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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Joseph Reed"/1) | (@(roleclean,performerclean) "Joseph Reed")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1291 results for: Keyword - Joseph Reed
We found 950 matches on Author, 246 matches on Performance Comments, 106 matches on Event Comments, 25 matches on Performance Title, and 0 matches on Roles/Actors.

1201
30 May 1768 @ Covent Garden

Event Comment: Benefit for Mr Sarjant and Son (book and box-keeper). Tickets deliver'd for the 16th will be taken. Charges #81 15s. 6d. Deficit to Sarjant #57 4s. covered by #167 2s. from tickets (Box 450; Pit 272; Gallery 138) (Account Book). Rec'd the 1!2 value of tickets for 28th inst. from Doe, Reed, Robson, Rose, Pilfold, Roberts, Dixon, and Wooley (Account Book). Receipts: #57 4s. (Account Book)

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Orpheus and Eurydice

Dance: II: The Highland Reel, as17680307

1202
22 February 1769 @ Haymarket Theatre

Performances

Mainpiece Title: Samson

Performance Comment: Singers-Vernon, Reinhold, Pinto, Mattocks, Mrs Jewel (Isaac Reed Diaries).

Music: As17690215

1203
01 April 1769 @ Covent Garden

Event Comment: Benefit for Miss Macklin. Part of Pit will be laid into Boxes. Send servants by 4 o'clock. Afterpiece: For the only time this season. Charges #64 5s. Balance to Miss Macklin #77 7s. 6d. plus #115 15s. from tickets (Box 463). Paid Mr Reed for the balance of his 3 nights for Tom Jones #297 3s. Receipts: #141 12s. 6d. (Account Book)

Performances

Mainpiece Title: The Refusal; Or, The Lady's Philosophy

Afterpiece Title: Love a-la-Mode

Dance: End: The Irish Lilt, as17680930

1204
23 May 1769 @ Covent Garden

Event Comment: [The Account Book indicates the following Paid up their half value for tickets: Whatley, Dixon, Reed, Bushell, Wooley.] Receipts: #53 9s. 6d. (Account Book)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Midas

1205
19 May 1770 @ Covent Garden

Event Comment: Benefit for Thompson, Wilkinson &c. Tickets deliver'd for the Inconstant, by Whatley, and others will be taken. @ Thompson .. 7 45 #5 11s. #2 15s. 6d.@ Wilkinson 37 18 22 #14 3s. #7 1s. 6d.@ Whatley .. 6 25 #3 8s. #1 14s.@ Mrs Griffith .. 23 25 #5 19s. #2 19s. 6d.@ Flight .. 9 45 #5 17s. #2 18s. 6d.@ Ellis .. 2 38 #4 2s. #2 1s.@ Reed .. 4 16 33 #6 15s. #3 7s.@ Roberts .. 3 104 49 #21 15s. #10 12s. 6d.@ Dixon .. 5 51 22 #11 2s. #5 11s.@ Robson .. 5 117 78 #26 12s. #13 6s.@ Norbury 8 43 54 #13 17s. #6 18s. 6d.@ Bassan 14 36 41 #13 #6 18s. 6d.@ Bushell .. 6 16 #2 10s. #1 5s.@ Fransdorf 4 39 33 #10 3s. #5 1s. 6d.@ Stephenson 20 106 106 #31 10s. #15 15s.@ Miller 5 44 59 #13 15s. #6 17s. 6d.@ Walker .. 14 47 #6 16s. #3 8s.@ Shuter .. 14 4 #2 10s. #1 5s.@ Total 105 655 742 #198 14s. #99 7s.@ [No charges. The House took half value of tickets.] Receipts: #32 1s. 6d. (Account Book)

Performances

Mainpiece Title: The Twin Rivals

Afterpiece Title: Thomasand Sally

Dance: III: The Dutch Dance, as17691111

1206
23 May 1770 @ Covent Garden

Event Comment: Benefit for Condell, Potter, Hussey. Tickets sold at the Doors will not be admitted. Charges #81 10s. Deficit to the beneficiaries #18 1s. 10d. apiece. Covered by income from Tickets: Condell #71 12s. (Box 186; Pit 122; Gallery 68); Potter #48 14s. (Box 116; Pit 74; Gallery 86); Hussey #64 4s. (Box 118; Pit 152; Gallery 119); Walters, Dixon, Reed, and Wooley paid up half values of tickets (Account Book). Receipts: #24 4s. 6d

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Thomasand Sally

Dance: I: A Hornpipe-Dyer (Scholar to Fishar); III: The Irish Lilt, as17700402 End: A Minuet-Hussey, Miss Twist

1207
13 August 1770 @ Haymarket Theatre

Event Comment: Mainpiece: Never Acted Here. [Reed attended this performance.]

Performances

Mainpiece Title: King John

Afterpiece Title: Damon and Phillida

Dance: I: As17700808

1208
27 May 1771 @ Covent Garden

Event Comment: Benefit for Flight, Furkins, Wooley, Sherratt. Tickets deliver'd by Mrs Paddick, Doe, Claridge, Reed, Ellis, Dickson, Robson, Walker, Longley, Whatley and Singleton will be taken

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: Harlequin Dr Faustus

1209
12 August 1771 @ Haymarket Theatre

Performances

Mainpiece Title: The Minor

Afterpiece Title: The Tobacconist

Performance Comment: As17710715 but Prologue-Gentleman (Reed, Diary).

Dance: The Cowkeepers, as17710515; II: The Laughing Bacchanalian-Tom Smith; End of Play: Scrub's Trip to the Jubilee-Weston

Song: Between play and Farce: a Song-Mrs Jewell

1210
17 September 1772 @ Haymarket Theatre

Event Comment: Afterpiece: By the Author of the Register Office [Reed]. By Permission and Particular Desire. The tragedy was originally written in Italian by Sg Fonidoso Dellarundo, of Civita Vecchia, and bequeathed by him, at his Decease, to an English Gentleman, with whom he had contracted an intimate Acquaintance. It was translated into English by the celebrated Mr Rone, and (considering the difference of the idiom between the two languages) it is thought equal at last, if not superior to the original (Public Advertiser)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Madrigal and Trulletta

Entertainment: IV: Imitations Rhetorical and Vocal-Bannister; Scrub's Trip to the Jubilee-Weston

1211
28 May 1773 @ Covent Garden

Event Comment: Benefit for Mrs Hartle, Mas. Blurton, Walters, Symonds, Francis, and Furkins. Tickets deliver'd by Flight, Longley, Singleton, Shuter, Norbury, Roberts, Frensdorff, Miller, Stevenson, Reed, Robson, and Walker, will be taken. On Monday next (the thirteenth Night) the last New Comedy She Stoops to Conquor...with Harlequin Sorcerer. [No charges. House took half-value of tickets, plus ready-money receipts of #19 2s. 6d. (Account Book).] @Tickets Box Pit Gallery Value Half Value@Mrs Hartle .. .. .. .. ..@Mas. Blurton 5 11 36 #6 10s. #3 5s.@Walters 5 78 92 #22 3s. #11 1s. 6d.@Symonds 9 68 51 #17 11s. #8 15s. 6d.@Francis 3 33 38 #9 10s. #4 15s.@Furkins 18 45 30 #14 5s. #7 2s. 6d.@Flight .. 41 65 #12 13s. #6 6s. 6d.@Longley 9 156 57 #31 7s. #15 13s. 6d.@Singleton .. 6 14 #2 6s. #1 3s.@Shuter .. 55 16 #9 17s. #4 18s. 6d.@Norbury 10 12 19 #26 4s. #3 2s.@Roberts 6 134 48 #26 8s. #13 4s.@Frensdorf 3 44 19 #9 5s. #4 12s. 6d.@Miller 7 87 84 #18 14s. #9 7s.@Stephenson 12 74 71 #21 4s. #10 12s.@Mrs Read 5 16 37 #7 7s. #3 13s. 6d.@Robson 3 88 35 #17 9s. #8 14s. 6d.@Walker .. 34 61 #11 4s. #5 12s.@Total 95 882 773 #243 17s. #121 18s. 6d.

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: The Contrivances

Dance: III: Hornpipe-Mas. Blurton; End: The Cumberland Corn@thrashers, as17730424

1212
27 May 1775 @ Covent Garden

Event Comment: Benefit for Curteen, Roberts, Shuter. Tickets delivered by Miller, Walker, Reed, Colley, Robinson, Brandon, Booth, Flight, Mrs Paddick, Mr Watson will be taken. Doors open half past 5. To begin half past 6 o'clock

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Cross Purposes

Dance: End: The Pilgrim, as17750503

1213
26 August 1782 @ Haymarket Theatre

Event Comment: [Mrs Wheatley is identified in Reed, 117.]

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Harlequin Teague

Dance: As17820817, but added: Miss Francis

1214
11 August 1785 @ Haymarket Theatre

Event Comment: Benefit for Jewell, Treasurer. Reed, 139: "The Deserter, Burlesque Dance."

Performances

Mainpiece Title: Two To One

Afterpiece Title: The Guardian

Dance: End of mainpiece The Deserter. The Deserter-Mme Dageville; Skirmish-Miss Simonet; Louisa-Mr Delpini; and with Byrne and Miss L. Simonet

1215
19 July 1786 @ Haymarket Theatre

Event Comment: Mainpiece: Not acted these 7 years [not acted since 18 Sept. 1778. Mrs Brooks is identified in Reed, p. 145]. "Miss George spins around every fifteen seconds like a top, and then runs to the back of the stage. She too is very apt to stay at the back of the stage. She knows when it is her turn to speak, joins the party, speaks, spins, and away again! Pray, Miss George, sometimes do your friends the favour to stay amongst them, and attend to what is going forward" (Morning Chronicle, 24 July)

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Quaker

1216
12 June 1788 @ Haymarket Theatre

Event Comment: [Mrs Plomer is identified in Reed, Diaries, 159.

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: Comus

1217
01 June 1789 @ Drury Lane Theatre

Event Comment: [For this night Kemble Mem. lists The Pannel. The playbill and the Account-Book announce The Farm House. "M. 1 June. At Drury Lane. Saw The Country Girl and The Farm House" (Reed, Diaries, 167).] Receipts: #171 0s. 6d. (139.9.0; 30.3.0; 1.8.6)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Farm House

1218
November 1664 @ The (first) Drury Lane Theatre

Event Comment: [No notice of production exists. See William VanLennep, "Thomas Killigrew Prepares His Plays for Production," Joseph Quincy Adams; Memorial Studies, p. 805

Performances

Mainpiece Title: Comment

1219
30 June 1673 @ Lincoln's Inn Fields

Event Comment: A quarrel occurred at the King's Theatre on this day (apparently) between Ravenscroft and Sir George Hewitt. See Letters Adressed from London to Sir Joseph Williamson, Camden Society, VIII (1874), 87

Performances

1220
29 October 1675 @ The City, London

Performances

Mainpiece Title: The Triumphs Of London

Performance Comment: Performed on Friday, Octob. 29. 1675 for the Entertainment of the Right Honourable and truly Noble Pattern of Prudence and Loyalty, Sir Joseph Sheldon Kt, Lord Mayor of the City of London. Containing a true description of the several Pageants with the Speeches spoken on each Pageant. Together with the several Songs sung at this Solemnity. All set forth at the proper Costs and Charges of the Worshipful Company of Drapers. Design'd and Composed by Tho. Jordan, Gent.

1221
March 1684 @ Drury Lane Theatre

Performances

Mainpiece Title: The Northern Lass

Performance Comment: Edition of 1684: Sir Phillip Luckless-Kynaston; Tridewell-Wilshire; Sir Paul Squelch-Lee; Bullfinch-Haines; Widgine-Gevon; Anvile-Griffen; Nonsense-Monfort; Pate-Lisle [Carlisle]; Beavis-Saunders; Howdee-Bright; Clark-Lowe; Mrs Fitchow-Mrs Barrey; Constance-Mrs Butler; Mrs Trainwell-Mrs Cory; Constance Holdup-Mrs Percivall; Prologue to the Northern Lass [by J. H. (Joseph Haines)]-; Epilogue-Mrs Butler.

1222
June 1684 @ Dorset Garden Theatre

Performances

Mainpiece Title: Sir Hercules Buffoon; Or, The Poetical Squire

Performance Comment: Edition of 1684: Prologue [by Tho. Durfey Gent-J. Haynes [Com; Epilogue [Wrote and spoke-J. H. [Joseph Haines] (Com.)Joseph Haines] (Com.)

1223
August 1685 @ Bartholomew Fair

Event Comment: According to Anthony Aston, A Brief Supplement to Colley Cibber (in Cibber, Apology, ed. Lowe, II, 314-15) Joseph Haynes had a booth at Bartholomew Fair and presented this droll in the first year of James II's reign

Performances

Mainpiece Title: The Whore Of Babylon, The Devil, And The Pope

1224
December 1698 @ Drury Lane Theatre

Performances

Mainpiece Title: Love And A Bottle

Performance Comment: Edition of 1699: Prologue By J. H. (Joseph Haines)-Mr Powell (a Servant attending with a Bottle of Wine); Epilogue by and-Jo. Haynes (in Mourning); Roebuck-Williams; Lovewell-Mills; Mockmode-Bullock; Lyrick-Johnson; Pamphlet-Haynes; Rigadoon-Haynes; Nimblewrist-Ashton; Club-Pinkethman; Brush-Fairbank; Lucinda-Mrs Rogers; Leanthe-Mrs Maria Alison; Trudge-Mrs Mills; Bulfinch-Mrs Powel; Pindress-Mrs Moor.

1225
16 July 1703 @ Drury Lane Theatre

Event Comment: Not Acted these Fifteen Years. [After this performance the dl at Oxford, where Betterton spoke a prologue written by Joseph Trapp. It appeared as a broadside and in The Players Turn'd Academicks and has been reprinted by Wiley. p. 124.

Performances

Mainpiece Title: The Fool's Preferment; Or, The Three Dukes Of Dunstable