SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Penkethman\'s New Theatre in Greenwich"/1) | (@(roleclean,performerclean) "Mr Penkethman\'s New Theatre in Greenwich")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 8127 matches on Event Comments, 3410 matches on Performance Comments, 3176 matches on Performance Title, 19 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece [1st time; CO 3, by Richard Bentley. Beginning with 4 Feb. 1789 reduced to an afterpiece of 2 acts. Not in Larpent MS; not published; synopsis of plot in Public Advertiser, 15 Dec.]: With entire new Dresses, Scenery, and Decorations. The Music partly selected from the works of Haydn, Purcell, Pleyel, Anfossi, Cimarosa, Gretry, Giordani, Sacchini [the score (Longman and Broderip [1788]) adds: Irwich]; and partly composed by Shield. With a Grand Overture by Salieri. Books of the Songs to be had at the Theatre. Receipts: #245 3s. 6d. (238.6.6; 6.17.0)

Performances

Mainpiece Title: The Prophet

Afterpiece Title: Duke and No Duke

Dance: End: a New Dance, as17881107, but Mrs _Ratchford

Event Comment: Benefit for Delpini. 3rd piece: 1st time at that Theatre [1st acted at the Royalty, 13 Aug. 1787]. Delpini's Grand, Tragic, Comic, Pantomimical Entertainment in 2 acts. With new Dresses and Decorations. The Music composed by Gluck, the Airs and Duett by Reeve. Public Advertiser, 9 May: Tickets to be had of Delpini, No. 17, Tavistock-street, Covent-garden. Receipts: #224 11s. (114.2; 7.18; tickets: 102.11)

Performances

Mainpiece Title: The Deserter

Afterpiece Title: Barataria

Afterpiece Title: Don Juan or The Libertine Destroyed

Dance: End 1st piece: New Dance by Byrne-; In 3rd piece: Dancing-Byrne, Mrs Ratchford, Mrs Goodwin

Event Comment: It having appeared to be the Sense of a considerable Part of the Audience on Monday Night that the One Shilling Gallery should be restored, the Proprietor has already given Directions that their Wishes may be obeyed with all possible Expedition. With respect to the other Point, upon which some difference of Opinion still continued throughout the Performance, it is necessary to declare, that without absolute Ruin to the Property, this Theatre cannot be opened at lower Prices of Admission. The Proprietor therefore relies with Confidence on the Justice and Protection of the Public should any Attempt be made again to interrupt the Performance upon this Ground. [The new Upper, or One-Shilling, Gallery was constructed within two weeks, and opened on 1 Oct. The audience accepted The argument for the necessity of raising the prices of admission, which, as they now stood, remained in effect for the remainder of the century. 2nd piece in place of The Suspicious Husband, advertised on playbill of 17 Sept.] Receipts: none listed

Performances

Mainpiece Title: A New Occasional Prelude

Afterpiece Title: The Duenna

Afterpiece Title: Modern Antiques or The Merry Mourners

Event Comment: A Serious Opera (1st time at this Theatre [1st performed at Venice, 1783]); the Music by Bianchi. "The splendour of the Opera this year in point of crowd and fashion surpasses every thing within our memory. It used to be only full on the Saturday evening...Mlle Parisot, a new dancer from Paris, is a most beautiful figure, about 18 years of age...Her balance is postively magical, for her person was almost horizontal while turning as on a pivot on her toe" (Morning Chronicle, 10 Feb.). "[Mlle Parisot's] acting proves what art may effect by beautiful simplicity. She never makes use of those tours de force with which the best female dancers at Paris still endeavour to shine. Every step of Mlle Parisot is marked by the greatest truth and dignity of nature. Every one of her movements is expressive, spirited and harmonious" (Goede, pp. 264-65)

Performances

Mainpiece Title: Piramo E Tisbe

Dance: End I: A New Divertissementin which-Mlle Parisot will dance, for the first time in this Country; End Opera: Paul et Virginie, as17960116

Event Comment: 2nd ballet: With entire new Scenes, Dresses and Decorations, the Scenes designed by Marinari, and executed by himself and others under his direction; the Dresses by Sestini; the Stage Decorations by Johnston of the Theatre-Royal, Drury-lane. "Telemaque is the same as that produced by Dauberval at Bordeaux, as to the management of the story the story on the stage; but the Dances are the composition of Degville. The music is [compiled by D'Egville and Bossi] from Haydn, Pleyel, Sacchini, Gluck, Schulz, Moreau" (Morning Chronicle, 27 Mar.). [Synopsis of action in London Chronicle, 27 Mar.

Performances

Mainpiece Title: La Frascatana

Dance: End I: A New Divertissement-

Ballet: End Opera: Telemaque (As composed by D'Auberval; under the direction of J. D'Egville; 1st time in London). Telemaque-Didelot; Mentor-D'Egville; Cupid-Master Menage; Calypso-Mme Rose Didelot; Eucharis-Mme Hilligsberg; Venus-Mme Laborie; Elise-Mlle J. Hilligsberg; Zelie-Mme D'Egville

Event Comment: Benefit for Scrase, Costollo, and Wilder. Tickets and places to be had at the Stage Door of the theatre. Receipts: #160 (Cross)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Don Quixote in England

Dance: III: A Hornpipe-the Little Swiss

Song: I: Master Vernon

Entertainment: S+SpecialtyAfter: An Elogium-Mr Ross;wrote by Dryden, concluding with Milton's Epitaph to the Memory of Shakespear-Mr Ross. representing the shade of Shakespear as figured on his monument in Westminster Abbey. By Particular Desire.

Event Comment: Words from Holy Writ...Music so admirable designed by Handel as to Beggar all description (Theatrical Review). Mr Ponta is Musician to his Serene Highness the Elector of Mentz. Tickets and places for boxes to be taken of Mr Sarjeant at the Stage Door. Box 5s. Pit 4s. First Gallery 3s. Upper Gallery 2s. Books of the performance sold at the Theatre. Doors to be opened at Five o'clock. To begin at half past Six (Account Book). [Messrs Toms and Arnold were putting on the Oratorios at Covent Garden this season.] Charges: #35 (Account Book)

Performances

Mainpiece Title: The Messiah

Music: Part I: Concerto on French Horn-Mr Ponta; End Part II: Concerto on Violin-Sga Lombardini Sirmen (Theatrical Review, 214)

Event Comment: Tickets to be had and places to be taken for boxes, of Mr Johnston, at the Stage Door of the Theatre, at Half a Guinea each. Pit 5s. Gallery 3s. 6d. Upper Gallery 2s. The doors to be open'd at Five o'clock. To Begin at Half Past Six. N.B. Those Ladies who had boxes last year, and intend to continue them the ensuing season, are humbly requested to give immediate notice to Mr Johnston that they may be secured to them

Performances

Mainpiece Title: Judas Maccabaeus

Music: End Part I: Concerto on Hautboy-Fischer; Part II: Violin Concerto-Mr Vashon

Event Comment: Benefit for Cooke. By Particular Desire. Tickets delivered for the Busy Body will be taken. [Account Book indicates Receipts: #26 1s. 6d. plus #53 14s. from tickets: (Box 61; Pit 165; Gallery 137). A staff of 22 servants, plus the women dressers and charwomen were paid #3 13s. 2d. for operating the theatre this night. The deficit carried into the summer after this night was #216 19s. 10d. This deficit plus summer expenses produced an encumbrance of #359 12s. 9d. to be met at the start of the 1761-62 season. Rich upon ten occasions withdrew under Account I from the treasury #2743. From this account he put back into the treasury upon three occasions (May 8, 31; June 23) #600. So over and above the #6 which the Rich family received daily in Account 76, Rich tucked away #2143 in Account I. In addition his carpentry bills to Mr Gom for work at Cowley were paid from theatrical funds. His cut from Account 76 at #5 per night was #810. So apparently Rich cleared #2953 this season despite the fact that it ran only 162 nights, and that George II's death occurred in a money-making part of the season.] Charges: #42 (Account Book)

Performances

Mainpiece Title: Othello

Afterpiece Title: The Upholsterer

Song: Between Acts: a Gentleman (who never appeared upon any Stage before)

Dance: HHornpipe-Mrs Blake(, from the theatre in Dublin)

Event Comment: To begin at 6:30 precisely. Boxes 3s. Pit 2s. Gallery 1s. The Proprietors have spared no expence in enlarging and beautifying the Theatre; and as they are determined to preserve the exactest punctuality in the time of beginning, and to make regularity and decorum their chief study, hope they shall render themselves deserving of that favourable encouragement they have before experienced. The House is illuminated with Wax. Subscription tickets may be had by applying to Bailey, at Mr Oldfield's. [Author of Prologue unknown.

Performances

Mainpiece Title: The Wonder A Woman Keeps A Secret

Performance Comment: . Don Felix-King; Colonel Briton-West; Frederick-Cooke; Don Lopez-Bowles; Don Pedro-Newton; Gibby-Bailey; Lissardo-Russell; Violante-Mrs Burden; Isabella-Mrs Lefevre; Flora-Mrs Russell; Inis-Mrs West.
Cast
Role: Don Pedro Actor: Newton

Afterpiece Title: The Lying Valet

Performance Comment: Gayless-Cooke; Beau Trippet-Bailey; Drunken Cook-Bowles; Justice Guttle-Newton; Sharp-Russell; Melissa-Mrs West; Mrs Trippet-Mrs Heard; Mrs Gadabout-Mrs Lefevre; Kitty Pry-Mrs Russell; With an occasional Prologuewritten by a Gentleman of Deptford-West.
Cast
Role: Justice Guttle Actor: Newton

Dance: End: Hornpipe-a Lady [from the Theatre Royal, Covent Garden unidentified]

Performances

Mainpiece Title: The False Count Or A New Way To Play An Old Game

Performances

Mainpiece Title: The Debauchee Or A New Way To Pay Old Debts

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music intirely New.-; Particularly several solos for the Violin-Mr Alexander Bitti newly arriv'd from Italy

Performance Comment: -; Particularly several solos for the Violin-Mr Alexander Bitti newly arriv'd from Italy.

Performances

Mainpiece Title: Alexanders Feast

Related Works
Related Work: Alexander's Feast; or, The Power of Musique Author(s): Newburgh Hamilton

Afterpiece Title: An Ode of Mr Drydens For St

Performance Comment: Cecilia's Day]. Deutsch, Handel, p. 490, lists Signora Francesino, Beard; [With two new Concertos for several Instruments-.

Performances

Mainpiece Title: Alexanders Feast

Related Works
Related Work: Alexander's Feast; or, The Power of Musique Author(s): Newburgh Hamilton

Afterpiece Title: An Ode of Mr Drydens

Performance Comment: See17391122, but two new Concertos for several Instruments-.

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Anatomist

Dance: II: New Comic Dance call'd The Savoyards-Matthews

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Devil to Pay

Dance: II: A Hornpipe-Mathews; IV: A New Dance-Sga Sabatini, as17541115

Performances

Mainpiece Title: Creusa

Afterpiece Title: The Devil to Pay

Dance: I: As17550203; V: The Last New Comic Dance-Sg and Sga Sabatini

Song: III: Rule Britannia, as17550402-Beard%; concluding with: Hornpipe-Mathews

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Miss in Her Teens

Dance: As17591012 End II: a New Comic Dance-Granier, Miss Hillard; Hornpipe-Miss Dawson

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Country House

Dance: CCountry Dance-Characters of the Opera; A Hornpipe-Miss Dawson; End II: A New Dance call'd The Shepherdess-Miss Wilford

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Polly Honeycombe With Alterations

Ballet: II: A New Comic Dance, call'd The May Day Frolic. Country Girl-Miss Dawson; Chimney Sweeper-Mr Baltazar

Dance: End: New Hornpipe-Miss Dawson

Song: IV: Miss Young

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: The Jubilee

Cast
Role: Singing Actor: New Dresses, Scenes

Performances

Mainpiece Title: The Resurrection

Music: End Part I: Concerto on French Horn, as17720306 End Part II: A New Concerto on Violin by Cirri-Sga Sirmen (Theatrical Review, p. 218)

Performances

Mainpiece Title: Abimelech

Music: End Part I: Solo on Violincello, as17720311 End II: New Concerto on Violin by Cirri, as17720320(Theatrical Review, p. 219)

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Deuce Is in Him

Dance: End: The Fingalian Dance with Double Hornpipe-Mas. Blurton, Miss Besford

Monologue: Preceded: New Occasional Prelude. The Principal characters-Dyer, Kniveton, Younger, Davis, Cushing, Wignell, Saunders, Fox, a Young Lady Miss Barsanti her first appearance on any stage