Event Comment: Benefit Robinson and Turner. Mainpiece: Written by the late Mr Dryden. Afterpiece: At the Desire of several Ladies of Quality, we are oblig'd (instead of The What D'Ye Call It) to Act...The Country Wake

Event Comment: Benefit Robinson and Mrs Willis. At the particular Desire of several Persons of Quality. Mainpiece: Written by Shakespear. With all the Song, Dances, and other Decorations proper to the Play. Afterp1ece: Compos'd by Mr John Eccles, Master of the King's Musick

Event Comment: The words of the Entertainment will be sold at the theatre for 6d. a book. Paid Cross for Licenser #2 2s.; for 5 Chorus singers #1 5s. (Treasurer's Book). On Wednesday next will be Publish'd (at 2s. 8d. sew'd, 3s. bound) the 2nd Edition corrected, with an additional chapter by Mr Allworthy, &c. relating to Plays in general, and the French playhouse in particular, The History of Tom Jones the Foundling, in his Married State. Printed for J. Robinson. N.B. The additional chapter is given gratis to the purchasers of the former edition (General Advertiser). Receipts: #120 (Cross); #95 19s. (Treasurer's Book)

Event Comment: At Mr Ogle's Great Room, Dean St., Soho. A Pastoral Opera [by John Hoadley] set by Dr Green. To begin at 7 p.m. Tickets 5s. Books of the Opera at places of Performance at 6d. Benefit for Robinson, organist of Westminster Abbey

Event Comment: Benefit for Sparks. Receipts: #83 2s. 6d. plus Tickets #184 12s. (boxes 335; pit 551; gallery 182). Advanced Mrs Bellamy on her salary #105. Two new Renters came in at 1 share each: Sir Thomas Robinson and Robert Hassell (Account Book). Mr Smith takes this earliest opportunity to return thanks the Ladies and Gentlemen who honoured him with their presence at his Benefit on Tuesday Night, and is very sorry for any interruption that might happen in the performance. The indulgence of his friends that night far exceeded his most sanguine exceptations; otherwise he should have provided proper accomodations for them on the stage (Public Advertiser). [See Theatrical Review, 1757 and Beginning of 1758, for contemporary comment on mainpiece: "It is not paying it a very great, much less an underserved compliment to give it the preference over all the dramatic pieces that have been presented at either house these six or seven years...Tears were the first praises I gave it...no play except Lear ever make such a strong constant impression on my feelings."

Event Comment: Benefit for Percey, Wood and Robinson. Tickets deliver'd by Mr Hodges, and for Thursday the 25th will be taken. The Play for the Theatrical Fund is oblig'd to be deferr'd till Thursday next the 25th Inst. Paid extra Flute & Hautboy 10s. (Treasurer's Book). Receipts: #189 12s. 6d. Charges: #84. Profits to beneficiaries: #105 12s. 6d. (Treasurer's Book)

Event Comment: Benefit for Curteen, Roberts, Shuter. Tickets delivered by Miller, Walker, Reed, Colley, Robinson, Brandon, Booth, Flight, Mrs Paddick, Mr Watson will be taken. Doors open half past 5. To begin half past 6 o'clock

Event Comment: Benefit for Wood, Percey, Shade & Cameron. Tickets delivered by Lewis, Hodges, Gardner, and for Monday, the 31st of May, will be taken. MS annotation on Kemble playbill: "I believe this was the last time of Mr Henderson's acting at Drury Lane, except when he played Jaques in As You Like It for Mrs Robinson's Benefit, April 7, 1780. See October 18, 1779, Covent Garden Bills." Receipts: #301 6s. 6d. (19.14.0; 2.14.6; 0.14.0; tickets: 278.4.0) (charge: #105)

Event Comment: Benefit for the Relief of the Widows and Orphans of the brave Men who fell in the late Glorious Actions [on 1 June 1794], under Earl Howe. The Whole Receipt of the Night to be applied to the above Fund. Under the Patronage of His Royal Highness the Prince of Wales, and His Royal Highness the Duke of Clarence. The Tickets for the Boxes at Half-a-Guinea each, are issued under the Direction of a Committee consisting of the following Noblemen and Gentlemen, who have obligingly undertaken to attend to the arrangements of the Evening: The Duke of Leeds, The Duke of Bedford, The Earl of Lauderdale, Lord Mulgrave, Lord William Russel, The Right Honourable the Lord Mayor [Paul Le Mesurier], Mr Alderman Coombe, Hon. Thos. Erskine, J. Nesbit Esq., I. B. Church Esq., W. Devaynes Esq., J. Taylor Vaughan Esq., J. J. Angerstein Esq., R. B. Sheridan Esq. Tickets and Places for the Boxes, not disposed of by the Committee, to be had of Fosbrook, at the Box-Office, Little Russel-Street. Tickets also to be had at the Bar of Lloyd's Coffee House. Afterpiece [1st time; ENT 2, by Richard Brinsley Sheridan and James Cobb; with songs written by the Duke of Leeds, the Earl of Mulgrave, Mary Robinson, Joseph Richardson, &c. In 1797 altered as CAPE ST. VINCENT. Prologue by Joseph Richardson (London Chronicle, 4 July). Epilogue by Richard Brinsley Sheridan]: The Music composed and selected by Storace [with one song each by Reeve. Linley Sen., Michael Kelly]. The Dresses, Scenery and Machinery entirely New. "This piece is a sort of continuation of No Song No Supper...hastily put together for the occasion" (European Magazine, July 1794, p. 60). "The Theatre this Evening was crowded in every Part, the receipt amounting to something better than 1300 Guineas" (Powell). Powell, 1 July: Country Girl rehearsed at 10; Glorious First at 12 and at night. 2 July: Glorious First rehearsed at 10. Receipts: #1,526 11s. (450/6/0; 41/13/0; 0/12/6; tickets in boxes: 954/0/0; tickets in pit: 80/0/0) (charge: free)

Event Comment: Benefit Mrs Robinson. By Command. The Pit and Boxes at half a guinea. Stage Boxes 15s. Gallery 4s. The King and a great Number of the Nobility present