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06 March 1793

Event Information
Theatre: Covent Garden
Theatrical Season: 1792-1793
Volume: 5
Comments:
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  • Original Data

    Source: London Stage Information Bank

    *p cg A Grand Selection 0 [of Music%. As 15 Feb. *aGrand Selection 1. Overture-(<i>Occasional Oratorio</i>); <i>Shall I in Mamre's fertile plain</i>-Bartleman; <i>For all these mercies</i>-Chorus (<i>Joshua</i>); <i>Thou shalt bring them in</i>-Miss Sharp (<i>Israel in Egypt</i>); <i>O filial piety</i>, <i>No cruel father</i>-Kelly (<i>Saul</i>); <i>When his loud voice</i>-Chorus (<i>Jephtha</i>); <i>Lord what is man</i>-Mrs Crouch (<i>Semele</i>); <i>Total eclipse</i>-Incledon; <i>O first created beam</i>-Chorus (<i>Samson</i>); <i>Lord remember David</i>-MmeMara (<i>Sosarme</i>); <i>Fix'd in his everlasting seat</i>-Chorus (<i>Samson</i>). *aGrand Selection 2. Fifth Grand Concerto-; <i>Pleasure my former ways resigning</i>-Kelly (<i>Time and Truth</i>); <i>Tyrants would</i>-Mme Mara; <i>Tyrants ye in vain</i>-Chorus (<i>Athalia</i>); <i>Wise men flattering</i>-Mrs Crouch (<i>Judas Maccabaeus</i>); <i>It must be so</i>, <i>Pour forth no more</i>-Bartleman; <i>No more to Ammon's God</i>-Chorus (<i>Jephtha</i>); <i>O worse than death</i>, <i>Angels ever bright and fair</i>-Mme Mara (<i>Theodora</i>); <i>O God who in thy heavenly hand</i>-Chorus [<i>Joseph</i>]. *aGrand Selection 3. <i>Ye sons of Israel</i>-Chorus (<i>Joshua</i>); <i>The Captive King</i>-Incledon, Chorus (The Words by $Dr Wolcot=); <i>Honor and arms</i>-Reynolds (<i>Samson</i>); <i>See the conquering hero comes</i>-Chorus (<i>Judas Maccabaeus</i>); <i>Together let us range</i>-Mrs Crouch, Kelly (<i>Solomon</i>, by $Boyce=); <i>Then round about</i>-Chorus (<i>Samson</i>); <i>Mad Bess</i>-Mme Mara ($Purcell=); <i>Gird on thy sword</i>-Grand Chorus (<i>Saul</i>); <i>God save Great our King</i>, <i>To Arms</i>, <i>Britons strike home</i>-Chorus ($Purcell=). *sIn Part III: <i>Captivity</i>-Mrs Crouch [, as 20 Feb%. *mEnd Part I: <i>concerto</i> on the violoncello-C. Ashley.
  • Cleaned Data

    *p1793 03 06 cg A Grand Selection 0 of Music. ^As17930215^.*a1793 03 06 cg Grand Selection 1. Overture-(<i>Occasional Oratorio</i>); <i>Shall I in Mamre's fertile plain</i>-Bartleman; <i>For all these mercies</i>-Chorus (<i>Joshua</i>); <i>Thou shalt bring them in</i>-Miss Sharp (<i>Israel in Egypt</i>); <i>O filial piety</i>, <i>No cruel father</i>-Kelly (<i>Saul</i>); <i>When his loud voice</i>-Chorus (<i>Jephtha</i>); <i>Lord what is man</i>-Mrs Crouch (<i>Semele</i>); <i>Total eclipse</i>-Incledon; <i>O first created beam</i>-Chorus (<i>Samson</i>); <i>Lord remember David</i>-Mme Mara (<i>Sosarme</i>); <i>Fix'd in his everlasting seat</i>-Chorus (<i>Samson</i>).*a1793 03 06 cg Grand Selection 2. Fifth Grand Concerto-; <i>Pleasure my former ways resigning</i>-Kelly (<i>Time and Truth</i>); <i>Tyrants would</i>-Mme Mara; <i>Tyrants ye in vain</i>-Chorus (<i>Athalia</i>); <i>Wise men flattering</i>-Mrs Crouch (<i>Judas Maccabaeus</i>); <i>It must be so</i>, <i>Pour forth no more</i>-Bartleman; <i>No more to Ammon's God</i>-Chorus (<i>Jephtha</i>); <i>O worse than death</i>, <i>Angels ever bright and fair</i>-Mme Mara (<i>Theodora</i>); <i>O God who in thy heavenly hand</i>-Chorus [<i>Joseph</i>].*a1793 03 06 cg Grand Selection 3. <i>Ye sons of Israel</i>-Chorus (<i>Joshua</i>); <i>The Captive King</i>-Incledon, Chorus (The Words by $Dr Wolcot=); <i>Honor and arms</i>-Reynolds (<i>Samson</i>); <i>See the conquering hero comes</i>-Chorus (<i>Judas Maccabaeus</i>); <i>Together let us range</i>-Mrs Crouch, Kelly (<i>Solomon</i>, by $Boyce=); <i>Then round about</i>-Chorus (<i>Samson</i>); <i>Mad Bess</i>-Mme Mara ($Purcell=); <i>Gird on thy sword</i>-Grand Chorus (<i>Saul</i>); <i>God save Great our King</i>, <i>To Arms</i>, <i>Britons strike home</i>-Chorus ($Purcell=).*s1793 03 06 cg In Part III: <i>Captivity</i>-Mrs Crouch [, ^as17930220^.*m1793 03 06 cg End Part I: <i>concerto</i> on the violoncello-C. Ashley.
  • Parsed Data

    Event: 48269 | 17930306 | cg
    Performance: 106086 | 48269 | p | A Grand Selection 0 Of Music | As17930215.
    AsSeeDate: 106086 | cg | p | As | 17930215
    Cast:
    677500 | 106086 | Principal Vocal Parts | Incledon, Bartleman, Reynolds
    677501 | 106086 | Leader of the Band | G. Ashley
    677502 | 106086 | Organ | J. Ashley.
    Performance: 106087 | 48269 | a | Grand Selection 1 | Overture-(<i>Occasional Oratorio</i>); <i>Shall I in Mamre's fertile plain</i>-Bartleman; <i>For all these mercies</i>-Chorus (<i>Joshua</i>); <i>Thou shalt bring them in</i>-Miss Sharp (<i>Israel in Egypt</i>); <i>O filial piety</i>, <i>No cruel father</i>-Kelly (<i>Saul</i>); <i>When his loud voice</i>-Chorus (<i>Jephtha</i>); <i>Lord what is man</i>-Mrs Crouch (<i>Semele</i>); <i>Total eclipse</i>-Incledon; <i>O first created beam</i>-Chorus (<i>Samson</i>); <i>Lord remember David</i>-Mme Mara (<i>Sosarme</i>); <i>Fix'd in his everlasting seat</i>-Chorus (<i>Samson</i>).
    Cast:
    190224 | 106087 | Overture
    190225 | 106087 | <i>Shall I in Mamre's fertile plain</i> | Bartleman
    190226 | 106087 | <i>For all these mercies</i> | Chorus
    190227 | 106087 | <i>Thou shalt bring them in</i> | Miss Sharp
    190228 | 106087 | <i>No cruel father</i> | Kelly
    190229 | 106087 | <i>When his loud voice</i> | Chorus
    190230 | 106087 | <i>Lord what is man</i> | Mrs Crouch
    190231 | 106087 | <i>Total eclipse</i> | Incledon
    190232 | 106087 | <i>O first created beam</i> | Chorus
    190233 | 106087 | <i>Lord remember David</i> | Mme Mara
    190234 | 106087 | <i>Fix'd in his everlasting seat</i> | Chorus
    Performance: 106088 | 48269 | a | Grand Selection 2 | Fifth Grand Concerto-; <i>Pleasure my former ways resigning</i>-Kelly (<i>Time and Truth</i>); <i>Tyrants would</i>-Mme Mara; <i>Tyrants ye in vain</i>-Chorus (<i>Athalia</i>); <i>Wise men flattering</i>-Mrs Crouch (<i>Judas Maccabaeus</i>); <i>It must be so</i>, <i>Pour forth no more</i>-Bartleman; <i>No more to Ammon's God</i>-Chorus (<i>Jephtha</i>); <i>O worse than death</i>, <i>Angels ever bright and fair</i>-Mme Mara (<i>Theodora</i>); <i>O God who in thy heavenly hand</i>-Chorus [<i>Joseph</i>].<i>Joseph</i>].
    Cast:
    190235 | 106088 | Fifth Grand Concerto
    190236 | 106088 | <i>Pleasure my former ways resigning</i> | Kelly
    190237 | 106088 | <i>Tyrants would</i> | Mme Mara
    190238 | 106088 | <i>Tyrants ye in vain</i> | Chorus
    190239 | 106088 | <i>Wise men flattering</i> | Mrs Crouch
    190240 | 106088 | <i>Pour forth no more</i> | Bartleman
    190241 | 106088 | <i>No more to Ammon's God</i> | Chorus
    190242 | 106088 | <i>Angels ever bright and fair</i> | Mme Mara
    190243 | 106088 | <i>O God who in thy heavenly hand</i> | Chorus
    Performance: 106089 | 48269 | a | Grand Selection 3 | <i>Ye sons of Israel</i>-Chorus (<i>Joshua</i>); <i>The Captive King</i>-Incledon, Chorus (The Words by $Dr Wolcot=); <i>Honor and arms</i>-Reynolds (<i>Samson</i>); <i>See the conquering hero comes</i>-Chorus (<i>Judas Maccabaeus</i>); <i>Together let us range</i>-Mrs Crouch, Kelly (<i>Solomon</i>, by $Boyce=); <i>Then round about</i>-Chorus (<i>Samson</i>); <i>Mad Bess</i>-Mme Mara ($Purcell=); <i>Gird on thy sword</i>-Grand Chorus (<i>Saul</i>); <i>God save Great our King</i>, <i>To Arms</i>, <i>Britons strike home</i>-Chorus ($Purcell=).
    Cast:
    190244 | 106089 | <i>Ye sons of Israel</i> | Chorus
    190245 | 106089 | <i>The Captive King</i> | Incledon, Chorus
    190246 | 106089 | <i>Honor and arms</i> | Reynolds
    190247 | 106089 | <i>See the conquering hero comes</i> | Chorus
    190248 | 106089 | <i>Together let us range</i> | Mrs Crouch, Kelly
    190249 | 106089 | <i>Then round about</i> | Chorus
    190250 | 106089 | <i>Mad Bess</i> | Mme Mara
    190251 | 106089 | <i>Gird on thy sword</i> | Grand Chorus
    190252 | 106089 | <i>Britons strike home</i> | Chorus
    Performance: 106090 | 48269 | s | In Part III: <i>Captivity</i>-Mrs Crouch [, as17930220
    AsSeeDate: 106090 | cg | s | As | 17930220
    Performance: 106091 | 48269 | m | End Part I: <i>concerto</i> on the violoncello-C | Ashley.

Mainpiece

Comments:
As17930215.

Afterpiece

Comments:
Overture-(Occasional Oratorio); Shall I in Mamre's fertile plain-Bartleman; For all these mercies-Chorus (Joshua); Thou shalt bring them in-Miss Sharp (Israel in Egypt); O filial piety, No cruel father-Kelly (Saul); When his loud voice-Chorus (Jephtha); Lord what is man-Mrs Crouch (Semele); Total eclipse-Incledon; O first created beam-Chorus (Samson); Lord remember David-Mme Mara (Sosarme); Fix'd in his everlasting seat-Chorus (Samson).

Afterpiece

Comments:
Fifth Grand Concerto-; Pleasure my former ways resigning-Kelly (Time and Truth); Tyrants would-Mme Mara; Tyrants ye in vain-Chorus (Athalia); Wise men flattering-Mrs Crouch (Judas Maccabaeus); It must be so, Pour forth no more-Bartleman; No more to Ammon's God-Chorus (Jephtha); O worse than death, Angels ever bright and fair-Mme Mara (Theodora); O God who in thy heavenly hand-Chorus [Joseph].Joseph].

Afterpiece

Comments:
Ye sons of Israel-Chorus (Joshua); The Captive King-Incledon, Chorus (The Words by Dr Wolcot); Honor and arms-Reynolds (Samson); See the conquering hero comes-Chorus (Judas Maccabaeus); Together let us range-Mrs Crouch, Kelly (Solomon, by Boyce); Then round about-Chorus (Samson); Mad Bess-Mme Mara (Purcell); Gird on thy sword-Grand Chorus (Saul); God save Great our King, To Arms, Britons strike home-Chorus (Purcell).

Song

Comment: In Part III: Captivity-Mrs Crouch [, as17930220

Music

Comment: End Part I: concerto on the violoncello-C. Ashley

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