SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Miss Rogers for first time O Horrible most Horrible\' Theatrical "/1) | (@(roleclean,performerclean) "Miss Rogers for first time O Horrible most Horrible\' Theatrical ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 15853 matches on Performance Comments, 6142 matches on Event Comments, 5366 matches on Performance Title, 183 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Tancred And Sigismunda

Performance Comment: Tancred-Smith, first time; Siffredi-Gibson; Osmond-Clarke; Rodolpho-Perry; Laura-Mrs Vincent; Sigismunda-Miss Miller, first time.
Cast
Role: Tancred Actor: Smith, first time
Role: Sigismunda Actor: Miss Miller, first time.

Afterpiece Title: Harlequins Jubilee

Event Comment: Benefit for Mr and Mrs DuBellamy. Mainpiece: Not acted these 3 years. [See 2 May 1767.] Charges #64 5s. Deficit to the DuBellamy's #2 4s. covered by #142 7s. from tickets (Box 314; Pit 393; Gallery 49) (Account Book). Receipts: #62 1s

Performances

Mainpiece Title: The Jovial Crew

Performance Comment: Oldrents-Gibson; Hearty-Reinhold, first time; Springlove-Hull; Clack-Shuter; Randal-Dunstall; Oliver-Dyer; Hilliard-DuBellamy; Vincent-Mattocks; Patrico-Morris; Amie-Miss Valois, first time; Meriel-Mrs Baker; Rachel-Mrs Pinto; In Act II: The Original Crutch Dance-.
Cast
Role: Hearty Actor: Reinhold, first time
Role: Amie Actor: Miss Valois, first time

Afterpiece Title: A Duke and no Duke

Dance: End Opera: The Old Ground Young, as17700501; with an Allemande, as17700501

Performances

Mainpiece Title: The English Merchant

Performance Comment: Freeport-Yates; Spatter-Kniveton, first time; Owen-Morris; LaFrance-Quick; Lord Falbridge-Bensley; Sir William Douglas-Hull; Mrs Goodman-Mrs Ward; Molly-Mrs Mattocks; Lady Alton-Miss Macklin, first time; Amelia-Mrs Bulkley.

Afterpiece Title: Mother Shipton

Event Comment: Benefit for Mrs Pitt and Stoppelaer. Charges #67 15s. Deficit to each #4 6s. 9d., cover'd by income from tickets: Mrs Pitt #53 7s. (Box 48; Pit 185; Gallery 136); Stopplear, #86 5s. (Box 112; Pit 271; Gallery 176). Paid Bates for performing 4 nights in the Sorcerer to 11 Oct. last 10s., 5 nights in Henry VIII to 14 Feb. last #1 5s., and 5 nights in the Fair to 13 Nov. last 5s. Paid half year's Poor's rate for the theatre due Lady day last, #24 15s. 10d., and ditto for House in Bow Passage 17s. 9d. Receipts: #59 1s. 6d. (Account Book)

Performances

Mainpiece Title: Love For Love

Performance Comment: As17740405 but Jeremy-Lewes, first time; Angelica-Miss Sherman, first time.
Cast
Role: Jeremy Actor: Lewes, first time
Role: Angelica Actor: Miss Sherman, first time.
Role: Valentine Actor: Lewis, first time
Role: Foresight Actor: Cushing
Role: Mrs Frail Actor: Miss Barsanti
Role: Miss Prue Actor: Mrs Mattocks
Role: Mrs Foresight Actor: Mrs Baker

Afterpiece Title: The Dragon of Wantly

Cast
Role: Margery Actor: Miss Jameson, first time.
Event Comment: Benefit for Bannister

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Bannister; Peachum-Aickin; Lockit-Wilson; Mat-Fearon; Ben Budge-Carpenter; Beggar-Lloyd; Filch-Burton; first time; Diana Trapes-Weston, first time in that part; Lucy-Mrs Thompson; Mrs Peachum-Mrs Love; Mrs Slammekin-Mrs Johnston; Jenny-Miss Ambrose; Mrs Coaxer-Miss Platt; Polly-Mrs Jewell; A double hornpipe-; To conclude with a Country Dance-the Characters.

Afterpiece Title: A Trip to Portsmouth

Monologue: An Interlude,Piety in Pattens. As 1 June, but Mrs Candy-Mrs Love

Entertainment: After the Interlude: Abel Drugger's Return-Weston, as17740829; Imitations-Bannister

Dance: Giorgi's Scholars

Performances

Mainpiece Title: The Grecian Daughter

Performance Comment: Evander-Reddish, first time; Philotas-Cautherly; first time; Greek Herald-Wright; Calippus-Keen; Dionysius-Palmer; Melanthon-Packer; Phocian-J. Aickin; Arcus-Hurst; Greek Officer-Davies; Erixene-Miss Platt; Euphrasia-Miss Younge.
Cast
Role: Evander Actor: Reddish, first time
Role: Erixene Actor: Miss Platt
Role: Euphrasia Actor: Miss Younge.

Afterpiece Title: The Election

Afterpiece Title: The Genii

Event Comment: Ranger-for Vernon. Paid $Mr Barthelemon">Mr Vernon-much Applause (Hopkins Diary). Benefit for Vernon. Paid $Mr Barthelemon for composing The Election &c. #30; Gratuity to Ralph Harwood #5 5s. Receipts: #196 18s. 6d. Charges: #67 4s. Profit to Vernon: #129 14s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-Vernon, first time; Frankly-Palmer first time; Tester-Burton; Strictland-Jefferson; Bellamy-Packer; Jack Meggot-Dodd; Ranger's Servant-Wheeler; Mrs Strictland-Mrs Greville; Lucetta-Mrs Love; Milliner-Mrs Davies; Landlady-Mrs Bradshaw; Jacintha-Miss Younge; Clarinda-Miss Pope; Dancing-Atkins, Mrs Sutton; To Conclude with a Country Dance-.
Cast
Role: Ranger Actor: Vernon, first time
Role: Frankly Actor: Palmer first time
Role: Jacintha Actor: Miss Younge
Role: Clarinda Actor: Miss Pope

Afterpiece Title: The Deserter

Performance Comment: As17750220, but Jenny-Mrs Davies, first time.

Dance: The Irish Fair, as17740917

Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant (only) at the Stage-Door. [Customary footnote for subsequent bills. Only significant variations will be noted further. The Westminster Magazine this month (p. 557) remarked upon Woodward's Prologue, "in part a parody on the celebrated speech of Cato in Addison's Tragedy....He informed the audience that they had assembled their Theatrical troops against the approaching winter; and that their leaders had met in council to consider the best method of supporting their campaign; but as their forces were numerous and strong, he hoped the town would not refuse them sufficient subsidies especially...as their Gods must aat, and without money could not even raise a Devil."] Receipts: #184 4s. 6d. (Account Book)

Performances

Mainpiece Title: The Busy Body

Performance Comment: Marplot (with the Address to the Town)-Woodward; Sir George-Mattocks; Charles-Wroughton; Sir Francis-Shuter; Sir Jealous-Dunstall; Whisper-Hamilton; Scentwell-Miss Pearce; Isabinda-Miss Valois; Patch-Mrs Pitt; Miranda-Mrs Baker; With a New Occasional Prologue (Never spoken before)-Woodward (playbill); Miranda-Miss Macklin (Public Advertiser).
Cast
Role: Scentwell Actor: Miss Pearce
Role: Isabinda Actor: Miss Valois
Role: Miranda Actor: Miss Macklin

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: As17751110, but Horatio-Aickin, first time; Lothario-Webster, first time, and his last time of performing this season; Lucilla-Miss Dayes.

Afterpiece Title: The Syrens

Cast
Role: Margery Actor: Miss Francis for Mrs Pitt.
Role: Forecastle Actor: Wilson
Role: Doris Actor: Miss Barsanti
Event Comment: Mainpiece: By Particular Desire. Paid Mr R. Johnston for Gilding &c. #34 15s. 6d.; 2 Clarinets 6 nights (21st inst. incl.) #9 9s. (Treasurer's Book). Receipts: #261 8s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-Garrick; Strictland-Love; Frankly-Aickin; Jack Meggot-Dodd; Tester-Weston; Bellamy-Packer; Clarinda-Miss Pope; Mrs Stricktland-Mrs Morland; Jacintha-Miss Younge, 1st time; Milliner-Miss Rogers; Ranger's Servant-Ackman; Lucetta-Mrs Love; Landlady-Mrs Bradshaw; To Conclude with a Country Dance-.
Cast
Role: Clarinda Actor: Miss Pope
Role: Jacintha Actor: Miss Younge, 1st time
Role: Milliner Actor: Miss Rogers

Afterpiece Title: Hob in the Well

Event Comment: Mainpiece: Not acted these 3 years. [See 14 Jan. 1763.] Dined at Terry's. At Davies read the principal parts of As You Like It. Got into the Pit before the Play began. Stood all the time of the performance. Mrs Dancer played Rosalind with great propriety, looks very well in boys clothes...Caelia, with the Cockoo, a delightful song (not in the play) by Mrs Baddeley, being her 1st appearance in that character. This excellent comedy so well performed gave me great pleasure. End Act I, Hearts of Oak, a pretty dance by Mrs King, Giorgi, etc. The Entertainment was Harlequin's Invasion, with a prologue spoken by King. This triumph of Shakespeare over folly is one of the best and most magnificent Pantomimes and not mere dumb show (Neville MS Diary)

Performances

Mainpiece Title: As You Like It

Performance Comment: Touchstone-King, 1st time; Orlando-Palmer; Jaques-Love; Duke Sr-Hurst; Frederick-Bransby; Oliver-Packer; Le Beau-Ackman; Corin-Hartry; Jaques de Bois-Fox; Charles-Moody; Silvius-Strange; William-Messink; Amiens (with songs)-Vernon; Adam-Havard; Celia (with song in character)-Mrs Baddeley, 1st time; Phebe-Miss Simson; Audrey-Mrs Bradshaw; Rosalind-Mrs Dancer.
Cast
Role: Phebe Actor: Miss Simson

Afterpiece Title: Harlequins Invasion

Dance: I: Hearts of Oak-Giorgi, Mrs King

Performances

Mainpiece Title: The Constant Couple

Performance Comment: Sir Harry Wildair-Dodd, first time; Col. Standard-Bensley, first time; Smuggler-Parsons; Vizard-Hurst; Beau Clincher-Yates; Clincher Jun-King; Dicky-Vaughan; Tom Errand-Clough; Lady Darling-Mrs Cross; Parly-Mrs Bennet; Angelica-Miss Plym; Lady Lurewell-Mrs Dodd, first appearance that stage.

Afterpiece Title: The Hermit

Cast
Role: Colombine Actor: Miss Baker
Event Comment: Mainpiece [1st time; MD 3, by Prince Hoare. Larpent MS 1126; not published; synopsis of plot in Monthly Magazine, May 1796, p. 320]: With new Scenes, Dresses, Decorations, &c. The Musick principally composed by the late Mr Storace [who had died on 19 Mar.], with a few Selections from Paisiello, Haydn and Sarti. [Grove, under Storace, states that the music was completed and prepared for the stage by Kelly and Sga Storace.] The Scenes designed and executed by Marinari and assistants. The Dresses by Johnston, Gay and Miss Rein. Books of the Songs to be had in the Theatre. "It was exceedingly tedious the first night, not being over till eleven o'clock. Since, it has been prudently cut down, and yet has lost nothing. A prologue, written on the very morning of representation, deploring the loss of the composer, was spoken (perfectly) by the last unfortunate Benson [for whom see 9 June. It was written by Hoare (Universal Magazine, May 1796, p. 362), and Was perhaps spoken only on the 1st night; it is not listed on any playbill]" (Monthly Magazine, May 1796, p. 320). "In short, possessing all the science of Harrison, the melody of Incledon, and the pleasing articulation of the late Mrs Kennedy, we have no hesitation in pronouncing [Braham] the first public singer of the present day. He was three times encored. His action is indifferent, and his dialogue scarcely audible" (Morning Herald, 2 May). Receipts: #297 14s. (258.10.6; 38.19.6; 0.4.0)

Performances

Mainpiece Title: Mahmoud Or The Prince Of Persia

Performance Comment: [Characters-Aickin, Kemble, Braham (1st appearance on any stage i.e. as an actor, not a singer]), Packer, Suett, Bannister Jun., Kelly, Dignum, Sedgwick, Maddocks, Cooke, Caulfield, Evans, Webb, Trueman, Wentworth, Phillimore, Banks, Master Gregson, Miss Menage, Miss Leak, Miss Miller, Mrs Bland, Sga Storace; Cast from Songs (no pub., 1796): Sultan-Aickin; Mahmoud-Kemble; Noureddin-Braham (whose 1st appearance on the stage was at cg, 21 Apr. 1787); Helim-Packer; Barakka-Suett; Abdoul Cassan-Bannister Jun.; Mossafer-Kelly; Hassan-Dignum; Malek-Sedgwick; Petitioners-Caulfield; Muley-Banks; Aladdin-Miss Menage; Balsora-Miss Leak; Zobeide-Miss Miller; Desra-Mrs Bland; Zelica-Sga Storace; unassigned-Maddocks, Cooke, Evans, Webb, Trueman, Wentworth, Phillimore, Master Gregson; General Chorus-Danby, J. Fisher, Welsh, Master DeCamp, Atkins, Boyce, Brown, Denman, Fisher, Tett, Aylmer, Caulfield Jun., Dibble, Gallot, Willoughby, Annereau, Bardoleau, Cook, Walker, Miss Arne, Mrs Boimaison, Mrs Bramwell, Mrs Butler, Miss Chatterley, Miss Jackson, Mrs Maddocks, Miss Mellon, Miss Stuart, Miss Wentworth. [Prologue, not listed on playbill, spoken by Benson.]Prologue, not listed on playbill, spoken by Benson.]

Afterpiece Title: All the Worlds a Stage

Event Comment: The King's Company. Pepys, Diary: I went to the Theatre and there saw Bartholomew Faire, the first time it was acted now-a-days. It is a most admirable play and well acted, but too much prophane and abusive

Performances

Mainpiece Title: Bartholomew Fair

Event Comment: The King's Company. Pepys, Diary: To the Theatre, and saw The Jovial Crew, the first time I saw it, and indeed it is as merry and the most innocent play that ever I saw, and well performed

Performances

Mainpiece Title: The Jovial Crew

Event Comment: 'It is not certain what company played at this theatre ont his day Pepys, Diary: To Salisbury Court play house, where was acted the first time 'Tis pity Shee's a Whore, a simple play and ill acted, only it was my fortune to sit by a most pretty and ingenious lady, which pleased me much

Performances

Mainpiece Title: tis A Pity Shes A Whore

Related Works
Related Work: Tis A Pity She's A Whore Author(s): John Ford
Event Comment: Benefit Bowen, who will be (in a most particular Manner) Honour'd that Night with the Presence of L'Madam Signiora Fount, Native de Barselona Di Cala Qualificatta, being the first time of her appearance in the English Theatre; and by reason the Queen's Box will be taken up by the Foreign Ministers, The Spanish Lady will be in one of the Stage-Boxes in the Habit of of her Country

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Cheats of Scapin

Event Comment: A new Comic Opera; the Music by several celebrated Composers [chiefly Scolari], and conducted Ii.e. arranged] by Bianchi. With new Scenes, new Dresses and Decorations. Public Advertiser, 27 Nov.: L'Arcifanfano was performed for the first time on Saturday, and universally disapproved of. It will not be repeated Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. By Their Majesties' Command, no Person can be admitted behind the Scenes. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season, except for L'Omaggio (see 5 June 1781)]. To prevent Inconvenience to the Nobility and Gentry in getting to their Carriages, they are most respectfully intreated to give positive orders to their servants to set down and take up with their Horses' Heads towards Pall-mall. The Door in Market Lane for Chairs only

Performances

Mainpiece Title: Larcifanfano

Dance: End I: New Ballet-Sg and Sga Zuchelli, Sga Crespi; End II: new ballet, composed by Simonet, The Fortunate Escape-Slingsby, Sga Tantini, Sga Crespi, Mme Simonet; End Opera: new ballet, composed by Simonet, The Country Gallant-, in which Mme Simonet, will dance in Men's Cloaths with Sga Tantini, Sga Crespi, Sg and Sga Zuchelli

Event Comment: [Extra night] By Authority of the Most Noble the Marquis of Salisbury, Lord Chamberlain of his Majesty's Household. Benefit for Waldron, prompter. [Amarath the Fourth was "A musical tale," 1st acted at the Royalty, 27 Nov. 1797.] 3rd piece [1st time; P 1, author unknown]: Got up under the direction of Delpini. Tickets to be had of Waldron, No. 4, Cross-court, Bow-street, Covent-garden.

Performances

Mainpiece Title: The Country Girl

Performance Comment: Moody-A Gentleman (1st appearance on any stage [unidentified]); Miss Peggy-Mrs Harlowe.
Cast
Role: Miss Peggy Actor: Mrs Harlowe.

Afterpiece Title: The Sultan or A Peep into the Seraglio

Afterpiece Title: The Giant and Dwarf or Columbine Captive

Entertainment: Vaudeville. A Pasticcio, consisting of: From Shades of Night[, composed by Storace for Mahmoud,-D'Arcy; [The first Strophe, Epode, and Antistrophe of Gray's Bard-a Young Gentleman [, aged 10 years [unidentified]; Cheap Experience [; or, Cheats of London, composed by Dibdin,-Waldron Jun

Performance Comment: A Pasticcio, consisting of: From Shades of Night[, composed by Storace for Mahmoud,-D'Arcy; [The first Strophe, Epode, and Antistrophe of Gray's Bard-a Young Gentleman [, aged 10 years [unidentified]; Cheap Experience [; or, Cheats of London, composed by Dibdin,-Waldron Jun.
Cast
Role: for Mahmoud, Actor: D'Arcy
Event Comment: MMiddleton's Great Theatrical Booth. A Concert. Boxes 2s. 6d. Pit 1s. 6d. First Gallery 1s. Upper Gallery 6d

Performances

Mainpiece Title: The Rival Queens Or The Death Of Alexander The Great Intermixed With A Comic Called A Wife Well Managd Or A Cure For Cuckoldom

Performance Comment: Alexander-Marshall; Clytus-Peterson; Lysimachus-Pattenden; Hephestion-Nayler; Cassander-Beauford; Statira-Mrs Davis; Roxana-Miss Carter; Teague-Middleton; Don Drub-Malone; Fryar-Hurrel; Lady Drub-Miss Young; Diligence-Mrs Middleton.
Cast
Role: Cassander Actor: Beauford
Role: Roxana Actor: Miss Carter
Role: Lady Drub Actor: Miss Young

Afterpiece Title: The Adventures of Harlequin in Spain

Event Comment: Nothing said abour ye prolog: (Cross). The Music of the Funeral Procession compos'd by Dr Boyce. [See "William Boyce's 'Solemn Dirge' in Garrick's Romeo and Juliet Production of 1750," by Charles Haywood, Shakespeare Quarterly, Spring, 1960.] This day is Publish'd at 1s. 6d. Romeo and Juliet a Tragedy, revised and alter'd from Shakespear by Theophilus Cibber, First revised in September 1744, at the Theatre in the Haymarket; now acted at the Theatre Royal in Drury Lane. To which is added a Serio-Comic Apology for Part of the Life of Mr Theophilus Cibber, Comedian, written by himself. Interspers'd with memoirs and anecdotes relating to the Stage Managements, Theatrical Resolutions, &c. also cursory Observations on principal Players: particularly Mr Quin, Mr Ryan, Mrs Woffington, Mrs Ward, and Miss Bellamy; Mr Garrick, Mr Barry, Mrs Cibber, Mrs Clive, Mrs Pritchard, &c. Likewise Original Letters that passed between the late Sir Thomas DeVeil and Mr Theophilus Cibber relating to the Stage Act, Concluding with a copy of Verses, call'd the Contrite Comedian's Confession. Printed for C. Corbett, the Publisher, at Addison's Head, facing St Dunstan's Church, Fleet St; G. Woodfall, at the King's Arms, the corner of Craig's Court, Charing Cross. [See 11 Oct.] Receipts: #170 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17500928, but with the additional scene representing The Funeral Procession- to the +Monument of the Capuletsv; vocal parts-Beard, Reinhold, Master Mattocks, Wilder, Mrs Clive, Miss Norris, Mrs Mathews.
Event Comment: On Saturday next will be publish'd in The Westminster Journal, (over and above the Essay as usual) No 1 of The Theatrical Kalander. In which not only will be kept an accurate register of all the plays, farces, and Entertainments exhibited as both Theatres Royal, but the respective merits of the performances, as well as performers, will be critically and impartially considered. To be continued weekly during the season. Note This is the first thing of its kind attempted in England, and it is humbly presumed, that it will have something still more than Novelty to recommend it (Public Advertiser). [See numbers 4 May 1754 and 17 Oct. 1755 of this magazine.

Performances

Mainpiece Title: The Way Of The World

Performance Comment: Sir Wilful-Shuter; Mirabel-Ryan; Fainall-Ridout; Lady Wishfort-Mrs Pitt; Mrs Fainall-Mrs Barrington; Witwou'd-Dyer; Petulant-Cushing; Foible-Mrs Dunstall; Mincing-Miss Helm; Peg-Miss Ferguson; Waitwell-Arthur; Millamant-Mrs Vincent; Mrs Marwood-Mrs Elmy.
Cast
Role: Lady Wishfort Actor: Mrs Pitt
Role: Mincing Actor: Miss Helm
Role: Peg Actor: Miss Ferguson

Afterpiece Title: The Devil to Pay

Event Comment: Mainpiece: Never acted before. Characters new dressed &c. [See Theatrical Review; or, Annals of the Drama, 1763, pp. 67-74: Bless us what a sweet consistent piece of business is a modern Tragedy." See Boswell's account of his attendance that night with two friends, With oaken cudgels in our hands and shrill sounding catcalls in our pockets," ready prepared to damn the play (London Journal), p. 154 ff.).] Critical Strictures on the New Tragedy of Elvira, published this month (Gentleman's Magazine). I then undressed for the Play. My father and I went to the Rose, in the Passage of the Playhouse, where we found Mallet, with about thirty friends. We dined together, and went from thence into the Pitt, where we took our places in a body, ready to silence all opposition. However, we had no occasion to exert ourselves. Not withstanding the malice of a party, Mallet's nation, connections and indeed imprudence, we heard nothing but applause. I think it was deserved. The play was borrowed from de la Motte, but the details and language have great merit. A fine Vein of dramatick poetry runs thro' the piece. The Scenes between the father and son awaken almost every sensation of the human breast; and the Council would have equally moved, but for the inconvenience unavoidable upon all Theatres, that of entrusting fine Speeches to indifferent Actors. The perplexity of the Catastrophe is much, and I believe justly, critisized. But another defect made a strong impression upon me. When a Poet ventures upon the dreadful situation of a father who condemns his son to death; there is no medium; the father must either be monster or a Hero. His obligations of justice, of the publick good, must be as binding, as apparent as perhaps those of the first Brutus. The cruel necessity consecrates his actions, and leaves no room for repentance. The thought is shocking, if not carried into action. In the execution of Brutus's sons I am sensible of that fatal necessity. Without such an example, the unsettled liberty of Romev would have perished the instant after its birth. But Alonzo might have pardoned his son for a rash attempt, the cause of which was a private injury, and whose consequences could never have disturbed an established government. He might have pardoned such a crime in any other subject; and the laws could exact only a equal rigor for a son; a Vain appetite for glory, and a mad affectation of Heroism, could only influence him to exert an unequal & superior severity (Gibbon's Journal, ed. D. M. Low [New York, n.d.], pp. 202-4)

Performances

Mainpiece Title: Elvira

Performance Comment: Principal parts by: Garrick, Holland, Love, Packer, Burton, Ackman, Castle, Fox, Mrs Pritchard, Miss Bride, Mrs Cibber, Prologue and Epilogue. Don Alonzo-Garrick; Don Pedro-Holland; Don Alvarez-Love; Don Roderigo-Packer; Elvira-Mrs Cibber; Queen-Mrs Pritchard; Almayda-Miss Bride; Ambassador (?)-Burton; Ramirez-Ackman; Mendozo-Castle; Courtier-Fox; Prologue-Holland; Epilogue (writ by Garrick)-Mrs Cibber (Edition of 1763).
Cast
Role: Almayda Actor: Miss Bride

Afterpiece Title: The Male Coquette

Event Comment: [The King's Company. The date of the first performance is not known, but a letter--see 2 Jan. 1670@1--indicates that the first part had been acted before that date and that Part II was to be shortly staged. The point of the Prologue spoken by Ellen Gwyn seems to have derived from an incident at Dover (see Downes, Roscius Anglicanus, p. 20) in May 1670, when James Nokes attired himself in a ridiculous fashion, including "Broad wast Belts." The speakers of the Epilogue and the Prologue to the Second Part are mentioned in Sir William Haward's MS (Bodl. MS Don. b., pp. 248-49); see The Poems of John Dryden, ed. James Kinsley (Oxford, 1958), IV, 1848-49. In Part I a song Beneath a myrtle shade, with music by John Bannister, is in Choice Songs and Ayres, First Book, 1673. Another, Wherever I am, with music by Alphonso Marsh, is in the same collection, as is also How unhappy a lover am I, the music by Nicholas Staggins. Mrs John Evelyn to Mr Bohun, ca. Jan. 1670@1: Since my last to you I have seen The Siege of Grenada, a play so full of ideas that the most refined romance I ever read is not to compare with it; love is made so pure, and valour so nice, that one would image it designed for an Utopia rather than our stage. I do not quarrel with the poet, but admire one born in the decline of morality should be able to feign such exact virtue; and as poetic fiction has been instructive in former ages, I wish this the same event in ours. As to the strict law of comedy I dare not pretend to judge: some think the division of the story is not so well if it could all have been comprehended in the day's actions (The Diary and Correspondence of John Evelyn, ed. William Bray, IV, 25). According to John Evelyn--see 9 Feb. 1670@1--Robert Streeter did some of the scenes for this play. In the Preface to The Fatal Discovery, ca. February 1697@8, George Powell, in discussing revivals of Dryden's plays, stated: In relation to our reviving his Almanzor...very hard crutching up what Hart and Mohun could not prop

Performances

Mainpiece Title: The Conquest Of Granada By The Spaniards

Performance Comment: Almanzor and Almahide; or, The Conquest of Granada. The Second Part. Edition of 1672: Prologue to the First Part-Mrs Ellen Gwyn in a broad brim'd hat, and was belt; Mahomet Boabdelin-Kynaston; Prince Abdalla-Lydall; Abdelmelech-Mohun; Zulema-Harris; Abenamar-Cartwright; Selin-Wintershall; Ozmyn-Beeston; Hamet-Watson; Gomel-Powell; Almanzor-Hart; Ferdinand-Littlewood; Duke of Arcos-Bell; Almahide-Mrs Ellen Gwyn; Lyndaraxa-Mrs Marshall; Benzayda-Mrs Bowtell; Esperanza-Mrs Reeve; Halyma-Mrs Eastland; Isabella-Mrs James; Epilogue-Charles Hart?; Prologue to the Second Part of the Conquest of Granada-Michael Mohun?; Epilogue to the Second Part-.

Performances

Mainpiece Title: The Clandestine Marriage

Performance Comment: Ogleby-Kniveton; Lovewell-Mattocks; Sterling-Dunstall; Sir John-Bensley; Brush-Dyer; Canton-Quick; Flower-Younger; Miss Sterling-Mrs Gardner; Fanny-Miss Miller, first time; Betty-Miss Pearce; Chambermaid-Mrs Kniveton; Mrs Heidleberg-Mrs Green (playbill); Flower-Wignell (Public Advertiser); With the New Occasional Prologue spoken for the third time-Woodward.

Afterpiece Title: Midas

Performance Comment: Midas-Shuter; Apollo-Mattocks; Pan-Dunstall; Jupiter-Fox; Damaetas-Hollingsworth; Sileno-Baker; Juno-Miss Pearce; Daphne-Mrs Baker; Mysis-Mrs Green; Nysa-Mrs Mattocks.
Cast
Role: Juno Actor: Miss Pearce