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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Miss Rogers for first time O Horrible most Horrible\' "/1) | (@(roleclean,performerclean) "Miss Rogers for first time O Horrible most Horrible\' ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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20328 results for: Keyword - Miss Rogers</i> for first time-O Horrible! most Horrible'. (<i><span class=
We found 15843 matches on Performance Comments, 5895 matches on Event Comments, 5338 matches on Performance Title, 183 matches on Author, and 0 matches on Roles/Actors.

2551
03 January 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: The Hypocrite

Performance Comment: Maw@worm-Parsons, first time; Seyward-Brereton, first time; Dr Cantwell-Moody; Sir John Lambert-Packer; Col. Lambert-Jefferson; Lady Lambert-Mrs Greville; Old Lady Lambert-Mrs Bradshaw; Charlotte-Mrs Abington; Darnley-Reddish.
Cast
Role: Maw@worm Actor: Parsons, first time
Role: Seyward Actor: Brereton, first time

Afterpiece Title: The Jubilee

2552
01 June 1793 @ Drury Lane Theatre

Event Comment: Benefit for Caulfield, Miss DeCamp, Miss Tidswell & Miss Heard. [In mainpiece the playbill assigns Mr Worthy to Benson but "an apology was made for the absence of Benson...His part of Worthy was read by Whitfield" (Thespian Magazine, July 1793, p. 50).] Tickets delivered for the 8th of June will be admitted. Morning Herald, 24 May: Tickets to be had of Caulfield, No. 8, Dartmouth-street, Westminster; of Miss DeCamp, No. 70, Tottenham-Court-Road; of Miss Tidswell, No. 3, Little Charles-street, St. James's-square; of Miss Heard, No. 13, Panton-street, Hay-market. Receipts: #182 3s. (28.17; 3.5; tickets: 150.1) (charge: #86 8s.)

Performances

Mainpiece Title: At Hay The Recruiting Officer

Performance Comment: Mr Ballance-Packer; Scale-Fawcett; Scruple-Maddocks; Mr Worthy-read byWhitfield; Captain Plume-Wroughton; Captain Brazen-Dodd; Serjeant Kite (1st time; with O! what a charming thing's a battle)-Caulfield; Bullock-Moody; Coster Pearmain-Hollingsworth; Tho. Appletree-Burton; Welch Collier-Suett; Constable-Banks; Sylvia (with a song)-Mrs Jordan; Melinda-Miss Heard (1st appearance in that character); Lucy-Miss Tidswell; Rose-Miss Pope.
Cast
Role: Melinda Actor: Miss Heard
Role: Lucy Actor: Miss Tidswell
Role: Rose Actor: Miss Pope.

Afterpiece Title: The Mariners

Cast
Role: Sea Boys Actor: Miss DeCamp
Role: Susan Actor: Miss Collins
Role: Bell Actor: Miss Heard
Role: Julia Actor: Miss Menage

2553
05 October 1772 @ Covent Garden

Event Comment: The Characters [of the mainpiece] New Dressed according to the habits of the times. [At foot of the bill first appears the customary notice: Places for the Boxes to be taken only of Mr Sarjant at the Stage Door. The Doors to be opened at 5 o'clock. To begin at 6 o'clock. Vivant Rex & Regina."] Paid Church & Militia tax for theatre #8 15s. and for House in Bow Passage 6s. 3d. (Account Book). Receipts: #232 14s. 6d

Performances

Mainpiece Title: Jane Shore

Performance Comment: Hastings-Smith; Shore-Bensley; Ratcliff-Davis; Belmour-Hull; Catesby-Perry; Gloster-Clarke; Derby-Wignell; Alicia-Miss Miller; Jane Shore-Mrs Hartley, first appearance this stage.
Cast
Role: Alicia Actor: Miss Miller
Role: Jane Shore Actor: Mrs Hartley, first appearance this stage.

Afterpiece Title: The Apprentice

Cast
Role: Watchman Actor: Besford
Role: Charlotte Actor: Miss Ogilvie.

Dance: End: The Old Ground Young, as17720928

2554
27 November 1773 @ Covent Garden

Performances

Mainpiece Title: Othello

Performance Comment: Othello-a Gentleman, first appearance any stage [Brown]; Iago-Bensley; Cassio-Clarke; Brabantio-Gardner; Roderigo-Lewes[, first time; Lodovico-Owenson; Montano-Davis; Duke-Thompson; Gratiano-Redman; Emilia-Mrs Green; Desdemona-Miss Miller.
Cast
Role: Othello Actor: a Gentleman, first appearance any stage
Role: Desdemona Actor: Miss Miller.

Afterpiece Title: Catherine and Petruchio

Dance: End: The Highland Reel, as17731112

2555
14 December 1776 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; T 5, by George Edward Ayscough, based on Semiramis, by Voltaire. Prologue by the author. Epilogue by Richard Brinsley Sheridan (see text)]: With New Scenes and Dresses. This Tragedy is a translation from Voltaire by Captain Ayscough. Mrs Yates played finely, and met with the Applause she deserved. Mrs Reddish, alias Mrs Canning, who played the part of Azema, was hissed all through, and must never perform again. Indeed she was very bad. The Play was greatly applauded (Hopkins Diary). Public Advertiser, 24 Dec. 1776: This Day is published Semiramis (1s. 6d.). Receipts: #226 3s. 6d. (224.16.6; 0.0.0; 1.7.0)

Performances

Mainpiece Title: Semiramis

Performance Comment: Principal Characters by Smith, Bensley, Grist, Farren, Hurst, Chaplin, R. Palmer, Reddish, Mrs Reddish, Mrs Yates. [Cast from text (J. Dodsley, 1776), and Town and Country Magazine, Dec. 1776, p. 659: Ninias (known first as Arzaces)-Smith; Assures-Bensley; Mithranes-Grist; Otanes-Farren; Ghost of Ninus-Hurst; Cedarus-Chaplin; Oroes-Reddish; Azema-Mrs Reddish (in text: Miss Hopkins [see17761216]); Semiramis-Mrs Yates; R. Palmer [is unassigned; Prologue-Reddish; Epilogue-Mrs Yates. [These were spoken, as here assigned, at the first 9 performances only (see17770201.)]These were spoken, as here assigned, at the first 9 performances only (see17770201.)]

Afterpiece Title: The Irish Widow

Dance: End I afterpiece: The Irish Fair, as17761031

2556
21 April 1772 @ Covent Garden

Event Comment: Benefit for Mrs Lessingham. Afterpiece: Not acted these 30 years, Being the most Tragical Tragedy that ever was Tragedized by any company of Tragedians. Charges #76 4s. 6d. Profit to Mrs Lessingham #74 15s.; plus #91 13s. from tickets (Box 205; Pit 164; Gallery 158). Paid Wills (mercer) #13 19s.; Paid Kingwood for flowers and feathers as per bill #13 8s. (Account Book). Receipts: #141 19s. 6d. (Account Book)

Performances

Mainpiece Title: Hamlet

Performance Comment: As17710925, but King-Clarke, 1st time; Laertes-Davis; Polonius-Baddeley (from Drury Lane); Ophelia-Mrs Lessingham; 1st time. Rosencraus-_; Guildenstern-_.
Cast
Role: Queen Actor: Miss Miller.

Afterpiece Title: Chrononhotonthologos

Monologue: True Blue. As 7 April, but Principal Parts-Mrs Mattocks, Mrs _Baker

2557
30 October 1780 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. [1st time; M.ENT 3, by George Alexander Stevens. Larpent MS 533; not published. Songs published by R. Snagg, 1780.] The Overture, most of the Airs [see 6 Nov.], and Decorations entirely new. Ne Quid Nimis; or, Too much of one Thing is good for Nothing. Boxes 5s. Pit 3s. Gallery 2s. The Public are respectfully informed that the Upper Gallery will not be opened. The Doors to be opened at 6:00. To begin at 7:00. The Songs, written by G. A. Stevens, are to be had at the Theatre

Performances

Mainpiece Title: The Cabinet Of Fancy Or Evening Exhibition

Performance Comment: [Consisting of variety of Paintings, serious and comic; Satirical, Portrait and Caricature Designs; Emblematical, Pantomimical, Farcical and Puppet-showical Representations, mostly Transparency. Instead of delivering a Catalogue, the Designs will be explained by at present an unknown Artist see I Nov.]. As the Time of viewing the Exhibition is limited, and as it is the wish to render it as amusing as possible, an excellent band of Music will be provided for the entertainment of the Spectators. In the course of the explanation of the Pictures several Songs will be introduced.. As the Time of viewing the Exhibition is limited, and as it is the wish to render it as amusing as possible, an excellent band of Music will be provided for the entertainment of the Spectators. In the course of the explanation of the Pictures several Songs will be introduced.
Cast
Role: Farcical and Puppet Actor: showical Representations, mostly Transparency. Instead of delivering a Catalogue, the Designs will be explained by at present an unknown Artist see I Nov.

2558
17 November 1794 @ Covent Garden

Event Comment: Afterpiece [1st time; BALL. P 2, by James Byrn. Synopsis of action, somewhat enlarged from that on playbill (H. Macleish, 1794)]: The Music partly new by Shield, and partly selected from Haydn, Mazzinghi, Gluck, Baumgarten, Gretry, Martin? y Soler, Dezede, Eley. With a new Overture for a Double Orchestra composed by Reeve. The Scenery, Machinery, Dresses and Decorations are entirely New. The Scenery painted by Hodgins, Walmsley, Phillips and Lupino Jun., assisted by Hollogan, Byrn, &c. The Dresses chiefly designed by Lupino Sen., and executed under the direction of Dick. "This ballet [is] the most magnificent exhibited on the English stage for many years" (Universal Magazine, Nov. 1794, p. 378). Receipts: #136 13s. 6d. (123.12.6; 13.1.0)

Performances

Mainpiece Title: The Fair Penitent

Cast
Role: Lavinia Actor: Miss Chapman
Role: Lucilla Actor: Miss Hopkins
Role: Calista Actor: Miss Wallis.

Afterpiece Title: Hercules and Omphale

Performance Comment: Morning Chronicle, 19 Nov., notes that the Principal parts-Incledon, Quick, Munden, Fawcett, Mrs Martyr, Mrs Mountain; Part I. The Piece commences with a View of Omphale's Palace; Omphale, Queen of Lydia, seated on her Throne, surrounded by Virgins--The Princes of Dacia and Mycoene send Ambassadors, each demanding her hand in marriage--then follows the Magnificent Entry of the Two Princes; Dacians: Dacian Soldiers bearing Spears, Trophies of Armour, Egyptians bearing Presents, Musician, Dacian Officers with Trophies, The Prince of Dacia borne in a Triumphal Car drawn by War-Horses in compleat Armour. Mycoeneans: Mycoenean Officers with Swords and Shields, Armour Bearer, Women bearing Presents, Numidians with Presents, Martial Music, The Prince of Mycoene drawn in a Triumphal Car by Horses richly caparisoned. The Procession over, a Pyrrhic Dance takes place, when Thunder is heard--Jove's Eagle descends, bearing a Festoon with this inscription, "Hercules is doomed the Slave of Omphale"--Hercules enters cloathed in the hide of Nemean Lion, attended by Iolaus--he offers Presents to Omphale--she receives them with tenderness-The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber (a monster with three heads) who had desolated the adjacent country, hearing the sound of horns, lays in wait for his prey--the rival Princes are seen passing thro' the trees--Omphale and her train appear returning from the Chace--The Princes retire and plan to seize her-Cacus enters and forces her into the cave--the Princes with their Attendants attempt to seize Hercules, who for some time defends himself against their united force; nearly va quished he prays to Jupiter, when a Storm arises, thunder, lightning, hail, fire, and massey stones are seen to descend--Hercules gains the Mouth of the Cavern, and thus defends himself from the Storm and his Assailants--Screams are heard within the Cavern--the Prince of Dacia bearing off Omphale, the Prince of Mycoene forces her from him, and after slaying the Prince of Dacia, escapes with his conquest--the Tempest ceases--Hercules and Cacus come from the Cave, a Combat ensues, in which Hercules vanquishes the Robber--He then pursues the Prince of Mycoene, and is informed by Iolaus, that Omphale is shut up in the city of Mycoene--Catapultas, Battering Rams, are prepared, and the Scene changes to The Town and Fortifications of Mycoene. Hercules at the head of his Army summons it to surrender--the Prince brings Omphale on the Battlements bound in Chains-The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Cast
Role: The Prince of Dacia borne in a Triumphal Car drawn Actor: Horses in compleat Armour. Mycoeneans: Mycoenean Officers with Swords and Shields, Armour Bearer, Women bearing Presents, Numidians with Presents, Martial Music, The Prince of Mycoene drawn in a Triumphal Car by Horses richly caparisoned. The Procession over, a Pyrrhic Dance takes place, when Thunder is heard--Jove's Eagle descends, bearing a Festoon with this inscription, "Hercules is doomed the Slave of Omphale"--Hercules enters cloathed in the hide of Nemean Lion, attended by Iolaus--he offers Presents to Omphale--she receives them with tenderness-The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber
Role: she receives them with tenderness Actor: The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber
Role: The Princes retire and plan to seize her Actor: Cacus enters and forces her into the cave--the Princes with their Attendants attempt to seize Hercules, who for some time defends himself against their united force
Role: the Prince brings Omphale on the Battlements bound Actor: The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Role: She implores him to inspire the breast of Hercules Actor: Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.

2559
12 May 1800 @ Covent Garden

Event Comment: 1st piece [1st time; C 3, by Thomas John Dibdin. In 1801 expanded by the author to 5 acts, and entitled The School for Prejudice. Author of Prologue unknown.]. Receipts: #205 17s. 6d. (202.10.0; 3.7.6)

Performances

Mainpiece Title: Liberal Opinions

Performance Comment: Principal Characters by Lewis, Munden, Fawcett, H. Johnston, Murray, Farley, Emery, Simmons, Rees, Wilde, Atkins, Abbot, Curties, Miss Chapman, Mrs Davenport, Mrs Mills, Miss Mills, Mrs Whitmore, Miss Murray. Cast from text of The School for Prejudice (T. N. Longman and O. Rees, 1801): Frank Liberal-Lewis; Old Liberal-Munden; Ephraim-Fawcett; Mildmay-H. Johnston; Counsellor Friendly-Murray; Squire Chace-Farley; John Grouse-Emery; Parchment-Simmons; Bailiff-Rees; Take-Wilde; Touch-Atkins; Tap-Abbot; Servant-Curties; Mrs Howard-Miss Chapman; Miss Liberal-Mrs Davenport; Fanny Liberal-Mrs Mills; Jenny-Miss Mills; Rachel-Mrs Whitmore; Marian-Miss Murray; Prologue-Mansel.
Cast
Role: Mrs Howard Actor: Miss Chapman
Role: Miss Liberal Actor: Mrs Davenport
Role: Jenny Actor: Miss Mills
Role: Marian Actor: Miss Murray

Afterpiece Title: Paul and Virginia

Cast
Role: Mary Actor: Miss Sims
Role: unassigned Actor: Atkins, Abbot, Miss Wheatley, Mrs Sydney.
Role: Claire Actor: Miss? _Bologna, Mrs _Blurton.
Role: Annette Actor: Miss Burnett.
Role: Antonio Actor: Miss Sims

Afterpiece Title: The Horse and the Widow

Cast
Role: Lady Waitfor't Actor: Mrs Davenport
Role: Miss Courtney Actor: Miss Chapman.
Role: Caroline Actor: Miss Chapman

Dance: As18000501

Song: As18000501

2560
21 March 1800 @ Covent Garden

Event Comment: [The new piano appears to be the Instrument patented in 1799 by Joseph Smith; it contained "the first real use of metal longitudinal bracing, [which] was to be under the sound-board and to replace the wooden braces, and thus provide space for the introduction of a mechanically-played tambourine" (Grove, under Pianoforte).

Performances

Mainpiece Title: Acis And Galatea 0 Grand Selection 0

Cast
Role: Principal Vocal Performers Actor: Master Elliot, Incledon, Dignum, Denman, Sale, Mrs Second, Miss Capper, Miss Tennant, Miss Crosby

Afterpiece Title: Acis and Galatea 3

Performance Comment: Part III A Grand Miscellaneous Act-; Overture and Dead March- (Saul); My faith and truth-Miss Tennant, Master Elliot (Samson); Behold the Nations-Sale; O Baal-Chorus (Deborah); What tho' I trace-Mrs Dussek (Solomon); Come if you dare-Incledon, Chorus (Purcell); The Soldier tir'd-Mrs Second (Dr Arne); Rule Britannia (Purcell) and God save Great George our King-Chorus.
Cast
Role: My faith and truth Actor: Miss Tennant, Master Elliot

Music: End I: a Military Concerto on the new Patent Grand Piano Forte-Mrs Dussek built by Corri and Dussek; with tambourine-; triangle-; End II: concerto on the oboe-W. Parke

2561
03 June 1782 @ Haymarket Theatre

Event Comment: 1st piece: In 3 Scenes of Dialogue. 2nd piece: The Music compiled by Pepusch. [The playbill assigns Filch to Mrs Wilson and Mat o' th' Mint to Miss Morris, but "Miss Morris was merely a temporary substitute for Mrs Wilson who, it seems, is too far advanced in her pregnancy to dress en bomme" (Miming Chronicle, 4 June). But beginning with 7 June Mrs Wilson acted regularly until 3 Aug. Who acted Mat o' th' Mint on this present night has not come to light; the part was perhaps omitted.] 3rd piece: Ballet Tragi-comique. Composed by Signior Novestris [i.e. George Colman, the elder]. The Music by Gluck. With new Scenes, Dresses and Decorations. Machinist and Painter-Sg Rookereschi. Tailor-Sg Walkerino. Places for the Boxes to be taken of Rice at the Theatre. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggars Opera

Performance Comment: Macheath-Mrs Wells; Peachum-Mrs Lefevre; Lockit-Mrs Webb; Mat o' th' Mint -?; Ben Budge-Mrs Inchbald; Crook-finger'd Jack-Miss Painter; Waiter-Miss Hale; Jemmy Twitcher-Miss Francis; Nimming Ned-Mrs W. Palmer; Filch-Miss Morris; Lucy-Mr Edwin; Mrs Peachum-Mr Wilson; Jenny Diver-Mr Wood; Mrs Coaxer-Mr Stevens; Mrs Slammekin-Mr Swords; Sukey Tawdry-Mr Webb; Dolly Trull-Mr R. Palmer; Molly Brazen-Mr Kenny; Mrs Vixen-Mr Massey; Betty Doxy-Mr Painter; Diana Trapes-Mr Wewitzer; Polly-Mr Bannister. hathi.
Cast
Role: Crook Actor: finger'd Jack-Miss Painter
Role: finger'd Jack Actor: Miss Painter
Role: Waiter Actor: Miss Hale
Role: Jemmy Twitcher Actor: Miss Francis
Role: Filch Actor: Miss Morris

Afterpiece Title: Medea and Jason

Performance Comment: Creon (in the Character of Punch)-Wewitzer; Prince de la Cour (as a Running Footman)-Master Byrn; Furies (in the Character of Chimney-sweeps)-Rossi, Nicolini, &c.; Captain of the Guard-Master Edwin; Jason (in the Character of Pierrot)-Delpini; Creusa (en dishabille Francoise)-Miss Byrn; Nurse-Mr Painter; Medea (in the Character of Mother Shipton)-Mme Dagueville .
Cast
Role: Creusa Actor: Miss Byrn

Dance: In Act III of mainpiece a Hornpipe by Master Byrn. [This was danced, as here assigned, in all subsequent performances.]

Performance Comment: [This was danced, as here assigned, in all subsequent performances.] hathi.

2562
20 September 1762 @ Covent Garden

Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant at the Stage-Door of the Theatre. No Persons to be admitted behind the Scenes. Nor any Money to be return'd after the Curtain is drawn up. To begin exactly at six o'clock. [Usual note unless otherwise stated.

Performances

Mainpiece Title: The Stratagem

Performance Comment: Archer-Smith; Aimwell-Ross; Sullen-Sparks; Foigard-Barrington; Scrub-Shuter; Bonniface-Marten; Gibbet-Bennet; Sir Charles-R. Smith; Lady Bountiful-Mrs Ferguson; Dorinda-Miss Hallam, 1st time; Mrs Sullen-Mrs Ward; Cherry-Miss Elliot, 1st appearance that stage.
Cast
Role: Dorinda Actor: Miss Hallam, 1st time
Role: Cherry Actor: Miss Elliot, 1st appearance that stage.

Afterpiece Title: The Old Maid

Performance Comment: Harlow-Davis; Capt. Cape-Dunstall; Young Clerimont-White; Mrs Harlow-Miss Elliot; Miss Harlow-Mrs Younger; with a New Occasional Prologue-Smith.
Cast
Role: Mrs Harlow Actor: Miss Elliot
Role: Miss Harlow Actor: Mrs Younger

2563
28 September 1776 @ Drury Lane Theatre

Event Comment: Mr Baker made his first Appearance in Jerry Sneak--he is a tall, thin, awkward Figure, looked like a Pinmaker, is a very strong Copy of poor Weston, has some Requisites, may in Time be a tolerable Actor in low Comedy--pretty well received. [Note added by $J. P. Kemble: Mr Baker, I have heard, had at this Time just received an Inheritance of fifteen thousand Pounds, which he so quickly dissipated as to be reduced within five years after to the Condition of Coachman to a Bristol Diligence] (Hopkins Diary). Receipts: #181 2s

Performances

Mainpiece Title: New Brooms

Cast
Role: Doxy Actor: Miss Platt
Role: Miss Dripping Actor: Miss Stageldoir
Role: Miss Quaver Actor: Mrs Wrighten

Afterpiece Title: Matilda

Performance Comment: Morcar-Reddish; Siward-Palmer; Oswald-Chaplin; Harold-Wrighten; Edwin-Smith; Bertha-Miss Platt; Matilda-Miss Younge.
Cast
Role: Bertha Actor: Miss Platt
Role: Matilda Actor: Miss Younge.

Afterpiece Title: The Mayor of Garratt

Performance Comment: Jerry Sneak-A Young Gentleman (1st appearance upon any stage [Baker]); Sir Jacob Jollup-Waldron; Mr Bruin-Wright; Lint-Wrighten; Heeltap-Bransby; Major Sturgeon-Bannister; Mrs Bruin-Miss Platt; Mrs Sneak-Mrs Wrighten.
Cast
Role: Mrs Bruin Actor: Miss Platt

2564
18 April 1770 @ Drury Lane Theatre

Event Comment: For the House

Performances

Mainpiece Title: The School For Fathers

Performance Comment: As17700208, but Diana-Mrs Wrighten; Clarissa-Miss Weller (for Mrs Baddeley) first time in this opera (playbill).
Cast
Role: Clarissa Actor: Miss Weller
Role: Parts Actor: Vernon, Aickin, Parsons, Dodd, Bannister, Fawcett, Mrs Baddeley, Miss Radley, Mrs Bradshaw, Mrs Dorman, A Young Gentlewoman, her first appearance. Lionel-Vernon
Role: Jenny Actor: Miss Radley

Afterpiece Title: The Jubilee

Cast
Role: to be spoken for the last time Actor: King.
Role: Parts Actor: King, Moody, Parsons, Ackman, Hurst, Waldron, Castle, Wheeler, W. Palmer, Wright, Keen, Hartry, Mesink, Clough, Booth, J. Burton, Mas. Cape, Mrs Bradshaw, Mrs Lowe. The Vocal Parts-Vernon, Dibdin, Bannister, Champnes, Fawcett, Kear, Miss Radley, Mrs Baddeley
Role: The Vocal Parts Actor: Vernon, Dibdin, Bannister, Champnes, Fawcett, Kear, Miss Radley, Mrs Baddeley
Role: The Dances Actor: Dagueville, Mrs King, Sga Vidini, Miss Rogers
Role: Country Girls Actor: Mrs Baddeley, Miss Radley
Role: Beatrice Actor: Miss Pope

2565
24 November 1775 @ Drury Lane Theatre

Event Comment: Rosetta first time by Miss Sharp--a loud Voice a bad face and mean figure She had Applause--but it won't do (Hopkins Diary). [MacMillan's note from Kemble differs slightly and adds: Miss Sharpe was a Scholar of Mr Bates's--since married to Mr William Palmer, brother to Mr John and Mr Robert Palmer."] Rec'd the late Mr Powell's bond for #200 and 9 years interest in full #290; Stopages #11 18s. Paid Barrow and Co., Oil Bill #50 3s.; Powney, (stationer) #14 11s. 6d.; Tallow Chandler's third bill #47 12s. 4d.; Evans on Wardrobe acct #10 10s.; Grist on acct #6 6s.; Machin, Chorus 13 nights, #3 5s. Receipts: #116 13s. [Treasurer's Book)

Performances

Mainpiece Title: Love In A Village

Cast
Role: Lucinda Actor: Mrs Jewell, first appearance on this stage

Afterpiece Title: Queen Mab

Dance: II: The Savage Hunters, as17751118

2566
27 December 1784 @ Covent Garden

Event Comment: [Mainpiece in place of Tamerlane, announced on playbill of 23 Dec] Afterpiece [1st time; P 2 (?), by Ralph Wewitzer and Frederick Pilon. MS not in Larpent; not published. Synopsis of action in Town and Country Magazine, Supp. 1784, p. 717]: With new Scenery, Music, Dresses and Decorations. The Scenes chiefly designed by Richards, and executed by him, Carver, Hodgins, and assistants. The Overture, Songs, Chorusses and the whole Music of the Pantomime new, and composed by Shield. Nothing under Full Price will be taken. The Words of the Songs, &c to be had at the Theatre. "The performance was such as the first performance of pantomimes generally--machinery and scenery not so perfectly executed as when practice has rendered the movements more familiar to those to whom they belong, which, as the beauty of a pantomime depends on the celerity and adroitness of the scene-men, it seldom is discovered on the first night" (Public Advertiser, 28 Dec)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: The Magic Cavern or Virtues Triumph

Performance Comment: Cast not listed. [Partial cast and names of certain performers from following sources: Songs (J. Almon, 1785) lists Old Man-Davies; Tanner-Doyle; Cooper-Darley; Abdiel-Miss Brett; Colombine-unassigned; the score (Longman and Broderip [1784]) lists Magician [i.e. Old Man?]-Davies; General Advertiser, 28 Dec. assigns Harlequin-Kennedy, and lists Johnstone, Mrs Bannister; Morning Chronicle, 30 Dec. lists Stevens.] hathi. Morning Chronicle, 30 Dec. lists Stevens.] hathi.
Cast
Role: Abdiel Actor: Miss Brett

Song: In Act I of mainpiece song by Brett

2567
04 December 1754 @ Drury Lane Theatre

Event Comment: MMiss Haughton did second Constantia-Mrs Cibber gave it up-some days ago ($Cross). [Early in the next year was published The Devil upon Crutches in England; or, Night Scenes in London. By a Gentleman of Oxford. Chapter V gives a Short View of the Theatres including sharp criticism of 'the most barefaced bawdry Farce...that ever disgraced the stage, in which the Manager, who has caused it to be reviv'd, is to perform the principal part. The Play, Sir, is call'd the Chances...and this is the tenth night of its representation to crowded houses...Your fair country women...are fond of the most fulsome obscenity on the stage."] Receipts: #150 (Cross)

Performances

Mainpiece Title: The Chances

Performance Comment: As17541114, but Second Constantia-Miss Haughton.
Cast
Role: Second Constantia Actor: Miss Haughton.
Role: First Constania Actor: Miss Macklin

Song: II: (By desire) The School of Anacreon-Beard

Dance: IV: The Shepherd's Holiday, as17541008

2568
12 December 1715 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Fair Quaker Of Deal Or The Humours Of The Navy

Performance Comment: Mizen-Pack; Flip-Hall; Worthy-Smith; Rovewell-Bullock Jr; Sir Charles-Husband; Cribbidge-Ogden; Easy-Cory; Indent-Rogers; Scruple-Griffin; Arabella-Mrs Cross; Dorcas-Miss Rogers; Belinda-Mrs Moor; Jenny-Mrs Spiller; Jiltup-Mrs Hunt; Advocate-Mrs Finch; Barmaid-Mrs Kent; Sailors-Spiller, Bullock Sr, Knap.
Cast
Role: Indent Actor: Rogers
Role: Dorcas Actor: Miss Rogers

Song: Randal, the Boy

Dance: As17151104

2569
11 July 1716 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Aurengzebe Or The Great Mogul

Performance Comment: Emperor-Keene; Aurengzebe-J. Leigh; Morat-Smith; Arimant-Corey; Nourmahal-Mrs Rogers; Indamora-Miss Rogers; Melesinda-Mrs Spiller.
Cast
Role: Nourmahal Actor: Mrs Rogers
Role: Indamora Actor: Miss Rogers

Dance: As17160629

2570
05 November 1716 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Twin Rivals

Performance Comment: As17161103, but Young Woudbe-Bullock Jr; Truman-J. Leigh; Richmore-Husband; Subtleman-Spiller; Alderman-Bullock Sr; Mandrake-Pack; Constance-Mrs Rogers; Aurelia-Miss Rogers; Balderdash-Hall.
Cast
Role: Constance Actor: Mrs Rogers
Role: Aurelia Actor: Miss Rogers

Dance: Shaw, Miss Schoolding; Dutch Skipper, as17161101; Night Scene-Salle, Mlle Salle

2571
26 November 1716 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Love Makes A Man

Performance Comment: Carlos-Elrington; Clodio-Bullock Jr; Lewis-Spiller; Elvira-Mrs Knight; Louisa-Mrs Rogers; Angelina-Miss Rogers.
Cast
Role: Louisa Actor: Mrs Rogers
Role: Angelina Actor: Miss Rogers.

Dance: As17161122

2572
01 December 1716 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Aurengzebe

Performance Comment: As17161101, but Emperor-Keene; Aurengzebe-J. Leigh; Arimant-Corey; Nourmahal-Mrs Rogers; Indamora-Miss Rogers; Melesinda-Mrs Spiller.
Cast
Role: Nourmahal Actor: Mrs Rogers
Role: Indamora Actor: Miss Rogers

Dance: A new Dance of a Scaramouch and Dame Ragonde by Moreau-Salle, Mlle Salle

2573
16 March 1717 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Rival Queens Or Alexander The Great

Performance Comment: Alexander-Elrington; Clytus-Keene; Lysimachus-J. Leigh; Statira-Mrs Rogers; Roxana-Mrs Knight; Parisatis-Miss Rogers.
Cast
Role: Statira Actor: Mrs Rogers
Role: Parisatis Actor: Miss Rogers.

Dance: As17161027

2574
23 November 1798 @ Covent Garden

Event Comment: Afterpiece [1st time in London; F2, by Thomas John Dibdin, 1st acted at Maidstone, 12 July 1798]. Receipts: #286 3s. (279.13; 6.10)

Performances

Mainpiece Title: Ramah Droog

Cast
Role: Eliza Actor: Miss Mitchell
Role: Agra Actor: Miss Sims
Role: Orsana Actor: Miss Gray
Role: Women of the Zenana Actor: Miss Wheatley, Miss Walcup, Mrs Wybrow, Mrs Watts, Mrs Bologna, Mrs Iliff, Mrs Castelle, Miss Leserve, Mrs Masters, Mrs Norton, Mrs Gilbert, Mrs Whitmore, Mrs Lloyd, Miss Burnett, Mrs Blurton
Role: Zelma Actor: Miss Waters.

Afterpiece Title: The Jew and the Doctor

Performance Comment: Principal Characters by Fawcett, Knight, Murray, Emery, Mansel, Farley, Miss Mansel, Miss Leserve, Mrs Mattocks. [Cast from text (T. N. Longman and O. Rees, 1800): Abednego-Fawcett; Changeable-Knight; Specific-Murray; Bromley-Emery; Charles-Mansel; William-Farley; Emily-Miss Mansel [in text: Miss Chapman (see17990410)]; Betty-Miss Leserve; Mrs Changeable-Mrs Mattocks [in text: Mrs Litchfield (see17981226)].in text: Mrs Litchfield (see17981226)].
Cast
Role: Emily Actor: Miss Mansel
Role: Betty Actor: Miss Leserve

2575
08 December 1798 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by Counsellor Moore (Monthly Mirror, Dec. 1798, p. 368). Epilogue by John Taylor (see text)]: With new Scenes and Dresses. "Lewis's Gossamer is one of those characters which no actor could play but himself, because no man has that happy freedom and facility, that fashionable playfulness and spirit, so joyous, free, and unrelaxing, which distinguish all his performances of this nature" (Monthly Mirror, ibid). Morning Chronicle, 8 Mar. 1799: This Day is published Laugh When You Can (2s.). Receipts: #268 10s. (263.17; 4.13)

Performances

Mainpiece Title: Laugh When You Can

Performance Comment: Principal Characters by Lewis, Holman, Munden, Fawcett, Miss Gilbert, Townsend, Whitfield, Thompson, Simmons, Wilde, Abbot, Curties, Platt, Mrs Pope, Mrs Gibbs, Miss Mansel, Mrs Mattocks. [Cast from text (T. N. Longman and O. Rees, 1799), and playbill of 16 Sept. 1799: Gossamer-Lewis; Mortimer-Holman; Bonus-Munden; Sambo-Fawcett; Charles Mortimer-Miss Gilbert; Costly-Townsend; Delville-Whitfield; Farmer Blackbrook-Thompson; Waiter-Simmons; Bailiff-Wilde; Gregory-Abbot; Mrs Mortimer-Mrs Pope; Dorothy-Mrs Gibbs; Emily-Miss Mansel; Miss Gloomly-Mrs Mattocks; unassigned-Curties, Platt; Prologue-Holman; Epilogue-Mrs Pope. [These were spoken, as here assigned, at the 1st 9 performances only, with the Epilogue again on 27 Dec. (see17981229).]These were spoken, as here assigned, at the 1st 9 performances only, with the Epilogue again on 27 Dec. (see17981229).]
Cast
Role: Mortimer Actor: Holman
Role: Charles Mortimer Actor: Miss Gilbert
Role: Mrs Mortimer Actor: Mrs Pope
Role: Emily Actor: Miss Mansel
Role: Miss Gloomly Actor: Mrs Mattocks

Afterpiece Title: The Spoild Child

Cast
Role: Maria Actor: Miss Sims
Role: Susan Actor: Miss Leserve