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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Lord Orrery"/1) | (@(roleclean,performerclean) "Lord Orrery")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2241 results for: Keyword - Lord Orrery
We found 1657 matches on Performance Comments, 572 matches on Event Comments, 108 matches on Performance Title, 88 matches on Author, and 0 matches on Roles/Actors.

1901
12 September 1717 @ no theater listed

Event Comment: Weekly Journal or British Gazetteer, 14 Sept.: On Thursday...Mr Bullock and Mr Leigh were taken out of their Booth in Southwark, as we hear, upon an Information against them; but being carried before the Lord Mayor, they were releas'd upon Bail

Performances

1902
23 September 1718 @ Hampton Court

Event Comment: Steele wrote a Prologue for the opening, but the Lord Chamberlain had already engaged one by Tickell. For Steele's Prologue, see Blanchard, Occasional Verse of Richard Steele, p. 49: for Tickell's, see R. E. Tickell, pp. 231-32. Original Weekly Journal, 27 Sept.: His Majesty beheld the Performance with much Satisfaction. The young Princesses were present, and a very great Concourse of Nobility and Gentry

Performances

Mainpiece Title: The Stratagem

1903
09 May 1719 @ Drury Lane Theatre

Event Comment: Benefit Ray and Mrs Moore. On this day a warrant for establishing an Academy of Music was issued. See Lord Chamberlain's Office, 7@3 and 5@157, p. 228

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Song: Ray

Dance: Shaw, Mrs Santlow, Wade, Mrs Bicknell, Topham, Miss Tenoe, Miss Lindar

Music: A new Piece for the Ecchoe Flute-Paisible

1904
27 November 1719 @ King's Theatre

Event Comment: A meeting of the Court of Directors of the Royal Academy of Music initiated arrangements for a new season. For details, see Lord Chamberlain's Office, 7@3, Nicoll, p. 286, and Deutsch, p. 97

Performances

1905
30 November 1719 @ King's Theatre

Event Comment: For further deliberations of the Court of Directors of the Royal Academy of Music, see Lord Chamberlain's Office, 7@3 or Deutsch, p. 97

Performances

1906
02 December 1719 @ King's Theatre

Event Comment: For further deliberations of the Royal Academy of Music, see Lord Chamberlain's Office, 7@3 or Deutsch, Handel, p. 97

Performances

Mainpiece Title: None

1907
19 December 1719 @ Drury Lane Theatre

Performances

Mainpiece Title: The Spartan Dame

Performance Comment: See17191211 [Cibber's role was presumably read this evening, for he had been silenced by the Lord Chamberlain.]

Song: As17191003

1908
23 January 1720 @ Drury Lane Theatre

Event Comment: At the Desire of several Persons of Quality. Weekly Journal or Saturday's Post, 30 Jan.: On Saturday Night, after the Actors...had perform'd the Maid's Tragedy, a Proclamation was made upon the Stage from the Duke of Newcastle, Lord Chamberlain, signifying that it was his Majesty's Pleasure to suspend for the present any more Acting at that House

Performances

Mainpiece Title: The Maid's Tragedy

Song: As17191003

1909
02 February 1720 @ Drury Lane Theatre

Event Comment: Benefit Mrs Robinson. Boxes and Pit by tickets only at half a guinea. Tickets for The Man of Mode taken. [An order of the Lord Chamberlain's Office, 5@157, p. 284, directs the managers not to allow any benefit before those for Mrs Oldfield and Mrs Porter.

Performances

Mainpiece Title: The Old Batchelor

Song: Between the Acts: Singing-

1910
16 February 1720 @ Drury Lane Theatre

Event Comment: By His Royal Highness's Command. Lord Chamberlain's Office, 5@157, p. 287: I do hereby Order and direct that Mr Gay s Pastorall Tragedy be imediately Acted after Mr Hugh's

Performances

Mainpiece Title: The Stratagem

Dance: As17200210

1911
15 April 1721 @ King's Theatre

Event Comment: [Music by Ariosti, Bononcini, Handel. Text by P. A. Rolli.] Admission as 19 Nov. 1720. De Fabrice to Flemming, 21 April (in Deutsch, Handel, p. 126): The Princess of Wales was safely delivered of a son last Saturday. The news was taken to the King by Lord Herbert during...Mutius Scevola, where there was a particularly large audience on account of its being the first performance. The audience celebrated the event with loud applause and huzzas. Each act of this opera is by a different composer, -the first by a certain Pipo, the second by Bononcini, and the third by Hendell, who easily triumphed over the others

Performances

Mainpiece Title: Mutius Scaevola

1912
14 April 1722 @ Greenwich

Event Comment: London Journal, 21 April: The Scholars of Mr Weston...performed the Play of Tamerlane...before the Lords of the Admiralty, with great Applause

Performances

Mainpiece Title: Tamerlane

1913
05 July 1723 @ Drury Lane Theatre

Event Comment: [By Theophilus Cibber.] Alter'd from Shakespear. Containing the Marriages of King Edward the Fourth , and young Prince Edward , with Lady Gray , and Lady Anne . The Distresses of Queen Margaret . The Deposing King Henry the Sixth . The Battles Fought at St. Albans, Wakefield, Mortimer's-Cross, and Tewkesbury. The Deaths of Lord Clifford of Cumberland , and his Son, the Duke of York , his Steward. And many other True Historical Passages

Performances

Mainpiece Title: An Historical Tragedy Of The Civil Wars Between The Houses Of York And Lancaster In The Reign Of King Henry The Vith

1914
19 December 1723 @ Haymarket Theatre

Event Comment: Not Acted these Twenty Years. Written by the Lord Lansdowne. With new Scenes and Habits

Performances

Mainpiece Title: Heroick Love

1915
20 December 1723 @ Haymarket Theatre

Event Comment: Written by the Lord Lansdowne. With new Scenes and Habits

Performances

Mainpiece Title: Heroick Love

1916
25 February 1725 @ Lincoln's Inn Fields

Event Comment: RRich's Register: No Play by reason of a great Fire yesterday at my Lord Cardigans House being next door to the Theatre

Performances

1917
02 May 1729 @ Haymarket Theatre

Performances

Mainpiece Title: Tamerlane

Performance Comment: Bajazet-Hulett; Tamerlane-Smith; Moneses-Gillow; Axalla-Williams; Dervise-Machen; Omar-Giffard; Prince of Tanais-Downes; Arpasia-Mrs Purden; Selima-Mrs Seal, lately arrived from Ireland; To which will be added a Whimsical Letter from the Lord Viscount Flame to the Mufti of Terra@Australis@Incognita repeated-Mr Johnson of Chesire, Author of Hurlothrumbo.

Dance:

1918
01 November 1729 @ Drury Lane Theatre

Event Comment: By Command of his Royal Highness. [The Prince, accompanied by the Duke of Manchester, Lord Charles Cavendish, and Colonel Schutz, present.

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Perseus and Andromeda

1919
06 November 1729 @ Drury Lane Theatre

Event Comment: By Command of His Royal Highness. Mainpiece: Written by the late Mr Congreve. [Prince of Wales, attended by Lord Ashburnham and Colonel Townshend, attended. In Daily Post, 5 Nov., The Conscious Lovers had been announced for this day.

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Harlequin Doctor Faustus

1920
27 December 1729 @ Drury Lane Theatre

Event Comment: By Command of His Royal Highness. [The Prince, attended by Lord Charles Cavendish and Colonel Townshend, and Princess Caroline, attended by the Countess of Suffolk, present.

Performances

Mainpiece Title: Cato

Afterpiece Title: The Beggar's Wedding

1921
28 April 1730 @ Goodman's Fields

Event Comment: Benefit R. Williams. Mainpiece: Not Acted these Twenty Years. On this day the Lord Mayor and the Court of Aldermen of the City presented a petition to the King seeking the suppression of the theatre in Goodman's Fields. Thomas Odell, Master of the Theatre, also appeared before His Majesty and sought royal leave to continue acting.--See Grub St. Journal, 7 May, for a summary of the events, but see also Weekly Journal or British Gazetteer and London Journal, 2 May

Performances

Mainpiece Title: The Man's Bewitch'd; Or, The Devil To Do About Her

Afterpiece Title: Harlequin Turn'd Dancing-Master

Dance: TThe White Joke (new)-Eaton

1922
11 December 1730 @ Drury Lane Theatre

Event Comment: Never Acted before. [by Charles Johnson.] With New Habits. [See Preface for an account of the noisy reception of the play, and Lord Hervey and his Friends, p. 61, for Hervey's amusing account of the first night.

Performances

Mainpiece Title: Medea

1923
18 October 1731 @ Hampton Court

Event Comment: [T$Their Majesties, Prince, Duke, Princesses, and Duke of Lorrain present. See Lord Hervey and His Friends, p. 103.

Performances

Mainpiece Title: The Recruiting Officer

1924
27 November 1731 @ King's Theatre

Event Comment: [T$Their Majesties and the Royal Family present. See also Lord Hervey and his Friends, pp. 114-15.

Performances

Mainpiece Title: Porus

1925
30 November 1731 @ King's Theatre

Event Comment: [T$Their Majesties, Prince, Prince William, Princess Royal, the young Princesses, and Duke of Lorrain present. See also Lord Hervey and his Friends, p. 115.

Performances

Mainpiece Title: Porus