23 November 1763

Event Information
Theatre: Drury Lane Theatre
Theatrical Season: 1762-1763
Volume: 4
Comments: This piece was greatly Cut & Alter'd. the 5th Act Entirely left out & many Airs interspers'd all through; got up with a vast deal of trouble to everbody concern'd in it but particularly to Mr Coleman, who attended every Rehearsal & had alterations innumberable to make. Upon the Whole, never was anything so murder'd in the Speaking. Mr W. Palmer & Mrs Vincent were beyond Description bad; & had it not been for the Children's Excellent performance, (& particularly Miss Wright who Sung delightfully) the Audience would not have Suffer'd'em to have gone half thro' it. The Sleeping Scene particularly displeas'd. Next day it was reported, The Performers first Sung the Audience to S leep, & then went to Sleep themselves (Hopkins). Fairies pleas'd--Serious parts displeas'd--Comic between both (Cross Diary). This piece of Shakespear's was greatly cut and altered,--the fifth act entirely left out,--and many airs introduced--got up with a vast deal of trouble to all concerned, but particularly to Mr Colman, who attended every rehearsal, and had alterations innumerable to make. Upon the whole, I believe, never was piece so murdered as this was by the singing speakers, in which Mrs Vincent and Mr W. Palmer were beyond description bad; and had it not been for the children's excellent performance (particularly Miss Wright, who ran away with all the applause and very deservedly) the audience would not have suffered them to have gone half thro' it.--The sleeping particularly displeased. The next day it was reported, the performers sung the audience to sleep, and then went to sleep themselves (Hopkins Diary-MacMillan). Overture and airs composed by the most eminent English masters. Book of the play sold at the theatre, 1s. [See "A Midsummer Night's Dream in the Hands of Garrick and Colman," PMLA, June 1939.] Receipts: #98 7s. (MacMillan)

Performance List

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  • Original Data

    Source: London Stage Information Bank

    *p?Wdl A Midsummer Night's Dream. [Characters-Vernon, Bransby, W. Palmer, Burton, Parsons, Hopkins, Yates, Love, Baddeley, Ackman, Clough, Mrs Vincent, Miss Young. Fairies-Miss Rogers, Miss Ford, Miss Wright, Mas. Cape, Mas. Raworth.% Theseus-Bransby; Egeus-Burton; Lysander-Vernon; Demetrius-W. Palmer; Quince-Love; Bottom-Yates; Flute-Baddeley; Starveling-Parsons; Hippolita-Mrs Hopkins; Hermia-Miss Young; Helena-Mrs Vincent; Snout-Ackman; Snug-Clough; Oberon-Miss Rogers; Titania-Miss Ford; Puck-Mas. Cape; Fairies-Miss Wright, Mas. Raworth; (Edition of 1763) Characters-Hopkins; [In Act V, a% <i>Fairy Dance</i>-Mas. Clinton, Miss Street, Miss Rogers, Miss Ford, others; Overture, Airs- [by the most eminent English Masters%. *c?Wdl This piece was greatly Cut & Alter'd. the 5th Act Entirely left out & many Airs interspers'd all through; got up with a vast deal of trouble to everbody concern'd in it but particularly to $Mr Coleman=, who attended every Rehearsal & had alterations innumberable to make. Upon the Whole, never was anything so murder'd in the Speaking. $Mr W. Palmer= & $Mrs Vincent= were beyond Description bad; & had it not been for the Children's Excellent performance, (& particularly $Miss Wright= who Sung delightfully) the Audience would not have Suffer'd'em to have gone half thro' it. The Sleeping Scene particularly displeas'd. Next day it was reported, The Performers first Sung the Audience to S leep, & then went to Sleep themselves ($Hopkins=). <i>Fairies</i> pleas'd--Serious parts displeas'd--Comic between both (<i>Cross Diary</i>). This piece of $Shakespear='s was greatly cut and altered,--the fifth act entirely left out,--and many airs introduced--got up with a vast deal of trouble to all concerned, but particularly to $Mr Colman=, who attended every rehearsal, and had alterations innumerable to make. Upon the whole, I believe, never was piece so murdered as this was by the singing speakers, in which Mrs Vincent and Mr W. Palmer were beyond description bad; and had it not been for the children's excellent performance (particularly Miss Wright, who ran away with all the applause and very deservedly) the audience would not have suffered them to have gone half thro' it.--The sleeping particularly displeased. The next day it was reported, the performers sung the audience to sleep, and then went to sleep themselves (<i>Hopkins Diary</i>-$MacMillan=). Overture and airs composed by the most eminent English masters. Book of the play sold at the theatre, 1s. [See "<i>A Midsummer Night's Dream</i> in the Hands of $Garrick= and $Colman=," <i>PMLA</i>, June 1939.] Receipts: #98 7s. (MacMillan).
  • Cleaned Data

    *p1763 11 23 dl A Midsummer Night's Dream. Characters-Vernon, Bransby, W. Palmer, Burton, Parsons, Hopkins, Yates, Love, Baddeley, Ackman, Clough, Mrs Vincent, Miss Young. Fairies-Miss Rogers, Miss Ford, Miss Wright, Mas. Cape, Mas. Raworth. Theseus-Bransby; Egeus-Burton; Lysander-Vernon; Demetrius-W. Palmer; Quince-Love; Bottom-Yates; Flute-Baddeley; Starveling-Parsons; Hippolita-Mrs Hopkins; Hermia-Miss Young; Helena-Mrs Vincent; Snout-Ackman; Snug-Clough; Oberon-Miss Rogers; Titania-Miss Ford; Puck-Mas. Cape; Fairies-Miss Wright, Mas. Raworth; (Edition of 1763) Characters-Hopkins; In Act V, a <i>Fairy Dance</i>-Mas. Clinton, Miss Street, Miss Rogers, Miss Ford, others; Overture, Airs- by the most eminent English Masters.*c1763 11 23 dl This piece was greatly Cut & Alter'd. the 5th Act Entirely left out & many Airs interspers'd all through; got up with a vast deal of trouble to everbody concern'd in it but particularly to $Mr Coleman=, who attended every Rehearsal & had alterations innumberable to make. Upon the Whole, never was anything so murder'd in the Speaking. $Mr W. Palmer= & $Mrs Vincent= were beyond Description bad; & had it not been for the Children's Excellent performance, (& particularly $Miss Wright= who Sung delightfully) the Audience would not have Suffer'd'em to have gone half thro' it. The Sleeping Scene particularly displeas'd. Next day it was reported, The Performers first Sung the Audience to S leep, & then went to Sleep themselves ($Hopkins=). <i>Fairies</i> pleas'd--Serious parts displeas'd--Comic between both (<i>Cross Diary</i>). This piece of $Shakespear='s was greatly cut and altered,--the fifth act entirely left out,--and many airs introduced--got up with a vast deal of trouble to all concerned, but particularly to $Mr Colman=, who attended every rehearsal, and had alterations innumerable to make. Upon the whole, I believe, never was piece so murdered as this was by the singing speakers, in which Mrs Vincent and Mr W. Palmer were beyond description bad; and had it not been for the children's excellent performance (particularly Miss Wright, who ran away with all the applause and very deservedly) the audience would not have suffered them to have gone half thro' it.--The sleeping particularly displeased. The next day it was reported, the performers sung the audience to sleep, and then went to sleep themselves (<i>Hopkins Diary</i>-$MacMillan=). Overture and airs composed by the most eminent English masters. Book of the play sold at the theatre, 1s. [See "<i>A Midsummer Night's Dream</i> in the Hands of $Garrick= and $Colman=," <i>PMLA</i>, June 1939.] Receipts: #98 7s. (MacMillan).
  • Parsed Data

    Event: 31921 | 17631123 | dl | This piece was greatly Cut & Alter'd. the 5th Act Entirely left out & many Airs interspers'd all through; got up with a vast deal of trouble to everbody concern'd in it but particularly to $Mr Coleman=, who attended every Rehearsal & had alterations innumberable to make. Upon the Whole, never was anything so murder'd in the Speaking. $Mr W. Palmer= & $Mrs Vincent= were beyond Description bad; & had it not been for the Children's Excellent performance, (& particularly $Miss Wright= who Sung delightfully) the Audience would not have Suffer'd'em to have gone half thro' it. The Sleeping Scene particularly displeas'd. Next day it was reported, The Performers first Sung the Audience to S leep, & then went to Sleep themselves ($Hopkins=). <i>Fairies</i> pleas'd--Serious parts displeas'd--Comic between both (<i>Cross Diary</i>). This piece of $Shakespear='s was greatly cut and altered,--the fifth act entirely left out,--and many airs introduced--got up with a vast deal of trouble to all concerned, but particularly to $Mr Colman=, who attended every rehearsal, and had alterations innumerable to make. Upon the whole, I believe, never was piece so murdered as this was by the singing speakers, in which Mrs Vincent and Mr W. Palmer were beyond description bad; and had it not been for the children's excellent performance (particularly Miss Wright, who ran away with all the applause and very deservedly) the audience would not have suffered them to have gone half thro' it.--The sleeping particularly displeased. The next day it was reported, the performers sung the audience to sleep, and then went to sleep themselves (<i>Hopkins Diary</i>-$MacMillan=). Overture and airs composed by the most eminent English masters. Book of the play sold at the theatre, 1s. [See "<i>A Midsummer Night's Dream</i> in the Hands of $Garrick= and $Colman=," <i>PMLA</i>, June 1939.] Receipts: #98 7s. (MacMillan)
    Performance: 65011 | 31921 | p | A Midsummer Night's Dream | Characters-Vernon, Bransby, W. Palmer, Burton, Parsons, Hopkins, Yates, Love, Baddeley, Ackman, Clough, Mrs Vincent, Miss Young. Fairies-Miss Rogers, Miss Ford, Miss Wright, Mas. Cape, Mas. Raworth. Theseus-Bransby; Egeus-Burton; Lysander-Vernon; Demetrius-W. Palmer; Quince-Love; Bottom-Yates; Flute-Baddeley; Starveling-Parsons; Hippolita-Mrs Hopkins; Hermia-Miss Young; Helena-Mrs Vincent; Snout-Ackman; Snug-Clough; Oberon-Miss Rogers; Titania-Miss Ford; Puck-Mas. Cape; Fairies-Miss Wright, Mas. Raworth; (Edition of 1763) Characters-Hopkins; In Act V, a <i>Fairy Dance</i>-Mas. Clinton, Miss Street, Miss Rogers, Miss Ford, others; Overture, Airs- by the most eminent English Masters.
    Cast:
    108214 | 65011 | Characters | Vernon, Bransby, W. Palmer, Burton, Parsons, Hopkins, Yates, Love, Baddeley, Ackman, Clough, Mrs Vincent, Miss Young. Fairies-Miss Rogers, Miss Ford, Miss Wright, Mas. Cape, Mas. Raworth. Theseus-Bransby
    108215 | 65011 | Fairies | Miss Rogers, Miss Ford, Miss Wright, Mas. Cape, Mas. Raworth. Theseus-Bransby
    108216 | 65011 | Theseus | Bransby
    108217 | 65011 | Egeus | Burton
    108218 | 65011 | Lysander | Vernon
    108219 | 65011 | Demetrius | W. Palmer
    108220 | 65011 | Quince | Love
    108221 | 65011 | Bottom | Yates
    108222 | 65011 | Flute | Baddeley
    108223 | 65011 | Starveling | Parsons
    108224 | 65011 | Hippolita | Mrs Hopkins
    108225 | 65011 | Hermia | Miss Young
    108226 | 65011 | Helena | Mrs Vincent
    108227 | 65011 | Snout | Ackman
    108228 | 65011 | Snug | Clough
    108229 | 65011 | Oberon | Miss Rogers
    108230 | 65011 | Titania | Miss Ford
    108231 | 65011 | Puck | Mas. Cape
    108232 | 65011 | Fairies | Miss Wright, Mas. Raworth
    108233 | 65011 | Characters | Hopkins
    108234 | 65011 | a <i>Fairy Dance</i> | Mas. Clinton, Miss Street, Miss Rogers, Miss Ford, others
    108235 | 65011 | Airs | by the most eminent English Masters.

Mainpiece

Comments:
Characters-Vernon, Bransby, W. Palmer, Burton, Parsons, Hopkins, Yates, Love, Baddeley, Ackman, Clough, Mrs Vincent, Miss Young. Fairies-Miss Rogers, Miss Ford, Miss Wright, Mas. Cape, Mas. Raworth. Theseus-Bransby; Egeus-Burton; Lysander-Vernon; Demetrius-W. Palmer; Quince-Love; Bottom-Yates; Flute-Baddeley; Starveling-Parsons; Hippolita-Mrs Hopkins; Hermia-Miss Young; Helena-Mrs Vincent; Snout-Ackman; Snug-Clough; Oberon-Miss Rogers; Titania-Miss Ford; Puck-Mas. Cape; Fairies-Miss Wright, Mas. Raworth; (Edition of 1763) Characters-Hopkins; In Act V, a Fairy Dance-Mas. Clinton, Miss Street, Miss Rogers, Miss Ford, others; Overture, Airs- by the most eminent English Masters.

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