Event Comment: Tickets to be had, and Places for the Boxes to be taken of Fosbrook, at the Stage Door of the Theatre. Books of the Performance to be had at the Theatre. Boxes 10s. 6d. Pit 5s. 1st Gallery 3s. 6d. 2nd Gallery 2s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]

Event Comment: Benefit for Mme Mara. Public Advertiser, 2 May: Tickets to be had of Mme Mara, No. 64, Pall-Mall. Receipts: #149 17s. 6d. (73.10.0; 9.2.6; 1.5.0; tickets: 66.0.0) (charge: free)

Event Comment: Benefit for Pacchierotti. Tickets to be had of Pacchierotti, No. 17, Duke-street, Manchester-square. A new Grand Serious Opera (1st time [i.e. in 2 acts; originally performed in 3 acts at Milan, 1778, and at king's, 22 Jan. 1780]); the music by Bertoni. [World announces the ballets for this night as La Fille Mal Gardee and Le Siege de Cythere.

Event Comment: Benefit for Mme Mara. Morning Chronicle, 4 June; Tickets to be had of Mme Mara, No. 25, Queen Anne-street, East. Receipts: #233 5s. 6d. (170.5.6; 56.9.0; 6.11.0; tickets: none listed) (charge: #161 10s.)

Event Comment: Afterpiece: 39th [recte 40th] time [i.e. in continuation of the reckoning for the previous season, when it had been acted 39 times]. The Ballet composed by Byrn. The Music composed, and the Ancient Scots Music selected and adapted, by Shield. The Overture by Reeve. Receipts: #323 3s

Event Comment: A new Grand Serious Opera. With Grand Chorusses, new Dresses, Scenery and Decorations. The Music composed by Paisiello. Under the direction of Pederici. [Bruni was from the Opera, Milan.

Event Comment: Among the Instrumental Performers are C. Ashley, Patria, Sarjant, Mahon, Boyce, Mountain, Lavenu, Simpson, Gwilliam, Purney, Munro, Leander, Kaye, Sharp, Wood, &c. &c. Double Drums, Bass Trumpets, &c. The whole under the Direction of Ashley. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. No Money to be returned. Places to be had of Brandon at the Box-Office in Hart-Street. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]. Books of the Performance, 6d. each, may be had at the Theatre. The Director's Books have these words at the bottom of each Title Page: "Printed by H. Macleish, Recorder Office, Duke's-court, Drury-lane.

Event Comment: A new Serious Opera; the Music by Andreozzi, [with additions by] Cimarosa, Federici and Sarti. Under the Direction of Federici. With new Dresses, Scenery and Decorations

Event Comment: A New Serious Opera [1st time; SER 2, by Teresa Bandettino]; the Music [a pasticcio] by Sarti, Giardanello [i.e. G. Giordani], Tarchi and Federici. Under the direction of Federici. With new Dresses, Scenes, &c. [In 2nd ballet the playbill retains Nivelon as Achilles , but "Favre Gardel took the part of Achilles, vice Nivelon' (Diary, 12 June).

Event Comment: Afterpiece: Taken from Ossian. Ballet composed by Byrn. The Music composed, and the Ancient Scots Music selected and adapted by Shield. The Overture by Reeve. Receipts: #267 3s. (259.17; 7.6)

Event Comment: A Serious Opera, the music by Bianchi, under whose direction this Opera is now revived, and the Chorusses under Dr Arnold. ["A little miscreant Italian cabal, who have endeavoured to derange the performances at this Theatre, attempted to hiss Kelly, who had generously come from Drury Lane Theatre that the serious Opera might not be interrupted. The liberal feelings of the English subscribers overpowered the noise, and Kelly received the applause which his spirit deserved" (Morning Chronicle, 9 Feb.).

Event Comment: A New Opera (1st time [in London; 1st performed at Venice, 1792]), accompanied with Chorusses; the music entirely new, composed [i.e. revised] here by Bianchi. With entirely new Scenes, designed by Hamilton and executed by Walmsley, Dresses and Decorations

Event Comment: Afterpiece [1st time; MD 2, by William Pearce. The Masque was produced in honor of the marriage of the Prince of Wales and Princess Caroline of Brunswick, 8 April 1795]: The Overture composed expressly for the Occasion by Haydn, as is the rest of the Music by Salomon [and see 9 Apr.]. The Scenery, Machinery, Decorations and Dresses are entirely New, and Designed by Noverre, except St. George's Hall, painted by the late Signor Cipriani. The Scenery executed by Hodgins, Walmsley, Phillips, Lupino, Hollogan, and many Assistants. The Machinery and Decorations by Sloper. Goosetree and Martinelli. The Dresses by Lupino, Dick and Mrs Egan. Books of the Songs to be had at the Theatre. "On the 10th [of April] I was at the Covent Garden Theatre-to see the big Spectacul [sic]-Windsor Castle, the music by Salomon quite passable. The decorations-costumes-scenery, and the enormous amount of people on the stage are exaggerated. All the Gods of Heaven and Hell, and everything that lives on the earth are in the piece" (Haydn, 299). Morning Chronicle, 7 May 1795: This Day is published Windsor Castle (1s. 6d.). Receipts: #266 8s. 6d. (250.12.6; 15.16.0)

Event Comment: A New Heroic Opera [1st performed at Fontainbleau, 1773], in 3 acts, with Chorusses under the direction of Kelly. The Subscribers and the Public are respectfully entreated to observe that, at the pressing desire of the Subscribers, this Theatre will now be opened, without waiting for the arrival of the Performers expected from abroad; consequently the Entertainments cannot be expected to be so complete as otherwise they would have been if the opening had been delayed until the arrival of all the Company. Pit 10s. 6d. Gallery 5s. The Upper Boxes to be taken by the season or by the night. The Doors to be opened at 6:30. To begin exactly at 7:30 [see 7 June 1796]

Event Comment: A Serious Opera (1st time at this Theatre [1st performed at Venice, 1783]); the Music by Bianchi. "The splendour of the Opera this year in point of crowd and fashion surpasses every thing within our memory. It used to be only full on the Saturday evening...Mlle Parisot, a new dancer from Paris, is a most beautiful figure, about 18 years of age...Her balance is postively magical, for her person was almost horizontal while turning as on a pivot on her toe" (Morning Chronicle, 10 Feb.). "[Mlle Parisot's] acting proves what art may effect by beautiful simplicity. She never makes use of those tours de force with which the best female dancers at Paris still endeavour to shine. Every step of Mlle Parisot is marked by the greatest truth and dignity of nature. Every one of her movements is expressive, spirited and harmonious" (Goede, pp. 264-65)