SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Love"/1) | (@(roleclean,performerclean) "Love")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3679 matches on Roles/Actors, 2767 matches on Performance Title, 988 matches on Performance Comments, 323 matches on Event Comments, and 99 matches on Author.
Event Comment: The Duke's Company. Pepys, Diary: To the Duke of York's house, and there saw Cupid's Revenge, under the new name of Love Despised, that hath something very good in it, though I like not the whole body of it. This day the first time acted here

Performances

Mainpiece Title: Love Despised

Event Comment: The United Company. The date of the premiere is not known, although a reference in the text to 1690 suggests that the play may have been produced in that year; but the fact that it was not advertised in the London Gazette until 6-9 April and not entered in the Term Catalogues until May 1691 suggest that it posaibly appeared early in 1691. This play was discussed in Wit for Money, or Poet Stutter; A Dialogue between Smith, Johnson, and Poet Stutter; containing Reflections on some late Plays, and particularly on Love for Money, or The Boarding School. The British Museum copy of this pamphlet has a manuscript date of 23 April 1691. Downes, Roscius Anglicanus, p. 42: The Boarding School; Wrote by Mr Durfy, it took well being justly Acted. Earl of Ailesbury, mid-January 1690@1: My Lady Fenwick was a great intriguer, and had always castles in the air in her imagination to that degree, that I was present at a play where she was brought in. If I mistake not it was The Boarding School, and the famous comic, Mr Lee, in woman's clothes represented her to the life, and so exactly had her features and complexion that one could hardly have distinguished one from the other (Memoirs, [London, 1890], II, 390-91)

Performances

Mainpiece Title: Love For Money; Or, The Boarding School

Event Comment: It is not known in which theatre this revival occurred. It was witnessed by van Constantijn Huygens, Monday 19 Dec. 1695 N.S. [translation]: In the afternoon I was at the comedy with my wife and Mrs Creitsmar. They played an old show called: The Love in the Tubb (Publications of the Dutch Historical Society, New Series, XXV [Utrecht, 1877], 560)

Performances

Mainpiece Title: Love In A Tub

Event Comment: Rich's Company. The date of the premiere is not known, but Cibber (see below) states that it was acted in January; the Dedication was signed 7 Feb. 1695@6, and the play was advertised in the London Gazette, No 3157, 10-13 Feb. 1695@6. Two songs were published separately: Go home, unhappy wench, set by Francks and sung by Mrs Cross and the Boy (in Thesaurus Musicus, The Fifth Book, 1696) and What an ungratefull devil moves you, set by Daniel Purcell (in Deliciae Musicae, The First Book of the Second Volume, 1696). A separately-printed sheet of the second song states that it was sung by "The Boy", Cibber, Apology, I, 212-14: The next Year I produc'd the Comedy of Love's last Shift; yet the Difficulty of getting it to the Stage was not easily surmounted; for, at that time, as little was expected from me, as an Author, as had been from my Pretensions to be an Actor. However, Mr Southern, the Author of Oroonoko, having had the Patience to hear me read it to him, happened to like it so well that he immediately recommended it to the Patentees, and it was accordingly acted in January 1695 [i.e., 1695@6]. In this Play I gave myself the Part of Sir Novelty, which was thought a good Portrait of the Foppery then in fashion. Here, too, Mr Southern, though he had approv'd my approv'd my Play, came into the common Diffidence of me as an Actor: For, when on the first Day of it I was standing, myself, to prompt the Prologue, he took me by the Hand and said, Young Man! I pronounce they Play a good one; I will answer for its Success, if thou dost not spoil it by thy own Action....I succeeded so well in both, that People seem'd at a loss which they should give the Preference to. A Comparison Between the Two Stages (1702), p. 16: Ramble: Ay, marry, that Play was the Philosopher's Stone; I think it did wonders. Sullen: It did so, and very deservedly; there being few Comedies that came up to 't for purity of Plot, Manners and Moral: It's often acted now a daies, and by the help of the Author's own good action, it pleases to this Day

Performances

Mainpiece Title: Love's Last Shift; Or, The Fool In Fashion

Performance Comment: Edition of 1696: Prologue By a Friend-Mr Verbruggen; Epilogue-Miss Cross who Sung Cupid; Sir Will Wisewoud-Johnson; Loveless-Verbruggen; Sir Novelty Fashion-Cibber; Elder Worthy-Williams; Young Worthy-Horden; Snap-Penkethman; Sly-Bullock; Lawyer-Mills; Amanda-Mrs Rogers; Narcissa-Mrs Verbruggen; Hillaria-Mrs Cibber; Flareit-Mrs Kent; Woman to Amanda-Mrs Lucas.
Cast
Role: Loveless Actor: Verbruggen
Event Comment: Betterton's Company. The date of the premiere is not known, but the fact that the play was advertised in the Post Man, 7-9 July 1696, suggests that it was first presented not later than June 1696. The cast also has a large number of relatively new players, suggesting a performance in the early summer, when the young actors had more opportunities to act. Several Songs, with the names of the singers, were published separately: Hark you, madam, can't I move you, set by John Eccles, and sung by Bowman and Mrs Bracegirdle; Shou'd I not lead a happy life, set by John Eccles and sung by Reading and M. Lee; From Aberdeen to Edinburgh, set by Ackeroyd and sung by Mrs Hudson; all in Deliciae Musicae, The Second Book of the Second Volume, 1696. Preface, Edition of 1696: I am almost asham'd to mention the extraordinary Success of a Play which I myself must condemn....Let me leave this ungrateful Subject to acknowledge my obligations to Mr John Eccles, who not only set my three Dialogues to most charming Notes, but honour'd the Words to Admiration. Downes, Roscius Anglicanus, p. 44: Love's a Jest, a Comedy, done by Mr Mateox; succeeded well, being well Acted, and got the Company Reputation and Money

Performances

Mainpiece Title: Love's A Jest

Performance Comment: Edition of 1696: Prologue-Mr Bowen in a Riding-Dress; The Epilogue-Underhil, Bowen; Gypsies-Mr Mynns; Lord Lovewel-Hodgson; Sir ThomasGaymood-Freeman; Sam Gaymood-Bowen; Railmore-Betterton; Airy-Bowman; Sir Topewel Clownish-Underhil; Squire Illbred-Trefusis; Humphrey Doddipole-Trout; Humdrum-Eldred; Major Buff-Harris; Plot-Bright; Frankly-Bailey; Lady Single-Mrs Barry; Kitty-Mrs Howard; Francilia-Mrs Bowtell; Christina-Mrs Bracegirdle; Doll Hoyden-Mrs Perrin.
Cast
Role: Lord Lovewel Actor: Hodgson
Event Comment: Rich's Company. Lady Morley attended this performance. Hotson, Commonwealth and Restoration Stage, p. 377: Lady Morley and ffower in the Box at Loves last Shift #1

Performances

Mainpiece Title: Love's Last Shift

Performances

Mainpiece Title: Love Makes A Man

Performance Comment: See17181006, but First Interlude given end Act II of Love Makes a Man-; Second Interlude end III-.

Afterpiece Title: Venus and Adonis

Dance: As17181024

Event Comment: The Orphan announced, but by special Command Love Makes a Man was played. His Majesty present

Performances

Mainpiece Title: Love Makes A Man

Event Comment: Benefit Mr DeVoto, Painter. Boxes 2s. 6d. Pit 2s. First Gallery 1s. 6d. Upper Gallery 1s. At the particular Desire of several Gentlemen and Ladies we were obliged to change the play of the Orphan to Love Makes a Man. Tickets delivered out for the Orphan will be admitted tonight. [On 25 Jan. Devoto had announced The Orphan with the part of Monimia to be attempted by Mr. Devoto's Daughter, being the first Time of Her appearing on any Stage.

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Stage Coach

Event Comment: Receipts: #180 (Cross). [Cross suggests The Tutor as afterpiece, but Public Advertiser and playbill list Love a-la-Mode.

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Love a-la-Mode

Event Comment: This was Mr Macklin's Night, as Author of the Farce (Cross). Amphitheatre on stage (Winston MS 8). A full house to Mr Macklin's Benefit & his new Farce of Love a la Mode (Hailey, Brietzcke Diary, Vol. 197, p. 69). Receipts: #304 15s. (Cross)

Performances

Mainpiece Title: The Refusal

Afterpiece Title: Love a-la-Mode

Event Comment: Being positively the last time for the afterpiece this season. [In June was published A Scotsman's Remarks on the Farce Love-a-la-Mode (Gentleman's Magazine, p. 339), scene by scene.

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: Love a-la-Mode

Dance: I: The last new Comic Dance-Sg and Sga Giorgi; II: The Cow Keepers, as17600313 but Mrs _Vernon, Mrs Preston

Song: III: By Desire, The Sailor's Song-Champnes, and a Dance in character by the Sailor

Performances

Mainpiece Title: Elvira

Performance Comment: Principal parts by: Garrick, Holland, Love, Packer, Burton, Ackman, Castle, Fox, Mrs Pritchard, Miss Bride, Mrs Cibber, Prologue and Epilogue. Don Alonzo-Garrick; Don Pedro-Holland; Don Alvarez-Love; Don Roderigo-Packer; Elvira-Mrs Cibber; Queen-Mrs Pritchard; Almayda-Miss Bride; Ambassador (?)-Burton; Ramirez-Ackman; Mendozo-Castle; Courtier-Fox; Prologue-Holland; Epilogue (writ by Garrick)-Mrs Cibber (Edition of 1763).
Cast
Role: Don Alvarez Actor: Love

Afterpiece Title: The Male Coquette

Performances

Mainpiece Title: A Midsummer Night's Dream

Performance Comment: Characters-Vernon, Bransby, W. Palmer, Burton, Parsons, Hopkins, Yates, Love, Baddeley, Ackman, Clough, Mrs Vincent, Miss Young. Fairies-Miss Rogers, Miss Ford, Miss Wright, Mas. Cape, Mas. Raworth. Theseus-Bransby; Egeus-Burton; Lysander-Vernon; Demetrius-W. Palmer; Quince-Love; Bottom-Yates; Flute-Baddeley; Starveling-Parsons; Hippolita-Mrs Hopkins; Hermia-Miss Young; Helena-Mrs Vincent; Snout-Ackman; Snug-Clough; Oberon-Miss Rogers; Titania-Miss Ford; Puck-Mas. Cape; Fairies-Miss Wright, Mas. Raworth; (Edition of 1763) Characters-Hopkins; In Act V, a Fairy Dance-Mas. Clinton, Miss Street, Miss Rogers, Miss Ford, others; Overture, Airs- by the most eminent English Masters.

Performances

Mainpiece Title: The Jealous Wife

Cast
Role: Lady Freelove Actor: Mrs Clive

Afterpiece Title: The Fairy Tale

Performance Comment: Characters by Yates, Baddeley, Clough, Love, Parsons, Ackman. Fairies-Miss Ford, Miss Wright, Mas. Raworth, Miss Rogers, Mas. Cape; To conclude with a Fairy Dance-Mas. Clinton, Miss Street, Miss Rogers, Miss Ford; Bottom-Yates; Quince-Love; Flute-Baddeley; Starveling-Parsons; Snug-Clough; Snout-Ackman (deduced from text).
Cast
Role: Quince Actor: Love

Dance: TThe Italian Gardiners, as17631119

Performances

Mainpiece Title: Cymbeline

Cast
Role: Cymbeline Actor: Love

Afterpiece Title: The Stage Coach

Performance Comment: Nicodemus Somebody-Weston; Macahone-Moody; Jolt-Love; Fetch-Baddeley; Micher-Parsons; Basil-Packer; Landlord-Watkins; Ostler-Clough; Dolly-Mrs Smith; Isabella-Mrs Hippisley; To conclude with Sir Callaghan O'Brallaghan's favorite song in Love a@la@Mode-Moody; who also introduces into his character of Macahone his whimsical Description of a Man@o@War-Moody.
Cast
Role: Jolt Actor: Love

Dance: IV: A Dutch Dance-Aldridge; End: Hippisley's Drunken Man-Weston

Performances

Mainpiece Title: The Provoked Husband

Performance Comment: Manly-Packer; Basset-King; John Moody-Love; Lord Townly-Powell; Lady Wronghead-Mrs Love; Sir Francis-Yates; Squire Richard-Mas. Burton; Miss Jenny-Miss Pope; Lady Grace-Miss Plym; Mrs Motherly-Mrs Cross; Trusty-Mrs Bennet; Myrtilla-Mrs Lee; Lady Townly-Mrs Lessingham.
Cast
Role: John Moody Actor: Love
Role: Lady Wronghead Actor: Mrs Love

Afterpiece Title: Daphne and Amintor

Event Comment: Mainpiece: By Particular Desire. N.B. Love in a Village will not be acted after this evening, for a considerable time, on account of a new Musical Comedy which will be performed some Day this week. [See 6 Dec., The Summer's Tale.

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Citizen

Dance: II: Rural Love, as17651115

Performances

Mainpiece Title: The Plain Dealer

Performance Comment: Parts-Holland, Yates, King, Palmer, Love, Parsons, Baddeley, Moody, Strange, Keen, Mrs Yates, Miss Pope, Miss Plym, Mrs Hippisley, Mrs Clive. Manly-Holland; Jerry Blackacre-Yates; Freeman-Palmer; Novel-King; Lord Plausible-Parsons; Major Oldfox-Love; Vernish-Lee; Councilor Quillit-Baddeley; Oakum-Moody; Fidelia-Mrs Yates; Widow-Mrs Clive; Olivia-Miss Pope; Eliza-Miss Plym; Lettice-Mrs Hippisley; Boy-Mas. Burton; Servants-Strange, Keen (Genest, V, 89).

Afterpiece Title: The Virgin Unmasked

Performance Comment: Coupee-King; Quaver-Dodd; Blister-Love; Goodall-Parsons; Thomas-Strange; Lucy-Mrs Abington.
Cast
Role: Blister Actor: Love

Performances

Mainpiece Title: The Clandestine Marriage

Performance Comment: Parts by: Holland, Powell, Yates; King, Palmer, Love, Lee, Baddeley, Aickin, Strange, Miss Pope, Mrs Palmer, Mrs Abington, Miss Plym, Mrs Clive. Lord Ogleby-King; Sterling-Yates; Lovewell-Powell; Sir John Melvil-Holland; Canton-Baddeley; Brush-Palmer; Serjeant Flower-Love; Traverse-Lee; Trueman-Aikin; Mrs Heidelberg-Mrs Clive; Miss Sterling-Miss Pope; Fanny-Mrs Palmer; Chambermaid-Miss Plym; Betty-Mrs Abington; Crochet in the Epilogue-Mrs Abington; Strange; Prologue-Havard; Epilogue-Several; Trusty-Miss Mills (Winston MS 9).
Cast
Role: Lovewell Actor: Powell
Role: Serjeant Flower Actor: Love

Performances

Mainpiece Title: Cymbeline

Cast
Role: Cymbeline Actor: Love

Afterpiece Title: The Gentle Shepherd

Performance Comment: Patie-Vernon; Sir William Worthy-Packer; Roger-Moody; Symon-Parsons; Bauldy-Love; Glaud-Bransby; Jenny-Mrs Hopkins; Mause-Mrs Love; Madge-Johnston; Elspa-Mrs Bradshaw; Peggy (With Thro the Wood Laddie)-Miss Wright.
Cast
Role: Bauldy Actor: Love
Role: Mause Actor: Mrs Love

Entertainment: RRalph Ramble, or O Rare London-King, at End of Play By Particular Desire, followed by

Dance: %New Tambourine, as17660123

Event Comment: Mainpiece: By Particular Desire. Beard's Night. Charges. #64 5s., Balance to Beard #198 12s. (Account Book). Got but a bad place in the 2s. Gallery at Covent Garden where I saw Love in a Village with the Citizen...At the end of Act 2, we had the dance of the Female Archer, by Mad LaRiviere, Miss Wilford, &c. with Miss Pope of the other House. Ought to be particularly encouraged because she is virtuous. Mr Elliot has sold her to Cumberland (Neville MS Diary). Receipts: #262 17s. (Account Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Citizen

Dance: II: The Female Archer, as17661215

Performances

Mainpiece Title: The Provoked Husband

Afterpiece Title: The Register Office

Performance Comment: Capt. Le Brush-King; Gulwell-Packer; Harwood-Aickin; Irishman (with the original song)-Moody; Frenchman-Baddeley; Scotchman-Love; Frankly-J. Palmer; Maria-Miss Mills; Margery-Mrs Love; Williams-Ackman; Lord Brilliant-Fawcett; Trickit-Fox.
Cast
Role: Scotchman Actor: Love
Role: Margery Actor: Mrs Love

Dance: II: The Lilliputian Camp composed by Grimaldi, as17670227; III: Hearts of Oak, as17670212; End: The Vintage, as17661011, but-Grimaldi, Mrs King

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-Garrick; Strictland-Love; Frankly-Palmer; Bellamy-Packer; Jack Meggot-Dodd; Tester-Weston; Mrs Strictland-Mrs Palmer; Lucetta-Mrs Love; Jacintha-Mrs Jeffries, 1st time; Clarinda-Miss Pope; Concluding with a new Country Dance-.
Cast
Role: Strictland Actor: Love
Role: Lucetta Actor: Mrs Love

Afterpiece Title: Daphne and Amintor

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Register Office

Performance Comment: Capt. Le Brush-King; Irishman-Moody (with the Original Song); Scotsman-Love; Gulwell-Packer; Harwood-Aickin; Frenchman-Baddeley; Frankly-J. Palmer; Lord Brilliant-Fawcett; Trickit-Fox; Margery-Mrs Love.
Cast
Role: Scotsman Actor: Love
Role: Margery Actor: Mrs Love.