Event Comment: FFrench Company--open'd at ye Haymarket Little House--several strove to pelt 'em off--but some Lords and officers drawing their Swords in their Defence, they went on & many people were wounded--a small opposition on Wed and Fry: following but without effect (Cross). Paid Blandford (Tallow Chandler) #19 2s. (Treasurer's Book). Receipts: #100 (Cross); #104 13s. 6d. (Treasurer's Book)

Event Comment: Play never acted. 'Tis hoped no gentleman will take it ill that he cannot possibly be admitted behind scenes this night (General Advertiser). This play was wrote by Mr Whitehead Tutor to my Lord Jersey,--it was receiv'd with Extravagant applause--& it was Agreed Mr-(Cross). Paid Mr Ackman for writing voice parts in Don Severio #1 1s.; Salary list #305 6d. Norton 6 chorus #1 10s. (Treasurer's Book). [Of some interest is the fact that a ship plying between London and Dublin was named the Roman Father, perhaps in response to the popularity of this play. See note of its safe arrival in Crookhaven in General Advertiser 25 Oct. 1750.] Receipts: #190 (Cross); #191 7s. 6d. [Treasurer's Book)

Event Comment: Miss Younge having been a Season in Ireland is now return'd play'd Well & was receiv'd with Great Applause (Hopkins Diary). Potter, Theatrical Review: We must beg leave to point out a small error in her playing the part of Imogen; and which was too obvious to escape notice: --When Iachimo arrives from Italy...he is introduc'd to her by Pissanio who says..."Madam, a noble gentleman of Rome comes from my Lord with letters." And Iachimo on his first appearance informs her, that "the worthy Leonatus is in safety." These circumstances ought to awaken the highest joy and transport in Imogen, instead of which, we wer sorry to observe, she dropped a solemn curtsey, and without one joyous feature said, with the utmost langor, "Thanks good sir, &c." And even after she had read the letter...she addresses herself to him again with the same indifference. Rec'd Mrs Groath, 1 yrs. Rent to Xmas last #3, and from Mr Atkins on Acct #5 5s.; Advanc'd Mr Barry, Box Office keeper #15; Ditto to Mr Watson, Box Office Keeper #10 (Treasurer's Book). Receipts: #164 5s. (Treasurer's Book)

Event Comment: About Ten o'clock this Morning Orders came from the Lord Chamberlain to Shut up the House on Account of the Death of the Princess Dowager of Wales who died this Morn[in]g between 6 & 7 o'clock (Hopkins Diary). [Closed through Sat., Feb. 15. No record in Treasurer's Book save "The Princes Dowager of Wales died this Morning."] Theatres clos'd on 8 Feb. and reopen'd on 17th Feb. for Augusta Princess Dowager of Wales (Winston MS 10). Paid salary list, at #83 9s. 9d. per diem, #500 18s. 6d.; Mrs Abington's Cloaths acct, #2; Mr S. French, 1 1!2 days 7s. 6d.; Mr Weston's note to Mr Holman, #8 3s. (Treasurer's Book). [The cast scheduled for mainpiece was that of 4 Feb.; for afterpiece that of 30 Dec. 1771. The dance between was to have been Sailor's Revels of 8 Oct. 1771.

Event Comment: Mainpiece: A New Tragedy by Robert Jephson. New Scenes and Dresses. This Tragedy having been read by the Author's Friends in most of the great Family's in Town & puff'd up in Such a Manner that the Expectations of the Audience were so much rais'd that it fell far short of what they imagin'd-the four first Acts are heavy & want incident & Plot, the Writing is Clear & Nervous-the 5 Act has more incident & Plot but Writing not so Nervous: No Play had ever more Justice in the getting of it up Mr G. was not Sparing of his Labour & Attendance nor was any Expence deny'd for the Cloaths & Scenery both of which were Superb and it receiv'd with very great applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Paid Mr Wright per order #6 5s.; Mr Wallis on note #2 2s. (Treasurer's Book). [The Westminster Magazine for Feb. outlines the plot of Braganza, and comments favorably: "Upon the whole, Braganza, met with general and deserved applause; and we cannot help congratulating the Public on the acquisition of a truly dramatic Genius." The author, Colonel Jephson, was Aid-de-Camp to the Lord Lieutenant of Ireland. Walpole wrote to Mason: "Braganza was acted with prodigious success. The audience, the most impartial I ever saw, sat mute for two acts, and seemed determined to judge for themselves, and not to be the dupes of the encomiums that had been so lavishly trumpeted. At the third act they grew pleased and interested; at the fourth they were cooled and deadened by two unneccessary scenes, but at the catastrophe in the fifth they were transported. They clapped, shouted, hussaed, cried bravo, and thundered out applause." Commends Mrs Yates, and hopes this will spark a new era in dramatic writing. Sweepingly condemns that of last fifty years.] Receipts: #250 9s. 6d. (Treasurer's Book)

Event Comment: Benefit Leviez, Desse, and Powell (Deputy Treasurer). [The latter was probably John Powell, who later ingratiated himself with Lord Holland, became an accountant in the office of Paymaster General of His Majesties Forces and in 1783 was accused with Mr Bembridge of concealing a large sum in Accounts chargeable to Lord Holland, 1757-65. He committed suicide 26 May 1783, under the stress of the investigation, and the verdict of death as a result of Lunacy was issued. See account in Gentlemen's Magazine (1783) pp. 454, 539, 613. He is there described as having been a Teller in Drury Lane Theatre, a person who acts as a check upon the door keepers of the playhouse, by counting the number of people in the house, which he does from a small box, conveniently situated for that purpose.

Event Comment: Benefit for Wood, Sub-Treasurer. Tickets deliver'd out for The Mistake will be taken (playbill). For ye Morocco Embassador, who, tho' unlearn'd in out Language, behav'd as if he understood nature -Mr Wood, the Subtreasurer had Tickets (Cross). [Mrs Frances Brooke, in The Old Maid, for 8 May 1756, gives the following eye-witness account of the evening: "I determined to watch the artless working of [the Ambassador's] surprise, and to catch, as well as I could his sentiments of the theatre, the Audience, the Play, and the performers. And shall give them to my readers, just as they appeared to me. On his first coming to the front of the Box, he was complimented with the Applause of the whole House, which seemed to give him great pleasure, and which he returned by two bows in the English, and afterwards by a reverence in the Moorish manner, which last I thought very graceful...tho' he is rather low of stature, yet his loose flowing robes, and his manner altogether gave him such an air of superiority, that I thought the Audience looked only like his attendants. "The House and Spectators attracted his notice so much for some time, that he seem'd very well entertained before the drawing up of the curtain. At the first scene between the Lords, I thought he looked disappointed, and after a transient view of the stage, directed his eyes again to the company; at the entrance of King Henry his attention was a little recover'd to the performance, but his majesty had not proceeded half way thru the scene, before he burst into a most immoderate fit, of apparently contemptuous laughter, which he repeated very often thro' the whole playing of the part. The manner in which this stranger was affected by it, amongst other considerations, fully convinces me that this character is most ridiculously burlesqued in the representation, and that both Shakespeare and the Monarch are very inhumanly sacrificed, to the polite taste, and elegant distinction of the upper gallery....I could point out many abuses of the like nature, which have increased upon us so much of late, that 'tis almost impossible to attend the theatres, with the expectation of receiving pleasure from some parts of the perfbrmance, without the certainty of suffering equal disgust from others; it was the case of many besides myself, at this of Henry, upon the absurdity of Winchester's brandishing his cane at Canterbury, upon the close of the Council Scene; and yet to give opportunity for this notable stage foolery, the Archbishop and Bishop are both made to walk out of their proper order, tho' in attendance upon the King....His character is drawn by Shakespeare very nearly as it stands in history, and in colours far different from the farcical ones, in which it is the present fashion to represent it. He is described indeed as imperious, but at the same time a great Monarch, and not withstanding his short interjections of anger, he is in my judgment upon every occasion a King. I wish this consideration may prevail with Mr Berry, when he plays this character for the future, to remember that tho' Harry as well as Jobson may be something rough and boistrous, yet the turbulency of a haughty prince, is a very different quality, and must therefore appear in avery different fashion, from the sawciness of an impudent cobbler. "Whatever neglect his Moorish Excellency might discover of this part, he paid great attention to that of Queen Catherine; but nothing seem'd to affect him so stronglyas Miss Young's singing, at which he appeared quite collected, and listened to her with all marks of rapturous admiration; his whole soul appeared touched, and at the end of the song, he joined the house in clapping, a mark of applause I did not observe him give at any other time. "I thought upon the King's kissing Anna Bullen, that he appeared surprized and offended, and looked about, to observe whether others were not affected in the same manner. "The procession was less marked by him than I had expected, but upon the Champion's entry on horseback, he burst into such an Immoderate fit of laughter, as to fall quite back in his seat. "At the end of the play he rose, as if to leave the House, but looked very well pleased upon being informed there was more entertainment to come; in the Pantomime he seem'd surprized and disgusted at the appearance of Harlequin, to whom he did not appear reconciled to the last; his wonder was still greater at the flying of the Genii cross the stage, and other parts of the machinery, which I thought he studied byt was puzzled to account for. He laughed heartily at the Clown, and admired Colombine not a little.... "I am jealous of the honour of my country in all respects. I would have this stranger leave it with as high opinion of our publick entertainments as possible, and could wish that at the Old House, he might see Mr Garrick in Richard or some equally striking part, and at the New, he may be present at plays, where rich dresses, magnificent show and graceful action, and uncommon personal perfections in the principal performers might contribute to give him a more elevated idea of our stage, than he can have receiv'd from King Harry."] Receipts: #210 (Cross)

Event Comment: [The edition of 1662 suggests that this was a ballet, the text offering description or synopses of the entries. Edition of 1662: Being part of that Magnificent Entertainment by the Noble Prince, DelaGrange, Lord Lieutenant of Lincolns Inn. Presented to the High and Mighty Charles II, Monarch of Great Britain, France and Ireland. On Friday 3 of January 1662. Evelyn, Diary: After Prayers I went to Lond: invited to the solemn foolerie of the Prince de la Grange at Lincolne Inn: where came also the King, Duke, &c.: beginning with a grand Masquev and a formal Pleading before the mock-princes (Grandes), Nobles & Knights of the Sunn: He had his L. Chancelor, Chamberlaine, Treasurer, & other royal officers gloriously clad & attended, which ended in a magnificent Banquet: one Mr John? Lort, being the young spark, who maintained the Pageantrie. Pepys, Diary: While I was there, comes by the King's life-guard, he being gone to Lincoln's Inn this afternoon to see the Revells there; there being, according to an old custom, a prince and all his nobles and other matters of sport and charge. John Ward (notebooks, 6 Jan.): I saw a Leopard and the same day as strange a sight which was the mock prince of Lincolnes' Inne his Nobels his Knights of the Garter and his other officers (Shakespeare Quarterly, XI [1960], 494)

Event Comment: PPublic Advertiser: Mr Vanneschi begs leave to inform the Nobility and Gentry, that a Licence being granted to him from the Lord Chamberlain's office, with his Majesty's most gracious Approbation, for exhibiting Italian operas at the King's Theatre in the Haymarket, Subscriptions for the ensuing Season will be taken in by Mess. Drummond and Co., Bankers at Charing Cross. He humbly desires his Protectors and Subscribers, to oblige him with an early Payment of their Subscription Money, in order that he may be able to give the necessary Securities to Sga Colomba Mattei, and to Sg Pasquale Potenza, as also to the Rest of his Singers and Dancers. It being given out that Mr Vanneschi hath not engaged the Use of the Opera House for the ensuing Season of Operas, it is hereby certified, that the Proprietor thereof hath agreed with Mr Vanneschi for the same. Sign'd by order of the Proprietor. Peter Crawford, Treasurer of said Theatre

Event Comment: Benefit for Smith. Mr Lacy play'd Cyrus. Spoke too Low and wanted Spirit. Was receiv'd with Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] Tickets delivered for Siege of Damascus, for that night, will be taken. The Bill For establishing a Fund for Decayed Actors of dl Theatre has passed the House of Lords (Winston MS 11). Receipts: #134 19s. Charges: #67 7s. 6d. Profits to Smith: #67 11s. 6d. (Treasurer's Book)

Event Comment: By Permission of the Lord Chamberlain. Benefit for The Literary Fund. [In this performance the male parts were acted chiefly by amateurs; the female parts were acted by professionals. Prologue and Epilogue by Thomas Morris (Morning Herald, 17 Apr.).] The Committee for the Management of the Literary Fund respectfully inform the Public that affecting instabces of Merit in distress exceed their power of relief by the ordinary Subscription; and that they wish to have recourse to every honourable expedient to increase that power. The Admission will be by Tickets, at the Opera Prices. Boxes and Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. No more Company will be admitted than the House will hold with perfect convenience; and when the proper number of Tickets is issued, no means of admission can be obtained. The Doors to be opened at 6:00. To begin at 7:00 precisely. Registers: Thomas Dale, M. D.; Mr Deputy Nichols. Treasurers: Thomas Morris, Esq.; Mr E. Brooke. "In the course of the play we observed several restorations of Shakespeare's text, with some interpolations. The boldest of the latter was the introduction of Richard's son to him in the tent, the night befiredthedbefore the Battle of Bosworth field. This scene was borrowed, as we believe, from Thomas? Hull's Legendary Tale of Richard Plantagenet. It was well written, and produced a considerable degree of effect. The Ghosts were banished, and the start and stagger of Richard, heretofore the theatrical trick of the scene, necessarily omitted" (Diary, 17 Apr.)

Event Comment: Never acted. [See Genest's comment (IV, 618) derived from Cumberland and the London Magazine-its appeal to the fashionable circles, its damnation at first performance because of the hanging of Harlequin in full view, and its modification thereafter. See 18 June and Horace Walpole to George Montagu [Arlington Street] July 28, 1761: I came to town yesterday through clouds of dust to see The Wishes, and went ac- [I, 381] tually feeling for Mr Bentley, and full of the emotions he must be suffering. What do [you] think in a house crowded was the first thing I saw! Mr and Madam Bentley perked up in the front boxes and acting audience at his own play--no, all the impudence of false patriotism never came up to it! Did one ever hear of an author that had couraee to see his own first night in public? I don't believe Fielding or Foote himself ever did--and this was the modest bashful Mr Bentley, that died at the thought of being known for an author, even by his own acquaintance! In the stage-box was Lady Bute, Lord Halifax and Lord Melcomb-I must say the two last entertained the house as much as the play-your King was prompter, and called out to the actors every minute to speak louder-the other went backwards and forwards behind the scenes, fetched the actors into the box, and was busier than Harlequin. The curious prologue was not spoken, the whole very ill-acted. It turned out just what I remembered it, the good parts extremely good, the rest very flat and vulgar-the genteel dialogue I believe might be written by Mrs Hannah. The audience was extremely fair. The first act they bore with patience, though it promised very ill-the second is admirable and was much applauded-so was the third-the fourth woeful-the beginning of the fifth it seemed expiring, but was revived by a delightful burlesque of the ancient chorus-which was followed by two dismal scenes, at which people yawned-but were awakened on a sudden by Harlequin's being drawn up to a gibbet nobody knew why or wherefore-this raised a prodigious and continued hiss, Harlequin all the while suspended in the air-at last they were suffered to finish the play, but nobody attended to the conclusion-modesty and his lady all the while sat with the utmost indifference-I suppose Lord Melcombe had fallen asleep [p. 382] before he came to this scene and had never read it. The epilogue was about the King and new Queen, and ended with a personal satire on Garrick-not very kind on his own stage-to add to the judge of this conduct, Cumberland two days ago published a pamphlet to abuse him. It was given out for tonight with more claps than hisses, but I think it will not do unless they reduce it to three acts." [p. 383]. Correspondence with George Montagu. Ed. W. S. Lewis & Ralph Brown. (New Haven: Yale University Press, 1941), I, 381-83] Note: (I, 381n): Bentley's play of The Wishes or Harlequin's Mouth Opened, was offered to Garrick and Rich the beginning of 1761, but wasrefused by both. His nephew Cumberland showed it to Lord Melcomb, who carried it to Lord Bute, with a compliment in verse to that Lord by Mr Cumberland. Lord Bute showed it to the King, who sent Bentley #200 and ordered the new summer company to play [it]. There was a prologue, flattering the King and Lord Bute which Foote refused to act. Two days before it was played, Cumberland wrote an anonymous pamphlet, addressed to Mr Bentley, and abusing Garrick, who had refused to act Cumberland's tragedy of Cicero's banishment, which he printed this year [1761], unacted. The Wishes were played for the first time July 27th, 1761; the 2d 3d and part of the 4th, acts were much applauded, but the conclusion extremely hissed. The Epilogue concluded with a satire on Garrick. It was acted five nights. About the same time he wrote a tragedy called Philodamus, which he was to read to Garrick, but the latter was so angry at their treatment of him, that he declared against seeing Mr Bentley" (MS account by HW of Bentley's writings, in the collection of Lord Waldegrave at Chewton Priory)

Event Comment: Benefit for Bannister. This Benefit was given to Mr B. after the Season Clos'd on Account of Some trouble he was in (Hopkins Diary). Mainpiece: By Particular Desire. [June 2 by Treasurer's Book.] Profits to Bannister after all charges #106 6s. 5d. This month was publish'd Theatrical Portraits, epigrammatically delineated, &c. 4to. Price 1s. 6d. (Gentleman's Magazine Catalogue). Receipts: #210 6d. (Treasurer's Book). AFTER SEASON RECEIPTS AND EXPENDITURES (Treasurer's Book). Rec'd: 15 June: Mr Parsonage's (late Williams) Rent 1 yr to Lady day last with 4s. 10d. deducted, #43 10s.; Mr Harrison's Rent 1 yr to ditto with #7 17s. 6d. Land Tax deducted, #38 2s. 6d.; for candles, oil & lampmen on Theatrical Fund Night #3 18s. 6d. 18 June: From Public Advertiser this season #50; from Daily Gazetteer #50; from Mr Pope 1 yrs. rent to Lady Day last with #1 13s. land tax deducted, #28 7s. 23 June: From New Additional Sinking Fund #241 13s.; Patentees' Draft on Mr Clutterbuck #50; Music forfeits this season, Mr D. Richards included, #25 14s. 7d. 25 June: Their Majesties Account 8 nights #80, the Queen's Ladies 2 nights #6. 29 June: Mr Rowland's Rent 1 year to Lady Day last with #2 2s. land tax deducted #40 18s. 30 June: Mr Evans (wardrobe?) sundry forfeips this season #47 8s. Paid: 4 June: Tallow chandler's 9th & last Bill (#37 12s. 9d., but with a discount at 8 on #350 16s. amount of this season's Bills) #9 11s. 6d. Mr Page in full of #25 this season, #1 10s.; Rector & Watch Covent Garden parish 1 year to Lady Day last #1 8s. 4d. 10 June: Two Housekeeper's Bills #11 3s.; half yrs, paving &c. St Martin to Lady Day last #17 13s. 15 June: Messrs Barrow & Co., Oil, #191 14s. 6d.; Messrs Marshall & Co. (plumbers) #55 3s.; Mr Cropley (linen draper) #15 13s. 6d.; Mr Cole (turner) #12 15s.; Mr Dalmaine (embroiderer) #3 13s. 6d.; Mr Landall (Undertaker) #3 4s. Mr Hatsell (mercer) #37 7s.; Mr Carpue (silk dyer)#7 7s. 6d.; Mr Barrett (wax chandler) #27 1s. 6d.; Mrs Vaughan (haberdasher) #7 16s. 6d.; Messrs Sandys & Co. (colourmen) #72 6d.; Mr Carter (scowrer) #20 6s.; Messrs Hewetson & Co. (lacemen) #27 3s.; Mr Stephens (mason) #4 6s.; Mr Cubit (tinman) #12 4s. 6d.; Mr Hopkins & Co. (ironmongers) #10 18s.; Mr Powney (stationer) #4 7s. 16 June: Miss Berkley on note #5 5s.; half yrs rent to Duke of Bedford to Lady Day last #165 2d.; Loss on sale of 330 and 1!2 light Guineas, #17; Mr Pope's Bill for Wigs, &c. #14 2s.; Mr Pope for 69 nights extra dressing this season #6 18s.; Mr J. Johnston's Music Bill, #16 12s. 6d. 23 June: Lowe & Co. (glaziers) #4 7s. 6d.; Scott & Co. (lacemen) #17 11s.; Waller & Co. (hosiers) #7 10s.; Mrs Chitty (coals) #28 10s.; Bibb (sword cutler) #1 5s.; Gardner (shoemaker) #6; Thomson (smith) #23 7s.; Chettell (timber) #40 17s.; Ireland (upholsterer) #35 1s.; Blakes (hatter) #3 1s.; Palmer (spermacetti candles) #124; Dorman (coals) #27 15s.; Dorman for attending practices of dances this season, #10 10s.; A. Johnston's Bill for sundrys #47 11s.; Mrs Garwood (laundress) #12 15s. 29 June: Black Lyon Bills for Wardrobe, Carpenters & Surveyors Dinners #25 14s.; Mr J. French on Acct #9 10s. 30 June: One yrs paving &c. to Covent Garden Parish to Lady Day last #3; Hopkins' Prompter's Bills #30 17s.; Victor's gratuity #30., and extra salary 2 weeks #5; Evans in lieu of Benefit #42, and extra salary 2 weeks #3. Books closed 30 June 1774: @Total Receipts #33,075 1s. 11d.@Total Expense #30,153 15s. 10d.@Profits #2,921 6s. 1d. divided as follows:@To Patentees #1840@To Mr Clutterbuck #1,081 6s. 1d.@*c1774 06 02 dl Benefit for Bannister. This Benefit was given to Mr B. after the Season Clos'd on Account of Some trouble he was in (Hopkins Diary). Mainpiece: By Particular Desire. [June 2 by Treasurer's Book.] Profits to Bannister after all charges #106 6s. 5d. This month was publish'd Theatrical Portraits, epigrammatically delineated, &c. 4to. Price 1s. 6d. (Gentleman's Magazine Catalogue). Receipts: #210 6d. (Treasurer's Book). AFTER SEASON RECEIPTS AND EXPENDITURES (Treasurer's Book). Rec'd: 15 June: Mr Parsonage's (late Williams) Rent 1 yr to Lady day last with 4s. 10d. deducted, #43 10s.; Mr Harrison's Rent 1 yr to ditto with #7 17s. 6d. Land Tax deducted, #38 2s. 6d.; for candles, oil & lampmen on Theatrical Fund Night #3 18s. 6d. 18 June: From Public Advertiser this season #50; from Daily Gazetteer #50; from Mr Pope 1 yrs. rent to Lady Day last with #1 13s. land tax deducted, #28 7s. 23 June: From New Additional Sinking Fund #241 13s.; Patentees' Draft on Mr Clutterbuck #50; Music forfeits this season, Mr D. Richards included, #25 14s. 7d. 25 June: Their Majesties Account 8 nights #80, the Queen's Ladies 2 nights #6. 29 June: Mr Rowland's Rent 1 year to Lady Day last with #2 2s. land tax deducted #40 18s. 30 June: Mr Evans (wardrobe?) sundry forfeips this season #47 8s. Paid: 4 June: Tallow chandler's 9th & last Bill (#37 12s. 9d., but with a discount at 8 on #350 16s. amount of this season's Bills) #9 11s. 6d. Mr Page in full of #25 this season, #1 10s.; Rector & Watch Covent Garden parish 1 year to Lady Day last #1 8s. 4d. 10 June: Two Housekeeper's Bills #11 3s.; half yrs, paving &c. St Martin to Lady Day last #17 13s. 15 June: Messrs Barrow & Co., Oil, #191 14s. 6d.; Messrs Marshall & Co. (plumbers) #55 3s.; Mr Cropley (linen draper) #15 13s. 6d.; Mr Cole (turner) #12 15s.; Mr Dalmaine (embroiderer) #3 13s. 6d.; Mr Landall (Undertaker) #3 4s. Mr Hatsell (mercer) #37 7s.; Mr Carpue (silk dyer)#7 7s. 6d.; Mr Barrett (wax chandler) #27 1s. 6d.; Mrs Vaughan (haberdasher) #7 16s. 6d.; Messrs Sandys & Co. (colourmen) #72 6d.; Mr Carter (scowrer) #20 6s.; Messrs Hewetson & Co. (lacemen) #27 3s.; Mr Stephens (mason) #4 6s.; Mr Cubit (tinman) #12 4s. 6d.; Mr Hopkins & Co. (ironmongers) #10 18s.; Mr Powney (stationer) #4 7s. 16 June: Miss Berkley on note #5 5s.; half yrs rent to Duke of Bedford to Lady Day last #165 2d.; Loss on sale of 330 and 1!2 light Guineas, #17; Mr Pope's Bill for Wigs, &c. #14 2s.; Mr Pope for 69 nights extra dressing this season #6 18s.; Mr J. Johnston's Music Bill, #16 12s. 6d. 23 June: Lowe & Co. (glaziers) #4 7s. 6d.; Scott & Co. (lacemen) #17 11s.; Waller & Co. (hosiers) #7 10s.; Mrs Chitty (coals) #28 10s.; Bibb (sword cutler) #1 5s.; Gardner (shoemaker) #6; Thomson (smith) #23 7s.; Chettell (timber) #40 17s.; Ireland (upholsterer) #35 1s.; Blakes (hatter) #3 1s.; Palmer (spermacetti candles) #124; Dorman (coals) #27 15s.; Dorman for attending practices of dances this season, #10 10s.; A. Johnston's Bill for sundrys #47 11s.; Mrs Garwood (laundress) #12 15s. 29 June: Black Lyon Bills for Wardrobe, Carpenters & Surveyors Dinners #25 14s.; Mr J. French on Acct #9 10s. 30 June: One yrs paving &c. to Covent Garden Parish to Lady Day last #3; Hopkins' Prompter's Bills #30 17s.; Victor's gratuity #30., and extra salary 2 weeks #5; Evans in lieu of Benefit #42, and extra salary 2 weeks #3. Books closed 30 June 1774: @Total Receipts #33,075 1s. 11d.@Total Expense #30,153 15s. 10d.@Profits #2,921 6s. 1d. divided as follows:@To Patentees #1840@To Mr Clutterbuck #1,081 6s. 1d.

Event Comment: Mainpiece: Comedie in 5 Actes de Mr Baron. The alleged deposition of Wm Davison:...he on the 17th Day of November being the second Night of the French Strollers acting at the Theatre in the Haymarket, was at the Sign of the Globe, a Publick House about Nine of the Clock that Night, where this Deponent saw John Haines, one of the Waiters at the said Tavern, and several other Persons, to the Number of 16, dressed like Chairmen, each of which had a great Bludgeon in his Hand, which he put under his Coat, in order to hide the same, but in such a manner as this Deponent was capable of seeing said Bludgeons;...and was informed by several Persons of credit that they and others to the number of 30, were hired by Lord Trentham to protect the French Strollers from any Attempt that might be made to prevent their Acting [claims Haines had a list of their names and told them Lord Trentham would need them again on other nights] notarized before John Waple, 24 Nov. [Lord Trentham offered a fifty pound reward for the original copy of the above affidavit.] John Haynes...maketh Oath...that he...never had any Conversation directly or indirectly, with Lord Trentham, relating to the French Players, nor did the said Lord Trentham dine at the King's Arms on 17 Nov., nor did this Deponent see the said Lord Trentham on that Day, nor for several Days before, nor did the Deponent make use of the said Lord Trentham's name, in any conversation at the Globe Alehouse the said Lord Trentham was not in the least privy to this Deponent's going to the said little Theatre on the said 17th of Nov. with several Persons as mentioned in the affidavit or pretended affidavit of Wm Davison...Sworn the 26th Day of Nov., before me, H. Fielding. [This notice repeated in the General Advertiser for a week. The French players departed for France on 28 Dec.

Event Comment: Paid Chorus to 18th inst. #18; Paid Danby for writing music #6 14s. 9d. Receipts: #101 19s. (78.8.0; 23.3.6; 0.7.6)

Event Comment: Afterpiece to include a Grand View of the Cumberland Fleet sailing for the Cup, and a song and chorus in honour of the Institution. To conclude with a Pageant, Rural and Pantomimical. Paid Danby for Chorus to 9th Inclusive #8 151. The Doors will be opened at 5:15. To begin at 6:15 [see 22 Apr. 1784]. Receipts: #187 (169/14/0; 16/15/6; 0/10/6)