SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Augustus Smith"/1) | (@(roleclean,performerclean) "Mr Augustus Smith")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 4502 matches on Event Comments, 2928 matches on Performance Comments, 760 matches on Performance Title, 52 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Eliza

Music: I: By Particular Desire, a Concerto on the Violin-Mr Hay

Performances

Mainpiece Title: Coriolanus

Cast
Role: Coriolanus Actor: Smith

Afterpiece Title: The Knights

Dance: II: Prussian Sailors-Master Settree, Miss Twist (Scholars to Mr Settree); III: Comic Dance-Master Settree, Miss Twist; IV: Roast Beef of Old England or The Antigallican-Leppie, Miss Hilliard; V: A Grotesque Minuet-Leppie, Miss Hilliard

Performances

Mainpiece Title: Alls Well That Ends Well

Afterpiece Title: The Old Maid

Dance: LLa Petite Bergere-Miss Lalauze; a Hornpipe, 1st time-Miss Lalauze (Music by Dr Arne); A Ball Dance, call'd the Louvre, ending with a Minuet-a Young scholar of Mr Lalauze, Miss Lalauze. Being the last time of their appearing on the stage. These Dances By Particular Desire

Performances

Mainpiece Title: The Englishman Returnd From Paris

Afterpiece Title: The Mayor of Garratt

Dance: I: The Venetian Gardeners-Rogier, Miss Street; II: The Provincial Dance-Master Clayton, Miss Street (Apprentices to Mr Gerhardi)

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: The Musical Lady

Entertainment: II: King, as Mr Prattle, will (for this night only) open a Packet of News-King; End: King, by Desire" will repeat a Comic Paraphrase on the Seven Ages of Shakespear-King

Dance: III: A Hornpipe-Miss Baker; End Comic Paraphrase: The Irish Lilt, as17630922

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: The Vintner Tricked

Performance Comment: Mixum-Brownsmith; Mrs Mixum-Mrs Gardner; Vizard-Vandermere; Solomon Smack-Dancer.
Cast
Role: Mixum Actor: Brownsmith

Entertainment: IV: Tragical Imitations-Miss Rose (By Particular Desire); End of Play: Imitations of Mr and Mrs Cadwallader-Mas. Frank, Miss Rose; Between the Acts of the Farce: The Picture of a Playhouse; or, Bucks have at ye all-Death

Performances

Mainpiece Title: Samson

Music: First Violin-Mr Barthelemon; Concerto on Organ-Stanley; Solo on Violincello-Duport

Performances

Mainpiece Title: Tamerlane

Performance Comment: Tamerlane-a Young Gentleman, 1st appearance [Owenson]; Bajazet-Smith; Axalla-Hull; Dervise-Gardner; Moneses-Wroughton; Omar-Morris; Stratocles-Fox; Hali-Thompson; Prince of Tanais-R. Smith; Selima-Mrs Mattocks; Arpasia-Miss Miller; [The Original song To Thee, O gentle Sleep-DuBellamy; [The Usual Prologue-Wroughton.
Cast
Role: Bajazet Actor: Smith
Role: Prince of Tanais Actor: R. Smith

Afterpiece Title: The Author

Dance: End: A New Comic Dance, call'd The Jovial Gardners-Sga Manesiere, Miss Hamoir, Mr Drouville[, being his 1st appearance. [See17630312.

Performances

Mainpiece Title: Alls Well That Ends Well

Afterpiece Title: Thomasand Sally

Dance: End: A Comic Dance, The Italian Gardeners-Mr and Miss West (Late pupils of Sg Grimaldi) [their first appearance on this stage. [See dl 9 Dec. 1760.

Performances

Mainpiece Title: Judas Maccabaeus

Music: End Part I: Organ Concerto-Stanley; Part II: Violin Concerto-Barthelemon; After the Second Song in Part III: a Concerto on the Hautboy-Mr ThomasVincent (who has not performed in Public for several years)

Performances

Mainpiece Title: Concert

Afterpiece Title: Britains Happiness

Music: Singing in Italian and English-Mrs Tofts

Dance: As17040222

Performances

Mainpiece Title: Cato

Afterpiece Title: La Guinquette

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: La Guinquette

Dance: A new Italian Night Scene-Sorin, Baxter; La Caprice, as17160411

Performances

Mainpiece Title: The Northern Lass

Afterpiece Title: La Guinquette

Dance: As17160420

Performances

Mainpiece Title: The Funeral

Afterpiece Title: La Guinquette

Afterpiece Title: Dido and Aeneas

Performances

Mainpiece Title: The Royal Shepherd

Dance: TThe Faggot Binders, as17640301 Dance, as17640301

Performances

Mainpiece Title: The Royal Shepherd

Dance: TThe Faggot Binders, as17640301 Dance, as17640301

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: New Dance call'd The Sheep Shearers-Grimaldi, Miss Baker; II: The Faggot Binders, as17640224; End Opera: A Dance, as17640224

Performances

Mainpiece Title: The Royal Shepherd

Dance: The Sheep Shearers, as17640308 The Faggot Binders, as17640308 Dance, as17640308

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: The Sheep Shearers, as17640308 but _Grimaldi, Lauchery; II: The +Shepherdesses, as17640113; End Opera: A Dance, as17640301 but _Grimaldi, Tassoni

Event Comment: The Duke's Company. The date of the first performance is not certain, but it was probably this day. A letter dated 26 Jan. 1681@2 speaks of the preceding day's performance as the "poet's day," presumably the third day; it is likely, therefore, that the premiere fell on Monday, 23 Jan. 1681@2. The Prologue and Epilogue, were printed separately in 1682 and reprinted in Wiley, Rare Prologues and Epilogues, pp. 50-51. Luttrell's copy (Huntington Library) bears his acquisition date of 14 Feb. 1681@2. A note on the Library of Congress copy indicated that Smith spoke the Prologue. A song, Great Augustus like the glorious sun, with music by John Blow, is in A New Collection of Poems and Songs, 1683. Another, Now the Tones all must droop, sung by Bowman, is in the same collection, but without indication of the composer, and a third, Twa bonny lads were Sawney and Jockey, without singer or composer, is in the same collection

Performances

Mainpiece Title: The Royalist

Performance Comment: Edition of 1682: The Prologue-; Sir Charles Kinglove-Smith; Heartall-Williams; Broom-Bowman; Sir Oliver Oldcut-Lee; Sir Paul Eitherside-Jevan; Captain Jonas-Persival; Copyhold-Underhill; Slouch-Bright; Camilla-Mrs Betterton; Aurelia-Mrs Twyford; Philipa-Mrs Petty; The Epilogue-Mr Underhill.
Cast
Role: Sir Charles Kinglove Actor: Smith
Event Comment: Doors open at 5 o'clock. Play to begin at 6 o'clock. Prices: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places to be had of Mr Johnston at the Stage door. [Customary note, repeated.] Rec'd Mrs Groath's one year's rent to Xmas last #3; Paid Renters #8 (Treasurer's Book). This regular expenditure was made nightly for the 189 acting nights of the season, as well as for the 11 nights on which Oratorio's were given in the Spring. The total amount came to #1600. No further note will be made of this item this season. The Westminster Magazine this month, reiterated its doleful cry "that the stage is on its decline." In a long article on "Stage Effect, or Dramatic Cookery," it concluded that our "Theatrical managers and even our Theatrical Critics seem to have resolved all the merit of dramatic composition into stage trick, and rest their criterion of Dramatic Genius on the knowledge of what they are pleased to call Stage effect." The "Theatre" article for the month remarked upon the boldness of Garrick's opening with the Beggar's Opera, "notwithstanding he was requested by the Bench of Justices at Bow-Street, to suppress it, as they were of opinion it had done a great deal of mischief among the low class of people." Lloyd's Evening Post, 17 Sept., included extracts from letters against playing the Beggar's Opera, "because every performance makes from one two twenty thieves." Sir John Fielding and his associates had addressed a letter to Garrick requesting him not to perform the opera for the same reason. The Morning Chronicle, 23 Sept., praised Garrick for not complying with the Justices' request. Wm Augustus Miles published a Letter to Sir John Fielding occasioned by his extraordinary Request to Mr Garrick for the suppression of the Beggar's Opera (44 pp.). In this he vindicated the moral effect of the opera.] Receipts: #158 (Treasurer's Book). [Note: For perform ance at hay 18 and 20 September, see Season of 1772-1773, p. 1740

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Vernon; Peachum-Moody; Ben Budge-Ackman; Lockit-Bransby; Filch-Parsons; Beggar-Waldron; Player-Wheeler; Lucy-Mrs Wrighten; Mrs Peachum-Mrs Love; Diana Trapes-Mrs Bradshaw; Polly-Mrs Smith; In III, a Hornpipe-Atkins; To Conclude with a Country Dance-.
Cast
Role: Polly Actor: Mrs Smith

Afterpiece Title: High Life below Stairs

Dance: II: The Irish Fair-Atkins, Mrs Sutton

Event Comment: [This day Horace Walpole wrote as follows to George Montagu, forshadowing an event to take place on 27 July: "If you will stay with me a fortnight or three weeks, perhaps I may be able to carry you to a play of Mr Bentley's--you stare--but I am in earnest--nay, and de par le roy. In short, here is the history of it. You know the passion he always had for the Italian comedy. About two years ago he writ one, intending to get it offered to Rich--but without his name--he would have died to be supposed an author, and writing [I, 372] for gain. I kept this a most inviolable secret. Judge then of my surprise when about a fortnight or three weeks ago I found my Lord Melcomb reading this very Bentleiad in a circle at my Lady Hervey's. Cumberland had carried it to him, with a recommendatory copy of verses, containing more incense to the King and my Lord Bute, than the Magi brought in their portmanteaus to Jerusalem. The idols were propitious, and to do them justice, there is a great deal of wit in the piece, which is called The Wishes or Harlequin's Mouth Opened. A bank note of #200 was sent from the Treasury to the author, and the play ordered to be performed by the summer company. Foote was summoned to Lord Melcomb's, where Parnassus was composed of the peer himself, who, like Apollo as I am going to tell you, was dozing, the two Chief Justices and Lord Bute. Bubo read the play himself, with handkerchief and orange by his side. But the curious part is a prologue which I never saw. It represents the god of verse fast asleep by the side of Helicon. The race of modern bards try to wake him, but the more they repeat of their works, the louder he snores. At last "Ruin seize thee ruthless King" is heard, and the god starts from his trance. This is a good thought, but will offend the bards so much, that I think Dr Bentley's son will be abused at least as much as his father was. The prologue concludes with young Augustus, and how much he excels the ancient one, by the choice of his friend. Foote refused to act this prologue, and said it was too strong. 'Indeed,' said Augustus's friend, 'I think it is.' They have softened it a little, and I suppose it will be performed. You may depend upon the truth of all this; but what is much more credible, is that the comely young author appears every night in the Mall in a milkwhite coat with a blue cape, disclaims any benefit, and says he has done with the play now it is out of his own hands, and that Mrs Hannah Clio alias Bentley writ the best scenes in it. He is going to write a tragedy, and she, I suppose, is going--to court."--Horace Walpole's Correspondence with George Montagu. Ed. W. S. Lewis and Ralph S. Brown Jr (New Haven: Yale University Press, 1941), I, 372-73. [IX, 372-373.

Performances

Mainpiece Title: All In The Wrong

Dance: As17610616

Event Comment: Benefit for Bannister. This Benefit was given to Mr B. after the Season Clos'd on Account of Some trouble he was in (Hopkins Diary). Mainpiece: By Particular Desire. [June 2 by Treasurer's Book.] Profits to Bannister after all charges #106 6s. 5d. This month was publish'd Theatrical Portraits, epigrammatically delineated, &c. 4to. Price 1s. 6d. (Gentleman's Magazine Catalogue). Receipts: #210 6d. (Treasurer's Book). AFTER SEASON RECEIPTS AND EXPENDITURES (Treasurer's Book). Rec'd: 15 June: Mr Parsonage's (late Williams) Rent 1 yr to Lady day last with 4s. 10d. deducted, #43 10s.; Mr Harrison's Rent 1 yr to ditto with #7 17s. 6d. Land Tax deducted, #38 2s. 6d.; for candles, oil & lampmen on Theatrical Fund Night #3 18s. 6d. 18 June: From Public Advertiser this season #50; from Daily Gazetteer #50; from Mr Pope 1 yrs. rent to Lady Day last with #1 13s. land tax deducted, #28 7s. 23 June: From New Additional Sinking Fund #241 13s.; Patentees' Draft on Mr Clutterbuck #50; Music forfeits this season, Mr D. Richards included, #25 14s. 7d. 25 June: Their Majesties Account 8 nights #80, the Queen's Ladies 2 nights #6. 29 June: Mr Rowland's Rent 1 year to Lady Day last with #2 2s. land tax deducted #40 18s. 30 June: Mr Evans (wardrobe?) sundry forfeips this season #47 8s. Paid: 4 June: Tallow chandler's 9th & last Bill (#37 12s. 9d., but with a discount at 8 on #350 16s. amount of this season's Bills) #9 11s. 6d. Mr Page in full of #25 this season, #1 10s.; Rector & Watch Covent Garden parish 1 year to Lady Day last #1 8s. 4d. 10 June: Two Housekeeper's Bills #11 3s.; half yrs, paving &c. St Martin to Lady Day last #17 13s. 15 June: Messrs Barrow & Co., Oil, #191 14s. 6d.; Messrs Marshall & Co. (plumbers) #55 3s.; Mr Cropley (linen draper) #15 13s. 6d.; Mr Cole (turner) #12 15s.; Mr Dalmaine (embroiderer) #3 13s. 6d.; Mr Landall (Undertaker) #3 4s. Mr Hatsell (mercer) #37 7s.; Mr Carpue (silk dyer)#7 7s. 6d.; Mr Barrett (wax chandler) #27 1s. 6d.; Mrs Vaughan (haberdasher) #7 16s. 6d.; Messrs Sandys & Co. (colourmen) #72 6d.; Mr Carter (scowrer) #20 6s.; Messrs Hewetson & Co. (lacemen) #27 3s.; Mr Stephens (mason) #4 6s.; Mr Cubit (tinman) #12 4s. 6d.; Mr Hopkins & Co. (ironmongers) #10 18s.; Mr Powney (stationer) #4 7s. 16 June: Miss Berkley on note #5 5s.; half yrs rent to Duke of Bedford to Lady Day last #165 2d.; Loss on sale of 330 and 1!2 light Guineas, #17; Mr Pope's Bill for Wigs, &c. #14 2s.; Mr Pope for 69 nights extra dressing this season #6 18s.; Mr J. Johnston's Music Bill, #16 12s. 6d. 23 June: Lowe & Co. (glaziers) #4 7s. 6d.; Scott & Co. (lacemen) #17 11s.; Waller & Co. (hosiers) #7 10s.; Mrs Chitty (coals) #28 10s.; Bibb (sword cutler) #1 5s.; Gardner (shoemaker) #6; Thomson (smith) #23 7s.; Chettell (timber) #40 17s.; Ireland (upholsterer) #35 1s.; Blakes (hatter) #3 1s.; Palmer (spermacetti candles) #124; Dorman (coals) #27 15s.; Dorman for attending practices of dances this season, #10 10s.; A. Johnston's Bill for sundrys #47 11s.; Mrs Garwood (laundress) #12 15s. 29 June: Black Lyon Bills for Wardrobe, Carpenters & Surveyors Dinners #25 14s.; Mr J. French on Acct #9 10s. 30 June: One yrs paving &c. to Covent Garden Parish to Lady Day last #3; Hopkins' Prompter's Bills #30 17s.; Victor's gratuity #30., and extra salary 2 weeks #5; Evans in lieu of Benefit #42, and extra salary 2 weeks #3. Books closed 30 June 1774: @Total Receipts #33,075 1s. 11d.@Total Expense #30,153 15s. 10d.@Profits #2,921 6s. 1d. divided as follows:@To Patentees #1840@To Mr Clutterbuck #1,081 6s. 1d.@*c1774 06 02 dl Benefit for Bannister. This Benefit was given to Mr B. after the Season Clos'd on Account of Some trouble he was in (Hopkins Diary). Mainpiece: By Particular Desire. [June 2 by Treasurer's Book.] Profits to Bannister after all charges #106 6s. 5d. This month was publish'd Theatrical Portraits, epigrammatically delineated, &c. 4to. Price 1s. 6d. (Gentleman's Magazine Catalogue). Receipts: #210 6d. (Treasurer's Book). AFTER SEASON RECEIPTS AND EXPENDITURES (Treasurer's Book). Rec'd: 15 June: Mr Parsonage's (late Williams) Rent 1 yr to Lady day last with 4s. 10d. deducted, #43 10s.; Mr Harrison's Rent 1 yr to ditto with #7 17s. 6d. Land Tax deducted, #38 2s. 6d.; for candles, oil & lampmen on Theatrical Fund Night #3 18s. 6d. 18 June: From Public Advertiser this season #50; from Daily Gazetteer #50; from Mr Pope 1 yrs. rent to Lady Day last with #1 13s. land tax deducted, #28 7s. 23 June: From New Additional Sinking Fund #241 13s.; Patentees' Draft on Mr Clutterbuck #50; Music forfeits this season, Mr D. Richards included, #25 14s. 7d. 25 June: Their Majesties Account 8 nights #80, the Queen's Ladies 2 nights #6. 29 June: Mr Rowland's Rent 1 year to Lady Day last with #2 2s. land tax deducted #40 18s. 30 June: Mr Evans (wardrobe?) sundry forfeips this season #47 8s. Paid: 4 June: Tallow chandler's 9th & last Bill (#37 12s. 9d., but with a discount at 8 on #350 16s. amount of this season's Bills) #9 11s. 6d. Mr Page in full of #25 this season, #1 10s.; Rector & Watch Covent Garden parish 1 year to Lady Day last #1 8s. 4d. 10 June: Two Housekeeper's Bills #11 3s.; half yrs, paving &c. St Martin to Lady Day last #17 13s. 15 June: Messrs Barrow & Co., Oil, #191 14s. 6d.; Messrs Marshall & Co. (plumbers) #55 3s.; Mr Cropley (linen draper) #15 13s. 6d.; Mr Cole (turner) #12 15s.; Mr Dalmaine (embroiderer) #3 13s. 6d.; Mr Landall (Undertaker) #3 4s. Mr Hatsell (mercer) #37 7s.; Mr Carpue (silk dyer)#7 7s. 6d.; Mr Barrett (wax chandler) #27 1s. 6d.; Mrs Vaughan (haberdasher) #7 16s. 6d.; Messrs Sandys & Co. (colourmen) #72 6d.; Mr Carter (scowrer) #20 6s.; Messrs Hewetson & Co. (lacemen) #27 3s.; Mr Stephens (mason) #4 6s.; Mr Cubit (tinman) #12 4s. 6d.; Mr Hopkins & Co. (ironmongers) #10 18s.; Mr Powney (stationer) #4 7s. 16 June: Miss Berkley on note #5 5s.; half yrs rent to Duke of Bedford to Lady Day last #165 2d.; Loss on sale of 330 and 1!2 light Guineas, #17; Mr Pope's Bill for Wigs, &c. #14 2s.; Mr Pope for 69 nights extra dressing this season #6 18s.; Mr J. Johnston's Music Bill, #16 12s. 6d. 23 June: Lowe & Co. (glaziers) #4 7s. 6d.; Scott & Co. (lacemen) #17 11s.; Waller & Co. (hosiers) #7 10s.; Mrs Chitty (coals) #28 10s.; Bibb (sword cutler) #1 5s.; Gardner (shoemaker) #6; Thomson (smith) #23 7s.; Chettell (timber) #40 17s.; Ireland (upholsterer) #35 1s.; Blakes (hatter) #3 1s.; Palmer (spermacetti candles) #124; Dorman (coals) #27 15s.; Dorman for attending practices of dances this season, #10 10s.; A. Johnston's Bill for sundrys #47 11s.; Mrs Garwood (laundress) #12 15s. 29 June: Black Lyon Bills for Wardrobe, Carpenters & Surveyors Dinners #25 14s.; Mr J. French on Acct #9 10s. 30 June: One yrs paving &c. to Covent Garden Parish to Lady Day last #3; Hopkins' Prompter's Bills #30 17s.; Victor's gratuity #30., and extra salary 2 weeks #5; Evans in lieu of Benefit #42, and extra salary 2 weeks #3. Books closed 30 June 1774: @Total Receipts #33,075 1s. 11d.@Total Expense #30,153 15s. 10d.@Profits #2,921 6s. 1d. divided as follows:@To Patentees #1840@To Mr Clutterbuck #1,081 6s. 1d.

Performances

Mainpiece Title: Love In A Village

Performance Comment: Hawthorn-Bannister; Woodcock-Weston; Sir William, first time-J. Aickin; Young Meadows-DuBellamy; Eustace-Owenson; Rosetta-Mrs Smith; Hodge-King; Margery-Miss Pope; Lucinda-Mrs Scott; Deborah Woodcock-Mrs Love; [Mrs Smith and J. Aickin acted their parts for first time.] [In Act I, a Dance [incidental to the opera-.
Cast
Role: Rosetta Actor: Mrs Smith

Afterpiece Title: The Register Office

Dance: II: The Haymakers-Giorgi's Scholars; End Opera: Hornpipe-Master Burn

Entertainment: End Opera: Bannister's Imitations-Bannister

Event Comment: Benefit Woodward. Mainpiece: An Historical Play, never acted there before [see 20 March 1738]. At the Particular Desire of several Persons of Quality. As written by Shakespear. Containing the wars of Cymbeline with the Romansr, in the reign of Augustus Caesar; the various distresses and Adventures of Imogen the King's Daughter; the noble repulse the Romans met with, on their invading Britain; their defeat, and many other historical passages. Ladies are desired to send their servants early to prevent mistakes. To be Lett, and enter'd upon on Monday next, the 7th instant Commodious Places in the Front and Upper Boxes...for the excellent reviv'd play of Shakespear... For further Particulars enquire of Mr Woodward, at his house near the theatre [in advance bills]

Performances

Mainpiece Title: Cymbeline King Of Britain

Afterpiece Title: The Royal Chace

Dance: BBird Catchers-Cooke, Sga Campioni