SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Master "/1) | (@(roleclean,performerclean) "Master ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 7080 matches on Roles/Actors, 1269 matches on Performance Comments, 1030 matches on Performance Title, 407 matches on Event Comments, and 0 matches on Author.

Performances

Mainpiece Title: Arlequin Astrologue, Ramoneur, Statue

Dance: The Double Face by Mlle Chateauneuf. Wooden Shoe Dance by Master Francis Cochoy

Performance Comment: Wooden Shoe Dance by Master Francis Cochoy .

Performances

Mainpiece Title: Concert

Music: Vocal by Waltz. Instrumental by Opera Masters, especially Flute by Hagan, French Horn by Antony Uhl and Cook

Performance Comment: Instrumental by Opera Masters, especially Flute by Hagan, French Horn by Antony Uhl and Cook .
Event Comment: Benefit Denoyer. By Command of His Royal Highness. Mainpiece: Taken from Moliere. London Daily Post and General Advertiser, 17 March: The celebrated Monsieur Denoyer and Mademoiselle Salle, by Permission of the Masters of the two Theatres Royal, have agreed to dance together at each other's Benefit

Performances

Mainpiece Title: The Mother-in-law

Afterpiece Title: The Lottery

Dance: I: Russian Sailor by Denoyer, &c. II: By Denoyer's Apprentice. III: Shepherd's Mount by Denoyer, Mlle Salle, &c, with a new Scene, and New Habits. V: Minuet (in modern Habits) by Denoyer and Mlle Salle

Event Comment: Grub St. Journal, 26 Feb. 1736: The second night (so well was this Comedy receiv'd by the Town) the audience of about 5l. was dismiss'd. Daily Journal, 29 April: We hear . . . The Double Deceit . . . was not acted last Night, on Account of a Letter sent by Mr Walker, who had a principal Part in it, acquainting Mr Rich, that he had study'd his Part, but could not make himself Master of it, and therefore desired he wou'd provide some body else to do it. N.B. The Part is about Eight Lengths, and was above eight Weeks in Mr Walker's Hands

Performances

Mainpiece Title: The Double Deceit

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: The Toy Shop

Dance: I: Scotch Dance by Mrs Bullock. V: La Follette c'est Ravizee by Tench and Mrs Woodward

Song: III: A Song by Mrs Chambers. IV: Waterman's Song (in Britannia) by the Two Masters Hamilton

Performance Comment: IV: Waterman's Song (in Britannia) by the Two Masters Hamilton .
Event Comment: Benefit Mr Odell, formerly Master of Goodman's Fields Theatre. Mainpiece: Written by the late Mr Addison

Performances

Mainpiece Title: As 10 May, But Decius-boman

Afterpiece Title: An Old Man Taught Wisdom

Music: Select Pieces

Dance: I: English Maggot by Villeneuve and Mrs Walter. II: Drunken Peasant by Le Brun. In: Black and White Joak by Nivelon and Miss Mann. V: Amorous Swain, as17350327

Song: IV: As17350603

Event Comment: Afterpiece: A New Farce. [By Mrs Charke.] N.B. The Company are oblig'd to remove from the Hay-Market Theatre to York-Buildings, as being too young a Sett of People to venture at great Expences, without first having merited the Favour of the Town to support them in it; but as we are determin'd to the full Extent of our Power, to endeavour to entertain them, we humbly hope they will accept of our Performances. . . . Charlott Charke. Daily Advertiser, 26 Sept.: We hear that Mrs Charke . . . drew Tears from the whole Audience in her Prologue, which she spoke very pathetically; and the new Farce . . . was very much applauded, notwithstanding the impotent Attempts of several young Clerks to raise a Riot, who were for that purpose properly marshal I'd by the cunning Lawyer their Master: Their rude Behaviour was so extraordinary, that several Gentlemen were provok'd to threaten them with the Discipline of their Canes, upon which they thought proper to desist

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Art of Management; or, Tragedy Expell'd

Entertainment:

Event Comment: Benefit Mr Charles, Master of the French Horn. 51. 6 P.M

Performances

Mainpiece Title: Concert

Music: A Solo and several Pieces on the French Horn by Mr Charles. And several Songs and Duets by the two Miss Youngs. The German Flute by Mr Pelicour [Balicourt in Daily Advertiser], lately arrived from abroad; Being the first Time of his Performing in England

Event Comment: Benefit Shepard. For the Entertainment of the Grand Master, and the rest of the Brethren of the . . . Masons

Performances

Mainpiece Title: The Rover

Afterpiece Title: The Mock Doctor

Dance: I: Mason's Dance by Delamayne. II: English Maggot by Villeneuve and Mrs Walter. IV: Black and White Joak by Phillips and Miss Mann. After Epilogue: The Rover by Essex, Mrs Walter, Miss Mann, &c

Song: I: The Enter'd Prentice's Song: Come let us Prepare. III: On, on, my dear Brethren. V: Sing then my Muse

Event Comment: DDaily Advertiser, 7 Jan.: We are inform'd, that a certain Author, Tir'd With the vain Attempts he has often made in the Political Way, has taken it into his Head, as unwilling to lay down the Character of a Reformer, to explode the reigning Taste for dumb Shew and Machinery, and has declar'd open War against Harlequin, Punch, Pierot, and all the Modern Poets, viz. Joiners, Dancing-Masters, and Scene-Painters. 'Tis said, that he has dispos'd every Thing in such a manner, and is so forward in his Preparations, that he will open the Campaign next Week, having three new Pieces in Rehearsal on the Stage of the little Theatre in the Hay-Market. The Design is, no doubt, laudable, but the Chance of War is doubtful; he makes head against a powerful Alliance; and we do not hear that he is strengthen'd by any of the Auxiliaries of Parnassus

Performances

Performances

Mainpiece Title: Les Precieuses Ridicules

Performance Comment: The Scholars of Mr Fell; Master of the French Academy in Old Broad Street, behind the Royal Exchange.
Event Comment: Benefit Lacy. Afterpiece: A new Satyrical, Allegorical, Political, Philosophical Farce, [Apparently by Lacy.] Daily Advertiser, 30 April: Yesterday I accidentally call'd in at the Theatre in the Hay-Market, and saw the Rehearsal of a new Farce call'd Fame...Which is to be acted there on Wednesday next...for the Benefit of Mr Lacy the Author. As I am neither acquainted with him, nor the Master of the Playhouse, I cannot be accus'd of Partiality, in affirming, that I think this the best Farce this Age has produc'd. It seems to be writ in Imitation of Shakespear, and entirely calculated for the present Taste. The Characters are strong, lively, majestic, and just; the incidents natural and moving; the Conduct regular; the Distresses extremely affecting; the Stile sublime; the Sentiments grand, full of Patriotism; and the Catastrophe so masterly wrought up, that, I am persuaded, no Farce whatsoever, now acting, will draw more Tears than this. But what affected me beyond all, was, the Zeal, the exemplary Zeal of a worthy Magistrate, who so strictly adheres to the very Letter of the Law, as to send a rich and honest Merchant, and Freeholder, to the House of Correction, as a sturdy Beggar, or Loiterer. I could enlarg in its Praise, but fear I may do the Author wrong, in raising your Expectations too high. See it, and I am convinc'd you will entertain the same Sentiments of it, as does Your Humble Servant, James Lacy. Alias Fustian, alias Sour-Wit, alias--But hold:--If I should be arraign'd for the Murder of this Farce, so many Alias's will half condemn me before I am heard

Performances

Mainpiece Title: Pasquin

Afterpiece Title: Fame; or, Queen Elizabeth's Trumpets; or, Never plead's Hopes of being a Lord Chancellor; or, The Lover turn'd Philosopher; or, The Miser's Resolve upon the Lowering of Interest

Event Comment: Benefit Pelling, Dukes. Tickets for Villeneuve, Master Green also taken

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Devil to Pay

Dance: I: Wooden Shoes-Livier, Villeneuve; II: Two Pierrots-Livier, Pelling; III: Hornpipe-a Seafaring Gentleman for his Diversion; IV: Turkish Dance-Muilment, Villeneuve, Livier; V: A new Scotch Dance-Dupre, Mrs Pelling

Event Comment: Mainpiece: Written by the late Mr Congreve. Egerton 2320: Berry, Oats & Shepard discharg'd much noise in ye Pit for ye restoring of Oats. Griffin at Rotterdam, Jack Ray did his part. Milward's [?] a good one--the first night of Beard's playing--his success great. Receipts: #115. [For performances at the Fairs, see season of 1736-1737.] Daily Advertiser, 22 Aug.: The House [dl] is neatly decorated, and a very large Lobby prepar'd for the Servants that keep Places, with two Fire Places, Seats, near the Boxes, where a Person is to attend to call them, whe wanted by their Masters or Ladies. There is also a new Passage to the Pit, which will make it much more convenient for the Audience

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Devil to Pay

Event Comment: Benefit Taylor, Dancing-Master. Mainpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Dragon of Wantley

Song: CChancon a Boire-Leveridge, Laguerre

Dance: Glover, Mlle Roland

Event Comment: Towards raising a Fund for Erecting a Monument to the Memory of Shakespear. Mainpiece: Written by Shakespear. The Pit and Boxes to be put together. London Daily Post and General Advertiser, 5 June: The Season [at dl] being finish'd, and the Accounts of it settled, it is thought proper to acquaint the Publick, that the Master of that Theatre has receiv'd One Hundred and Seventy-odd Pounds, (besides some Accounts of Tickets, the Produce of which has not as yet been paid in, which is suppos'd will make near the Sum of Two Hundred Pounds,) towards erecting a Monument to Shakespear

Performances

Mainpiece Title: Julius Caesar

Event Comment: DDaily Advertiser, 10 Nov.: Two of the French Strollers having desir'd Leave of the Town to act three Nights at one of the Patent Theatres, the Master of that House is desir'd to consider, whether if he lends it to those Foreigners, he can ever hope to have it fill'd with an English Audience, who probably will chastise the Abuse of Power in an ungrateful Patentee, as they did the Want of it in a French Harlequin

Performances

Mainpiece Title: Mithridates, King Of Pontus

Afterpiece Title: The Royal Chace

Event Comment: Benefit Berry. For the Entertainment of the Grand Master and the rest of the Brethren of...Free and Accepted Masons. [Three Rows of the Pit railed into the Boxes for Masons only. Tickets at Berry's in Bridges Street.

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Virgin Unmask'd

Song: I: Come let us Prepare-Brother Berry; III: On on my Dear Brethren-Brother Beard; IV: Ye Brethren of the Ancient Craft-Brother Berry; End Afterpiece: Thus mighty Eastern Kings-Brother Beard

Dance: II: Ethiopian Dance-Muilment, Livier, Baudouin, Rector, Fromont; V: Hungarian Dance-Denoyer, Mrs Walter

Event Comment: Benefit Walker, a Brother. For the Entertainment of the Grand Master and the Worthy Brothers and Sisters of the Honourable Community of Modern Free-Masons. Mainpiece: Written by the late Mr Gay. Afterpiece: Taken from Moliere, and Intermixed with Songs. Boxes 5s. Pit 3s. Gallery 2s. 6:30 p.m

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Mock Doctor

Song: Concluding with theModern Free@Masons Song-in the Character of Robin Hooda Brother

Dance: HHornpipe, Drunken Peasant-Phillips

Event Comment: Benefit Salway. For the Entertainment of the Grand Master and the Rest of the Brethren of the Ancient and Honourable Society of Free and Accepted Masons. Afterpiece: With several Additions by the Author

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Parting Lovers

Dance: I: Peasants-French Boy and Girl; II: Comic Ballet-Villeneuve, Miss Oates; End Afterpiece: Grand Ballet-Glover, Mlle Roland

Song: The Songs in Masonry as usual-

Event Comment: Benefit Master Charles Poitier

Performances

Mainpiece Title: Olimpia In Ebuda

Dance: As17400408

Performances

Mainpiece Title: The Rambling Lovers; Or, A New Way To Play An Old Game

Afterpiece Title: The Amorous Contention; or, The Politic Maid

Performance Comment: The Two Masters Granier, Miss Granier.

Afterpiece Title: Neptune's Palace

Dance: Janno; Tumbling-Steward, Williams, Tindal

Event Comment: For the Entertainment of the Grand Master, Grand Officers, Brothers, and Sisters of the Community of Modern Free Masons. Benefit Walker

Performances

Mainpiece Title: The Fatal Marriage

Afterpiece Title: The Contrivances

Entertainment: AA Song in Honour of Modern Masonry (in the Character of Robin Hood)-Mrs Jones; The Punch's Song-Hemskirk, Miss Jones; Scots Dance-Mrs Bullock

Music: The whole to conclude with the celebrated Water@Musick by Handel-; accompanied with Kettle@Drums-; Trumpets-; French@Horns-; the Preamble-Nelson

Event Comment: For the Entertainment of the Grand Master and the rest of the Brethren of...Free and Accepted Masons. Benefit Bencraft. Receipts: money #59 3s.; seals #65 8s. (Account Book); #130 (Rylands MS.). [Bencraft was charged #70 for his benefit.

Performances

Mainpiece Title: The Old Batchelor

Dance: FFrench Peasant-Mechel; The Swiss-Mechel, Mlle Mechel

Song: With the Songs in Masonry-as usual; And, by particular Desire, a Duette in the Characters of Punch and Colombine-Bencraft, Mrs Lampe

Event Comment: Benefit Taylor, Dancing-Master

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Lethe