The London Stage Database team will be retiring the Legacy Search on May 1, 2025. Please take a moment before that date to reproduce any pre-2021 searches and export any resulting datasets you may wish to preserve for future use. We are making this change in order to free up computational resources for new features and data, currently in development with support from the National Endowment for the Humanities. Watch this space for more updates and, coming soon, new ways to keep up with the latest project developments!
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr "/1) | (@(roleclean,performerclean) "Mr ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 4812 matches on Roles/Actors, 4224 matches on Event Comments, 1138 matches on Performance Comments, 528 matches on Performance Title, and 18 matches on Author.
Event Comment: MMr Woodward was taken ill, & Mr Yates his part of Lucio, & Mr Rooker did the Harl: (all well) a Disturbance was design'd by the officers occasion'd by a new Scene (which no Effect) about a Captain being in Leading strings, but we left it out & all was Quiet (Cross). Receipts: #80 (Cross)

Performances

Mainpiece Title: Measure For Measure

Performance Comment: As17570922, but Lucio-Yates.

Afterpiece Title: Harlequin Ranger

Performance Comment: As17571029, but Harlequin-Rooker; others-Beard.
Event Comment: Benefit for an Ancient Gentleman, and a Large Family under Misfortunes. Account Book: Benefit for Mr Coronell and Mr Bird. Ready money taken at the door, #65 2s. Income from tickets, #45 4s. (boxes 44; pit 118; gallery 165). Charges, #84

Performances

Mainpiece Title: The Earl Of Essex

Performance Comment: As17571003.

Afterpiece Title: Lethe

Performance Comment: As17571021.

Dance: JJovial Coopers, as17571107

Event Comment: [For Cross' comment, see dl.] Receipts: #203 8s. 6d. Paid Barry one third of the surplus of this night's receipt over and above #80 allow'd for the charges:-#41 2s. 10s. Paid Lambert (Scene Painter) 3 month's salary to 16 Nov. last:-#25 (Account Book). [Lee, who seems to have entered earlier on a percentage-of-Box-Receipts: basis for his salary, received only one-third of receipts above a house charge of #100.] The Tragedy of King Lear was presented on this stage; King Lear by Mr Barry, and Cordelia by Mrs Bellamy; The latter was received with universal satisfaction; but on the former's appearance, after a thundering Peal of Applause, a few misguided persons made it necessary for Mr Barry to inform the audience that it ever had been his study to contribute his utmost to the entertainment of the town, and that all reports of his having been exorbitant in his demands were injurious and totally groundless. Upon this he was desired with one general acclamation to proceed in the play. The disturbers of the public were ordered to be silent or to be turned out of the house; and this great actor proved, by the improvement he has made in this character, that excellent as he is, he is still capable of reaching new strokes of perfection; and in the conclusion of the play the applause he met with was the tribute of hearts gratefully agitated through the whole performance with a variety of passions thrown into a ferment by powers most wonderfully suited to tenderness and compassion (London Chronicle, 3-6 Dec.)

Performances

Mainpiece Title: King Lear And His Three Daughters

Performance Comment: Lear-Barry; Edgar-Ryan; Gloster-Ridout; Kent-Sparks; Bastard-Smith; Cornwall-Anderson; Albany-White; Burgundy-Bennet; Gentleman Usher-Shuter; Goneril-Mrs Stephens; Regan-Mrs Elmy; Cordelia-Mrs Bellamy.

Afterpiece Title: The Virgin Unmask'd

Performance Comment: Coupee-Shuter; Quaver-Lowe; Lucy-Mrs Green.

Dance: JJovial Coopers, as17571107

Event Comment: Receipts: #76 15s. 6d. Rec'd #27 12s. for the deficiency 21 Dec. Paid Barry his one third of the surplus above the #80 House Charges: #0. Paid Mrs Martha Bedwell, Mrs Creighton, Mr Bedwell and Mr Griffin their renter's interest, #24 12s. Gave King's Footmen and Chairmen #4 4s., the Prince of Wales's Footmen and Chairmen #2 2s., and the Princess of Wales's Footmen and Chairmen #2 2s. (Account Book)

Performances

Mainpiece Title: The Rival Queens

Performance Comment: As17571220.

Afterpiece Title: The Cheats of Scapin

Performance Comment: As17571101.

Dance: FFingalian Dance, as17571013

Event Comment: Receipts: #107 19s. [Additional Renters coming in at 1 share each were Frederick Hesse Esq and James Mann.] Paid Mr Blackmore a Bill for Sundrys for Dioclesian #104 14s. Paid Mr Bingner (Wigmaker) in full of Bill #13 13s. (Account Book)

Performances

Mainpiece Title: The Prophetess

Performance Comment: As17580201.
Event Comment: Benefit for Mrs Frasi. By Mr Handel. This is the only Opportunity the Public will have of hearing this favourite Oratorio, Mr Handel being determined not to perform it this Season. Tickets: Pit and Boxes Half Guinea. First Gallery 5s. Upper Gallery 3s. 6d. Galleries to be opened half an hour after four, Pit and Boxes at Five; to begin at half an hour after Six

Performances

Mainpiece Title: Samson

Music: Concerto on the Organ-Stanley

Event Comment: Account Book: Receipts: #224 10s. 6d. Paid Ridout 1!3 of the surplus above the House Charge of #80 (#48, 3s. 6d.). Paid Mr Finny in full of the New Building pursuant to an agreement, #131 8s. [Two New Renters came in for 1 share each: Mr Lacam and Mrs Lacam.] Paid out #25 14s. to shareholders of 43 new shares for the Oratorios: By Rent of New Shares for the Oratorios at 2 shillings per share @No. Shares No. Nights Interest@9 10 #9@1 9 #0 18s.@4 8 #3 4s.@1 7 #0 14s.@8 6 #4 16s.@1 5 #0 10s.@14 4 #5 12s.@1 3 #0 6s.@3 2 #0 12s.@1 1 #0 2s.@Total 43 58 #25 14s.

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17580214, but Romeo-Smith; Mercutio-Dyer.

Afterpiece Title: Harlequin Sorcerer

Performance Comment: See17570930.
Event Comment: Benefit for Mr Berry. Tickets of Berry at Mr Pope's Peruke Maker, Russel St., Covent Garden, and of Varney at the Stage Door, where, Places may be taken. Receipts: #200 (Cross)

Performances

Mainpiece Title: The Fatal Marriage

Performance Comment: As17571202.

Afterpiece Title: The Englishman in Paris

Performance Comment: As17570922.

Dance: IV: The Italian Peasants, as17571004

Event Comment: Benefit for Legg, Bennet, and White, Mr Barry's sudden indisposition rendering him incapable of performing, Mr Ross will do his part [i.e., Essex]

Performances

Mainpiece Title: The Earl Of Essex

Performance Comment: As17580116, but Lieutenant-White.

Afterpiece Title: Lethe

Performance Comment: As17580427 but Drunken Man-Bennet; Bowman-White.

Song: III, V: Legg

Dance: IV: Comic Ballet, as17580502

Event Comment: MMr Garrick did Marplot Mr Garrick spoke an Epilogue to the Busy Body & was greatly receiv'd, the Audience wou'd fain have had it repeated, but when I told 'em he was not well, the noise ceas'd. Mr Grimaldi [hurt?] in a Jump in the Swiss (Cross). Receipts: #210 (Cross); #204 10s. 6d. (Winston MS 8)

Performances

Mainpiece Title: The Busy Body

Performance Comment: Marplot-Garrick, Sir George-Palmer; Sir Francis-Yates; Sir Jealous-Berry; Charles-Havard; Whisper-Vaughan; Scentwell-Mrs Bradshaw; Isabinda-Mrs Davies; Patch-Mrs Clive, 1st time; Miranda-Miss Macklin.

Afterpiece Title: The Anatomist

Performance Comment: As17580916.

Dance: TThe Swiss, as17581102

Event Comment: MMr Foote advertis'd the Author, with Alterations for his farce, but Mr Apreece obtain'd an order from ye Ld Chamberlain to stop it. Benefit for Mr Foote (Cross). Foote advertised that he would deliver [an apology] that night at Drury Lane at his benefit there against any imputation against him on account of the Author being prohibited (Winston MS 8). Advertised Diversions of the Morning for positively the last time (playbill). Receipts: #220 (Cross); Charges #63 (Winston MS 8)

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock-Foote (1st time); Gratiano-Palmer; Portia-Mrs Clive; Antonio-Davies; Bassanio-Havard; Lorenzo (with songs in character)-Beard; Jessica-Miss Hippisley; Nerissa-Mrs Bennett; Launcelot-Vaughan; Duke-Bransby.

Afterpiece Title: The Diversions of the Morning

Performance Comment: As17581017, but Parts-_Ackman, _Vaughan, _Taswell, _Perry.

Dance: III: The German Hunters, as17580916; IV: Spanish Dance, as17581014

Event Comment: An additional Scene by Mr Massy and Mr Skeggs

Performances

Mainpiece Title: Caligantus

Performance Comment: By a real Giant.
Event Comment: TThe Provok'd Wife was in the Bills for this Night, but Mr Garrick finding himself ill in ye Morning Fresh bills for Ye Mercht were posted at one o'Clock-two or three hiss'd when the play began, but Mr Havard told 'em ye reason of the Change & all was over (Cross). Receipts: #185 15s. (Winston MS 8)

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: As17581218, but Shylock-Yates (Hogan).

Afterpiece Title: Fortunatus

Performance Comment: As17590106.

Song: IV: Miss Young

Dance: III: The German Hunters, as17580916

Event Comment: Benefit for the Use of the Marine Society. Towards collecting clothing and equipping the distressed (both men and boys) who are inclined to serve in the Navy. Boxes 10s. 6d. Pit 5s. First Gallery 3s. Upper Gallery 2s. Tickets to be had of Mr John Stephens, Secretary to the society, in Princes St., near the Bank; Batson's Coffee House, Cornhill; and of Mr Varney at the Stage Door, where Places may be taken. As this is the Entertainment exhibited this season for this most beneficial undertaking, by which so many distressed Persons as well as Vagabonds have been preserved and rendered useful in the highest degree, it is hoped the polite, the brave and humane, of both sexes, will shew their approbation of this design, by interesting themselves in the promotion of it

Performances

Mainpiece Title: Alfred The Great

Music: I: Concerto on Violin-Pinto; II: Concerto on Hautboy-Vincent; Concerto on Organ-Arne Jr

Event Comment: Benefit for Berry, who having been confined for some time past by a severe Illness, humbly hopes those Gentlemen and Ladies, who intend to favor him at his Benefit, will send for Tickets to his Lodgings at Mr Pope's, a Peruke Maker in Russel St., Covent Garden; the Star Tavern, in Coleman St.; or to Mr Varney at the Stage door where Places for the Boxes may be taken. Receipts: #130 (Cross); #104 8s. 6d. (Winston MS8)

Performances

Mainpiece Title: The Tempest

Performance Comment: As17581227.

Afterpiece Title: Fortunatus

Performance Comment: As17590106.
Event Comment: Benefit for Mr Hough, late Student of the Temple. Mr Hough, having been bred to the law, takes this liberty to recommend himself to the favour and protection of the several Members thereof, trusting that their Smiles of Friendship will crown his Wishes with Success. No Building on Stage

Performances

Mainpiece Title: The Siege Of Damascus

Performance Comment: As17590213.

Afterpiece Title: The Cheats of Scapin

Performance Comment: As17580920, but After the Farce, an Epilogue-Shuter riding on an Ass.

Song: II: (By Particualr Desire) a Song-Miss Brent; IV: Nymphs and Shepherds in the Oratorio Alfred-Miss Brent

Dance: V: The Milkmaid's Holiday, as17590421

Event Comment: Benefit for Wilkinson. Receipts: #130 [Cross); charges #63 (Winston MS 8)

Performances

Mainpiece Title: Othello

Performance Comment: Othello-Wilkinson; Duke-Bransby; Brabantio-Burton; Roderigo-Yates; Cassio-Palmer; Lodovico-Blakes; Iago-Havard; Emilia-Mrs Bennet; Desdemona-Mrs Davies, 1st time.

Afterpiece Title: The Diversions of the Morning

Performance Comment: See17581218, but for the only time, by desire of several persons of Quality, Mr Foote's Characters of Lady Pentweazle, and Mrs Puzzle, the Instructor, with Additions by Mr Wilkinson, (in the manner of the Original) in which he will introduce a Mock Italian Burletta-; Carmine-Mrs Packer; Ald Pentweazle-Philips; Caleb-Ackman; Manly-Burton; Crambo-Perry; Freelove-Holland.

Dance: NNew Grand Dance, as17590509

Event Comment: Benefit for Morris, Gray, West, Mortimer, and Cape. Tickets deliver'd out by Mr Page and Mr Roberts will be taken. Receipts: #180 (Cross)

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: As17590507, but Peachump-Yates; Filch-West; Lucy-Eliz. Young; Diana Trapes-Mrs Havard; Hornpipe-Morris.

Afterpiece Title: The Lying Valet

Performance Comment: As17590306.
Event Comment: Admission: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places for Boxes to taken of Mr Sarjant at the Stage Door of the Theatre. Play to begin exactly at o'clock. [This information, appearing at the foot of each bill, will not be repeatdd hereafter, except for significant differences.] Receipts: #111 5s. Deficit brought over from last season accounts, Journal T. Folio, 182, #164 0s. 6d. Paid Mr Lambert 3 month's salary to 15 Aug. last #25 (Covent Garden Cash Book). [Goldsmith's Bee (1759, p. 9) remarks on the better business used by Lovegold in the French theatre than used at cg: "Lovegold [in France] in the height of his passion stops to pick up a pin, quilting it in his coat, and snuffs out an extra candle." Implies that such subconscious revelations of the character of the miser might well be used by the English.

Performances

Mainpiece Title: The Miser

Performance Comment: Miser-Shuter; Frederick-Clarke; Clerimont-Ridout; James-Collins; Decoy-Marten; Ramilie-Dyer; Lappet-Mrs Green; Mrs Wisely-Mrs Copin; Wheedle-Miss Ferguson; Harriet-Mrs Vincent; Mariana-Mrs Hamilton.

Afterpiece Title: The Devil to Pay

Performance Comment: Sir John Loverule-Lowe; Jobson-Dunstall; Lady Loverule-Mrs Pitt; Nell-Mrs Green.
Event Comment: Receipts: #59 14s. Paid Dall [Scene painter] on acct of his salary, #1 10s.; Paid Austin [Dall's assistant] six days salary 12s.; Paid Besford (porter) a week's salary 12s.; Paid Mr Warring in full for assisting to examine Mr White's acct #10 10s. [Dall and Austin received the amounts recorded here each week. No further records of these payments will be made except for special variations.

Performances

Mainpiece Title: The Constant Couple; Or, A Trip To The Jubilee

Performance Comment: Sir Harry-Smith; Standard-Sparks; Beau Clincher-Shuter; Vizard-Ridout; Smuggler-Collins; Young Clincher-Bennet; Dicky-Costollo; Constable-Marten; Tom-Perry; Angelica-Mrs Dyer; Lady Darling-Mrs Copin; Parley-Mrs Green; Lady Lurewell-Mrs Hamilton.

Afterpiece Title: A Duke and no Duke

Performance Comment: Duke-Perry; Trappolin-Shuter.
Event Comment: MMiss Pope in Corrinna (fine) Mr Wilkinson, Mrs Amlet (sad) (Cross). Mainpiece: Not acted in 8 years [but see 3 Jan. 1753]. My mother and I were at Drury Lane to see The Confederacy and Harlequin Ranger, Mrs King, Watson and Miss Pitt sat in our Box, a new actress did Corrinne to perfection, see Schutz Jr, Mr Schutz, Dives and Pigot there (Hailey, 'The Brietzcke Diary," p. 360). Receipts: #100 (Cross)

Performances

Mainpiece Title: The Confederacy

Performance Comment: Brass-King; Dick-Palmer; Moneytrap-Yates; Gripe-Phillips; Clarissa-Mrs Pritchard; Flippanta-Mrs Clive; Corinna-a Young Gentlewoman1st time; Mrs Amlet-attempted byWilkinson; Clip-Ackman; Jessamin-Vaughan; Araminta-Mrs Davies; Mrs Cloggit-Mrs Cross.

Afterpiece Title: Harlequin Ranger

Performance Comment: As17591009.
Event Comment: Receipts: #115 9s. Paid Blackmore for the following Cloaths: A Blue velvet Coat & Breeches, with white sattin waistcoat emb. with gold, #18; a Light cloath coat & waistcoat (yellow) emb. with silver #12; A Blue & Silver stuff suit, #8; a crimson velt suit #6; a black velvet suit #4 10s.; a scarlet cloath suit trimm'd with black, #1 10s.; Paid into the hands of Mr Forrest [attorney] by John Rich #200. Mr Austin advanc'd 6d. each acting night form 29 Oct. for snuffing the candles

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: As17591107.

Afterpiece Title: Miss in Her Teens

Performance Comment: As17591030.

Dance: As17591012 End II: a New Comic Dance-Granier, Miss Hillard; Hornpipe-Miss Dawson

Event Comment: This was Mr Macklin's Night, as Author of the Farce (Cross). Amphitheatre on stage (Winston MS 8). A full house to Mr Macklin's Benefit & his new Farce of Love a la Mode (Hailey, Brietzcke Diary, Vol. 197, p. 69). Receipts: #304 15s. (Cross)

Performances

Mainpiece Title: The Refusal

Performance Comment: As17591219.

Afterpiece Title: Love a-la-Mode

Performance Comment: As17591212.
Event Comment: Receipts: #142 4s. Paid Kemp for 5 nights #8; Mr Dall at work upon scenes of Oratorios, for which his salary is stopp'd from 28 Jan. 60; Paid Meares 6s.; Heaford (plaisterer) #78 10s.; Pearce (bricklayer) #79 18s.; Martin (wardrobe keeper) on acct of his salary #5. [I] was in both the Galleries both before and after the plays, met Mr Ware going into Covent Garden Gallery who said his sisters were there but I did see them (Hailey, "Brietzcke Diary," Vol. 197, p.71)

Performances

Mainpiece Title: Comus

Performance Comment: As17600119.
Event Comment: Benefit for Beard. Mainpiece: By Particular Desire; Last time of performing it this season. Afterpiece: Not acted these two years. Pit and Boxes laid together at 5s. First Gallery 2s. Upper Gallery 1s. Stage 5s. Those who have places either in the Boxes or the Pit are requested to come thro the Box-Lobby, as at an Oratorio; and to send their servants to keep places by 3 o'clock. Tickets to be had of Mr Beard, at his house next Old Slaughter's, St Martin's Lane; and of Mr Sarjant at the Stage Door where places for the Boxes may be taken. Receipts: #129 1s. plus #246 from tickets (Boxes and Pit 984). Total income #375 1s. Charges #63. [Beard found his own wax candles]

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: As17600221.

Afterpiece Title: The Country House

Performance Comment: Bernard-Marten; Le Noble-Clarke; Baron-Holtom; Lucca-Dunstall; Marquis-Dyer; Janno-Shuter; Mad Bernard-Mrs Vincent; Clariana-Mrs Baker; Le Jupe-Mrs Pitt; Maukin-Mrs Green.

Dance: CCountry Dance-Characters of the Opera; A Hornpipe-Miss Dawson; End II: A New Dance call'd The Shepherdess-Miss Wilford