SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Bird"/1) | (@(roleclean,performerclean) "Mr Bird")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4241 matches on Event Comments, 1189 matches on Performance Comments, 572 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: At (alias Jubilee Dicky), Norris's, Chetwood's, Orfeur's, and Oates' Great Theatrical Booth, next Mr Bullock's in Bird-Cage Alley. An excellent new Droll, never acted before

Performances

Mainpiece Title: Merlin The British Enchanter; Or, The Child Has Found His Father

Song: Mrs Boman

Event Comment: At Mr Penkethman's Great Booth, above Bird-Cage Alley, over against St. George's Church

Performances

Mainpiece Title: Valentine And Orson

Song: Mrs Willis

Dance: Mrs Willis

Entertainment: Tumbling-

Event Comment: Benefit Ward and Mrs Haughton. By Mr Bullock's and Spiller's Company of Comedians At their great Theatrical Booth in Bird-Cage Alley. With all the Scenes, Machines, and other Decorations proper to the Play

Performances

Mainpiece Title: Oedipus, King Of Thebes

Dance: Haughton, Mrs Ogden, James, Mrs Haughton; End II: particulary Tollet's Grounds-Mrs Haughton, Mrs Ogden; End IV: French Peasant-; End V: Swedish Dale Karl-Haughton, Mrs Ogden

Event Comment: With New Music, Scenes, Dresses, and Decorations for the Afterpiece. This Farce is brought on the Stage by Mrs Abington--it is very dull--It is vastly well got up and was receiv'd with Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly, mentioning Bickerstaff as the author. Larpent MS 397 contains elaborate stage direction at opening: "An interior apartment in the Seraglio. An arch in the middle of the back scene, which is shut with a curtian. On the right hand toward the front is a sopha in the Turkish manner, low deep, and long, covered with carpets and cushions. A little gold table about eight inches high and a foot and a half square. Upon it a rich or gold saver set with jewels, with two cups on porcelain, and a spoon made of the beak of an Indian bird, which is redder than coral, extremely rare and of extensive price." This may have been intended for a reading audience. In the piece Mrs Abington, an English slave , rebels in the confines of the Seraglio, and start a reform movement wherein men are to please the women. Concludes with demostration of the nobility of English women who will not be enslaved, who will not flatter, who will preserve their liberty and dignity, and who are capable of returning love for honor and respect. Reviewed in Westminster Magazine for Dec.: "The Audience appeared to be divided in their opinion of the merit of the Sultan, some loudly applauding, and others as loudly condemning it, when the curtain dropped. The Majority however, stood firmly for it, and a verdict was returned in its favor. The managers not only well dressed this dramatic trifle, but bestowed three new scenes on it: The Outer Gate of the Seraglio--An Interior view of it--and a Garden terminating in a prospect of the sea. The first was but la! la! The last two were beautiful and picturesque. Five airs were introduced into this piece which had a very good effect....The music of the two first was the composition of Mr Dibdin, and was exceedingly pretty."] Receipts: #143 1s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Sultan; or, A Peep into the Seraglio

Event Comment: See Herbert, Dramatic Records, p. 116. This was the King's Company (under Killigrew), split off from the United Company. According to Downes (Roscius Anglicanus, p. 2) the roster included: Theophilus Bird, Hart, Mohun, Lacy, Burt, Cartwright, Clun, Baxter, Robert Shatterel, William Shatterrel, Duke [Marmaduke Watson], Hancock, Kynaston, Wintersel, Bateman, Blagden. (But see also Nicoll, Restoration Drama, p. 295.) According to the articles of agreement, 5 Nov. 1660 (Herbert, Dramatic Records, pp. 96-100), the Duke's Company (under Davenant) included Thomas Batterton, Thomas Sheppey, Robert Noakes, James Noakes, Thomas Lovell, John Moseley, Cave Underhill, Robert Turner, Thomas Lilleston

Performances

Mainpiece Title: Wit Without Money

Event Comment: In L. C. 5@139, p. 373, is a list of plays allowed to the Duke's Company: The Poetaster [by Ben Jonson]. Cupids Reuenge [by Francis Beaumont and John Fletcher. See 17 Aug. 1668]. Timon of Athens [by William Shakespeare]. Troyolus and Grisseida [by William Shakespeare]. Three parts of H. ye 6 [by William Shakespeare]. The honest mans fortune [by John Fletcher and others]. Woemen pleas'd [by John Fletcher]. Witt at Seuerall Weapons [by Francis Beaumont and John Fletcher]. The Woemen Hater or The hungry Courtier [by Francis Beaumont]. All fooles [by George Chapman]. Birons Conspiracy [by George Chapman]. Broken heart [by John Ford]. Bird in a Cage [by James Shirley]. Chabot Admirall of ffranse [by James Shirley, with George Chapman]. ffaithful Shepherd [possibly Guarini's Il Pastor Fido]. Herod and Antipater [by Gervase Markham with William Sampson]. Humor out of breath [by John Day]. Jealous Louers [by Thomas Randolph]. Loues Melancholy [Lover's Melancholy, by John Ford]. Muliasses the Turke [by John Mason]. Queene of Arragon [by William Habington]. Revenge of Bussy D'Ambois [by George Chapman]. Revenge for Honor [or The Parricide, by Henry Glapthorne]

Performances

Event Comment: Benefit Harper. At Bullock's Booth in Bird-Cage Alley

Performances

Mainpiece Title: The Jew Of Venice

Song:

Dance: Drunken Man-Harper

Event Comment: Benefit Leigh and Hall. Mainpiece: Written by Shakespear. Afterpiece: a new Farce, (never Acted before). At their Leigh-Hall? Great Booth in Bird-Cage Alley

Performances

Mainpiece Title: Henry The Fourth, Part I

Afterpiece Title: The Broken Stock-Jobbers; or, Work for the Bailiffs

Dance: Comical Drunken Man-Harper; Also the surprizing and diverting Entertainment of The Italian Shadows which gave such universal Satisfaction last season in the New Theatre-

Event Comment: At Hall-Leigh Great Theatrical Booth in Bird-Cage Alley. Mainpiece. an excellent Droll

Performances

Mainpiece Title: The True, Famous And Ancient History Of King Saul, And The Witch Of Endor; Containing The Death Of Gyant Goliath, The Friendship Of David And Jonathan, And The Defeat Of King Saul And His Host, By The Philistine Army; With The Comical Humours Of Dame Double-dabber, Weezel Her Son, And Corporal Bowling-pin

Song: Ray, Mrs Bowman

Dance: The best Masters

Event Comment: At Walker's Great Booth in Bird Cage Alley

Performances

Mainpiece Title: Valentine And Orson

Afterpiece Title: The School Boy; or, The Comical Rivals

Song: The Boy who performed last season at lif

Dance: Armstrong, Mrs Boman, Jones

Event Comment: Benefit Hall. At the Great Theatrical Booth in Bird-Cage Alley

Performances

Mainpiece Title: The Recruiting Officer

Song:

Dance:

Event Comment: Benefit Coe. At the Desire of several Gentlemen and Ladies. At the Great Booth in Bird-Cage-Alley

Performances

Mainpiece Title: Oroonoko

Song:

Dance:

Event Comment: At Penkethman's Great Booth, above Bird-Cage Alley, over against St. George's Church. Mainpiece: a celebrated Droll

Performances

Mainpiece Title: Jane Shore: With The Comical Humours Of Sir Anthony Noodle And His Man Waspe

Entertainment: Tumbling-. The Company which did so well at bf

Event Comment: Benefit Egleton and his Wife. At Penkethman's Great Booth near Bird-Cage Alley. At 6 p.m

Performances

Mainpiece Title: The Blind Beggar Of Bednal Green

Afterpiece Title: Hob

Entertainment: Tumbling-

Event Comment: At Oates-Fielding Booth in Bird-Cage Alley. [Announced also on 10, 11, 12, 14, 15, 16, 17, 18, 19, 21, 22, 23 Sept.

Performances

Mainpiece Title: The Generous Free-mason; Or, The Constant Lady

Dance: Smith, Young Clark, Miss Williams; particularly French Peasant, Black Joke-

Event Comment: By the Company of Comedians from the Hay-Market at the Great Theatrical Booth in Bird-Cage Alley

Performances

Mainpiece Title: Tom Thumb

Afterpiece Title: Harlequin's Contrivance; or, The Plague of a Wanton Wife

Song: Mrs Nokes

Performances

Mainpiece Title: Concert

Music: Consisting of several full Pieces of Vocal and Instrumental Musick by antient and modern Authors, viz. Edwardo Lupi, Paulo Pretti, Wm. Bird, Collonna, Stephani, Corelli, Purcel, Dr Pepusch-

Performance Comment: Edwardo Lupi, Paulo Pretti, Wm. Bird, Collonna, Stephani, Corelli, Purcel, Dr Pepusch-.
Event Comment: By Command of Their Majesties. [Public Advertiser, 18 Feb., refers to the Overture to Rodelinda, which opened the performance, and to Street Bird, sung by Miss Linley, accompanied on the organ by Stanley; Oft on a plat of rising ground by Miss Prudom; Hide me from day's garish eye by Miss Linley; Horn and Morn by Reinhold.] 2nd piece: Set to Music by Handel. Tickets to be had and Places for the Boxes to be taken of Fosbrook at the Stage Door of the Theatre, at half a guinea each. Pit 5s. 1st Gallery 3s. 6d. 2ndGallery 2s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]

Performances

Mainpiece Title: L'allegro Ii Penseroso

Afterpiece Title: The Choice of Hercules

Music: End of Part I of oratorio concerto on the violoncello by Crosdill; End of Part II concerto on the hautboy by Parke

Performances

Mainpiece Title: The Comedy Of Errors

Afterpiece Title: The Quaker

Dance: As17851112. vaudeville. End of Act II of mainpiece a Variety of Imitations of Birds by Meadows

Performance Comment: vaudeville. End of Act II of mainpiece a Variety of Imitations of Birds by Meadows .

Performances

Mainpiece Title: A Prelude

Afterpiece Title: Acis and Galatea; Triumph of Truth 0

Afterpiece Title: A Miscellaneous Concert

Performance Comment: Air on the Recovery of the King-, by Handel Reinhold; Concerto Bassoon-Parkinson; Sweet Bird-[L'Allegro] Mrs Ambrose; accompanied on the violin-Shaw; Sound an Alarm [Judas Maccabaeus]-Kelly; concerto hautboy-W. Parke; Se non avate O Dio![, by Sacchini-Mrs Crouch; Lungi del caro bene [Giulio Sabino, by Sarti-Mrs Ambrose; accompanied on the harp-Mme Krumpholtz; God save Great George our King-; 1st Violin-Shaw.
Cast
Role: Sweet Bird Actor:

Music: End I: serenata solo on harp-Mme Krumpholtz (2nd appearance in this Kingdom)

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Overture and Dead March (Saul)-; Funeral Anthem-Miss Cantelo, Saville, Harrison, Sale; Come ever smiling Liberty-Miss Dall (Judas Maccabaeus); Gentle Airs-Harrison (Athalia); Then round about-Chorus (Samson); Sweet Bird-Miss Mahon (L'Allegro); Search round the World-Harrison; May no rash Intruder-Chorus (Solomon); How blest the Maid-Miss Poole (Hercules); He was Eyes unto the Blind-Miss Cantelo (Siroe); Immortal Lord!-Double Chorus (Deborah).
Cast
Role: Sweet Bird Actor: Miss Mahon

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: L'allegro Ed Il Penseroso; Grand Selection 0

Afterpiece Title: L'Allegro ed il Penseroso 1

Performance Comment: PART I. First Grand Concerto-; Hence loathed Melancholy!-Harrison; Hence! vain deluding joys-Mrs Billington; Come thou goddess-Harrison; Come rather goddess-Mrs Billington; Haste thee nymph-Incledon, Chorus; Come and trip it-Mrs Piele, Chorus; Come pensive nun-Mrs Billingdon; Join with thee calm peace and quiet-Chorus; Mirth admit me of thy crew-Miss Poole; Sweet bird-Mrs Billington; Mirth admit me of thy crew [repeated]-Griffith; Oft on a plat of rising ground-Harrison; Or let the merry bells ring round-Mrs Billington; And young and old come forth to play-Chorus.
Cast
Role: Sweet bird Actor: Mrs Billington

Afterpiece Title: L'Allegro ed il Penseroso 2

Afterpiece Title: PART III

Performances

Mainpiece Title: L'allegro Ed Il Pensieroso 0

Afterpiece Title: L'Alegro ed il Pensieroso 1

Performance Comment: First Grand Concerto-; Hence! loathed melancholy-Harrison; Hence! vain deluding joys-Mrs Billington; Come thou Goddess fair and free-Harrison; Come rather Goddess sage and holy-Mrs Billington; Haste thee nymph-Page, Chorus; Come and trip it as you go-Mrs Addison, Chorus; Come pensive nun, Come but keep thy wonted state-Mrs Billington; Join with thee calm peace-Chorus; Mirth admit me of thy crew-Mrs Second; Sweet bird-Mrs Billington; accompanied on the violin-G. Ashley; Mirth admit me of thy crew [repeated]-Bartleman; Oft on a plat of rising ground-Harrison; Let me wander not unseen-Mrs Billington; And young and old-Chorus.
Cast
Role: Sweet bird Actor: Mrs Billington

Afterpiece Title: L'Allegro ed il Pensieroso

Afterpiece Title: Grand Miscellaneous Act

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: Rosina

Performance Comment: As17920228, but Sweet Bird-_.

Performances

Mainpiece Title: A Grand Selection 0, Composed By g

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Concerto bassoon-Parkinson; Is not the King most Mighty?, On the charmer fondly gazing-Miss Hagley [Arnold]; Fair Rosale-Master Welsh (Linley); I'll proclaim the wondrous story-Miss Hagley, Dignum (Esther); Sweet bird-Mrs Crouch (L'Allegro); Awake! the trumpet's lofty sound-Chorus (Samson); Con un moro orrendore strano-Morelli (Marcello); Worthy is the lamb-Chorus (The Messiah).
Cast
Role: Sweet bird Actor: Mrs Crouch