Event Comment: For the Authors. [See "David Garrick and the Clandestine Marriage," by Frederick L. Bergmann, PMLA (March, 1952), pp. 148-62, a study of Garrick's contribution on basis of the Folger Library MS.

Event Comment: [Comedy taken from Wycherly by Garrick, cleaned up to fit the times. Garrick took many pains in teaching Miss Reynolds, who was approved by the public in the character.] Paid salary list #434 15s.; Chorus singers, 2 nights #4 6s.; Rec'd stopages #3 7s.; Paid Atkins (figure dancer) not on list #1 7s. 6d. (Treasurer's Book). Receipts: #178 2s. 6d. (Treasurer's Book)

Event Comment: New Scenes, Dresses, Machinery and other Decorations. Book of the Entertainment to be had at 1s. 6d. at Theatre. A Dramatic Romance by David Garrick, Music composed by Michael Arne. Gave King's Footmen and Chairmen #4 4s.; Queen's ditto; Dukes of York and Gloucester ditto (Treasurer's Book). [A memorandum dated 22 August 1766 (Folger Library, Garrick Album, 520 MS, Cage) explains that Michael Arne was to compose the Music for Cymon, and as compensation shall be intitled to and receive one third part of the profits of the three first nights which the author shall take for his own Benefits." Zachariah Stephens was witness. See 15 Jan. 1767.] Receipts: #196 5s. 6d. (Treasurer's Book)

Event Comment: For the House. Mainpiece: By Particular Desire. [Sometime after May, and during 1770 was published Paul Hiffernan's Dramatic Genius in Five Books, dedicated to Garrick (with a 2nd edn., 1772). Book I, delineates a plan for a permanent Temple to be erected to the memory of Shakespeare, in classical taste; Book II, details the invention of the drama, its rise to perfection, and gives a "candid disquisition of the rules laid down by the critics"; Book III, a treatise on the art of acting; Book IV, requisites for dramatic genius, in composition, and in acting; Book V, an essay on Architecture, Painting and the other arts as they relate to theatrical representation. Contains flattering comments on theatrical managers.

Event Comment: Boxes 5s. Gallery 3s. Pit 2s. Upper Gallery 1s. Doors open at half past five. Play begin at half past six. [Repeated.] Before the Play a new Overture and New Occasional Prelude (Public Advertiser). The House has been quite alter'd since last Season and is now fitted up in the most elegant manner Possible by the Adam's etc. and is the most Compleat of any Theater in Europe. Great applause to the House before the Curtain. The Theatrical Candidates is wrote by D. G. Esq and was received with great Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording. In Judging the popularity of a play in terms of box receipts for this season one must be aware of the fact that the treasurer's account books here differ from those of the five preceding years in not recording the income from the tickets delivered out for benefit nights. Hence on those nights the stated income reflects only the money taken at the door the night of the performance, and does not indicate the larger amounts which the actors received for their tickets. Deficits to various actors listed on the following pages were all paid up, presumably from the ticket receipts. Each actor doubtless at least broke even on his benefit.] Ceiling rais'd 12 feet. Old side Boxes top and bottom remov'd. New passages to Boxes. Entrance Bridges St. Light pillars to support Boxes inlaid with plate glass on green and crimson ground. Old chandeliers remov'd. Gilt branches with two candles each on pillars. Four new chandeliers in front. No slit i Curtain. Adam architects. 4,000 guineas. Persons not employed in the night's amusement ordered not to come behind the scenes--performers by that means go cross stage (Winston MS 11, from Dr Burney's News Cuttings). Paid Renters #8; Supernumeraries and Drum #1 16s.; taylor's Bill #10 11s. 6d. (Treasurer's Book). [For the 188 acting nights of the season and for 11 Oratorio nights the Renters were paid a total of #1,692. The Supernumeraries were paid an average of #5 per night or #940 for the season. No further account of these items will be made. Full account of the new look given to Drury Lane by the Adam's brothers in the Westminster Magazine for Sept. along with an approving review of the Meeting of the Company.] From Lloyd's Evening Post, 25 Sept., "On the New Front of Drury Lane Theatre": @Garrick asham'd to poke his nose@Too sheepishly beneath the Rose:@And fearing, poor man, what were Worse,@His bashfulness might hurt his purse;@Resolves this year to push a front,@And put a better face upon't.@Not surely meaning to give o'er@His Art, and make no faces more.@Yet, fair as tis, I'd have him know@If tis the last he means to show.@This face will never make amends,@For turning tail upon his friends;@Who own, by general consent,@His face the best Stage ornament.@ (In Folger Library, David Garrick Verses, Prologues and Epilogues, MS, p. 86.) Receipts: #208 11s. (Treasurer's Book)

Event Comment: Mainpiece: Never acted here. [Mrs Armstead is identified in Morning Chronicle, 16 May. Prologue by George Colman elder (Collection...of English Prologues and Epilogues, II, 207).] Afterpiece: Not acted these 20 years. With a new Overture, the Original Prologue [by David Garrick], and a New Scene, in which will be introduced an air. With a Grand Jubilee-Pageant, in Honour of Gulliver. The Music, Dresses, Scenes, Trophies and Decorations entirely new. The Music composed by Dr Arnold. ["Lilliput was altered by Garrick (its author), and a procession of cards introduced in it, Gulliver walking as the Knave of Clubs" (Gilliland, I, 121-22). London Chronicle, 16 May, gives a synopsis of this pageant.] The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be taken at the Theatre. After this Evening the Entertainments of this Theatre will be discontinued till further Notice, on account of the Performers employed at Drury Lane Theatre [see 28 May]

Event Comment: Benefit Yates and Blakes. Garrick refus'd to act. Neale did Clodio (Winston MS., from Dyer MS.). [Marr doubles Don Manuel and Sancho]. Tickets for Marr will be taken

Event Comment: Mainpiece: never acted [a tragedy by Thomas Cooke]. Macklin's Reply to Garrick published

Event Comment: Benefit Garrick (Charges #60.) as author of the Farce (Account Books, Egerton 2268). Receipts: #194 4s

Event Comment: The Farce of Miss in Her Teens Anatomiz'd (Gentlemen's Magazine, Feb., pp. 71-72, from The Anatomist and News Regulator, 31 Jan.) [A critical analysis of the thin plot, thinner chcharacters, lack of moral, but excellent acting of Garrick, Woodward, and Mrs Pritchard, even in parts of nonsense, stupidity and bawdry. Deplores taste of the town which welcomed it for 18 nights.] Receipts: #187 14s. 6d

Event Comment: [Written by Garrick.] Mainpiece: At particular desire of several Ladies of Quality. Benefit Chapman. [Receipts: #63 7s. 6d., plus #76 8s.; charges #60.] Subscrib'd to the Hospital for Curing Smallpox #2 2s

Event Comment: Benefit for Master Mattocks and Mlle L'Contri. Paid Salary List #296 10s. 6d.; Mrs Hobson a bill 3s. (Treasurer's Book). [The George Garrick Treasurer's Book breaks off at this point. It records for 165 nights, a total income of #17,296 9s. as against a total outlay of #12,055 14s. 5d. Cross, who jots down receipts in round figures, and is almost always high, indicates the income from the 164th to the 174th and last night to be #1,446, but since all except one night (11 May) were benefits, the theatre probably received only about #800 (At #63 per benefit). Total income for this season is estimated to be, therefore, #18,096 9s. It is difficult to estimate end of season expenditures. At least #789 10s. 6d. went out in the three final pay days of the season and probably another #500 went out in bills before the books were closed at Midsummer. From this it appears that the profits to the managers that year came to about #4,600.] This day is Publish'd The Actor at 3s. In One Volume (dedicated to the Managers of the British Theatre. A treatise on the art of playing, interspersed with theatrical anecdotes, critical remarks on plays and occasional observations on audiences Printed for R. Griffiths (General Advertiser). Receipts: #120 (Cross). [Income missing from Treasurer's Book.

Event Comment: Receipts: #40 (Cross). [The Epilogue Occasioned by the Two Occasional Prologues published in the General Advertiser. Fifty-one lines ending: @"No more shall either rack his brains to teaze ye@But let the Contest be who most shall please ye." [In the form of a story, mocking Garrick and Berry]: "Once on a time two boys were throwing dirt@A gentle youth was one, and one was somewhat pert.@Each to his Master with his tale retreated,@Who gravely heard their different parts repeated,@How Tom was rude, and Jack poor lad ill treated."

Event Comment: Mainpiece: Not acted these 10 years [see 15 Oct. 1743]. Garrick-Osmyn, Pritchd-Zara; Almeria-Bellamy ($Cross). Receipts: #180 (Cross)

Event Comment: fterpiece] A farce of 3 Acts taken from Shaks Taming ye Shrew (by Garrick) call'd new Catharine & Petruchio (Cross). Mrs Pritchard's Benefit. Tickets of Mrs Pritchard at her lodgings at Pritchard's Warehouse, in Tavistock St. Part of pit laid into boxes. Amphitheatre on stage. Receipts: #298 (Cross)

Event Comment: Each of these 3 acts apiece, Alter'd by Garrick, from Shakespear-Applauded. Mrs Clive fell down in ye Farce, and accus'd Woodward wth doing it on purpose (Cross). [The Bill lists neither cast nor characters for either piece, but advertises them with proper music, songs, dances, and decorations. Beginning with 23 Jan. the Bill lists actors names. Casts here taken from the 1756 ed.] Receipts: #180 (Cross)

Event Comment: In a Few Days will be publish'd at 1s. (as it is perform'd at Drury Lane) The Winter's Tale: A Dramatic Pastoral in three acts, from Shakespeare. With proper Music, Songs,Dances, and Decoration. Printed for J. and R. Tonson. This Day publish'd The Winter's Tale, a Play alter'd form Shakespeare, by C. Marsh: @Think'st thou, the Swan of Avon spreads her Wings,@Her brooding wings, for thee alone, to plume@And nestle there, O Garrick? Thou deserv'st@Indeed much cherishing; thy Melody@Charms every ear. But sure it ill beseems@One Cygnet thus to stretch its little pinions,@Ambitiously intent, to fill that nest,@Whose roomy limits well may shelter numbers.@ Printed for C. Marsh, at Cicero's Head, in Round Court in the Strand. Receipts: #160 (Cross)

Event Comment: MMr Garrick's Benefit (Cross). Receipts: #212 (Cross)

Event Comment: MMr Garrick Richard. The Play dress'd in the habits of the times (Cross Diary)

Event Comment: Benefit For the Author. A Riot to demand the same [half-price after third act] agreed to (Cross Diary). [Advertised for Drury Lane that particulars will be published in a few days on the charge of innovation in prices which last night prevented the play being heard.] When Holland appeared for the Prologue-hiss'd. Garrick appeared and agreed to take half-price at the end of the third act to all performances except the first [Winter] of a New Pantomime (Winston MS 9)

Event Comment: GGarrick reported to be at [?] cg & that Powell & Holland had borrowed #25,000 at 5 0@0 interest to purchase Garrick's Share (Winston MS 9, from Burney news cuttings)

Event Comment: Published at 1s. 6d. by Garrick and Colman

Event Comment: [The Public Advertiser this day contains a long letter from G. F. Theatricus extolling the virtues of Powell, Holland, Yates and Mrs Yates as actors capable of filling the shoes of Garrick and Mrs Cibber, especially with reference to their performance in the Clandestine Marriage, but calling attention also to their excellencies in other parts.

Event Comment: Paid George Garrick on account #100; Chorus singers 2 nights, #5 1s. (Treasurer's Book). Receipts: #142 2s. 6d. (Treasurer's Book)