SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Macklin\'s"/1) | (@(roleclean,performerclean) "Macklin\'s")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4114 matches on Roles/Actors, 1027 matches on Performance Comments, 207 matches on Author, 178 matches on Event Comments, and 26 matches on Performance Title.

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Irish Fine Lady

Dance: End: The Dutch Milkmaid, as17671114

Event Comment: Comedy Never Acted before. All the Characters New Dress'd. No money return'd after the Curtain is up. [By Macklin. Not printed. Plot account in Kirkman, Life of Macklin. It persisted for nine nights against continual opposition (Genest, IV, 625).] Boxes #95 17s. Macklin's fifth above house charges: #31 15s. 9d. (Account Book). [See note, 2 Feb.] Receipts: #221 19s. (Account Book)

Performances

Mainpiece Title: The Married Libertine

Event Comment: This is a farce of Macklin's Writing, it went off very greatly-he play'd Shylock too (Cross). Receipts: #190 (Cross). [Garrick and Lacy had contracted with Macklin for this Farce two weeks before this performance, according to the following document (BM Add. MS 27925): Memorandum of an Agreement relating to Mr Macklin's Farce and his Playing & performing in the said Farce, with such plays as shall be performed on which the said Farce shall be acted as aforesaid as follows: Imprimis: The said Farce to be publicly performed before Christmas, otherwise not this season on account of the Managers other engagements. Item: Mr Macklin to have for his performing in the said plays and Farce a Fifth part of the profits of the first five nights after deducting sixty-three pounds for the charges of each night during the said five nights-and the sixth night to be for the Benefit of Mr Macklin, he paying the usual charges of sixty-three pounds. Item: The Managers to have it in their power to stop the performances of the said Farce at the end of Six nights on account of their other engagements,-and in case the Receipt of any one night of the said nights on which the said Farce shall be performed as aforesaid shall fall short of One Hundred pounds. Then the Managers to have it in their power to stop the performance of said Farce as the Receipt does not amount to One Hundred pounds. Item: The said Six nights for the said Farce & plays in which Mr Macklin shall perform as aforesaid not to be played immediately succeeding one another, but alternately with such plays as the Managers shall think Convenient. Lastly: That if the said Farce shall meet with the disapprobation of the Publick, that then it shall be in the Power of Discretion of the Managers to stop the performance thereof. Dated this 28th day of November, 1759. S@ James Lacy, D. Garrick. Witness: R. Cross, Geo. Garrick.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: IV: A Dutch Dance-Master Settree, Master Blagdon, Miss Blagdon

Performances

Mainpiece Title: Hamlet Prince Of Denmark

Afterpiece Title: The Suspicious Husband Criticized or The Plague of Envy

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: I: A Minuet-Fishar, Miss Macklin; IV: The Female Archer, as17661215; End: The Village Romps, as17671008

Event Comment: Benefit for Miss Macklin. Part of Pit will be laid into the Boxes. Come as early as possible to avoid confusion. Charges #64 10s. Balance to Miss Macklin #79 18s., plus #146 from Tickets (584 Box & Pit at one price of 5s. each); Paid Mr Monk #2 12s. 6d. for mending the Owl & a new Spring (Account Book). [The bonus value of the benefit to an actor or member of the company staff may be seen when one considers that Miss Macklin's regular salary was #7 per week, or about #28 per month. On this one benefit performance she made a profit in book value equal to her previous eight month's salary. Book value because the Account Book records, for the tickets which she delivered, only the face value of 5s. each. It is probable that many a wealthy theatre-goer gave her on this occasion, by way of appreciation for the pleasure of her performances, much more than the face value of the ticket.] Receipts: #144 8s

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: IV: The Whim, as17691123; End: A Minuet-Fishar, Miss Macklin

Performances

Mainpiece Title: King Henry Iv Part I

Afterpiece Title: Love a la Mode

Dance: [Unspecified]

Performances

Mainpiece Title: The Refusal Or The Ladys Philosophy

Afterpiece Title: Love a la Mode

Dance: End: The Irish Lilt, as17680930

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a La Mode

Dance: II: Minuet-Fishar, Miss Macklin; IV: The Bird Catchers, as17721207; End: A Double Hornpipe, as17730218

Event Comment: Benefit for Miss Macklin. Part of Pit laid into Boxes. Send servants by 4 o'clock. Doors open half past 5. To begin at half past 6. [Macklin's first appearance here since his dismissal on 18 Nov. 1773.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: II: A Minuet-Daguville, Miss Macklin; End: The Vintage Festival, as17741007

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: The Upholsterer

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Love a la Mode

Dance: III: A Comic Dance-Poitier Jr, Mlle Capdeville; End: Minuet-Poitier Jr, Miss Macklin

Performances

Mainpiece Title: The Refusal Or The Ladys Philosophy

Afterpiece Title: Love a la Mode

Dance: TThe Dutch Skippers, as17630101

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: I: A Minuet-Duquesney, Miss Macklin; IV: Hornpipe-Miss Twist; End: The Knife Grinders, as17631012

Performances

Mainpiece Title: The Refusal Or The Ladys Philosophy

Afterpiece Title: Love a la Mode

Dance: End: The Village Romps, as17651019

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: II: A Minuet-Fishar, Miss Macklin; IV: An Allemande-Mr Hamoir, Miss Hamoir

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: Harlequin Rambler or The Convent in an Uproar

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a La Mode

Dance: I: A Minuet-Duquesney, Miss Macklin; III: A Hornpipe-Miss Pitt; IV: A Tambourine, as17641015

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: II: A Minuet-Dagueville, Miss Macklin; III: The Pilgrim-Harris, Miss Mathews, as17750927; IV: Rural Merriment, as17751220

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: End III: The Shepherd's Wedding, as17770924; End IV: As17771008

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love A LA Mode

Dance: End of Act III of mainpiece, as17821009; End of Act iv, as17820925

Event Comment: [Macklin dismissed after this night. See the account in The Genuine Arguments of the Council, with the Opinion of the Court of the King's Bench, &c., By a Citizen of the World, (London, 1774). Extracts in E. R. Page, George Colman, the Elder (New York, 1935). See notes for 23 and 30 Oct. and the subsequent action in note for 20 Nov. He did not return until 18 May 1775. This night was aparently, except for #4 5s. which was not recorded on the books of the theatre until 18 June well after the season closed. Macklin's suit in court against the rioters was judged 24 Feb. 1775. A column and a half account of the trial appeared in the Public Advertiser, Saturday 13 May 1775, giving the testimony of the witnesses accused of starting the riot, the lawyers, and the judge. The accused were Leigh, Miles, James, Aldus, and Clarke. The first four were convicted of a conspiracy and a riot, the last of a riot only. During the Course of the Business Lord Mansfield took Occasion to observe, that the Right of Hissing, and Applauding in a theatre was an unalterable Right, but there was a wide Distinction between expressing the natural Sensations of the Mind as they arose on what was seen and heard, and executing a pre-concerted Desagn, not only to hiss an Actor when he was playing a Part in which he was universally allowed to be excellent, but also to drive him from the theatre, and effect his utter ruin." See also William W. Appleton, Charles Macklin, An Actors Life (Cambridge, Mass., 1960), Chapter X.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: III: The Merry Sailors, as17731007; IV: The Highland Reel, as17731112

Performances

Mainpiece Title: The Refusal Or The Ladys Philosophy

Afterpiece Title: Love a la Mode

Dance: End: A Dance in which will be an Allemande,-Hamoir, Miss Hamoir

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: Harlequin Free Mason

Performances

Mainpiece Title: The Married Libertine

Afterpiece Title: Love a la Mode

Dance: Poitier Jr, Mlle Capdeville