SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr William Smith"/1) | (@(roleclean,performerclean) "Mr William Smith")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 10821 matches on Author, 4811 matches on Event Comments, 4282 matches on Performance Comments, 806 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: Oscar and Malvina; or, The Hall of Fingal

Performance Comment: The Hall of Fingal. Oscar (the Descendant of Fingal)-Bologna Jun.; Fingal-Bologna; Male Domesticks-Blurton, Platt, Wilde, Duke, Jackson, Powers, L. Bologna, T. Cranfield; Male Bards-Hill, Linton, Street, Thomas, Smith, Little; Female Domesticks-Ms Watts, Ms Follett, Mrs Bologna, Ms Burnett, Ms Cox, Miss Bologna, Ms Crow, Ms Dibdin; Female Bards-Ms Waters, Miss Mitchell, Miss Wheatley, Ms Castelle, Mrs Iliff, Miss Gray, Ms Leserve, Ms Walcup; Malvina (Daughter to Toscar)-Mrs H. Johnston (1st appearance in that character); A View of a Cataractv, with the Descent of the Irish from the Mountains of Ben Lomond. Carrol (the Irish Chieftain)-H. Johnston (1st appearance in that character); Draco (his Captain)-Simpson; Standard Bearers-Lee, Abbot; Morvan (his Lieutenant)-Farley; Vocal Characters. Scotch Lad-Mrs Chapman; Scotch Pedlar (with I am a jolly gay Pedlar)-Townsend; Farmer-Gray; Scotch Lassie-Mrs Atkins.
Related Works
Related Work: Oscar and Malvina; or, The Hall of Fingal Author(s): William Shield

Song: In afterpiece: Come every jovial fellow-Mrs Chapman, Gray, Mrs Atkins; O ever in my bosom live-Mrs Chapman, Mrs Atkins

Performances

Mainpiece Title: A Divertisement

Afterpiece Title: The Birth Day

Cast
Role: William Actor: Abbot

Afterpiece Title: Raymond and Agnes; or, The Castle of Lindenbergh

Performance Comment: Don Raymond-Farley; Robert and Jaques (two Robbers)-Bologna Jun. (1st time), Blurton; Baptist (their Father)-Bologna; Claud (a Postillion and one of the Banditti)-King; Don Felix (Father to Raymond)-Hawtin; Count of Lindenbergh-Dyke; Theodore (Page to Raymond)-Simmons; Father Ansellum-Whitmore; Master of Hotel-Thompson; Friars and Muleteers-Street, Linton, Thomas, Curties, Little, Oddwell, Everett, Sawyer, J. Linton, Lee, Russel, Smith; Choral Boys-Master Ramage, Master Goodwin, Master Little, Master Slape, Master Bernard, Master Platt, Master Speare, Master Sawyer; Domestics-Platt, Wilde, L. Bologna, Jackson, Webb, Chapman, Abbot, Goostree, Howell, Vials, Letteney, Wilkins, Mrs Bologna, Ms Gilbert, Ms Crow, Ms Cox, Miss Bologna, Ms Dibdin, Ms Blurton, Ms Ward, Ms Coombes; Maugerette (Baptist's mistress)-Mrs Mills (1st appearance in that character); Spectre of the Bleeding Nun (mother of Agnes)-Mrs Watts; Countess of Lindenbergh (Step-mother to Agnes)-Mrs Follett; Annette-Miss Burnett; Abbess of St. Claire-Mrs Platt; Agnes (Daughter to the Count of Lindenbergh)-Mrs Chapman (1st appearance in that character); Nuns of the Covent of St. Claire-Ms Sims, Ms Castelle, Ms Iliff, Ms Leserve, Ms Walcup, Ms Lloyd, Ms Norton, Ms Masters.
Related Works
Related Work: Raymond and Agnes; or, The Castle of Lindenbergh Author(s): William Reeve

Dance: In: As17990316

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: Raymond and Agnes; or, The Castle of Lindenbergh

Performance Comment: Don Raymond-Farley; Robert and Jaques (two Robbers)-Bologna Jun., Blurton; Baptist (their Father)-Delpini; Claud (a Postillion and one of the Banditti)-King; Don Felix (Father to Raymond)-Hawtin; Count of Lindenbergh-Whitmore Sen.; Theodore (Page to Raymond)-Simmons; Antonio (Page to Agnes, with a Song)-Miss Sims; Father Ansellum-Whitmore; Master of Hotel-Atkins; Old Steward (to Felix)-Wilde; Friars and Muleteers-Street, Linton, Thomas, Curties, Little, Oddwell, Everett, Sawyer, Gardner, Denman, J. Linton, Lee, Potts, Smith; Choral Boys-Master Ramage, Master Goodwin, Master Little, Master Slape, Master Bernard, Master Platt, Master Speare, Master Sawyer; Domestics-Platt, L. Bologna, Lewiss, Webb, Abbot, Goostree, Howell, Vials, Letteney; Maugerette (Baptist's mistress)-Mrs Mills; Spectre of the Bleeding Nun (mother of Agnes-Mrs Watts; Countess of Lindenbergh (Step-mother to Agnes)-Mrs Follett; Annette-Mrs Norton; Abbess of St. Claire-Mrs Gilbert; Agnes (Daughter to the Count of Lindenbergh)-Mrs Parker (1st appearance in that character); Nuns of the Convent of St. Claire-Ms Castelle, Ms Iliff, Ms Leserve, Ms Sydney, Ms Lloyd, Ms Norton, Ms Masters, Ms Cox, Ms Bologna, Ms Whitmore.
Related Works
Related Work: Raymond and Agnes; or, The Castle of Lindenbergh Author(s): William Reeve
Event Comment: The Last Time of Performing in This Theatre. Kemble Mem.: Sheridan wrote the Address [not listed on playbill; see Gazetteer, 6 June], Palmer delivered it. Universal Magazine, June 1791, p. 438: On Saturday night, of a gradual decay, and in the 117th year of her age, died old Madam Drury, who lived through six reigns, and saw many generations pass in review before her...She had a rout of near 2000 people at her house the very night of her death; and the old lady found herself in so much spirits, that she said she would give them 'No Supper' without a 'Song'; which being complied with, she fell back gently in her chair, and expired without a groan. Dr Palmer, one of her family physicians, attended her in her last moments, and announced her dissolution to the company. [This was written by George Colman, ynger.] Gazetteer, 6 June: Samuel Johnson was powerfully and pathetically shewn the universal horror which men feel of the last even towards things indifferent, or sometimes unpleasant; and there seemed to be some apprehension of this sort of pain on Saturday, for a very few attended to take their leave of the scene where they have been so often regaled with fictitious sorrow and gladness. [This theatre was first opened on 26 March 1674. It has been altered and redecorated on several occasions, notably by the architects Robert and James Adam in the summer of 1775, for which see illustration in The London Stage, Part IV, Vol. III, 1650. The new theatre was not in readiness until April, 1794. The principal reason for the delay was that the patent had lapsed, and "it being necessary to obtain one previous to the payment of their respective sums on the part of the subscribers, application was made to Mr Harris, of Covent Garden Theatre, who possessed a dormant patent." The price set was #15,000, and the patent was sent to a banker for inspection. A Mr George White, who had married a daughter of William Powell, one of the former patentees, and had thereby a financial interest, objected to this price, and "obtained a prohibition in the Court of Chancery which obliged the banker to restore the patent to the Manager of Covent Garden Theatre." The subscribers to the new Drury Lane thereupon refused to pay their subscriptions, and work on the demolition of the old theatre was halted (London Chronicle, 30 July 1792). Sheridan finally offered #20,000: #15,000 to Harris and #5,000 to White, which was accepted, and work on the theatre was resumed, the cornerstone being laid on 4 Sept. 1792 (Morning Chronicle, 6 Sept.; London Chronicle, 12 Sept. 1792). The Actual sum eventually paid to Harris was #11,667.] Paid in lieu of Benefits: Kelly #100; Miss Farren #300; Aickin #60; Williames #42. Received from Their Majesties for Season #78. Paid Renters #20 apiece (Account-Book). Receipts: #105 5s. 6d. (74.7.0; 24.0.6; 6.18.0)

Performances

Mainpiece Title: The Country Girl

Cast
Role: William Actor: Alfred.
Role: Lucy Actor: Mrs Williames.
Related Works
Related Work: The Country Girl Author(s): William Wycherley

Afterpiece Title: No Song No Supper

Cast
Role: William Actor: Sedgwick
Event Comment: Mainpiece [1st time; T 5, by William Henry Ireland; incidental music by William Linley. Prologue by Sir James Bland Burges; Epilogue by Robert Merry (see text)]: With new Scenes, Dresses & Decorations. The Scenes designed and excuted by Greenwood and Capon. The Dresses by Johnston, Gay & Miss Rein. Printed slip attached to Kemble playbill: A malevolent and impotent attack on the Shakspeare MSS. [i.e. those forged by W. H. Ireland, of which this play was one] having appeared, on the Eve of representation of Vortigern, evidently intended to injure the interest of the Proprietor of the MSS., Mr Samuel? Ireland [W. H. Ireland's father] feels it impossible, within the short space of time that intervenes between the publishing and the representation, to produce an answer to the most illiberal and unfounded assertions in Mr Malone's enquiry [i.e. Edmond Malone, An Inquiry into the Authenticity of certain Papers attributed to Shakspeare, Queen Elizabeth, and Henry, Earl of Southampton, 1796]. He is therefore induced to request that Vortigern may be heard With that Candour that has ever distinguished a British Audience. The Play is now at the Press, and will in a very few days be laid before the Public. [But it was not issued until 1799 (see below). See also Bernard Grebanier, The Great Shakespeare Forgery, London, 1966.] 4 Apr., states that the first three acts were listened to with patience, but beginning with the fourth act the play was damned, when "one tremendous yell of indignation from the pit burst simultaneously." "At four o'clock the doors of the theatre were besieged; and, a few minutes after they were opened, the pit was crowded solely with gentlemen. Before six not a place was to be found in the boxes, and the passages were filled...The audience betrayed symptoms of impatience early in the representation; but, finding its taste insulted by bloated terms, which heightened the general insipidity, its reason puzzled by discordant images, false ornaments, and abortive efforts to elevate and astonish, pronounced its sentence of condemnation at the conclusion of the play" (Gentleman's Magazine, Apr. 1795, pp. 346-47). "Irelands play of Vortigern I went to. Prologue spoken at 35 minutes past 6 [see 29 Mar.]: Play over at 10. A strong party was evidently made to support it, which clapped without opposition frequently through near 3 acts, when some ridiculous passages caused a laugh, mixed with groans-Kemble requested the audience t o hear the play out abt. the end of 4th act and prevailed.-The Epilogue was spoken by Mrs Jordan who skipped over some lines which claimed the play as Shakespeares. Barrymore attempted to give the Play out for Monday next but was hooted off the stage. Kemble then came on, & after some time, was permitted to say that "School for Scandal would be given," which the House approved by clapping. Sturt of Dorsetshire was in a Stage Box drunk, & exposed himself indecently to support the Play, and when one of the stage attendants attempted to take up the green cloth [i.e. a carpet which, by custom, was laid on the stage during the concluding scene of a tragedy], Sturt seized him roughly by the head. He was slightly pelted with oranges" (Joseph Farington, Diary, 1922, I, 145). Account-Book, 4 Apr.: Paid Ireland his share for the 1st Night of Vortigern #102 13s. 3d. Morning Chronicle, 29 Mar. 1799: This Day is published Vortigern and Henry the Second (4s.). Receipts: #555 6s. 6d. (528.6.0; 26.9.6; 0.11.0)

Performances

Mainpiece Title: Vortigern

Related Works
Related Work: Vortigern Author(s): William Henry IrelandWilliam Linley

Afterpiece Title: My Grandmother

Song: In: Last Whitsunday they brought me-Miss Leak; She sung whilst from her eye ran down-Mrs Jordan [neither one listed in playbill (see BUC, 622)]

Performances

Mainpiece Title: Measure For Measure; Or, Beauty The Best Advocate

Related Works
Related Work: Measure for Measure; or, Beauty the Best Advocate Author(s): William Shakespeare
Related Work: Measure for Measure Author(s): William Shakespeare
Related Work: The Law Against Lovers Author(s): William ShakespeareSir William Davenant

Performances

Mainpiece Title: Romeo And Juliet

Related Works
Related Work: Romeo and Juliet Author(s): William Shakespeare
Related Work: The History and Fall of Caius Marius Author(s): William Shakespeare

Afterpiece Title: The Intriguing Chambermaid

Performances

Mainpiece Title: The Old Batchelor

Related Works
Related Work: The Old Batchelor Author(s): William Congreve
Related Work: The Credulous Husband Author(s): William Congreve

Afterpiece Title: The Diversions of the Morning

Performances

Mainpiece Title: False Delicacy

Afterpiece Title: The Elopement

Related Works
Related Work: The Elopement Author(s): William Havard

Performances

Mainpiece Title: Love For Love

Related Works
Related Work: Love for Love Author(s): William Congreve

Afterpiece Title: The Institution of the Garter

Performances

Mainpiece Title: Timon Of Athens

Related Works
Related Work: The History of Timon of Athens, the Man-Hater Author(s): William Shakespeare
Related Work: Timon of Athens Author(s): William Shakespeare

Afterpiece Title: The Musical Lady

Performances

Mainpiece Title: The Old Batchelor

Related Works
Related Work: The Old Batchelor Author(s): William Congreve
Related Work: The Credulous Husband Author(s): William Congreve

Afterpiece Title: The Tragedy of Tragedies; or, The Life and Death of Tom Thumb the Great

Dance: IItalian Peasants-Desnoyer, Signora Barberini; Wooden Shoe Dance-Mechel

Music: V: Handel's Water@Musick, a Preamble on the Kettle Drums-Jo. Woodbridge

Performances

Mainpiece Title: Richard Iii

Related Works
Related Work: The Tragical History of King Richard III Author(s): William Shakespeare
Related Work: Richard III Author(s): William Shakespeare

Afterpiece Title: The Anatomist

Performances

Mainpiece Title: King Henry Viii

Related Works
Related Work: Henry The Eighth Author(s): William Shakespeare

Afterpiece Title: The Intriguing Chambermaid

Dance: AA Dutch Dance, as17521125

Performances

Mainpiece Title: The Jovial Crew; Or, The Merry Beggars

Related Works
Related Work: The Jovial Crew; or, The Merry Beggars Author(s): William Bates
Related Work: The Jovial Crew Author(s): William BatesWilliam YongeWilliam Concanen

Afterpiece Title: The Mock Doctor

Performances

Mainpiece Title: A Midsummer Night's Dream

Related Works
Related Work: A Midsummer Night's Dream Author(s): William Shakespeare

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Fairy Tale

Related Works
Related Work: The Fairy Tale Author(s): William Shakespeare

Dance: The Irish Lilt, as17630922

Performances

Mainpiece Title: Romeo And Juliet

Related Works
Related Work: Romeo and Juliet Author(s): William Shakespeare
Related Work: The History and Fall of Caius Marius Author(s): William Shakespeare

Afterpiece Title: The Hermit

Performances

Mainpiece Title: The Merchant Of Venice

Related Works
Related Work: The Merchant of Venice Author(s): William Shakespeare
Related Work: The Jew of Venice Author(s): William Shakespeare

Afterpiece Title: Lethe

Dance: III: The Amusements of Strasburgh-as17711118, but now By the scholars of Sg Daigville

Performances

Mainpiece Title: Much Ado About Nothing

Related Works
Related Work: Much Ado About Nothing Author(s): William Shakespeare
Related Work: Much Ado about Nothing Author(s): William Shakespeare
Related Work: The Law Against Lovers Author(s): William ShakespeareSir William Davenant
Related Work: The Universal Passion Author(s): William Shakespeare

Afterpiece Title: Miss in Her Teens

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: A Trip to Scotland

Related Works
Related Work: A Trip to Scotland Author(s): William Whitehead

Entertainment: End: (By Particular Desire) Bannister's Imitations-Bannister

Performances

Mainpiece Title: Othello, Moor Of Venice

Cast
Role: Cassio Actor: Williams
Related Works
Related Work: Othello Author(s): William Shakespeare

Song: Singing in Italian-Mrs Robinson

Performances

Mainpiece Title: As You Like It

Cast
Role: William Actor: Messink

Afterpiece Title: The Author

Dance: I: The Amusements of Strasburgh, as17711118

Performances

Mainpiece Title: As You Like It

Cast
Role: William Actor: Messink

Afterpiece Title: The Irish Widow

Cast
Role: Tragedy Actor: Mrs Smith

Dance: End I: A New Dance call'd The Merry Peasants-M Fontaine (from the Opera at Paris), Mrs Sutton, Others; End I Afterpiece: The Irish Fair, as17751003

Performances

Mainpiece Title: As You Like It

Cast
Role: William Actor: Messink

Afterpiece Title: The Waterman

Dance: I: The Sailors Revels, as17751220