Event Comment: Written by Shakespear. Receipts: #38 17s. 6d. Probable attendance: boxes, 17 paid and 4 orders; pit, 125 paid and 27 orders; slips, 9 paid and 3 orders; first gallery, 150 paid and 26 orders; second gallery, 132 paid

Event Comment: At the Desire of several Persons of Quality. Mainpiece: Written by Shakespeare. Receipts: #73 4s. 6d. Probable attendance: boxes, 68 paid and 18 orders; pit, 193 paid and 17 orders; slips, 17 paid and 3 orders; first gallery, 145 paid and 7 orders; second gallery, 164 paid

Event Comment: Receipts: #59 4s. 6d. Probable attendance: boxes, 20 paid and 14 orders; pit, 150 paid and 20 orders; slips, 7 paid and 1 order; first gallery, 214 paid and 5 orders; second gallery, 155 paid

Event Comment: Receipts: #45 2s. 6d. Probable attendance: boxes, 72 paid and 10 orders; pit, 111 paid and 24 orders; slips, 5 paid and 8 orders; first gallery, 59 paid and 13 orders; second gallery, 69 paid and 2 orders

Event Comment: Receipts: #36 4s. 6d. Probable attendance: boxes, 26 paid and 6 orders; pit, 110 paid and 17 orders; slips, 6 paid and 2 orders; first gallery, 74 paid and 3 orders; second gallery, 97 paid

Event Comment: Receipts: #34 16s. Probable attendance; boxes, 35 paid and 8 orders; pit, 103 paid and 12 orders; slips, 2 paid and 4 orders; first gallery, 69 paid and 1 order; second gallery, 60 paid

Event Comment: Receipts: #32 6s.Probable attendance: boxes, 37 paid and 11 orders; pit, 56 paid and 21 orders; slips, 6 paid and 2 orders; first gallery, 91 paid and 3 orders; second gallery, 89 paid and 1 order

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh. Receipts: #100 19s. Probable attendance: boxes, 49 paid and 29 orders; pit, 259 paid and 14 orders; slips, 28 paid and 4 orders; first gallery, 252 paid and 7 orders; second gallery, 183 paid. [This is the last entry in the Harvard Manuscript which lists the receipts in various sections of the theater.

Event Comment: Boxes #15 12s. 6d. Macklin's fifth came to #16 9s. Paid Woodfall's Printing Bill, commencing 22 Sept. last and ending 10 Jan. #128 11s. Paid Ledlay for 7 1!2 doz. wax candles #11 12s. 6d. Paid Pattinson, tallow chandler #14 17s. 6d. Paid Besworth for making ghost's dress for Hamlet #6 18s. Paid for a wig for Cable in Thomas and Sally 3s. 6d. (Account Book). On Saturday Evening during the play of the Married Libertine...several riots ensued, occasioned by a number of Jews assembled for that purpose in the two shilling gallery; but they were soon quelled (Public Ledger, 10 Feb.). Receipts: #143 4s. (Account Book)

Event Comment: Post Season Accounts. Receiv'd from Vincent for Music Forfeits #24 8s. 4d. Expended: To Fisher for Music for Harlequin's Jubilee #26 5s. 30 May: Paid to Foulis for writing out Music #34 9s. 2 June: Paid to Shove for paper for Music #7 1s. Paid to Arnold for composing #61 19s. 15 June: Paid Kirkman for tuning Harpsichord #19 12s. Paid Simpson (hautboy) for special performances #67 4s

Event Comment: [The first payroll of the season was met this night. It includes 91 actors, actresses and dancers, plus 36 named servants to the theatre and 4 groups (women dressers, charwomen, guards, and barbers). The pay period covered was for 3 days. It came to #168 2s. 6d. The highest paid actor for this period was Ross at #8 5s.; the highest paid actress, Mrs Yates at #8 6s. 6d.; the highest paid dancer, Fichar at #3. The lowest paid in each category were: actors: C. Smith and Hollingsworth at 7s. 6d. apiece; actresses, 11 who receiv'd 10s. each (Mrs Ferguson, Evans, White, Allen, Cockayne, &c.); Dancers: 11 who receiv'd 15s. apiece (male) and 2 (female) who receiv'd 12s. 6d. apiece. The highest paid servant listed was Stables at 15s., and the lowest the charwomen.

Event Comment: 1st piece: In 3 Scenes of Dialogue. 2nd piece: The Music compiled by Pepusch. [The playbill assigns Filch to Mrs Wilson and Mat o' th' Mint to Miss Morris, but "Miss Morris was merely a temporary substitute for Mrs Wilson who, it seems, is too far advanced in her pregnancy to dress en bomme" (Miming Chronicle, 4 June). But beginning with 7 June Mrs Wilson acted regularly until 3 Aug. Who acted Mat o' th' Mint on this present night has not come to light; the part was perhaps omitted.] 3rd piece: Ballet Tragi-comique. Composed by Signior Novestris [i.e. George Colman, the elder]. The Music by Gluck. With new Scenes, Dresses and Decorations. Machinist and Painter-Sg Rookereschi. Tailor-Sg Walkerino. Places for the Boxes to be taken of Rice at the Theatre. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s

Event Comment: In order to prevent Confusion among the Carriages, Ladies and Gentlemen are humbly requested to order their Servants to set down and take up with their Horses' Heads towards Pali-Mall. Servants are particularly desired not to croud the Doors, or to come up till called for. 1st piece: In three Scenes of Dialogue

Event Comment: No Building on Stage. Tickets deliver'd for This Night will be taken. Mainpiece: By Particular Desire. Afterpiece: With alterations and an additional scene acted but once these 9 years

Event Comment: Characters in Mainpiece New Dress'd in the Habits of the Times. [Theatrical Intelligence for 4 Nov. (Theatrical Miscellaneous Cuttings, G 60.23, Boston Public Library) notes: Last night the reformation in dress took place at the theatre in the revival of the second part of King Henry IV. The beauty as well as the propriety of the dresses give great satisfaction. The Old English Habits are indeed admirably suited to the style and manners of the plays of that time, in which a peculiarity prevails very remote from modern dialogue and the present fashion. The effect of this observation of the Costume, as the French call it, is very visible in the representation of Every Man in His Humour, and will, we hope, for the future be strictly observed in dressing every character of the plays of that age." The author then comments on Love's succes as Falstaff, and Garrick's effectiveness as the sick king especially in delivering the long speeches.