SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Vernon much "/1) | (@(roleclean,performerclean) "Mr Vernon much ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4263 matches on Event Comments, 1786 matches on Performance Comments, 603 matches on Performance Title, 32 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Zara

Afterpiece Title: Lethe

Performance Comment: Lord Chalkstone-Garrick; Drunken Man-Yates; Fine Gentleman-Dodd; Old Man-Parsons; Frenchman-King; Charon-Moody; Fine Lady-Mrs Clive; Aesop-Bransby; Bowman-Ackman; Mercury-Vernon.

Dance: End: New Tambourine-Aldridge, Miss Baker

Performances

Mainpiece Title: Alfred A Masque

Performance Comment: Alfred-Garrick; Earl of Devon-Lee; Hermit-Berry; Edwin-Burton; Corin-Blakes; Danish King-Sowdon; First Dane-Palmer; Eltruda-Miss Bellamy; Emma-Mrs Bennet; Vocal Parts-Mrs Clive, Miss Norris, Beard, Reinhold, Wilder, Master Vernon; Second Dane-Mozeen; Shepherdess-Miss Minors; Dances-Devisse, Mad Auretti, Mathews, Madam Camargo; Prologue-Garrick; Epilogue-Mrs Clive.
Event Comment: Compos'd by Mr Smith--the Introduction, which was a Dialogue in Prose, between Mr Havard & Yates, Much hiss'd & dislik'd. The Opera had great Applause. Miss Young recover'd (Cross). The Opera never performed before with songs from Shakespear, Dryden, &c. The Music by Mr Smith. [The Bill lists no cast or actors. The cast has been retrieved by Hogan from the 1756 ed. plus the musical score published by J. Walsh. Note some parts were doubled. See "Shakespeare's Tempest at Drury Lane During Garrick's Management", G. W. Stone Jr, Shakespeare Quarterly, Winter 1956.] Receipts: #180 (Cross)

Performances

Mainpiece Title: The Tempest

Performance Comment: Alonso-Atkins; Prospero-Beard; Antonio-G. Burton; Ferdinand-Curioni; Gonzalo-; Caliban-Champnes; Stephano-Rooker; Ventoso-Abington; Trincalo-Beard; Mustacho-Champness; Ariel-Miss Young; Miranda-Mrs Vernon; With an Introductory Dialogue by way of Prologue-.
Event Comment: Two Young Lady's made their first Appearance in the Characters of Polly & Lucy Pupils of Dr Arne--Miss Wellers figure is very well for Polly but she wants Spirit & is apt to Sing out of Tune. Mrs Bradley is Tall & a good figure for Lucy and acquitted herself very well in that character they both met with Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly: Two young Gentlewomen appeared in the characters of Polly and Lucy,--brought out by Dr Arne,--Miss Weller and Mrs Bradley.--Miss Weller's figure was very well for Polly; but she is a piece of still life, sings out of tune and will never make an actress.--Mrs Bradley,--very tall, and appears to have blackguard requisites enough for Lucy, but will not do for anything else--Hopkins Diary No 7. Mrs Bradley is since married to Mr Prior the Builder.--J. P. Kemble."] Paid Renters #8 [this payment occurs each playing night of the season, 188 times in all, and will not be further noted]; Mr Carver, six days, #6 [a weekly payment outside the pay list throughout the season. Presumably to scene painter. No further noted]; Mr S. French, 6 days, #1 10s. Renters total for season #1592. Carver total for season #088 (Treasurer's Book). [see account of Miss Weller and Miss Bradley in Town and Country Magazine (Theatre XXXVIII): The first performed the part of Polly, and the latter that of Lucy. Their figures are both genteel, and their countenances expressive. Miss weller was much confused upon her first entrance; but from the melody of her voice, tho she did not raise it sufficiently in many parts, there is reason to believe, when she was got the better of her terrors of facing an audience, that she will be an acquisition to the stage, at least as a vocal performer. Miss Bradley's performance of Lucy with great spirit, vivacity and Propriety' and her singing being so well suited to the character, she so much eclipsed Polly, that the audience formed a more indifferent opinion of her abilities than she deserved."] Receipts: #220 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Vernon; Peachum-Moody; Lockit-Bransby; Filch-Parsons; Mat@O@Mint-Kear; Beggar-Waldron; Player-Wheeler; Ben Budge-Ackman; Mrs Peachum-Mrs Love; Diana Trapes-Mrs Bradshaw; Polly-Miss Weller; Lucy-Mrs Bradley, first appearance on any stage; In Act III, a Hornpipe-Walker; To Conclude with a Country Dance-.

Afterpiece Title: Miss in Her Teens

Dance: II: A Comic Dance-Daigville, Sga Vidini

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Witches or A Trip to Naples

Performance Comment: Harlequin-Rooker; Pantaloon-Grimaldi; Old Miser-Jacob; Colombine-Miss Watkins; Clown-Ackman; Miser's Servant-Messink; First Witch-Vernon; Second Witch-Johnston; Bridemaids-Mrs Scott, Mrs Wrighten; The Dances-Daigville, Atkins, Giorgi, Sga Vidini, Sga Giorgi.

Performances

Mainpiece Title: The Maid Of Kent

Performance Comment: Wm Strongbow-Vernon; George-Dimond; Sealand-J. Bannister; Sir Thomas-Parsons; Brian-Moody; Dr Goodman-Packer; La Poudre-Baddeley; Metre-Waldron; Robert-Griffith; Patty-Miss Pope; Dame Quickset-Mrs Bradshaw; Emily-Miss Younge.

Afterpiece Title: Florizel and Perdita

Dance: End: The Taylors, as17740428

Performances

Mainpiece Title: The Maid Of The Oaks

Performance Comment: Parts by King, Dodd, Weston, Moody, Aickin, Brereton, Bannister, Lamash, Burton, Wright, Messink, Mrs Baddeley, Mrs Bradshaw, Mrs Abington. Dupely-Dodd; Old Groveby-King; Sir Harry Groveby-Brereton; Hurry-Weston; Oldworth-Aickin; Painter-Moody; Druid-Bannister; Maria-Mrs Baddeley; Lady Bab-Mrs Abington; Shepherds and Shepherdesses-Lamash, Burton, Wright, Messink, Mrs Bradshaw; (Genest, V, 442) In the Course of the Piece will be introduced a Fete Champetre-; Vocal parts-Vernon, Davies, Legg, Kear, Fawcett, Carpenter, Master Blanchard, Mrs Wrighten, Mrs Scott, Mrs Smith; The Dances-Slingsby (first appearance here in 7 years), Atkins, Como, Giorgi, Sga Crespi, Mrs Sutton, Sga Hidou (first appearance on English Stage); The Ballets-M. Larevier; Prologue-; Epilogue-.

Afterpiece Title: The Miller of Mansfield

Performances

Mainpiece Title: The Resurrection

Performance Comment: Vocal Parts-Vernon, Reinhold, Leoni, Mrs Mattocks, Mrs Weichsel.

Music: Hautboy-Simpson; First Violin with a Concerto-Barthelemon

Event Comment: Written by Mr Hume. Author of Douglas. Went off wth. great Applause (Cross). A New Tragedy. The Music composed by Dr Boyce. As this is the 1st night of representation, and much depends upon keeping the scenes clear, 'tis hoped no gentleman will be offended that he cannot be admitted upon the stage or into the orchestra. [See Theatrical Review, 1757 and Beginning of 1758 for contemporary comment on source, and at act-by-act progress of play. Judicial but appreciative. Finds some rant and bombast, as well as inconsistency, in Lysander 's characterization: "If...not...known that the author of Agis is the same to whom we are indebted for Douglas, one would not have suspected those two tragedies to have sprung from the same pen...Agis inspires us with admonition; Douglas speaks forcibly to our softer feelings. In Douglas he has shown himself perfect master of nature and the human heart: in Agis of contrivance in point of plot and incidents. What a masterpiece may not we expect from such talents when united in one tragedy!"] Receipts: #200 (Cross)

Performances

Mainpiece Title: Agis

Performance Comment: Actors only listed, but Vocal Parts-Beard, Champness, Vernon, Mrs Vernon, Miss Young; but edition of 1758 lists: Agis-Mossop; Lysander-Garrick; Amphares-Havard; Rhesus-Holland; Euxus-Davies; Agesistrata-Mrs Pritchard; Sandane-Mrs Yates; Euanthe-Mrs Cibber; Prologue-Garrick; Epilogue-Mrs Pritchard.

Performances

Mainpiece Title: The Minor

Afterpiece Title: Thomasand Sally or The Sailors Return

Performance Comment: Actors only:-Beard, Mattocks, Miss Brent, Mrs Vernon; Dancing-Maranesi, Poitier Jr, Mrs Vernon; Thomas-Beard; Squire-Mattocks; Sally-Miss Brent; Dorcas-Mrs Vernon (Genest, IV, 622). [But see17610423 and 1761 Edn., apparently the parts of Beard and Mattocks were reversed for those indicated by Genest.]But see17610423 and 1761 Edn., apparently the parts of Beard and Mattocks were reversed for those indicated by Genest.]

Performances

Mainpiece Title: The Capricious Lovers

Performance Comment: Parts-Vernon, Yates, Baddeley, Packer, Didier, Mrs Clive, Miss Young, Miss Wright, a Young Gentlewoman in her first appearance on any stage. Colin-Vernon; Hobbinol-Yates; Damon-Baddeley; Astolpho-Packer; Fabian-Didier; Phoebe-Miss Slack , 1st appearance on any stage; Lisetta (with a mock Italian song)-Mrs Clive; Emily-Miss Young; Clara-Miss Wright (Genest, V, 63) Emily-$Miss Scott (Winston MS 9).

Dance: Grimaldi, Aldridge, Giorgi, Berardi, Sga Giorgi, Miss Baker

Event Comment: The Jubilee consists of Dialogue Singing & Dancing. This Entertainment was written & compil'd by Mr G.-and it was receiv'd with bursts of Applause the Procession of Shakespear's Characters &c. is the most Superb that ever was Exhibited or I believe ever will. There never was an Entertainment produc'd that gave so much pleasure to all Degrees Boxes pit and Gallery (Hopkins Diary). The Music by Dibdin. With New Scenes, Dresses, and Decorations. [On all subsequent bills, though some are shortened, the PAGEANT is advertised in large capitals. Larpent MS 298, includes descriptive notes and stage directions, p. 24: "Here follows the Pageant, with Bells ringing, Fifes playing, Drums beating, and Cannons firing. In The Procession every scene in the different plays represents some capital part of it in action...The last Scene is a magnificent Transparent one in which the Capital characters of Shakespeare are exhibited at full length with Shakespeare's Statue in the middle crowned by Tragedy and Comedy, fairies and Cupids surrounding him and all the banners waving at the upper end. Then enter the dancers." The Pageant appeared at the top of the stage and came forward, Reviewed in Freeholder's Magazine, Oct.

Performances

Mainpiece Title: The School For Rakes

Afterpiece Title: The Jubilee

Performance Comment: Parts-King, Moody, Parsons, Ackman, Hurst, Waldron, Castle, Wheeler, W. Palmer, Wright, Keen, Hartry, Mesink, Clough, Booth, J. Burton, Mas. Cape, Mrs Bradshaw, Mrs Lowe. The Vocal Parts-Vernon, Dibdin, Bannister, Champnes, Fawcett, Kear, Miss Radley, Mrs Baddeley; The Dances-Dagueville, Mrs King, Sga Vidini, Miss Rogers; In which will be introduced The Pageant as it was intended for Stratford-Upon-Avon; Ralph-King; Irishman-Moody; Ballad Singer-Vernon; Ostler-Parsons; Country Girls-Mrs Baddeley, Miss Radley; Margery Jervis-Mrs Love; Female Ballad Singer-Dibdin; Prologue-King; Characters in the pageant: Benedict-Garrick; Beatrice-Miss Pope; Touchstone-King; Richard III-Holland; Romeo-Brereton; Hamlet-Cautherly; Falstaff-Love; Lear-Reddish; Antony-Aikin; Portia-Mrs W. Barry; Apollo-Vernon; Tragic Muse-Mrs Barry; Comic Muse-Mrs Abington; Also: Hurst, Wheeler, Castle, Waldron, Wright, Keen, Clough, Hartry, Messink, Booth, J. Burton, Master Cape, Mrs Bradshaw, Mrs Love; Dancing-; Singing- New Dresses, Scenes; Music by Dibdin (Genest, V, 256, and Winston MS 10). See Three Plays by David Garrick, Elisabeth P. Stein (New York, 1926). Music by Dibdin (Genest, V, 256, and Winston MS 10). See Three Plays by David Garrick, Elisabeth P. Stein (New York, 1926).
Event Comment: Afterpiece: By Particular Desire. House. So Ends the Season 56 different Plays 37 different Farces 188 Nights in all (Hopkins Diary). Paid Mr J. French on acct #5 5s.; Subscription to Chas Standen #1 1s.; Returned Mr J. Palmer part of his Benefit Balance #30; Sga Hidou in full of 500 Guineas for this season #27 5s. Receipts: #118 14s. 6d. (Treasurer's Book). After season receipts and expenses (Treasurers's Book). Receipts: 29 May: Stopages #6 1s.; Watson & Mortimer #25 returned from cash advanced at beginning of season; Mrs Smith in full of debt #14. 2 June: Mr Heath's rent 1 yr to Xmas last #10; Mr Brereton's salary stopt & Benefit after money 3rd May #17 11s. 6d.; Ditto for Reddish #10; Ditto for Dibdin #24 12s. 24 June: Public Advertiser this season #50; Ditto for Gazetter #50; Mr Pope one yrs rent to Lady Day last (#1 10s. land tax deducted) #28 10s.; Harrison's rent ditto (#8 15s. deducted) #34 18s. 4d.; also deducted #2 6s. 8d. sewer's tax; Mr Parsonage 1 yrs ditto (#5 land tax and 15s. Repairs deducted) #42 5s.; Late Mr Banks 1 yrs ditto #3; Their Majesties account #80. 30 June: Mr Burges, 1 yrs rent to Xmas last (#4 4s. land tax deducted) #16 16s.; Discount on #362 1s. 3d. amount of tallow chandler's 10 Bills this season at 8%-#28 19s. 2d.; Remainder of Sinking Fund, #159 12s.; Mr Reddish's Benefit Acct #78 16s. 6d. 15 July: Sundry salary forfeits taken up by Evans #144 18s. 4d.; Music forfeits #18 4s. 6d. B. Richards forfeits #6 12s. Expenditures: 29 May: Salary List #510 6s.; Davies on note #9 9s.; Slingsby in full of #350 for this season #3 1s. 8d.; Mrs Yates ditto of #800 this season 11s. 8d.; Mr Courtney Chorus 27 nights at 5s. per night in full #6 15s.; Advanced to Everard to compleat his ticket acct #1 5s. 6d.; Mr Page on note #5 5s.; Mr Page in full of #25 this season #1 12s. 6d. 3 June: Miss Berkley on note #5 5s.; King in full of #500 salary #32 10s.; Mrs Moffat, dresser, per order D. Garrick #5 5s.; Lamash on note #6 15s.; One yrs watch & rector's rate to Lady Day last (Cov. Garden) #1 10s. 24 June: Repaid Mr Bannister his Bt balance #35 16s. 6d.; Lent Mr Baddeley per order Mr D. Garrick #20; Mr G. Garrick in full of #400, #50; Mr Smart, attending practices of Dances #10 10s.; Mr Pope's bill for Wigs #17 7s. 6d., and his bill for 64 extra nights for dressing #6 8s.; Mr D. Richards 31 weeks 1 day extra salary #31 3s. 4d.; Chaise to Hampton, Mr Evans & Becket 19s. 8d.; J. French on acct #7 7s. 30 June: Mr Vernon's balance of Acct in full #18 9s. 6d.; Mrs Chitty for coals #77; Barrow & Co. for Oil #187 6s. 6d.; Burges (bricklayer) #134 11s.; Tallow chandler's 10th and last bill #28 4s. 10d.; Chettell (timber merchant) #76 12s. 6d.; R. Palmer Jr 47 nights in Maid of Oaks and Harlequin's Jacket #4 14s.; Loss on sale of 75 Guineas & half light cash of Sinking Fund #3 9s. 6d. 5 July: Bibb (sword cutler) #3 6s.; Scott (copper laceman) #100 3s.; Powney (stationer) #5 16s.; Mrs Jones (worsted lace) &c. #8 2s.; Hopkins & Co. (ironmongers) #33 3s. 6d.; Blakes (hatter) #10 4s.; Jennings (glover & furrier) #23 7s. 6d.; Mrs Lowe@and@Co. (glaziers) #2 16s.; Mr Hadley (engine maker) #13; Thomson (smith) #14 9s.; Carter (scowrer) #9 4s.; Cubitt (tinman) #4 8s. 6d.; Hewetson & Co. (laceman) #17 2s. 6d.; Gardner (shoemaker) #3 19s. 7 July: Waller & Co. (hosiers) #24 4s. 6d.; Carpue (silk dyer) #8 10s. 6d.; Cropley (linen draper) #13 9s. 6d.; Mr Knyvett (harpsichord performer) 14 nights #5 5s.; Mrs Vaughan (haberdasher) #13 12s.; J. French on Acct #8 8s.; Cole (turner) #35 5s. 6d. 12 July: Mr Stafford (glassman) per Mr Johnston #29 5s. 6d.; Mr King & Co. for Women's cloaths, per Mr Johnston #10; Mrs Garwood (laundress) per Mr Johnston #15 15s.; Mr Palmer for Spermacetti Candles, per Mr Johnston, #172 4s. 15 July: J. French on Acct #15 15s.; J. Johnston's Music Bill, #12 11s. 10d.; Repaid Mr Reddish's Benefit Acct to Mr Burns for his creditors, #78 16s. 6d. 19 July: Lent to Miss Berkley on note #5 5s.; Mr Victor's Gratuity #30, and two weeks' extra salary #5; Mr Evans in lieu of Benefit #42 and two week's extra salary #3. Books closed and balanced paid. VIZ. Total income #33,614 16s. 6d. Total profit #389 5s. 7d. Total expense #29,719 10s. 11d. Paid Patentees #2840. To Clutterbuck #1000. Left in Victor's hands carried to next season 55 5s. 7d

Performances

Mainpiece Title: Matilda

Afterpiece Title: Bon Ton

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: As17540112, but Don John-Bransby; Verges-Vernon; Dogberry-Yates (playbill). [Don John-$Davies (Public Advertiser).]

Afterpiece Title: Lethe

Dance: II: Masquerade Dance-; Devisse, Mad Auretti

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Witches

Performance Comment: Principal Witches-Vernon, Champnes, Johnston, Grimaldi, Mrs Vincent, Miss Young, Mrs Dorman; Harlequin-Rooker; A Reel, Hornpipe-Aldridge; Misers-Castle, Parsons; Misers' Servants-Clough, Ackman; Colombine-Miss Baker; Lilliputian Harlequin-Miss Rogers; Lilliputian Colombine-Miss Ford; To conclude with the Landing of the Cherokees in America-; Cherokees-Grimaldi, Lauchery, Tassoni.

Performances

Mainpiece Title: The Tempest

Performance Comment: Prospero-Havard; Stephano-King; Trinculo-Yates; Caliban-Love; Ariel (songs)-Miss Young; Hymen-Wingfield Palmer; Miranda-Mrs Palmer; Ferdinand (songs)-Vernon; Ceres-Mrs Vincent; With a Grand Dance of Fantastic Spirits, Pastoral Danceproper to the Masque,-Grimaldi, Miss Baker.

Afterpiece Title: The Deuce Is in Him

Dance: TThe Provancalle, as17631014

Event Comment: Benefit for Miss Young. Afterpiece: Not acted in 20 years. Music by Dr Arne. [See John Lockman's Reflections concerning Operas, &c." in his introduction to his edition of Rosalinda (London, 1760), p. iv: 'A gentleman, well known for his musical compositions, is of opinion, that the reason why the Opera Rosamond tho' adorned with all the graces of lyric poetry, does not please from the stage, so much as might be expected, is owing to a circumstance that forms a beauty in the drama itself; I mean the suppos'd poisoning of Rosamond at the end of the second act, and her appearing no more upon the stage. Whilst this sheet was at press, I was told that Mr Arne has reduc'd this opera into one act, and set the whole anew; and so managed matters, that Rosamond appears throughout the whole drama. Tis said that the music of this new Rosamond is as delightful as that of another performance of Mr Arne's which now affords the town so agreeable an Entertainment."

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Rosamond

Performance Comment: Queen-Miss Young; King Henry-Vernon; Sir Trusty-Champness; Page-Miss Rogers; Rosamond-Mrs Vincent; Grideline-Mrs Dorman.

Dance: End: The Medley, as17641120

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: Benedict-Garrick; Dogberry-Parsons; Verges-Hartry; Conrade-Strange; Sexton-Clough; Leonato-Aickin; Claudio-Cautherly; Don John-Bransby; Pedro-Packer; Balthazar-Vernon; Antonio-Hurst; Borachio-Ackman; Town Clerk-Baddeley; Margaret-Mrs Bradshaw; Ursula-Mrs Hippisley; Hero-Mrs Baddeley; Beatrice-Miss Pope;in Act II, a Masquerade Dance proper to the Play,-Grimaldi; to conclude with a Country Dance-.

Afterpiece Title: Harlequins Invasion

Performances

Mainpiece Title: The Provokd Wife

Performance Comment: Sir John Brute-Garrick; Constant-Cautherly; Heartfree-Aickin; Col. Bully (with songs)-Vernon; Lord Rake-Ackman; Justice-Bransby; Rasor-Baddeley; Lady Brute-Mrs Stephens; Mademoiselle-Miss Radley, first time; Belinda-Mrs Jeffries; Lady Fanciful-Mrs Abington.

Afterpiece Title: The Register Office

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Vernon; Peachum-Moody; Lockit-Bransby; Filch-Parsons; Mat@o@Mint-Kear; Beggar-Burton; Player-Wheeler; Ben Budge-Ackman; Diana Trapes-Mrs Bradshaw; Mrs Peachum-Mrs Love; Polly-Mrs Wrighten, 1st time; Lucy-Miss Pope; In Act III: a Hornpipe-; To Conclude with a Country Dance-.

Afterpiece Title: High Life below Stairs

Dance: II: A Comic Dance-Daigville, Sga Vidini

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: Peep Behind the Curtain

Performance Comment: Sir Toby Fuz-Love; Sir Macaroni Virtue-Dodd; Glib-King; Miss Fuz-Miss Rogers, 1st time; Lady Fuz-Mrs Hopkins; Rhodope-Mrs Wrighten; Orpheus-Vernon; Others-Packer, Palmer, Moody, J. Aickin, Wright, Johnston, Mrs Love, Mrs Bradshaw.
Event Comment: Cymon and The Witches both to be laid aside after this night on account of preparations for a New Pantomime for the Holidays (Winston MS 10). [See Pigmy Revels, 26 Dec.] Paid Mr Vernon on note #10 10s.; Mr Wright's bill to Manning, #4 10s. 3d.; Eaton for Women's cloaths #16 16s.; Master Cape per order, #2 12s. 6d. Receipts: #177 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Witches

Performances

Mainpiece Title: The Tempest

Performance Comment: Prospero-Packer; Ferdinand (with songs)-Vernon; Stephano (that night only)-G. A. Stevens; Trincalo-Baddeley; Caliban-Ackman; Sebastian-Keen; Gonzalo-J. Aickin; Alonzo-Bransby; Antonio-Hurst; Master of Ship-Wrighten; Francisco-Griffith; Ariel (with songs)-Mrs Scott; Hymen-Fawcett; Ceres-Mrs Wrighten; Miranda-Mrs Smith, first time and with a new song. With a; Grand Dance of Fantastic Spirits-.

Afterpiece Title: Harlequins Invasion

Dance: Other dances-Atkins, Sg Giorgi, Sga Giorgi

Entertainment: End: Bucks Have at ye All-Palmer; by Desire

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Vernon; Peachum-Moody; Ben Budge-Ackman; Lockit-Bransby; Filch-Parsons; Beggar-Waldron; Player-Wheeler; Lucy-Mrs Wrighten; Mrs Peachum-Mrs Love; Diana Trapes-Mrs Bradshaw; Polly-Mrs Smith; In III, a Hornpipe-Atkins; To Conclude with a Country Dance-.

Afterpiece Title: High Life below Stairs

Dance: II: The Irish Fair-Atkins, Mrs Sutton

Performances

Mainpiece Title: Alfred

Performance Comment: Alfred-Reddish; Earl of Devon-Jefferson; Hermit-J. Aickin; Corin-Bannister; Danish King-Palmer; 1st Dane-Brereton; 2nd Dane-J. Bannister; Eltruda-Miss Younge; Edwin-Wright; Attendant-Miss Platt; Vocal Parts-Vernon, Bannister, Champness, Fawcett, Kear, Mrs Wrighten, Mrs Scott, Mrs Hunt, Mrs Smith; The Dances-Como, Grimaldi, Giorgi, Atkins, Mrs Sutton, Sga Giorgi, Sga Crespi; To conclude with a Grand Occasional Scene-; Edition of 1773 adds Emma-Mrs Smith; Edith-Mrs Wrighten.

Afterpiece Title: Miss in Her Teens