Event Comment: Benefit Bullock

Event Comment: Benefit Mrs Bullock. At the particular Desire of several Ladies of Quality. Receipts: money #14 2s. 6d. and tickets #31 1s

Event Comment: At Bullock-Leigh Booth, adjoining Penkethman's Advertised 3, 6, 15, 17, 18, 19, 20, 22, 23 Sept

Event Comment: Benefit Mrs Bullock. At The Desire of several Ladies of Quality

Event Comment: Benefit Mrs Bullock. By His Royal Highness's Command. Three Rows of the Pit will be rail'd into the Boxes

Event Comment: Benefit C. Bullock. Receipts: money #38 5s.; tickets #38 10s

Event Comment: Benefit Mrs Bullock. Mainpiece: Written by Mr Fenton. Receipts: money #69 5s.; tickets #70 18s

Event Comment: At Bullock's Great Theatrical Booth. The Cloaths are enitrely New, as well as the Scenes, which are painted by an Excellent Artist

Event Comment: Benefit Norris and Mrs Bullock, the Dancer. At the Desire of several Persons of Quality

Event Comment: Benefit Mrs Bullock. At the Desire of several Persons of Quality. Written by Shakespear

Event Comment: At Bullock's Booth, the largest in the Fair

Event Comment: Mainpiece: Not acted these 16 Years. [See 27 Dec. 1746.] Benefit for Shuter. Receipts: #173 16s. 6d. Tickets #150 13s. (boxes 272; pit 551). Charges: #63 (Account Book), [#325 9s. 6d. marks the largest house in money value this season. Shuter advertised his benefit early, then on 28 March inserted this puff in the Public Advertiser: [Mrs Centlivre's Comedies have a vein of pleasantry in them that will always be relish'd. She knew the Genius of this nation, and she wrote up to the spirit of it; her Bold Stroke for a Wife, was a masterpiece that much increased her reputation: it establish'd that of Kit Bullock, a smart sprightly actor. His performance of Col. Feignwell was greatly applauded. Shuter has judiciously chosen to play to at his own benefit, and everyone that knows his powers, knows he will play it at least with drollery and justice equal to him."

Event Comment: Benefit Bullock Jr and Ryan. Mainpiece: Written by the late Mr Dryden

Event Comment: Mainpiece [1st time; CO 3, by James Cobb. Larpent MS 1050; published (pirated) 1795]: The Musick, principally new, composed by Storace, with a few Pieces selected from Anfossi, Mozart, Bianchi, Ditters and Sarti. The Scenes and Decorations are all designed and painted by Greenwood, except the View of the New Settlement, which is by Capon. The Dresses, &c. are executed by Johnston and Miss Rein. Books of the Songs to be had in the Theatre. Powell: Cherokee rehearsed at 9:30. Receipts: #340 5s. 6d. (284.5.0; 54.13.0; 1.7.6)

Event Comment: Afterpiece [1st time; P 2 (?), by William Linley. Also attributed to Cordal Powel, librarian to the Prince of Wales (London Chronicle, 19 Jan. 1796). Larpent MS 1106; not published, except for Airs (C. Lowndes, 1796). Synopsis of action in Pocket Magazine, Jan. 1796, p. 59]. The Musick composed by W. Linley. The Scenes [for a description of which see Theatre Notebook, 1965, XIX, p. 58] entirely new, and painted by Greenwood. The Machinery and Decorations by Cabanel, Johnston and Jacobs. The Dresses by Johnston and Miss Rein. Nothing under Full Prince will be taken. Account-Book, 22 Jan.: Paid Wm. Linley for music of new pantomime #25. Receipts: #619 3s. (608.9; 10.14)

Event Comment: Afterpiece [1st time; P 3 (except for 1st two performances, which were 2), by James Harvey D'Egville. Synopsis of action (C. Lowndes [1795])]: A Representation calculated to shew the extent and powers of the New Stage, and which has been in preparation during the whole of the Season (notice on playbill of 10 Feb.). The Musick composed by Krazinsky Miller. The Scenes, Machinery, Dresses and Decorations are entirely new. The Scenery designed and executed by Marinari, and his Assistants. The Machinery designed by Cabanel, and executed by him and Jacobs. The Dresses and Decorations by Johnston and Miss Rein. Powell: [The pantomime] was astonishingly well received, except the chorus of 'Happy Pair' at the end, which was so shamefully managed that the performers met with, what they much deserved, great disapprobation. The acting of the piece was in general well conducted, but the Processionv [The Piece will conclude with the Entry of Alexander into Babylonv, and his Marriage with Statirav (playbill)], for want of room to arrange behind, was unavoidably sent on in a very confused manner...Alexander's car could not be sent on this evening, not being yet complete. [These difficulties are somewhat surprising, in view of the fact that the pantomime had had 54 rehearsals. And see 13 Feb.] 11 Feb.: Chorusses to New Ballet rehearsed at 10; Natural Son at 11; New Ballet at 11; New Ballet (full rehearsal) at 6; 12 Feb.: New Ballet rehearsed at 12. Receipts: #504 3s. 6d. (417.2.0; 83.16.6; 3.5.0)

Event Comment: Mainpiece [1st time; CO 3, by James Cobb. Text: T. N. Longman and O. Rees, 1800. Miss Waters is identified in the Songs]: The Scenes, Music, Machinery, Dresses, and Decorations are all entirely new. The Music composed by Mazzinghi and Reeve. The Scenery painted by Richards, Phillips, Lupino, Hollogan, Backmore, &c. [based on drawings of Indian scenery by Thomas Daniell]. The Machinery and Decorations by Cresswell, Sloper, Goostree, &c. The Dresses by Dick and Mrs Egan. Books of the Songs, also describing the Scenes and Spectacle of the Return from the Tiger Hunt, to be had at the Theatre, price six pence. "The whole [forms] an exhibition of the utmost grandeur...The expense attending the decoration must have been immense...The dailogue is certainly not of the first description of writing, but it forms, on the whole, a very safe vehicle for some of the best music the English stage has for some time been able to boast"(Morning Herald, 13 Nov.). Account-Book, 27 Dec.: Paid Cuthbert for Wheels, &c. for the Elephants #13 18s. Receipts: #364 7s. 6d. (363.19.6; 0.8.0)

Event Comment: Mainpiece [1st time; CO 3, by James Hook Jun. Larpent MS 1065; not published; synopsis of plot in Pocket Magazine, May 1795, p. 334]: The Musick composed by Hook? Sen. The Scenes, Dresses, Decorations and Machinery are entirely new. The Scenery of the Opera designed and painted by Greenwood and Capon. The Masque and Decorations by Marinari. The Machinery by Cabanel and Jacobs.The Dresses by Johnston and Miss Rein. Books of the Songs to be had in the Theatre. [Afterpiece in place of The Adopted Child, advertised on playbill of 5 May.] Receipts: #269 8s. (213.0.6; 53.16.0; 2.11.6)

Event Comment: Mainpiece [1st time; MD 3, by Prince Hoare. Larpent MS 1126; not published; synopsis of plot in Monthly Magazine, May 1796, p. 320]: With new Scenes, Dresses, Decorations, &c. The Musick principally composed by the late Mr Storace [who had died on 19 Mar.], with a few Selections from Paisiello, Haydn and Sarti. [Grove, under Storace, states that the music was completed and prepared for the stage by Kelly and Sga Storace.] The Scenes designed and executed by Marinari and assistants. The Dresses by Johnston, Gay and Miss Rein. Books of the Songs to be had in the Theatre. "It was exceedingly tedious the first night, not being over till eleven o'clock. Since, it has been prudently cut down, and yet has lost nothing. A prologue, written on the very morning of representation, deploring the loss of the composer, was spoken (perfectly) by the last unfortunate Benson [for whom see 9 June. It was written by Hoare (Universal Magazine, May 1796, p. 362), and Was perhaps spoken only on the 1st night; it is not listed on any playbill]" (Monthly Magazine, May 1796, p. 320). "In short, possessing all the science of Harrison, the melody of Incledon, and the pleasing articulation of the late Mrs Kennedy, we have no hesitation in pronouncing [Braham] the first public singer of the present day. He was three times encored. His action is indifferent, and his dialogue scarcely audible" (Morning Herald, 2 May). Receipts: #297 14s. (258.10.6; 38.19.6; 0.4.0)

Event Comment: This piece was greatly Cut & Alter'd. the 5th Act Entirely left out & many Airs interspers'd all through; got up with a vast deal of trouble to everbody concern'd in it but particularly to Mr Coleman, who attended every Rehearsal & had alterations innumberable to make. Upon the Whole, never was anything so murder'd in the Speaking. Mr W. Palmer & Mrs Vincent were beyond Description bad; & had it not been for the Children's Excellent performance, (& particularly Miss Wright who Sung delightfully) the Audience would not have Suffer'd'em to have gone half thro' it. The Sleeping Scene particularly displeas'd. Next day it was reported, The Performers first Sung the Audience to S leep, & then went to Sleep themselves (Hopkins). Fairies pleas'd--Serious parts displeas'd--Comic between both (Cross Diary). This piece of Shakespear's was greatly cut and altered,--the fifth act entirely left out,--and many airs introduced--got up with a vast deal of trouble to all concerned, but particularly to Mr Colman, who attended every rehearsal, and had alterations innumerable to make. Upon the whole, I believe, never was piece so murdered as this was by the singing speakers, in which Mrs Vincent and Mr W. Palmer were beyond description bad; and had it not been for the children's excellent performance (particularly Miss Wright, who ran away with all the applause and very deservedly) the audience would not have suffered them to have gone half thro' it.--The sleeping particularly displeased. The next day it was reported, the performers sung the audience to sleep, and then went to sleep themselves (Hopkins Diary-MacMillan). Overture and airs composed by the most eminent English masters. Book of the play sold at the theatre, 1s. [See "A Midsummer Night's Dream in the Hands of Garrick and Colman," PMLA, June 1939.] Receipts: #98 7s. (MacMillan)

Event Comment: Mainpiece [1st time; C 4, by George Colman elder. Prologue by the author (Morning Chronicle, 13 Oct.). Scenery by Rooker (ibid. 1 Sept.). Larpent MS 490; not published; synopsis of plot in London Magazine, Sept. 1779, pp. 405-7]. "The first three acts want business, and the denouement is rather suddenly brought about...The greatness of the task of performing a character of which Mrs Abington had been announced as the intended representative seemed to inspire [Miss Farren] with additional zeal, and helped her to gain additional credit" (Morning Chronicle, 1 Sept.)

Event Comment: Benefit Mrs Clive. Part of the Pit railed into Boxes and Stage will be formed into Amphitheatre, where servants will be admitted to keep places. Afterpiece: Farce of Two Acts never before acted. [MacMillan lists the characters from the Larpent MS and points out that no indication of assignment appeared: Sir John Bayfield , Sir Charles Freelove , Sir James Trueman , Mr Lovenight , Captain Squander , Lady Bayfield , Miss Croston , Lady Di Clatter , Miss Gibberish , Mrs Lovenight , Miss Prue , Mrs Goodfellow , and servants . Two deputy licensers seem to have been operating at this time, for Garrick sends his plays to Edward Capel, and Rich his to Chetwyn.

Event Comment: This Musical Farce of one Act was wrote by Mr G on purpose to introduce Miss Abrams (a Jew) about 17 Years old. She is very small, a Swarthy Complexion, has a very sweet Voice and a fine Shake, but not quite power enough yet-both the Piece and Young Lady were receiv'd with Great Applause (Hopkins Diary). Books of the Songs, Choruses etc. of Afterpiece to be had at the Theatre. The Conscious Lovers oblig'd to be deferred till Monday, with which will be performed the last new Grand Ballet, The Savage Hunters. [Advertisement to the published edition: "The author of this musical Farce, begs leave to inform the readers, if there should be any, that it was merely intended to introduce The Little Gipsy to the public, whose youth and total inexperience of the stage made it necessary to give as little dialogue to her character as possible, her success depending wholly upon her singing-This reason added to another, which is that the piece was produced at an early part of the season, when better writters are not willing to come forth, is the best apology the Author can make for its defects."] Paid 6 days salary list at #104 7s.-per diem, #626 2s.; Mr Lamash on note #5 5s. (Treasurer's Book). [The note on sale of books of the songs and choruses for the afterpiece occurs on all subsequent bills this season in which May Day is mentioned. The songs and chorusses and overture by Dr Arne. The afterpiece reviewed in Westminster Magazine for Nov.: The preparation is palatable, and the hand of the preparer is discoverable from the affinity between the scene of Roger and the Old Man, and that of whittle and Thomas in the Irish Widow....The Music of the overture and Finale were remarkably light and pretty: some of the airs also did Dr Arne credit. As to Miss Abrams, she has a sweet pipe, and a natural shake that charmed us;-If maturity does but strengthen her voice, at the same time that it gives her ease in deportment, she will prove an ornament to the stage."] Receipts: #205 3s. (Treasurer's Book)

Event Comment: Afterpiece: A Comic Opera altered [by Colman] from Gay. The Music entirely new by Dr Arne. Now acted for the first time in 2 Acts. [The 1776 Edition in Bell's British Theatre lists: Achilles-Miss Brown; Philoe-$Miss Valois; Thetis-$Miss Catley. [$Miss Pearce">Mattocks; Peripas-$Reinhold; Lycomedes-$DuBellamy; Diphilus-$Dyer; Ajax-$Dunstall; Ulysses-$Owenson; Diomedes-$Fox; Argytes-$Baker; Deidamia-$Mrs Mattocks; Artemona-$Miss Brown; Philoe-$Miss Valois; Thetis-$Miss Catley. [$Miss Pearce may have played Lesbia).] Paid Banks for the Head of a Figure used in The Fair #1 1s.; Paid Mr Gard for performing 5 nights in the Fair and 3 in the Sorcerer #1. Paid Joseph Besford for performing 5 nights in the Fair 12s. 6d. (Account Book). [Afterpiece unfavorably reviewed in the Westminster Magazine.] Receipts: #149 18s. 6d. (Account Book)

Event Comment: Mainpiece [1st time; C 5, by Hannah Cowley.] Miss Younge had a song [Wake, thou son of dullness] composed by Michael Arne. Authors of Prologue and Epilogue unknown]: New Scenes and Dresses. Account-Book, 16 June: Paid Mrs Cowley for suspending the publication of the Belle's Stratagem #100. Public Advertiser, 1 Apr. 1782: In a few Days will be published The Belle's Stratagem. A spurious Copy having been published in Ireland [in 1781] make[s] it necessary to observe that the above is the genuine Comedy, as performed at Covent Garden Theatre. Ibid., 9 Apr. 1782: This Day is published The Belle's Stratagem (1s. 6d.). Receipts: #213 19s. (212.15.6; 1.3.6)