrs Touchstone-Mrs Cross; Syndyfy-Mrs Bennet; Winifred-Mrs Toogood; Girtred-Mrs Clive; with new Occasional Prologue-Woodward.
Cast
Role: Mildred Actor: Miss Minors

Afterpiece Title: The Anatomist

Dance: HHornpipe-Mathews; The Little Swiss

Event Comment: Mon: 29 Sept. Mr Rich open'd wth ye Nonjuror. Mr Smith not coming to town, Mr Palmer, from Drury Lane, play'd Frankly wth great Applause (Cross). Jno. Rich paid to Charlotte Lane for the Theatre for Mr Sparks in Dr Wolfe for a superfine full trim'd black cloth coat and breeches, 14s. Sewing silk & twist 4s. 6d. Buckram stays 2s. 6d. Frilly sleeve lining, pockets, & interlining Cuffs 2s. 6d. Hair Cloth, wadding & Poll Davy 5s. Dimety lining, leather pockets, & silk garters 6s. 6d. 4 doz 2 Coat Death's Head Buttons at 14d.-4s. 11d. 12 breast ditto at 7d.-7s. 7d. 5 yds fine black shaloon at 2s. 2d.-10s. 10d. Making a Camblet Surtout Coat, 7s. 6d. Sewing silk, twist, buckram & stays, 4s. Velvet to line the collar, 1s. 17 Coat, 1 breast black basket buttons, 1s. 8d. (MS list Folger Library, Davies, Life of Garrick, Extra Illustrated, II, 322)

Performances

Mainpiece Title: The Non Juror

Afterpiece Title: Damon and Phillida

Performance Comment: Damon-Lowe; Arcas-Anderson; Corydon-Bennet; Mopsus-Dunstall; Cymon-Collins; Phillida-Miss Young.
Cast
Role: Arcas Actor: Anderson
Role: Phillida Actor: Miss Young.
Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant at the Stage Door of the Theatre. [Only sagnificant changes from this regular notice will be recorded hereafter.] Paid Mrs Margaret Lamb 6 months interest on #315 due 8 Sept. #7 10s. (Account Book). Receipts: #155 15s. (Account Book). Estimate of a Constant@N.B. The Ground Rent and Taxes is calculated to be Paid in 150 Days.@Per Annum Per Day@To 50 Old Shares at 2s. --- #5@To 50 New Ditto at 2s. --- #5@T 50 New Ditto at 2s. --- #5@To Ground Rent for the Theatre #100@To Ditto for Buildings in Harte St. #30@To Ditto for Mr Thurmond's House in Bow Street Passage #25@ #155 #1 0s. 8d.@ #11 0s. 8d.@Taxes (Viz)@To Land and Window Taxes for Theatre #98 2s.@To Do for a House in Bow St. Passage #5 15s 6d.@To Poor's Rate for the Theatre #20@To Do for a House in Bow St. Passage #1 10s.@To Watch rate for the Theatre #8 6s. 8d@To Do for a House in Bow St. Passage 10s. 6d.@To Rector's rate for the Theatre #6 13s. 4d.@To Do for a House in Bow St. Passage 8s. 4d.@To Scavenger's Rate for the Theatre #6 17s. 4d.@To Do for a House in Bow St. Passage 6s. 4d.@To Water for the Theatre #4@ #152 10s.@ #1 4d.@To Renters, Ground Rent & Taxes #12 1s.@To Gawrds [sic] per Day 14s.@To Barbers Do 5s. 4d.@To Scenemen Do #2 10s.@To Music as Per List #4 9s 2d.@For 150 Days To Candles #3 3s.@Do To Coales 10s 10s.@Passages, Stage Etc. To Lamps #1 12s.@To Bills #1 7s.@To Advertisements 5s.@To Billsetters 4s. 6d.@#16 6s. Sallery [sic] #14 6s. Estimate To Wardrobe bill about #1 11s.@#2 Sallery #5 Estimate To Property Bill Do 7s.@To Chorus Singers Do 10s.@To Mr J. Rich #5 5s.@To Mr C. Rich #1@ #36 1s.@Nightly Charge@Musick List@Messrs Wood 5s.@Gillier 5s.@Miller 5s.@Chapman@ 3s. 4d.@Goodman 3s. 4d.@Woodson 5s.@Ward 6s. 8d.@Rolland 5s.@Rawlings 3s. 4d.@Vincent 6s. 8d.@Wrexell 5s.@Beale 5s.@Jones 4s. 2d.@Biche 3s. 4d.@Heron 4s. 2d.@Stockdon 3s. 4d.@Scovell 3s. 4d.@Lampe 3s. 4d.@Smart 3s. 4d.@Assistant Writer 10d.@Harpsicord 5s.@#4 9s. 2d.@Men Dressers Charg'd in the Wardrobe Bills@Messrs Mearns 2s. 6d.@Cason 2s.@Esbury 1s.@Fenwick 1s.@Winterton 1s.@Besford 1s.@Francis 1s.@Cawder 1s.@Hays 1s.@Hollingsworth 1s.@Cabell 1s.@Nicholls 1s.@Norris 1s.@Cole 1s.@16s. 6d.@Billstickers as per List@Messrs Abbott 2s.@Mislebrook 2s.@Dymuck 2s@Tidd 2s.@Gale 2s.@Cole 1s. 6d.@11s. 6d.

Performances

Mainpiece Title: The Jovial Crew; Or, The Merry Beggars

Performance Comment: Old Rents-Sparks; Hearty-Beard; Springlove-Clarke; Randal-Dunstall; Oliver-Dyer; Justice Clack-Shuter; Hilliard-Baker; Vincent-Mattocks; Meriel-Mrs Vincent; Rachel-Miss Brent, with dances incident to the Opera.

Afterpiece Title: The Mock Doctor

Event Comment: [See note for 9 Jan. 1770 of a mild riot this night during best scene of The Orphan.] Afterpiece: A New Opera [by George Alexander Stevens] the Music composed by Mr Fisher. Books of the entertainment to be had at the theatre. Gave Duke of Glocester's Footmen #2 2s. (Account Book). [Afterpiece a roaring burlesque of Lee's Rival Queens. Larpent MS 302 includes Semi Chorus, Grand Chorus, and Perdiccas, not listed in the Playbill. The Court awakes with total hangover. Alexander orders a pot of coffee to clear his head. Thais begs him to leave the gout giving juice-Retire with me @ In my Chinese pavilion, drink some Tea." Afterpiece reviewed inthe Freeholder's Magazine for Jan.] Mr Shuter and Mrs Mattocks gave great satisfaction in their different characters; the words of the songs were written by Mr George Alexander Stephens, author of the celebrated Lecture upon Heads, and several other whimsical productions; and the airs which had Uncommon merit, were composed by Mr Fisher, a young genius, who has hitherto been but little known in the musical world. Receipts: #215 8s. 6d

Performances

Mainpiece Title: The Orphan

Cast
Role: Page Actor: Miss Cockayne

Afterpiece Title: The Court of Alexander

Performance Comment: Alexander-Shuter; Clytus-Reinhold; Lysimachus-Baker; Porus-Barnshaw; Jupiter-Fox; Parisatis-Mrs Mattocks; Roxana-Mrs Thompson; Betty-Miss Valois; Thais-Mrs Pinto (playbill); Mercury-Wormall (Freeholder's Magazine and Edition of 1770).
Cast
Role: Alexander Actor: Shuter
Role: Betty Actor: Miss Valois
Event Comment: Paid Tallow Chandler's 4th Bill #41 6s. 5d.; Spermacetti Candles, #132 18s. Mr Tomlinson for Men's cloaths #11 11s.; Mr J. French on acct #20; Miss Hopkins, 15 nights (19th Dec. incl.) #3 15s. (Treasurer's Book). [The sixth edition of Wm. Law's Absolute Unlawfulness of Stage Representations was published this year (1st. edn. 1726) This day was published the Preliminary Number of the Westminster Magazine, which, monthly, included a section called The English Theatre, which observed generally on the state of the Stage, and commented specifically on new plays. Its view of the stage in general was not as sanguine as had been that of the writer for the Town and Country Magazine (1 April 1772). "We are of opinion, that the English Theatre is now in its decline. Whether it is that the stores of Dramatic Subjects or of Dramatic Genius are exhausted, is not immediately obvious; but there is a fault somewhere....We have seen the Morning star of Wit--the Noon too is past; we have now arriv'd at its evening...There is in Arts, as in Empires, a progress which leads to Refinement; and this refinement leads to Ruin." According to the writer the meridian glory of the English stage was during the reign of Queen Anne. Reviewer damns the Irish Widow, refuses to discuss the Gamesters (revived), damns the Rose and praises the Garrick alteration of Hamlet. This year also appeard Granny's Prediction, a 53-page pamphlet attack on Mrs Barry, condemning her on moral grounds (polygamy) and on aesthetic grounds, commenting on each of her characters. By a spiteful female relative Elizabeth Franchetti.] Receipts: #142 10s. (Treasurer's Book)

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Performance Comment: Abel-Burton; First Committeeman-Hartry; Second Committeeman-Griffith; Teague (With Songs)-Moody; Careless-Jefferson; Col. Blunt-J. Aickin; Lt Story-Fawcett; Mr Day-Baddeley; Obadiah-Love; Arabella-Miss Ambrose; Mrs Day-Mrs Bradshaw; Ruth-Mrs Egerton.
Cast
Role: Arabella Actor: Miss Ambrose
Event Comment: Benefit for Widow Bowers, Percy, Wood and Robinson. Tickets delivered for The Orphan and by Mr Hodges will be taken. Paid Mr Davies on Note #30; Mr Clinch for 5 days at beginning of season not on list #2 1s. 8d.; Mr Cooke's 4 boys 11th inst. #1 10s. (Treasurer's Book). Receipts: #256 12s. 6d. Charges: #84. Profits to Widow Bowers and beneficiaries: #172 12s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Gamester

Performance Comment: AS 26 April, but Mrs Beverley-Miss Younge.
Cast
Role: Mrs Beverley Actor: Miss Younge.

Afterpiece Title: High Life below Stairs

Cast
Role: Kitty Actor: Miss Pope
Event Comment: This Comedy was written by Mr Kelly as soon as the Curtain was drawn up they began to hiss--a party was made against it--because he was suspected of Writing for the Court party. Much hissing. Mr Garrick call'd for. No play &c. Cry'd out, at last the play was got thro' with much hissing and Groaning When the play was given out again One Party was for it no more and Kelly's party was for it again so that no play at all was given out (Hopkins Diary). [See Criticism in "British Theatre" article, London Magazine, March, also an extended account of the attack upon the piece. This occurs also in the Town and Country Magazine, which mentions that since the curtain was not drawn up for the farce the audience received a refund.

Performances

Mainpiece Title: A Word To The Wise

Performance Comment: Parts-King, Reddish, Palmer, Aickin, Wrighten, Watkins, Cautherly, Miss Younge, Miss Platt, Mrs Baddeley, Mrs Jeffries, Mrs Barry. Prologue-King; Epilogue-Mrs Barry; Capt. Dormer-Palmer; Sir George Hastings-King; Sir John Dormer-Reddish; Willoughby-Aickin; Villars-Cautherly; Miss Montague-Mrs Barry; Miss Dormer-Miss Younge; Miss Willoughby-Mrs Baddeley; Mrs Willoughby-Mrs Jeffries; Footmen-Wrighten, Watkins; Lucy-Miss Platt; Jenny-Mrs Smith (Genest, V, 232).

Afterpiece Title: Hob in the Well

Event Comment: This Comedy written by Mr Kelly was brought on the Stage by Capt. Addington as his own was well perform'd & receiv'd with great Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Rec'd stopages #24 12s. 6d.; Paid salary list #529 2s.; Mr King's extra salary #3; Miss Brooker, 8 weeks not on list #8. (Treasurer's Book). [Mainpiece reviewed favorably by the Westminster Magazine: "He that cannot relish such a pleasing picture of Manners with such powerful Sentiments, so interesting a Fable, and so striking a Moral, must be a churl indeed."] Receipts: #244 15s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The School For Wives

Performance Comment: Parts by: King, Reddish, Moody, Brereton, W. Palmer, Mas Cape, Mrs Hopkins, Miss Jarratt, Weston, Palmer, Baddeley, Griffith, Miss Younge, Mrs Greville, Mrs Millidge, and Mrs Abington. With Prologues and an Epilogue. Gen Savage-King; Belville-Reddish; Torrington-Weston; Connoly-Moody; Leeson-Palmer; Capt. Savage-Brereton; Spruce-Baddeley; Ghastly-W. Palmer; Servants (?)-Griffith, Mas. Cape; Mrs Bellville-Miss Younge; Miss Walsingham-Mrs Abington; Lady Rachel Mildew-Mrs Hopkins; Mrs Tempest-Mrs Greville; Miss Leeson-Miss Jarratt; Maid-Mrs Millidge; With Prologue-King; Epilogue-Mrs Abington (Edition of 1774).

Afterpiece Title: Polly Honeycomb

Cast
Role: Polly Actor: Miss Pope