SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Miss Yates"/1) | (@(roleclean,performerclean) "Miss Yates")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 14470 matches on Performance Comments, 4429 matches on Performance Title, 1874 matches on Event Comments, 165 matches on Roles/Actors, and 0 matches on Author.
Event Comment: Mainpiece: By Particular Desire. Afterpiece: By Desire. Benefit for Holland. Part of Pit laid into Boxes. House Charges #67 1s. 6d. [Profit to Holland #201 8s. 6d.] Tragedy (never performed) written in the manner of Shakespeare [by Joseph Reed]. Rec'd stopages 16s. 6d. Paid salary list #294 2s. 8d.; Chorus singers 1 night #2 5s. 6d. (Treasurer's Book). Receipts: #268 10s. (Treasurer's Book). To see Dido, a Tragedy in Shakespere's style, performed for the first time, with Daphne and Amintor. This piece is the production of a Ropemaker of Chadwick, and being refused by the managers, was given to Holland to be played for his benefit. It went off with considerable applause and is by desire to be performed again. Powel and Yates were good in Aeneas and Dido. Holland played Narbel, Havard Bilias, and Bensley Anchises. We had a prologue spoken by King and an Epilogue spoken by Mrs Abington. Before the play began, by the light of my wax taper read No. 1564 of the London Chronicle, in which was Night' a pretty good ode (Neville MS Diary)

Performances

Mainpiece Title: Dido

Performance Comment: Parts-Holland, Powell, Havard, Bensley, Bransby, Strange, A Young Gentlewoman, Mrs Lee, Mrs Yates, Packer, Aickin, Fawcett; Prologue-King; Epilogue-Mrs Abington Aeneas-Powell; Cephales-Bensley; Gyas-Bransby; Sagertus-Fox; Norbal-Holland; Bilius-Havard; Adoam-Strange; Dido-Mrs Yates; Anna-Mrs Lee; Barce-Miss Simson (Winston MS 9, from Burney's News Cuttings).

Afterpiece Title: Daphne and Amintor

Event Comment: Benefit for King. House charges #67 2s. (Treasurer's Book). N.B. Dido is oblig'd to be deferr'd a few days (playbill). Paid Blandford (tallow chandler) #29 18s. 6d.; Paid Mr Pinto for 3 sets of symphonies #1 11s. 6d. B. Jonson's Head #1 19s. 1d.; Mrs Pritchard's gratuity #10 10s. (Treasurer's Book). Put on my old clothes and at 5 went to Drury Lane, found the Pit and 2s. gallery quite full, at last had myself squeezed into the Pit, where I was most woefully pressed, but saw very well and got a seat ere the farce began. The play was Cymbeline, with The Deuce is in Him. This play pleases me. The dresses were tolerably proper, ye scenes (particularly that of Imogen's chamber and the Cave) pretty and ye performance of ye principal characters good, but having never read the play, lost a great deal of the effect. Imogen, Mrs Yates, she is very hoarse. In Act II a Masquerade Dance, with singing by Mrs Vincent. After Act III the Vintage. After the play, King in the character of Linco, with Dorcas and others of his neighbors, asking him questions, partly spoke and partly sang, for this night only,-a new very humorous little piece called Linco's Travels, particularly in England. Glad I did not go to the other House, tho I wished to see Macklin, who played there this night only for his daughter's benefit. When the Farce began, the Gods (as those in the Upper Gallery are called) called for the Prologue, on which Packer came on and said, Mr King has not spoke the Prologue this winter, and is now dressing to play in the Farce and hopes the Audience will excuse him." Miss Pope and Miss Plym coming on again were hissed off, and after we had waited some minutes longer, King spoke the Prologue, which was lucky for me who had never heard him speak it. The gods called for it on Monday last, but desisted on the above excuse being made. Almost eleven ere all was over. I now know all the entrances into the Pit and Gallery at Drury Lane (Neville MS Diary)

Performances

Mainpiece Title: Cymbeline

Performance Comment: As17670124, but Imogen-Mrs Yates.
Cast
Role: Imogen Actor: Mrs Yates.

Afterpiece Title: The Deuce Is in Him

Cast
Role: Mlle Florival Actor: Miss Plym
Role: Emily Actor: Miss Pope.

Dance: III: The Vintage, as17661011

Entertainment: End: Linco's Travels. Particularly in England, a New Humorous Little Piece, that night only,-King; Dorcas-Mrs Bradshaw

Event Comment: Benefit for Mortimer, Tomlinson, West, Lings. House charges #84. [Deficit to actors #60 4s.] Received Mr Evans and Miss Roger's deficiency #28 18s. 6d. Paid Ann Collett for a gold brocaided silk #10 10s. (Treasurer's Book). Receipts: #23 16s. (Treasurer's Book). Went into ye Pit...Vernon is an excellent MacHeath. I don't like Yates as Peachum so well as Shuter, and Parsons is not so good a Filch as Holborn. Bransby ye Lockit and Mrs Abington Lucy pretty well...Polly-$Mrs Vincent, who is now too old for ye character, and I think wants feeling...One Tomlinson, who had a 4th of the Benefit, spoke an Epilogue in the character of a Beggar, but by one party hissing and a greater clapping, could not hear it.--At Covent Garden a Hurdy-Gurdy man and girl play in the whore's scene, and as the Highwaymen march out, one returns and kisses MacHeath, and Shuter says some things Yates did not, but perhaps they are additions of his own (Neville MS Diary)

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: As17661013, but Player-Lings; Epilogue as Beggar-Tomlinson; Polly-Mrs Vincent; Hornpipe-Miss Tetley.
Cast
Role: Hornpipe Actor: Miss Tetley.
Role: Peachum Actor: Yates

Afterpiece Title: The Register Office

Cast
Role: Maria Actor: Miss Mills
Event Comment: Benefit for Yates. Part of Pit laid into Boxes (playbill). Charges #64 5s. Profit to Yates #82 3s. 6d., plus #102 11s. from tickets: (Box 367; Pit 72). Paid half year's Poor's rate for the theatre due Ladyday last #20 8s. 4d.; and for House in Bow Passage 14s. 7d. (Account Book). Receipts: #146 8s. 6d. (Account Book)

Performances

Mainpiece Title: Isabella; Or, The Fatal Marriage

Performance Comment: Biron-Smith; Villeroy-Bensley; Carlos-Gardner; Baldwin-Clarke; Belford-Perry; Sampson-Dunstall; Child-Miss Doe; Nurse-Mrs Pitt; Isabella-Mrs Yates, 1st time; With the Epithalamium-Mattocks, Mrs Baker.
Cast
Role: Child Actor: Miss Doe
Role: Isabella Actor: Mrs Yates, 1st time

Afterpiece Title: The Choice; or Merit before Mnney

Performance Comment: Principal Characters-Yates, Mattocks, Wroughton, Mrs Mattocks, Mrs Yates.

Dance: End: The Lilt, as17720326

Event Comment: Benefit for Mrs Yates [who is named in the Account-Book, but not on the playbill]. Mainpiece: Not acted these 7 years. Receipts: none listed (charge: #65 19s.)

Performances

Mainpiece Title: King John

Performance Comment: King John-Henderson; Prince Henry-W. Bates; Essex-Egan Hubert-Aickin; Pembroke-Booth; Salisbury-Davies; King of France-Clarke Dauphin-Whitfield; Austria-Mahon; Pandulph-Fearon; Chatillon-Hull Governor of Angiers-Thompson; Prince Arthur-Miss Heard; Bastard-Wroughton (1st appearance in that character); Queen Eleanor-Miss Platt; Lady Falconbridge-Mrs Poussin; Lady Blanch-Mrs Whitfield; Constance-Mrs Yates .
Cast
Role: Prince Arthur Actor: Miss Heard
Role: Queen Eleanor Actor: Miss Platt
Role: Constance Actor: Mrs Yates

Afterpiece Title: Rosina

Event Comment: [1st piece in place of THOMAS AND SALLY, advertised on playbill of 29 Mar. In 2nd piece Mrs Yates is identified in Thespian Magazine, Apr. 1794, p. 177, which also assigns the Greek Soldier, who is omitted from the playbill.)

Performances

Mainpiece Title: All In Good Humour

Cast
Role: Sophia Actor: Miss Heard
Role: Dorothy Actor: Miss De Camp

Afterpiece Title: THE GRECIAN DAUGHTER

Performance Comment: Evander-Bensley; Philotas-Caulfield; Melanthon-Aickin; Phocion-Benson; Calippus-Bland; Areas-Maddocks; Greek Herald-Cooke; Greek Soldier-Pindar; Dionysius-Barrymore//Erixcne-Miss Tidswell; Euphrasia-A Young Gentlewoman (1st appearance on any stage [Mrs Yates)) .Mrs Yates)) .

Afterpiece Title: THE PURSE

Event Comment: LLady Townly a $Miss Hart-Her 1st appearance-Some Applause (Hopkins MS Notes)

Performances

Mainpiece Title: The Provoked Husband

Performance Comment: Lord Townly-Sheridan; Sir Francis Wronghead-Yates; Count Basset-Austin; Manly-Havard; John Moody-Burton; Squire Richard-Vaughan; Lady Townly-Gentlewoman, 1st appearance on the stage; Lady Wronghead-Mrs Kennedy; Lady Grace-Miss Haughton; Miss Jenny-Miss Pope; Mrs Motherly-Mrs Cross; Myrtilla-Miss Hippisley; Trusty-Mrs Bennet.
Cast
Role: Sir Francis Wronghead Actor: Yates
Role: Lady Grace Actor: Miss Haughton
Role: Miss Jenny Actor: Miss Pope
Role: Myrtilla Actor: Miss Hippisley

Afterpiece Title: The Intriguing Chambermaid

Performance Comment: Lettice-Mrs Clive; Drunken Colonel-Yates.
Cast
Role: Drunken Colonel Actor: Yates.
Event Comment: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. No money taken at Stage Door. No Money returned after Curtain is drawn up. [Customary note on subsequent bills.] Yates and Mrs Yates not engag'd. They went to Covent Garden Theatre. Mr Barry and Mrs Dancer engag'd (Winston MS 10). For performances at HAY and MARLY, 12-21 September, see close of Season 1766-1767, pp. 1264-65

Performances

Mainpiece Title: The Clandestine Marriage

Performance Comment: Lord Ogleby-King; Sterling-Love; Sir John Melvil-Holland; Canton-Baddeley; Brush-Palmer; Serjant Flower-Bransby; Traverse-Hurst; Lovewell-Cautherley; Trueman-Aickin; Miss Sterling-Miss Pope; Fanny-Mrs Palmer; Betty-Miss Reynolds; Chambermaid-Mrs Lee; Mrs Heidelberg-Mrs Clive.
Cast
Role: Miss Sterling Actor: Miss Pope
Role: Betty Actor: Miss Reynolds

Afterpiece Title: Daphne and Amintor

Performance Comment: Amintor-Vernon; Daphne-Mrs Arne; Mindora-Miss Young; Dances-Sg and Sga Giorgi, Tassoni, Mrs King, Miss Tetley, Miss Rogers.
Event Comment: Benefit for Miss Younge. Miss Young Kitty first time very la! la! (Hopkins Diary). Receipts: #141 10s. Charges: #69 6s. 6d. Profits to Miss Younge: #72 3s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: All For Love

Performance Comment: Anthony-Smith; Dolabella-Brereton; Ventidius-Palmer; Alexas-Whitfield; Serapion-Bransby; Myris-Wrighten; Romans-Griffith, Norris; Cleopatra-Miss Younge; Octavia-Mrs Yates, first time; Iras-Miss Platt; Charmion-Mrs Johnston.
Cast
Role: Cleopatra Actor: Miss Younge
Role: Octavia Actor: Mrs Yates, first time
Role: Iras Actor: Miss Platt

Afterpiece Title: High Life below Stairs

Performance Comment: Lovel-Lamash; Sir Harry's Servt-Dodd; Philip-Baddeley; Freeman-Fawcett; Robert-Griffiths; Tom-Kear; Lord Duke-Palmer; Lady Charlotte-Mrs Davies; Lady Bab-Mrs Johnston; Kitty (By Particular Desire) with the song-Miss Younge (first time); in II, a Mock Minuet-Palmer, Miss Younge.

Dance: End: The Grand Garland Dance, as17760311

Event Comment: Mainpiece: Not acted these 16 years [not acted since 27 Oct. 1758]. With Alterations [by Richard Brinsley Sheridan. Prologue by David Garrick]. The Characters new dressed. This Play is revived with Alterations (by R. B. Sheridan Esq) and a new occasional Prologue written by Mr Garrick? and spoken by Dodd, both well received. Miss Essex made her first Appearance upon this stage in Silvia, a small mean Figure and shocking Actress, so bad that she is to do the Part no more. Reddish was very imperfect in Vainlove from the Beginning, but was so very much so in the last Act, that the Audience hissed very much, and cryed out, 'Off, Reddish, Off!" He went forward, and addressed them as follows, 'Ladies and Gentlemen, I have been honoured with your Favour and Protection for these ten years past, and I am very sorry to give any cause for your Displeasure now; but having undertaken the Part at a very short Warning, in order to strengthen the Bill, and having had but two Rehearsals for it, puts it out of my Power to do Justice to the Part, or myself.' The Play then went on. So great a Lye was never delivered to an Audience by any Actor or Actress before. He had the Part at least six weeks in his Possession, and repeated Notice to be ready in it, and six Rehearsals was called for it,--indeed, he attended but three. Vernon undertook to study the Part at eleven o'clock to-night, and to perform it to-morrow (Hopkins Diary). [Miss Essex was from the hay.] Receipts: #209 6s

Performances

Mainpiece Title: The Old Batchelor

Performance Comment: Bellmour-Smith; Heartwell-Bensley; Fondlewife-Yates; Vainlove-Reddish; Captain Bluff-Moody; Sharper-Farren; Setter-Baddeley; Sir Joseph Wittol-King; Belinda-Miss Younge; Araminta-Mrs Baddeley; Silvia-Miss Essex (1st appearance upon that stage); Lucy-Miss Pope; Laetitia-Mrs Abington; New occasional Prologue (in the Character of a modern fine gentleman)-Dodd. [This was spoken, as here assigned, at the first 4 performances only (see17761207).]This was spoken, as here assigned, at the first 4 performances only (see17761207).]
Cast
Role: Fondlewife Actor: Yates
Role: Belinda Actor: Miss Younge
Role: Silvia Actor: Miss Essex
Role: Lucy Actor: Miss Pope

Dance: As17761115

Event Comment: Benefit for Miss Younge. Mainpiece: With the grand Triumphal Entryv. [Public Advertiser, I Apr., identifies the Epilogue as an alteration by Garrick of his epilogue to Alfred.] Afterpiece [1st time; CO 2, by J Hough]: The Music composed by William? Bates. Tickets delivered for The Brothers will be taken. Books of the Performances to be had at the Theatre. Public Advertiser, 7 Mar.: Tickets to be had of Miss Younge at Thelwall's, Silk Mercer, King-street, Covent Garden. Receipts: #285 13s. 6d. (141.9.0; 11.15.0; 0.2.6; tickets: 132.7.0) (charge: #76 19s. 6d.)

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Performance Comment: Alexander-Smith; Cassander-Palmer; Lysimachus-Hurst; Hephestian-Davies; Polyperchon-Chambers; Thessalus-Wright; Perdiccas-Chaplin; Eumenes-Norris; Aristander-Wrighten; Slave-R. Palmer; Clytus-Bensley; Roxana-Miss Younge; Parisatis-Miss Hopkins; Sisigambis-Mrs Johnston; Statira-Mrs Yates; A favorite Epilogue (written by D. Garrick, Esq.) with alterations spoken-Miss Younge.
Cast
Role: Roxana Actor: Miss Younge
Role: Parisatis Actor: Miss Hopkins
Role: Statira Actor: Mrs Yates
Role: with alterations spoken Actor: Miss Younge.

Afterpiece Title: Second Thought is Best

Event Comment: Benefit for Mr Macklin, to which he spoke a farewell Prologue hinting at his new scheme (a Coffee house now fitting up in the Piazza) Mrs Mack, Miss & He play'd (Cross). [Macklin discharged last June from Covent Garden, one night given him at Drury Lane when he took leave; Poor I toss'd up...King Henry 7, 1764 (Winston MS 8). Gray's Inn Journal noted this performance by the bequeathing to the stage of Miss Macklin who should succeed in genteel comedy.] Receipts: #220 (Cross)

Performances

Mainpiece Title: The Refusal

Performance Comment: Sir Gilbert Wrangle-Macklin; Frankly-Palmer; Witling-Yates; Granger-Davies; Cook-Blakes; Charlotte-Miss Macklin, 1st time; Lady Wrangle-Mrs Macklin; Betty-Miss Minors; Sophronia-Mrs Clive; In Act IV The Cantata proper to the play,-Beard; A Farewell Prologue-Macklin.
Cast
Role: Witling Actor: Yates
Role: Charlotte Actor: Miss Macklin, 1st time
Role: Betty Actor: Miss Minors

Afterpiece Title: The Englishman in Paris

Performance Comment: As17531027, but Foote's Occasional Prologue-; Epilogue-Miss Macklin.
Cast
Role: Epilogue Actor: Miss Macklin.
Role: Lucinda Actor: Miss Macklin
Event Comment: We play'd the Beggar's Opera & ye Oracle by Children for the Benefit of some distress'd Actors who formerly belong'd to the Theatres. There was #102 in the House, the following Persons receiv'd from it Mr Marshall #23. Mr Morgan #21. Mrs Edgerton #5 5s. Mr Bowman #5 5s. Mr Phenix #10 10s. Mrs Gardner (formerly printer to ye house) #2 2s. N.B.: Mrs Clive refus'd to play her part of Lucy , it was done by Miss Young. New performers engag'd Y: Fletewood, Obrien, Packer, Perry, Miss Glen (Cross)

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Beard; Peachum-Yates; Filch-Raftor; Polly-Miss Macklin; Lucy-Miss E. Young, her 1st appearance on any stage; Mat@o@Mint-Rooker; Lockit-Champnes; Beggar-Philips; Player-Bransby; Mrs Peachum-Mrs Cross; Diana Trapes-Mrs Havard; In Act III, a Hornpipe-Morris; To conclude with a Country Dance-the Characters of the Opera.

Afterpiece Title: The Oracle

Dance: II: The Prussian Sailors, as17580601 End Opera: The Faggot Binders, as17580601

Event Comment: MMiss Plym made her first appearance in the character of Viola--a very pretty figure both in breeches and otherwise,--a thin weak voice, and received a decent reception (Hopkins Diary--$MacMillan). Miss Plym made her first appearance this Night in Viola, a very pretty Figure in both Dresses, a Thin weak Voice. pretty well receiv'd (Hopkins). Viola Miss Plym, first appearance; great applause (Cross Diary). Mainpiece: Not acted these 5 years. [See 5 Feb. 1755.] Receipts: #99 3s. (MacMillan)

Performances

Mainpiece Title: Twelfth Night

Performance Comment: Malvolio-Yates; Sir Andrew Aguecheek-Obrien; Sir Toby Belch-Love; Orsino-Packer; Sebastian-Palmer; Viola-Miss Plym; first appearance there; Olivia-Miss Haughton; Maria-Mrs Lee; Valentine-Castle; Clown-Vernon (with song in character); Antonio-Burton; Fabian-Baddeley; Captain-Moody; Curio-Fox; 1st Officer-Parsons; 2nd Officer-Marr.
Cast
Role: Malvolio Actor: Yates
Role: Viola Actor: Miss Plym
Role: Olivia Actor: Miss Haughton

Afterpiece Title: Love at First Sight

Cast
Role: Celia Actor: Miss Young

Dance: End: The Provancalle, as17631014

Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. No Persons to be admitted behind the scenes, nor any money returned after the Curtain is Drawn up. Places for the boxes to be had (only) of Mr Sarjant at the Stage Door. The Doors to be opened at Five o'clock. To begin exactly at Six o'clock. Vivant Rex & Regina! [Customary note for each bill. Only significant changes will be further noted. The company was weakened by the loss of Woodward (see 23 Oct.) who accompanied Foote to Edinburgh, and of Mrs Bellamy who was not engaged. Miss Catley, however, returned from Ireland after an absence of 9 years. And Ross returned after four years.

Performances

Mainpiece Title: The Way To Keep Him

Performance Comment: Lovemore-Smith; Sir Bashful-Yates; Sir Brilliant-Dyer first time; William-Cushing; Sideboard-Holtom; Widow Belmour (with song in character)-Miss Macklin; Muslin-Mrs Green; Mignionet-Miss Pearce; Furnish-Miss Mills; Lady Constant-Mrs Baker first time; Mrs Lovemore-Mrs Bulkley, first time.
Cast
Role: Sir Bashful Actor: Yates
Role: Widow Belmour Actor: Miss Macklin
Role: Mignionet Actor: Miss Pearce
Role: Furnish Actor: Miss Mills

Afterpiece Title: The Chaplet

Dance: The Dutch Milkmaid-Mas. Burton, Miss Besford. [See17691111.

Performance Comment: Burton, Miss Besford. [See17691111.]
Event Comment: Benefit for Mrs Yates. Farce in 2 acts written by Murphy for Mrs Yates (Genest, V, 67)

Performances

Mainpiece Title: The Orphan

Performance Comment: As17641023, but Monimia-Mrs Yates; Acasto-Bransby; Florella-Mrs Hippisley.
Cast
Role: Monimia Actor: Mrs Yates
Role: Page Actor: Miss Rogers
Role: Serina Actor: Miss Plym

Afterpiece Title: The Choice

Performance Comment: Parts-Yates, Packer, Havard, Mrs Lee, Mrs Yates, with Epilogue Sir Wm Loveworth-Yates; Young Loveworth-Havard; Woodvil-Packer; Clarissa-Mrs Yates; Mrs Woodvil-Mrs Lee; Watchit-Mrs Bradshaw; Epilogue-Mrs Yates (Genest, V, 67).

Dance: I: The Medley, as17641120; End: The Irish Lilt, as17641011

Event Comment: MMr Foote play'd Buck & Miss Macklin Lucinda, --went off tol: ye Girl was lik'd-she sung in ye Character Aly Croky--fine, --& danc'd a Minuet--well (Cross). [Foote was engaged as an actor for a certain number of nights and made his 1st appearance on this evening-he spoke a Prologue written by Garrick which was encored every night Genest, IV, 380). The Prologue was printed in the Public Advertiser on 29 Oct. suggesting the many sources of laughter on stage as they appealed to various parts of the House, pointing fun at Foote, and closing with his mock, humble statement: @"Many my passions are, tho' one my view@They all concenter--in the pleasing you.'@ It also contained information about a specialty performer on the Cello, Monsieur Cervetti, and his reception by the upper galleries: @"...In like extremes your laughing humour shows@Have ye not roar'd from Pit to upper Rows@And all the jest was, What? a Fiddler's nose..."@ The person here meant is M Cervetti, who has been a standing joke with the upper gallery for a long time past, on account of the length of his nose: but as I am inform'd, that no feature of his Mind is out of proportion, unless it be that his good qualities are extraordinary, I take this opportunity to mention that it is cruel to render him uneasy in the Business, in which he is eminent, and by which he must gain his livlihood." See identical comment in Gray's Inn Journal, 27 Oct. A puff for Miss Macklin appeared in Gray's Inn Journal, 20 Oct.] Receipts: #190 [Cross)

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Manly-Havard; Trusty-Mrs Bennet; Sir Francis Wronghead-Yates; Mrs Motherly-Mrs Cross; Lord Townly-Ross; Moody-Burton; Squire Richard-Vernon; Myrtilla-Mrs Hippisley; Lady Grace-Mrs Mills; Miss Jenny-Mrs Minors; Lady Wronghead-Mrs James; Basset-Blakes; Lady Townly-Mrs Pritchard.
Cast
Role: Sir Francis Wronghead Actor: Yates
Role: Miss Jenny Actor: Mrs Minors

Afterpiece Title: The Englishman in Paris

Performance Comment: Buck-Foote; Lucinda-Miss Macklin (her first appearance there); Other characters-Devisse, Taswell, Blakes, Bransby, Davies, Clough, Philips, Lewis, Ackman, Mrs Bennet; New Occasional Prologue-; Original Epilogue-.
Cast
Role: Lucinda Actor: Miss Macklin
Event Comment: Benefit for Mr Pritchard--pretty well (Cross). Tickets at Pritchard's Warehouse. The only time this play and farce will be performed this season. Afterpiece: Taken from Sir Charles Sedley. [The Larpent MS 112 indicates additional parts in The Grumbler: Lovemore-$Jefferson; Capt. Bellmount-$Ackman; Sir John Rightou'd-?; +Rigant-$Marr; Shallow-$Vaughan; Victoria-$Mrs Simson; Sersnet-Miss ?; +Footboy-?; The MS contains prompt notes also.] Receipts: #160 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Cast
Role: Ursula Actor: Miss Minors

Afterpiece Title: The Grumbler

Performance Comment: Grumbler-Yates; Clever-Blakes; Worthy-Burton; Pedant-Taswell; Manage-Miss Minors; Angelica-Mrs Benett; Victoria-Miss Hippisley.
Cast
Role: Grumbler Actor: Yates
Role: Manage Actor: Miss Minors
Role: Victoria Actor: Miss Hippisley.

Dance: II: Masquerade Dance-

Event Comment: Mainpiece: Never Acted Before. [Printed play, Dublin 1762 lists Talthybius-$Castle; Lycus-$Ackman; Cratander-$Moody; Paeonian-$Fox; Officer-$Scrase; Sigea-$Miss Hippisley.

Performances

Mainpiece Title: Hecuba

Performance Comment: Principal parts by Holland, Havard, Davies, Moody, Ackman, Scrase, Castle, Fox, Miss Bride, Miss Hippisley, Mrs Pritchard. Prologue-Garrick; Epilogue-Miss Bride; Eriphilus-Holland; Ulysses-Davies; Melanthus-Havard; Cratander-Moody; Hecuba-Mrs Pritchard; Polyxena-Miss Bride (Genest, IV, 637); Lycus-Ackman; Officer-Scrase; Talthybius-Castle; Paeonian-Fox; Sigea-Miss Hippisley (MacMillan).
Cast
Role: Epilogue Actor: Miss Bride
Role: Polyxena Actor: Miss Bride
Role: Sigea Actor: Miss Hippisley

Afterpiece Title: Edgar and Emmeline

Performance Comment: Edgar-O'Brien; Florimond-King; Grotilla-Miss Rogers; Elfina-Master Kennedy; Singing Fairy-Miss Wright; Emmeline-Mrs Yates. [See17610925] .See17610925] .
Cast
Role: Grotilla Actor: Miss Rogers
Role: Singing Fairy Actor: Miss Wright
Role: Emmeline Actor: Mrs Yates.
Event Comment: [Puff for the afterpiece]: As this Pastoral was not originally designed for the theatre, it is thought proper to give the public some account of it, and by what means it has now found its way to the stage. The Chorusses and Airs were selected from Mr Handel, and several other eminent masters, by a gentleman whose taste and knowledge in music is perhaps his least merit. Having conceived the design of a musical entertainment of this miscellaneous nature he found himself oblig'd...to connect them [the airs] by a Recitative of his own composition: This naturally produced a kind of a little drama, and the ease and elegance of the whole is the more to be admired when it is considered that the words were of necessity composed in perfect subservience to the music. The piece has been several times performed at Salisbury and greatly admired by many of the first Rank. The author, upon Mr Norris being engaged at the theatre, was applied to for leave to bring it on the stage, to which he has most obligingly given his consent. [Cast given] After an agreeable Overture, the curtain rises and discovers a rural scene, and a troop of nymphs and shepherds assembled to celebrate the Spring. Their rejoicings open with a grand cheerful chorus. We cannot say enough of the taste and execution of Mr Vernon and Miss Young in this scene. The united sprightliness and simplicity of the duet was truly admirable. [Song given, followed by a brief description of the parting of the shepherds, the announcement of Peace so they won't have to part, and special commendation for the various songs of Mr Vincent, and Mr Norris.] We will venture to prophesy that it will be more and more admired at every representation; though perhaps it may not fall in with the Taste of the Groundlings, who, like Polonius, are for a Jig or a Tale of Bawdry, or they sleep (Public Advertiser)

Performances

Mainpiece Title: The Constant Couple

Performance Comment: Sir Harry Wildair-Obrien; Dicky-Vaughan; Tom-Clough; Col Standard-Holland; Alderman Smuggler-Blakes; Beau Clincher-Yates; Clincher Jun-King; Vizard-Packer; Lady Darling-Mrs Cross; Angelica-Miss Bride; Lady Lurewell-Miss Haughton.
Cast
Role: Beau Clincher Actor: Yates
Role: Angelica Actor: Miss Bride
Role: Lady Lurewell Actor: Miss Haughton.

Afterpiece Title: The Spring

Dance: II: The Irish Lilt, as17621023

Event Comment: MMr W. Palmer, made his first appearance this Night in Hymen. a Tolerable Voice; but Extremely Aukward & the worst Speaker I ever heard (Hopkins). This night Mr W[ingfield] Palmer (son of Mr Palmer who married Miss Pritchard) made his first appearance on this stage in the character of Hymen,--a tolerable voice,--but the most aukward, and the worst speaker I ever heard (Hopkins Diary--MacMillan). Receipts: #174 17s. 6d. (MacMillan)

Performances

Mainpiece Title: The Tempest

Performance Comment: Prospero-Havard; Stephano-King; Trinculo-Yates; Caliban-Love; Ariel (songs)-Miss Young; Hymen-Wingfield Palmer; Miranda-Mrs Palmer; Ferdinand (songs)-Vernon; Ceres-Mrs Vincent; With a Grand Dance of Fantastic Spirits, Pastoral Danceproper to the Masque,-Grimaldi, Miss Baker.

Afterpiece Title: The Deuce Is in Him

Dance: TThe Provancalle, as17631014

Event Comment: MMr Foote's Night. Miss Haughton play'd Elvira, Miss Pope being very ill (Hopkins). Receipts; #64 4s. (MacMillan). [Charges.

Performances

Mainpiece Title: The Spanish Fryar

Performance Comment: Gomez-Foote; Dominic-Love; Torrismond-Holland; Bertran-Lee; Lorenzo-Palmer; Raymond-Bransby; Pedro-Castle; Alphonso-Packer; Drawer-Mas. Burton; Teresa-Mrs Bennet; Elvira-Miss Haughton; Queen-Mrs Yates.
Cast
Role: Elvira Actor: Miss Haughton
Role: Queen Actor: Mrs Yates.

Afterpiece Title: The Mayor of Garratt

Dance: TThe Italian Gardiners, as17631119

Event Comment: Benedick by Obrien-1st time (Hopkins). Benedick does not sit so well upon Mr O'Brien as Ranger-Miss Pope Beatrice-indifferent (+Hopkins Diary-$MacMillan). New Occasional song introduc'd in The Rites of Hecate, the words will be printed and given away at the theatre. Receipts: #130 9s. (MacMillan)

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: Benedick-Obrien, first time; Beatrice-Miss Pope; Don Pedro-Packer; Leonato-Havard; Claudio-Palmer; Dogberry-Yates; Friar-Burton; Don John-Bransby; Verges-Philips; Borachio-Parsons; Clerk-Baddeley; Sexton-Clough; Margaret-Mrs Bradshaw; Ursula-Miss Hippisley; Balthazar (with a song)-Vernon; Hero-Mrs Davies; In II, a Masquerade Dance-proper to the play; To conclude with a Country Dance-.
Cast
Role: Beatrice Actor: Miss Pope
Role: Dogberry Actor: Yates
Role: Ursula Actor: Miss Hippisley

Afterpiece Title: The Rites of Hecate

Event Comment: Benefit for Miss Younge. Afterpiece: Not acted these 5 years. [See 13 Oct. 1763.] Last time of performing till Easter. Paid 4 days salary list #348 15s.; Mr Weston per Mr G. G's 2 notes #14 7s. 6d.; Mr J. French on Acct #20 5s. (Treasurer's Book). Receipts: #217 3s. 6d. Charges: #68 7s. 6d. Profits to Miss Younge: #148 16s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Merope

Cast
Role: Ismene Actor: Miss Mansell
Role: Merope Actor: Miss Younge, first time

Afterpiece Title: The Intriguing Chambermaid

Performance Comment: Goodall-Bransby; Drunken Colonel-King (first time); Oldcastle-Baddeley; Valentine-Wheeler; Lord Pride-J. Bannister; Lord Puff-Yates; Security-Wrighten; Trusty-Burton; Slap-Griffith; Mrs Highman-Mrs Cross; Charlotte-Miss Platt; Lettice-Mrs Abington, for that night only.
Cast
Role: Lord Puff Actor: Yates
Role: Charlotte Actor: Miss Platt

Dance: V: A New Dance-Tassoni's Scholar; End Farce: (By Particular Desire) a Hornpipe-Tassoni's Scholar

Event Comment: This Musical Farce of one Act was wrote by Mr G on purpose to introduce Miss Abrams (a Jew) about 17 Years old. She is very small, a Swarthy Complexion, has a very sweet Voice and a fine Shake, but not quite power enough yet-both the Piece and Young Lady were receiv'd with Great Applause (Hopkins Diary). Books of the Songs, Choruses etc. of Afterpiece to be had at the Theatre. The Conscious Lovers oblig'd to be deferred till Monday, with which will be performed the last new Grand Ballet, The Savage Hunters. [Advertisement to the published edition: "The author of this musical Farce, begs leave to inform the readers, if there should be any, that it was merely intended to introduce The Little Gipsy to the public, whose youth and total inexperience of the stage made it necessary to give as little dialogue to her character as possible, her success depending wholly upon her singing-This reason added to another, which is that the piece was produced at an early part of the season, when better writters are not willing to come forth, is the best apology the Author can make for its defects."] Paid 6 days salary list at #104 7s.-per diem, #626 2s.; Mr Lamash on note #5 5s. (Treasurer's Book). [The note on sale of books of the songs and choruses for the afterpiece occurs on all subsequent bills this season in which May Day is mentioned. The songs and chorusses and overture by Dr Arne. The afterpiece reviewed in Westminster Magazine for Nov.: The preparation is palatable, and the hand of the preparer is discoverable from the affinity between the scene of Roger and the Old Man, and that of whittle and Thomas in the Irish Widow....The Music of the overture and Finale were remarkably light and pretty: some of the airs also did Dr Arne credit. As to Miss Abrams, she has a sweet pipe, and a natural shake that charmed us;-If maturity does but strengthen her voice, at the same time that it gives her ease in deportment, she will prove an ornament to the stage."] Receipts: #205 3s. (Treasurer's Book)

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: Horatio-Bensley; Altamont-Brereton; Sciolto-Aickin; Rossano-Whitfield; Lothario-Reddish; Lavinia-Miss Sherry; Lucilla-Mrs Davies; Calista-Mrs Yates.
Cast
Role: Lavinia Actor: Miss Sherry
Role: Calista Actor: Mrs Yates.

Afterpiece Title: May Day; or, The Little Gipsy

Performance Comment: Parts by Vernon, Wrighten, Parsons, Bannister, Kear, Legg, Fawcett, Cubitt, etc., Mrs Wrighten, Mrs Scott, Mrs Davies, Miss Platt, Miss Robbins, Miss Hopkins, Miss Jarratt, etc., and a Young Lady. Farmer Furrow-Parsons; William-Vernon; Clod-Bannister; Dozey-Weston; Cryer-Wrighten; Dolly-Mrs Wrighten; Little Gipsy-Young Lady, first appearance on any stage (Miss Abrams); Country lads-Kear, Fawcett, Legg, Cubitt; Country lasses-Mrs Scott, Mrs Davies, Miss Platt, Miss Robins, Miss Jarratt (Genest, V, 480).