Event Comment: Benefit John Festin. 7 p.m. Tickets Five Shillings each: Money to be taken at the Door

Event Comment: Benefit J. Roberts. By Desire. For the Entertainment of the Ancient and Honourable Society of Non-Common Pleas, Mainpiece: Written by the Author of George Barnwell. Second and Third Pieces: Both written by the Author of Pasquin. To begin exactly at Half an Hour after Six, and all will be over by Half an Hour after Nine. Tickets (containing the Prologue to the Register, by way of Ode to the New Year, with the Musick engrav'd on a Copper Plate) may be had of Mr Henry Roberts, Engraver, at the Star over-against the Vine Tavern in Holborn, and at the Theatre in the Hay-Market. Daily Advertiser, 2 May: Sir, As at every one of our Theatres this Day there is a Benefit for Persons under Misfortunes, 'tis humbly hop'd that the more humane Pursuers o Pleasure will suspend their Curiosity for Vaux Hall for one Day, (out of a hundred) in Favour of so many Unfortunate, who have but the Chance of one single Night to relieve them from Afflictions which perhaps they have long labour'd under. And, as I have somewhere read, So humane Worth to God like Heights they'll raise, For the Preserver shares the Maker's Praise. I believe it is fully known, without troubling you with farther Particulars, that among the Number above mention'd, is included, Sir, Your very humble Servant, John Roberts

Event Comment: Benefit Chetwood. Tickets for Mr and Mrs Marshall taken. Mainpiece: Written by the late Sir John Vanbrugh

Event Comment: Never Acted before. Alter'd from Milton's Masque perform'd (upwards of a Hundred Years since) at Ludlow-Castle, and now adapted to the Stage. [By John Dalton.

Event Comment: By Command of Their Royal Highnesses the Prince and Princess of Wales. Mainpiece: Written by the late Sir John Vanbrugh

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh

Event Comment: Mainpiece: Alter'd from Beaumont and Fletcher by Sir John Vanbrugh and Mr Dryden

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh. Afterpiece: Taken from the French of Moliere. Lady Stafford to Lord Wentworth, 4 Jan.: I hear their will be a vast riot to night at the Play, for young Cibber is to act and the Templars are resolved to hiss him off the stage. 6 Jan.: Young Cibber was vastly hiss'd a Thursday, but his old friend Impudence kept him from being either out of countenance or in the least disturb'd at the noise.-Wentworth Papers, p. 541

Event Comment: As 27 Nov. 1738. Mainpiece: Alter'd from Shakespear. Victor, History of the Theatres, II, 48: In the Year 1738, having, as he [Colley Cibber] said, Health and Strength enough to be as useful as ever, he came to Terms with Mr Fleetwood for his performing Richard, Fondlewife, Sir John Brute, &c. All his Comedy Parts he was right in, but in Richard he found his Mistake; his usual Strength and Spirit failed him most unhappily. I went behind the Scenes in the third Act, and asking him how he fared? He whispered me in the Ear, "That he wou'd give fifty Guineas to be then sitting in his easy Chair by his own Fireside.

Event Comment: LLondon Daily Post and General Advertiser, 7 Feb.: Last Night as one John Sommerford, a Sawyer (who came into the Upper Gallery at [cg] at the latter End of the Play), was pressing forward, in order to get a better Place, he was push'd by a Person, who took disgust at his standing before him, which occasion'd the Sawyer to lose his Footing, and he tumbled over into the Pit (the depth of 30 Feet) between two Rows of the Audience, without receiving any Damage

Event Comment: A Pastoral Opera. [Composed by John Baptist Pescetti.] Pit and Boxes at half a guinea. First Gallery 5s. Upper Gallery 2s. 6d. 7 p.m

Event Comment: Benefit Castelman, the Treasurer. Mainpiece: Alter'd from Beaumont and Fletcher by Sir John Vanbrugh and Mr Dryden. [Tickets at Castelman's Lodgings, at Mr Watford's, Upholder, over-against the Sun Tavern, Russel Street, Bloomsbury.

Event Comment: Benefit Miss Jenny and Miss Betty Cibber?, Two Infant Daughters of the late Mrs Jane Cibber. Mainpiece: Written by the late Sir John Vanbrugh. Afterpiece: Taken from Moliere, and Intermixed with Songs. At 6:45 p.m

Event Comment: Benefit John Peele, A West-India Merchant, reduc'd by Great Losses in Trade. By particular Desire of several Eminent Merchants

Event Comment: Mainpiece: Alter'd from Beaumont and Fletcher by Sir John Vanbrugh and Mr Dryden

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh, and Colley Cibber, Esq; Poet-Laureat

Event Comment: LLondon Daily Post and General Advertiser, 6 Feb., contains a letter: To Mr John Hill, on his Answer to Mr Rich's Defence

Event Comment: Mainpiece: Alter'd from Beaumont and Fletcher, by Sir John Vanbrugh and Mr Dryden. Afterpiece: An English Opera, written by the late Mr Addison, and new set to Musick by Mr Arne, reserving two or three Favourite Songs, out of his former Opera

Event Comment: By Command of His Royal Highness the Prince of Wales. For the Benefit of the Brave and Unfortunate Capt John Peddie, of the Prince of Orange, who, after defending his Ship, and saving her by the most Gallant Behaviour, against a Spanish Privateer, had the Misfortune to lose her, and all he had on Board, in the late Storm. Mainpiece: Written by the late Mr Addison. Pit and Boxes 5s. Galleries 2s. and 1s. Receipts: money #52 1s.; tickets #295 (Account Book); #350 (Rylands MS.)

Event Comment: Written by the late Sir John Vanbrugh, and C. Cibber, Esq; Poet-Laureat. Receipts: #59 14s. (Account Book); #80 (Rylands MS.)

Event Comment: Benefit John Lyne. 7 p.m. 5s

Event Comment: Benefit a Gentleman who has wrote for the Stage. [Professor John B. Shipley of the University of Colorado has called to my attention a letter written by James Ralph to Thomas Birch, dated 14 February 1741, in which he states that this benefit is to be for Ralph. See B.M. Add. MSS. 4317, fol. 94.

Event Comment: Benefit Major John Triquet (late of Spittal-Fields) under Misfortune

Event Comment: Benefit Laguerre, Prisoner in the King's Bench. [Tickets of Laguerre at John's Coffee-House, next door the King's-Bench, Southwark. In the London Daily Post and General Advertiser, 22 April, Laguerre expressed his thanks to Giffard for giving him this benefit and added that, it being term-time, he had "by the common Licence of a Day Rule," liberty to act on 23 April.

Event Comment: A New Opera [a pasticcio, Metastasio text altered by Rolli, form Pergolesi's Olimpiade, 1735 (Loewenberg, Annals of Opera, I, 183)]. Music by Pergolesi, Scarlatti, Lampugnani. L. Leo, F. Leo [libretto in L. C.]. Two of the principal Performers being greatly indispos'd, the Dancers are oblig'd to be deferr'd. Thomas Gray to John Chute, 24 May: Our fifth Opera was the Olimpiade, in which they retain'd most of Pergolesi's Songs & yet 'tis gone already, as if it had been a poor thing of Galuppi's. Two nights did I enjoy it all alone, snugg in a Nook in the Gallery, but found no one in those regions had ever heard of Pergolesi, nay, I heard several affirm it was a Composition of Pescetti's.-Gray, Correspondence, I, 203