SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "John Dryden"/1) | (@(roleclean,performerclean) "John Dryden")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 11035 matches on Author, 1754 matches on Performance Comments, 1401 matches on Event Comments, 366 matches on Performance Title, and 4 matches on Roles/Actors.
Event Comment: Will be perform'd several new exercises of Rope Dancing and Tumbling, by M. Duge, Vangable and others, divided into two Parts. Boxes [as 26 Dec. 1744]. Between the two Parts of the Exercises will be given gratis the Tempest as alter'd by Mr Dryden and Sir William Davenant from Shakespear. 7 p.m

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest Author(s): John Dryden
Related Work: The Tempest; or, The Enchanted Island Author(s): John Philip Kemble
Event Comment: Benefit Mrs Clive. Mainpiece alter'd from Dryden by Colley Cibber. Not acted these 30 years [see 27 April 1722]. Servants will be admitted to keep places on the stage, which will be inclos'd and form'd into Front and Side Boxes. Tickets and places to be had of Mrs Clive, at her House in Great Queen St., Lincoln's Inn Fields; and of Hobson at the Stage Door

Performances

Mainpiece Title: The Comical Lovers Or Marriage A la mode

Related Works
Related Work: Marriage à la Mode Author(s): John Dryden
Related Work: Celadon and Florimel; or, The Happy Counterplot Author(s): John Philip Kemble
Related Work: Marriage A La Mode Author(s): John Dryden

Afterpiece Title: Damon and Phillida

Dance: III: Italian Peasants, as17460206 IV: Shepherds Dance-Muilment, Desse, Miss Scott

Song: V: A New Scotch Dialogue-Lowe, Miss Edwards

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock (By particular Desire)-Ryan; Antonio-Cashell; Bassanio-Hale; Gratiano-Cibber; Lorenzo-Beard (with the usual songs in the character, likewise the song of Diana from Dryden's Secular Masque, set to music by Mr Boyce); Lancelot-Chapman; Solarino-Ridout; Morochius-Carr; Leonardo-Anderson; Gobbo-Arthur; Balthazar-Hayman; Salanio-Gibson; Duke-Marten; Tubal-Stoppelaer; Jessica-Mrs Vincent; Nerissa-Miss Hippisley; Portia-Mrs Pritchard; 1st time. 1st time.

Afterpiece Title: Phebe

Dance: DDrunken Tyrolese-Sodi; Peasant-Cooke

Event Comment: Benefit Neale. Main Piece by Dryden, not acted for 9 years. Tickets to be had at Mr Moore's in the Playhouse passage, and at Neale's (Silk Dyer) in David Street near Grosvenor Square

Performances

Mainpiece Title: Amphitryon Or The Two Sosias

Related Works
Related Work: Amphitryon; or, The Two Sosias Author(s): John Dryden

Afterpiece Title: The Double Disappointment

Dance: Muilment, Mechel, Mlle Mechel

Performances

Mainpiece Title: Albumazar

Performance Comment: Principal parts-Sparks, Macklin, Neale, Yates, Havard, Berry, Mozeen, Blakes, Arthur, Barrington, Mrs Woffington, Mrs Elmy, Mrs Green, Mrs Bennet; The Prologue (written by Dryden at the last revival)-Garrick; the whole to conclude with a Dance-the characters of the Play; Epilogue-.
Event Comment: Last night the Play of the Tempest, as alter'd from Shakespear by Dryden, was performed at Drury Lane, when the Music, Dances, and whole performance met with uncommon applause. By particular desire again tonight (General Advertiser). Paid Blandford (Tallow Chandler) #18 17s. 3d.; Gave Xmas Box to King's Footmen #2 2s.; to his Chairmen #2 2s.; and to Smith's man 2s. 6d.; Norton 5 chorus #1 5s. (Treasurer's Book). The Play of Hamlet is oblig'd to be deferr'd till tomorrow. Receipts: #100 (Cross); #99 6s. (Treasurer's Book)

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest Author(s): John Dryden
Related Work: The Tempest; or, The Enchanted Island Author(s): John Philip Kemble

Afterpiece Title: The Lying Valet

Event Comment: [C$Cross suggests The Intriguing Chambermaid as afterpiece, but it is unsupported by the newspapers.] We hear that the Comedy call'd the Pilgrim is now in rehearsal, and will be acted soon, at the theatre Royal in Drury Lane; and that the Secular Masque written by Dryden and set to music by Dr Boyce will be performed with it. The Epilogue which was inserted in our Yesterday's paper, and copied from the Midwife's Magazine, we fine to be imperfect and not genuine, therefore think ourselves under a necessity of asking the Author's pardon. [Hope in a day or two to give it correctly (General Advertiser). Midwife No II, from which it was copied, adds the note: "This Epilogue was taken in shorthand the night I went to see Miss Jenny Cibber play the part of Alicia...Some few mistakes may therefore have happened which the candid reader will excuse and correct."] Receipts: #50 (Cross)

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Miss in Her Teens

Dance: II: New Running Footman's Dance, as17501020

Event Comment: Mainpiece: Reviv'd not acted in 10 years. Afterpiece: Written by Mr Dryden. The Music composed by Dr Boyce. Proper Dances, Chorusses, &c....The Word of the Masque will be deliver'd gratis at the doors (General Advertiser). Play not much lik'd and ye Masque greatly dislik'd (Cross). Receipts: #120 (Cross)

Performances

Mainpiece Title: The Pilgrim

Related Works
Related Work: The Pilgrim Author(s): John Fletcher

Afterpiece Title: Secular Masque

Dance: New Running Footman's Dance, as17501020

Event Comment: At Mr Phillips's Booth, Bowling Green, Southwark. A concert, etc. An Extraordinary Band of Musick. Pit 1s, 6d., Gallery 1s., Upper Gallery 6d. To begin each day at 12 o'clock noon. Mainpiece: An excellent Droll. [Possibly made from Dryden's Spanish Fryar.

Performances

Mainpiece Title: No Fool Like The Old One Or The Lucky Discovery

Related Works
Related Work: The Lucky Discovery; or, The Tanner of York Author(s): John Arthur

Afterpiece Title: Harlequin Statue with Escape into Quart Bottle

Song: Phillips, Master Phillips, Miss Featherstone

Dance: Phillips, Master Phillips, Miss Featherstone

Event Comment: Benefit for Ross. Mr Ross did Romeo & spoke an Elogium upon Shakespear in ye form of ye Monument in the Abby (Cross). Last time of performing the mainpiece this season. Nothing under full prices. After the play an Elogium wrote by Dryden, concluding with Milton's Epitaph to the Memory of Shakespeare, spoken by Ross representing the Shade of Shakespeare as figured on his monument in Westminster Abbey. Receipts: #200 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Anatomist

Event Comment: Mainpiece: By Particular Desire; Afterpiece: By Desire. The Tragedy of Don Sebastian, King of Portugal, written by Dryden; and the Rehearsal, written by the Duke of Buckingham, are reviving at the Theatre Royal in Drury Lane, and will be play'd there soon alternately. Receipts: #160 (Cross)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Double Disappointment

Dance: II: A Dutch Dance, as17521125; IV: The Hungarian Peasants, as17521125

Event Comment: Mainpiece: Written by Dryden. Not acted in 20 years. Receipts: #70 (Cross)

Performances

Mainpiece Title: Don Sebastian King Of Portugal

Afterpiece Title: The Double Disappointment

Event Comment: Compos'd by Mr Smith--the Introduction, which was a Dialogue in Prose, between Mr Havard & Yates, Much hiss'd & dislik'd. The Opera had great Applause. Miss Young recover'd (Cross). The Opera never performed before with songs from Shakespear, Dryden, &c. The Music by Mr Smith. [The Bill lists no cast or actors. The cast has been retrieved by Hogan from the 1756 ed. plus the musical score published by J. Walsh. Note some parts were doubled. See "Shakespeare's Tempest at Drury Lane During Garrick's Management", G. W. Stone Jr, Shakespeare Quarterly, Winter 1956.] Receipts: #180 (Cross)

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest Author(s): John Dryden
Related Work: The Tempest; or, The Enchanted Island Author(s): John Philip Kemble
Event Comment: By Command of Their Majesties. Tickets and places to be taken of Mr Johnston at the Stage Door of the Theatre at Half a Guinea. Pit 5s. First Gallery 3s. 6d. Second Gallery 2s. Doors to be opened at Five o'clock. To begin at Half past Six. Theatrical Review (London, 1772), appendix, pp. 207-8: The Oratorios performed at this House were conducted by Messrs. Stanley and Smith, for their own emolument; the Managers of the theatre having had no Share of the profit arising from these performances, nor any advantage, except a premium for the use of the house. Mr Stanley's musical abilities are well known. Mr Smith, was, if we are not mistaken, a pupil of the celebrated Mr Handel's; and, we believe, that Gentleman left Mr Smith the greatest part of his music, if not his whole library; so that Mr Smith may with great propriety claim the right of succeeding Mr Handel in the exhibition and conduct of his Oratorios, which he has undertaken (in conjunction with Mr Stanley) every since Mr Handel's death. Their band was composed of some of the most capital performers in this kingdom, and was led by Mr Ximenes. The vocal performers (exclusive of Chorus singers) were Mr Norris, well known to all lovers of Music, for his taste and delicacy of execution. Mr Parry (a Bass voice) from the Cathedral Church of Salisbury. This gentleman, though very young, has an extensive compass, and a great power of voice, and acquits himself with considerable reputation. Mrs Weichsel and Mrs Scott, of whom it would be superfluous and unnecessary to say anything, since their abilities are generally known. And lastly Signora Grassi, a performer of great merit. Theatrical Review, 6 March: This is Mr Dryden's celebrated Ode on St Cecelia's Day, and not an Oratorio, but performed as such...It contains many beauties and such as are worthy of Mr Handel's genius...Being much shorter than the usual length of oratorios, Mr Handel's celebrated Coronation Anthems were added in order to make the evening's entertainment of a proper length. Also a Solo on the Violincello by Mr Janson...lately arrived from Paris, said to have been a pupil of Mr Duport's but, though his taste and excution is very astonishing, we cannot give him the preference of his master. [See 13 April 1773.Charge seems to have been #28 per night plus expenses for oil, candles &c.

Performances

Mainpiece Title: Alexanders Feast With Coronation Anthems

Music: First Violin-Mr Ximene; with a Solo on the Violincello-Mr Janson, lately arrived from Paris, (Who has never performed in Public in England)

Event Comment: Benefit for Bensley. Mainpiece: Written by Dryden not acted these 15 years.[See 23 April 1750.] Charges #68 2s. Profit to Bensley #37 19s. 6d., plus #38 5s. from tickets (Box 153). Paid Mr Hopkins for the hire of Horses in the Fair #6 16s. Paid Read (scalemaker) #3 13s.; Dobosch (furrier) #4 17s. Paid Dall on acct of his salary #42. Receipts: #106 1s. 6d. (Account Book)

Performances

Mainpiece Title: Don Sebastian King Of Portugal

Afterpiece Title: The Upholsterer

Dance: End: The Old Ground Young, as17731208

Event Comment: Benefit for Lewis. Mainpiece: Not acted these 7 years. 3rd piece [1st time; F 3, author unknown. Not in Larpent MS; not published]: Taken from Dryden's Spanish Fryar. Public Advertiser, 20 Mar.: Tickets to be had of Lewis, Bow-street, Covent Garden. Receipts: #246 18s. (164.3; tickets: 82.15) (charge: #66 10s.)

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: True Blue

Afterpiece Title: The Jealous Husband

Related Works
Related Work: The Rambling Justice; or, The Jealous Husbands: With the Humours of Sir John Twiford Author(s): John Leanerd

Dance: As17761223

Performances

Mainpiece Title: Alexanders Feast Joshua Acis And Galatea

Afterpiece Title: St

Performance Comment: Caecilia's [i.e. Dryden's] Ode; Joshua; Acis and Galatea. As17780401.

Music: As17780306

Event Comment: Mainpiece: In 3 acts, altered from Dryden

Performances

Mainpiece Title: The Spanish Friar

Afterpiece Title: The Genius of Nonsense

Performances

Mainpiece Title: The Spendthrift Or The Female Conspiracy

Performance Comment: Principal Characters by Reilly, Dutton, Moss, Horwell, Lloyd, Mendez, Swords; Miss Villiers, Miss Blaney, Miss Wood, Miss Carne, Mrs Read, Mrs Hyam. [Text, in The Comic Theatre, Vol. I (Dryden Leach, 1762), lists the parts: Cleon, Moneylove, The Baron, Count Raveline, The Marquis, Justice Florid, Picquet, Pasquin; Julia, Belinda, Arsinoe, Araminta, Belisa, Finesse.] Occasional Prologue spoken by Davis and a Lady in the character of Taste. New Epilogue .

Afterpiece Title: The Romp

Song: End of Acts II and in of mainpiece two favourite airs by Mrs Cox (1st appearance.)

Monologue: 1781 11 12 End of Act IV of mainpiece Shuter's Post Haste Observations on his Journey to Paris by Dutton

Event Comment: Mainpiece: Altered, in 3 acts, from Dryden

Performances

Mainpiece Title: The Spanish Friar

Afterpiece Title: The Genius of Nonsense

Event Comment: Oratorio announced for Representation this Evening [L'Allegro il Penseroso, also Dryden's Ode for St. Cecilia's Day] cannot be performed on account of the Indisposition of a Principal Performer [Public Advertiser, 10 Mar.: Miss Linley]

Performances

Mainpiece Title:

Performances

Mainpiece Title: A Jubilee In Commemoration Of Handel

Performance Comment: Overture from Samson. Scene I. Collins's Ode on the Passions read by Whitfield. In which will be introduced: From the dread scene (from Judas Maccabaeus) by Mrs Kennedy and Mrs Bannister; The smiling dawn (from Jephtha) by Johnstone; Revenge! Timotheus (from Alexander's Feast) by Reinhold; Mirth, admit me of thy crew (from L'Allegro il Penseroso) by Mrs Kennedy; As when the Dove (from Acis and Galatea) by Mrs Bannister. To conclude with the Chorus From Harmony (from Dryden's Ode). Scene II. The Pantheon. To Song and Dance (from Samson) by Chorus; Let's imitate her Notes above (from Alexander's Feast) by Mrs Martyr and Mrs Kennedy. The Muse Euterpe-Mrs Bates .

Afterpiece Title: The Duenna

Afterpiece Title: Rose and Colin

Dance: 1st piece to conclude with a Grand Ballet by Harris, Byrn, Miss Besford, Mrs Goodwin, &c

Event Comment: Mainpiece: Not performed these 5 years. In 3 acts; altered from Dryden. [Both Kemble and Moss were from the Edinburgh theatre. Address by George Colman elder (European Magazine, ibid).] Afterpiece [1st time; CO 2, by Charles Dibdin. London Chronicle, 17 May, refers to it as "from the French"]: The Musick composed by Dibdin. Books of the Songs to be had at the Theatre. Public Advertiser. 7 July: This Day is published Harvest Home (1s.). Places for the Boxes to be taken of Rice, at the Theatre. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s

Performances

Mainpiece Title: The Spanish Friar

Performance Comment: Dominick-Kemble; Gomez-Moss (Their 1st appearance on this stage); Alphonso-Johnson; Pedro-Chapman; Lorenzo-Williamson; Elvira-Mrs Brooks (1st appearance in that character).
Cast
Role: Alphonso Actor: Johnson

Afterpiece Title: Harvest Home

Performance Comment: Principal Characters by Meadows, Chapman, Usher, Mathews, Johnson, Young Sestini, Mrs Bannister, Mrs Edwards, Miss George. Cast from text (Harrison and Co., 1787): Glanville-Meadows; Trim-Chapman; Scandaroon-Usher; Muzzy-Mathews; Congo-Johnson; Pickle-Young Sestini; Cleora-Mrs Bannister; Goody Muzzy-Mrs Edwards; Unah-Miss George; Signora Estella-Mrs Poussin (see17870521).
Cast
Role: Congo Actor: Johnson

Entertainment: Monologue End: Occasional Address (in character)-Young Sestini (European Magazine, July 1787, p. 63)

Performances

Mainpiece Title: A Grand Selection 0 of Sacred Music From The Works Of handel Chiefly Performed At westminster abbey At The handel Commemoration 26 May 1784 Messiah

Afterpiece Title: The Coronation Anthem God save the King

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Overture and Dead March-(Saul); Funeral Anthem-; What Passion cannot Music raise or quell-Miss Cantelo (Dryden's Ode); Glory to God-Harrison, Chorus (Joshua); Where'er you walk-Sga Storace (Semele); Gloria Partri-full chorus (Jubilate).

Music: End II: concerto on the violin-Mme Gautherot

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music Messiah

Afterpiece Title: Grand Selection 1

Performance Comment: Overture and March-(Scipio); Tyrants would in impious throngs-Chorus (Athalia); Oft on a plat of rising ground-Harrison (L'Allegro); The many rend the skies-Chorus (Alexander's Feast); Tune your harps-Miss Mahon (Esther); From Harmony-Harrison, Chorus (Dryden's Ode); Ye Sacred Priests, Farewell ye limpid Springs-Sga Storace (Jephtha); From the censer-Chorus (Solomon).

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Overture-(Ariadne); From wave to wave-Sale; Thy right hand O Lord-Chorus (Israel in Egypt); Pleasure my former ways resigning-Harrison; Happy if still we reign-Chorus (Time and Truth); Pious Orgies-Miss Cantelo [Judas Maccabaeus]; But bright Cecilia-Sga Storace; As from the power of sacre lays-Chorus (Dryden's Ode); God save Great George our King-Greatorex.

Music: End II: As17890227; End Part I: Concerto by Handel on organ-Greatorex