SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Jacques Rousseau"/1) | (@(roleclean,performerclean) "Jacques Rousseau")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 25 matches on Performance Comments, 24 matches on Event Comments, 17 matches on Author, 1 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit for Pope. 2nd piece: Written by Edward Jerningham, Esq., with Alterations and Additions (interspersed with Music, after the manner of Rousseau's Pygmalion). The Music composed by Hook. The subject of the above Performance is taken from a remarkable incident in the Life of Margaret . Morning Herald, 2 Mar.: Tickets to be had of Mrs Pope at her house, No. 5, Half-moon-street, Piccadilly. Receipts: #368 15s

Performances

Mainpiece Title: Wild Oats

Afterpiece Title: Margaret of Anjou

Afterpiece Title: The Irishman in London

Song: In 3rd piece: a Planxty descriptive of Ireland,-Johnstone

Event Comment: Benefit for Pope. At the particular Desire of his Excellency the Ambassador [see 7 May] from the Sublime Porte:. 3rd piece: At End of Act I of the DIVERTISEMENT. Written by Edward Jerningham, Esq., with Alterations and Additions, interspersed with Music, after the manner of Rousseau's PYGMALION. Morning Chronicle, 19 Apr.: Tickets to be had of Pope, Half-Moon-street, Piccadilly. Receipts: #231 17s. (138/14; 3/3; tickets: 90/0)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: A DIVERTISEMENT

Afterpiece Title: MARGARET OF ANJOU

Song: In Act V of 1st piece, as17931216; End of 1st piece Black-Eyed Susan by Incledon

Event Comment: Lewis having a severe Hoarseness, Fortune's Fool [advertised on playbill of 4 Nov.] is deferred till Monday. Afterpiece [1st time: BURL 2. by John O'Keeffe. MS: Larpent MS 1141; not published, except for Airs (T. N. Longman, 1796)]: Partly new, and partly taken from The Golden Pippin [by Kane O'Hara]. The Overture and new Music by Reeve. The Selections from Pergolesi, Rousseau, Mornington, Fisher, Carolan, Rizzio, &c. With new Scenery, Machinery, Dresses and Decorations. The Scenery by Phillips, Blackmore, Hollogan, and assistants. The Dragon, the Car and the Machinery designed and executed by Cresswell. The Dresses by Dick and Mrs Egan. "The beauty of the scenery is only to be equalled by the ingenuity of the machinery. The descents and ascents of the Deities were managed with astonishing regularity and adroitness; and the Flying Cupids hovered in the air in very pleasing attitudes...The Pas de Russe, danced by Delpini, a-la-Parisot [see dl. 1 Oct.], in the character of a fine Lady, with Munden, was irresistibly comic" (Morning Herald, 7 Nov.). Receipts: #191 2s. 6d. (185.10.6; 5.12.0)

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Olympus in an Uproar; or, The Descent of the Deities

Event Comment: In London Jacques Thierry and Will Schellinks saw: de France Comedij Andromeda (Seaton, Literary Relationships, pp. 333-34). The theatre is not known. This play may be Corneille's Andromede

Performances

Mainpiece Title: Andromeda

Event Comment: This play was seen at the red bull by Jacques Thierry and Will Schellinks (Seaton, Literary Relationships, pp. 333, 335). Seaton speculates that the play may be: (1) Rowley's A Shoemaker a Gentleman; (2) a droll made out of the Christopher Sly prologue of The Taming of the Shrew; (3) Tourneur's lost The Nobleman or Great Man. William VanLennep ("The new-made Nobleman," Times Literary Supplement, 20 June 1936, p. 523) thinks that it may be Beaumont and Fletcher's Noble Gentleman. Nicoll (Restoration Drama, pp. 309-10) believes that this was Jolly's Company acting at the red bull

Performances

Mainpiece Title: The New Made Nobleman

Event Comment: This play was seen by Jacques Thierry and Will Schellinks (Seaton, Literary Relationships, pp. 333, 335). Jolly's company acted this play at Norwich

Performances

Mainpiece Title: A New Way To Pay Old Debts

Event Comment: The Duke's Company. This performance was attended by Jacques Thierry and Will Schellinks at the Duke's Theatre (Seaton, Literary Relationships, pp. 333, 335)

Performances

Mainpiece Title: The Maid In The Mill

Event Comment: This play was seen by Jacques Thierry and Will Schellinks (Seaton, Literary Relationships, pp. 333, 335). As this play was presented by the King's Company on 15 Nov. 1660 and again on 30 Dec. 1661, it was probably given at Vere St.

Performances

Mainpiece Title: Love's Cruelty

Event Comment: This play was seen by Jacques Thierry and Will Schellinks (Seaton, Literary Relationships, pp. 333, 335). As this play was given as recently as 5 Feb. 1661@2 by the King's Company, it has been assigned to Vere St.

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Event Comment: This play was seen by Jacques Thierry and Will Schellinks (Seaton, Literary Relationships, pp. 333, 335). As the King's Company is the only one known to gave given it since the Restoration, it has been assigned to Vere St

Performances

Mainpiece Title: The Alchymist

Event Comment: This performance was attended by Jacques Thierry and Will Schellinks, who stated: Judged to be their best play (Seaton, Literary Relationships, pp. 334-36). This performance may have been the premiere. The Duke's Company. BM Add. Mss. 34217, in Hotson (Commonwealth and Restoration Stage, p. 247): @Then came the Knight agen with his Lawe@Against Lovers the worst that ever you sawe@In dressing of which he playnely did shew it@Hee was a far better Cooke then a Poet@And only he the Art of it had@Of two good Playes to make one bad.

Performances

Mainpiece Title: The Law Against Lovers

Event Comment: On this day Jacques Thierry and Will Schellinks saw fencing on the stage at this theatre (Seaton, Literary Relationships, pp. 334, 336)

Performances

Event Comment: This play was seen by Jacques Thierry and Will Schellinks (Seaton, Literary Relationships, pp. 334, 336). The company may have been Jolly's, but it may also have been the King's temporarily acting there. See Sprague, Beaumont and Fletcher, p. 22, and Hotson, Commonwealth and Restoration Stage, pp. 178-79

Performances

Mainpiece Title: Friar Bacon And Friar Bungay

Event Comment: This play was seen by Jacques Thierry and Will Schellinks (Seaton, Literary Relationships, pp. 334, 336), but no theatre is named. The most recent dated performance was given by the Duke's Company, 5 Dec. 1661

Performances

Mainpiece Title: Hamlet, Prince Of Denmark