Event Comment: Benefit for Miss Falkner. Charges #60. Deficit to Miss Falkner #15 3s., covered by #62 10s. from tickets. Afterpiece: A musical Entertainment (Not acted these 10 years) set to music by Mr Arne. [See 5 and 25 April.] Receipts: #44 17s

Event Comment: At Mr Phillips's Booth, Bowling Green, Southwark. A concert, etc. An Extraordinary Band of Musick. Pit 1s, 6d., Gallery 1s., Upper Gallery 6d. To begin each day at 12 o'clock noon. Mainpiece: An excellent Droll. [Possibly made from Dryden's Spanish Fryar.

Event Comment: A Concert, etc. At the Desire of several Gentlemen and Ladies. For One Night Only. For the Benefit of Mr Phillips. At the New Playhouse, Bowling Green, Southwark. Boxes 2s. 6d. Pit 1s. 6d. Gallery 1s. Upper Gallery 6d. Sylvius went to see Hamlet but was distracted by a beautiful woman nearby (Daily Advertiser and Literary Gazette, 20 Sept.)

Event Comment: A little hissing during the farce, & at the End ye Audience call'd, no more &c.--& insisted upon another farce being given out wch Mr Blakes did--farewell Taste (Cross). The Book of the Entertainment will be sold in the theatre, and at R. Francklin's in Russel Street, Covent Garden (playbill). [The publication of Taste was dedicated to Francis Delaval, and includes in prefatory remarks Foote's distinction between Comedy and Farce: As the follies and absurdities of men are the sole objects of Comedy, so the powers of Imagination (Plot and Incident expected) are in this kind of writing greatly restrainded. No unnatural assemblages, no creatures of the fancy can procure the protection of the Comic Muse; men and things must appear as they are. To Farce greater liberties are permitted. I look upon Farce to hold the same rank in drama that Burlesque does in other poetry. It is employed either in debasing lofty subjects, or in raising humble ones.'] Receipts: #180 (Cross)

Event Comment: Benefit for Mrs Mills. Tickets deliver'd out by Taswell, Sg Piettro, and Mr Oswald, as well as those for Lady Jane Gray will be taken. Receipts: #128 (Cross)

Event Comment: Benefit for Mr Leviez. No Building on stage. Tickets at his, the lowest House on the Right-Hand in Beaufort Buildings in the Strand; and at Stage Door of Theatre. Receipts: #125 (Cross)

Event Comment: Benefit for Capitani, now in the King's Bench, singer in the Opera for 20 years past. Boxes 10s. 6d. Pit 5s. Gallery 2s. 6d. To begin at 7 p.m. [A long note hn the Public Advertiser about the nature of Capitani's distresses--death of wife after an expensive illness loss of considerable sums in trade, now in debtor's prison. The Public Advertiser this day Published the following Sonnet V, seemingly a new sort of puff' for Foote]: @To Mr F-@While party rage, my F., distracts the state@And mutual lies contending parties raise,@As int'rest leads, or Pitt or Bute to praise,@Let vet'ran Tories with staunch Whigs debate.@With gen'rous Punch our spirits we'll dilate,@Laugh at those loud-tongued politicians' frays,@And to good Brookman's fame attune our lays,@Whose genial bowl all cares can dissipate.@Safely to Harrogate let Bute retire,@His gout at Hayes lett Pitt in quiet nurse,@And Wilkes at either Secretary rail:@These party feuds unsocial rage inspire,@Destroy all mirth, and all good humour curse,@But shall not o'er our joyous souls prevail.

Event Comment: Benefit for Wrighten, prompter. [In mainpiece the playbill retains Kemble as Orlando, but "I had fallen from the Ladder in my Book-room, and bruised my Leg. Mr Barrymore acted Orlando for me" (Kemble Mem.).] Oracle, 29 Apr.: Tickets to be had of Wrighten, next the Stage-Door. Receipts: #328 18s. (63.0.0; 17.3.6; 2.9.6; tickets: 246.5.0) (charge: #116 16s. 10d.)

Event Comment: Mainpiece: Not acted these 4 years. With Additions from Dryden; the Musick by Purcell and Dr Arne, and the new Airs and Chorusses by the late Mr Linley Jun. [Afterpiece in place of A Friend in Need, advertised on playbill of 21 Feb.] The Publick is respectfully informed that on Account of the sudden Indisposition of Sga Bossi DelCaro, The Scotch Ghost [advertised on playbill of 21 Feb.] cannot be performed this Evening (printed slip attached to Kemble playbill). Receipts: #212 2s. 6d. (145.1.0; 61.0.0; 6.1.6)

Event Comment: In compliance with the request of several Ladies and Gentlemen, lovers of Handel's music, who find it inconvenient to attend at the beginning of the evening, Mr Ashley informs them that Half Price will be taken at the end of the Second Part

Event Comment: Benefit for one Jones and a Dang Master (Cross). No building on stage. Tickets deliver'd out for the Confederacy will be taken. Receipts: #120 (Cross)

Event Comment: Benefit for several: Master Cape, C. Roberts, West, Tomlinson, Mortimer. Tickets deliver'd for This Night will be taken. [Tomlinson's Epilogue in Larpent MS 213.] The mute speaks again, and mimics tragedians and comedians [See 20 May.

Event Comment: Benefit for Fosbrook, box-book and housekeeper. Mainpiece: Not acted these 10 years. Receipts: #185 19s. 6d. (17/19/0; 5/12/6; 0/6/0; tickets: 162/2/0) (charge: #106 3s. 6d.)

Event Comment: Tickets delivered by Dagueville (ballet-master), Cushing, Simpkinson, Master Jackson, J. Bates and Mrs Ackman for Tuesday the 25th instant will be admitted this Night. Brunsdon's outstanding Tickets for Cymbeline will also be received

Event Comment: Benefit for Master Welsh. Morning Herald, 18 May: Tickets to be had of Master Welsh, No. 9, Margaret-street, Westminster. Receipts: #355 9s. 6d. (72.13.6; 58.13.0; 4.12.0; tickets: 219.11.0) (charge: free)

Event Comment: Benefit Master Ferg and Miss Wright,the Lilliputian Burgomaster and Colombine. As 27 Nov. 1738

Event Comment: Benefit for Master Mattocks and Mlle L'Contri. Paid Salary List #296 10s. 6d.; Mrs Hobson a bill 3s. (Treasurer's Book). [The George Garrick Treasurer's Book breaks off at this point. It records for 165 nights, a total income of #17,296 9s. as against a total outlay of #12,055 14s. 5d. Cross, who jots down receipts in round figures, and is almost always high, indicates the income from the 164th to the 174th and last night to be #1,446, but since all except one night (11 May) were benefits, the theatre probably received only about #800 (At #63 per benefit). Total income for this season is estimated to be, therefore, #18,096 9s. It is difficult to estimate end of season expenditures. At least #789 10s. 6d. went out in the three final pay days of the season and probably another #500 went out in bills before the books were closed at Midsummer. From this it appears that the profits to the managers that year came to about #4,600.] This day is Publish'd The Actor at 3s. In One Volume (dedicated to the Managers of the British Theatre. A treatise on the art of playing, interspersed with theatrical anecdotes, critical remarks on plays and occasional observations on audiences Printed for R. Griffiths (General Advertiser). Receipts: #120 (Cross). [Income missing from Treasurer's Book.

Event Comment: Benefit for Master Welsh. [2nd piece in place of The Sultan, advertised on playbill of 10 May. Medley is identified in MS list in Kemble playbills of new performers for this season.] "A riot took place this evening, occasioned by the performance of Skirmish by a new actor. This person, wanting every quality requisite for the stage, performed so very much to the dissatisfaction of the audience, that the piece was mutilated in such a manner that for some time it was insisted on that the whole should be repeated more perfectly and by another actor. This being impossible, some mischief was threatened, but after a short time the disturbance ceased" (European Magazine, June 1796, p. 396). Morning Herald, 30 Apr.: Tickets to be had of Master Welsh, No. 9, St. Margaret-street, Westminster. Receipts: #292 4s. (84.11.6; 47.15.6; 12.14.0; tickets: 146.19.6; odd money: 0.3.6). (charge: free)

Event Comment: Benefit for Didelot. Tickets to be had of Didelot, No. 9, Haymarket. Both dances composed by Didelot; the music by Bossi. With new Scenery, Machinery and Decorations [by Liparotti]. [Synopsis of action of 1st ballet in Cyril W. Beaumont, Complete Book of Ballets, 1941, pp. 19-21, where it is stated that "Flore et Zephire is noted for being the first ballet in which wires were used to enable the dancers to simulate aerial flight." This is not stricdly accurate; see note under L'Amour Vange, 2 June.

Event Comment: Benefit Hamilton, Mlle Roland, Miss Norris. Tickets for Deshaln, Temple, Master Nansan also taken. Mainpiece: In Imitation of Shakespear

Event Comment: Benefit Ray, F. Shepard, Rogers, Green, Master Brooks, Miss Morrison. Tickets for the Misses Scott also taken

Event Comment: Benefit Harrington, Master Gillier, Miss Allen, and others

Event Comment: Benefit for Leviez (Ballet Master). Receipts: #140 (Cross)

Event Comment: Benefit for Messrs Wignel and Stoppelaer. Neither Piece Acted This Season. The Prologue and Epilogue spoken By particular Desire by Master Wignell. Charges #72 15s. [of which Wignel bore #32 2s. 6d. and Stoppelaer bore #40 12s. 6d. Their deficit codered by income from tickets: Wignel #97 6s. (Box 82; Pit 362; Gallery 225); Stoppelaer #104 15s. (Bhx 118; Pit 377; Gallery 187).] Paid Edward Bamford for the Giant in the Dragon of Wantly #1 1s. (Account Book). With difficulty got into the Pit just before began (Neville MS Diary). [He comments favorably on the play and performers. Liked Shuter, especially, as Sharp in the afterpiece, and thought Miss Baker looked well in men's clothes.] Receipts: #48 7s. (Account Book)