SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "J "/1) | (@(roleclean,performerclean) "J ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2783 matches on Roles/Actors, 876 matches on Performance Comments, 447 matches on Event Comments, 94 matches on Performance Title, and 12 matches on Author.
Event Comment: Receipts: #189 18s. 6d. (149.17.0; 39.6.6; 0.12.6; ticket not come in: 0.2.6)

Performances

Mainpiece Title: Twelfth Night

Performance Comment: Sir Andrew Ague@cheek-Dodd; Sir Toby Belch-Moody; Orsino-Whitfield; Sebastian-Lamash; Fabian-R. Palmer; Antonio-Phillimore; Clown, the original Epilogue Song-Suett; Malvolio-Bensley; Viola-Mrs Jordan; Maria-Mrs Kemble; Olivia (with songs)-Mrs Crouch.

Afterpiece Title: The Romp

Performance Comment: Young Cockney-Dodd; Captain Sightly-Barrymore; Old Cockney-Fawcett; Richard-Wilson; Servant-Newbold; Barnacle-Suett; Penelope-Miss J. Stageldoir; Miss La Blonde-Miss Barnes; Priscilla Tomboy-Mrs Jordan.
Event Comment: Benefit for Wrighten, prompter. 2nd piece [1st time; M.INT I]. Public Advertiser, 1 May: Tickets to be had of Wrighten, New Buildings, Hemming's Row, St. Martin's Lane. Receipts: #250 6s. (38.14; 19.15; 1.7; tickets: 190.10) (charge: #109 8s. 2d.)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: Leon-Smith; Duke-Aickin; Cacafogo-Moody; Don Juan-Packer; Sanchio-Phillimore; Alonzo-R. Palmer; Copper Captain-King; Margardtta-Mrs Ward; Old Woman-Mr Baddeley; Maid-Mr Waldron; Clara-Miss Barnes; Altea-Miss Tidswell; Estifania-Miss Farren.

Afterpiece Title: Le Matin, Midi, et le Soir

Performance Comment: Morning. A Camp. O say bonny Lass-Dignum, Miss Romanzini; [Noon. A Village. New Dance, The Shepherd's Wedding-Hamoir, Miss J. Stageldoir; [Night. A Hermit's Cell, Moon-light. The Tale of Edwin and Angelina-[from [The Hermit, by] Goldsmith, composed by Hook; Edwin-Kelly; Angelina-Mrs Crouch.

Afterpiece Title: Too Civil by Half

Performance Comment: Captain Freeman-Palmer; Butler-Baddeley; Bustle-Burton; Lieut. Bumper (with songs)-Williames; Sir Toby Treacle-Suett; Lady Treacle-Mrs Hopkins; Bridget-Mrs Wilson; Nancy (with songs)-Mrs Crouch.

Dance: End 2nd piece: The Conjugal Frolick, as17880221

Event Comment: Benefit for Carleton, Wilson, J. Shade & Gibson. Receipts: #238 8s. 6d. (15.17.0; 7.13.0; 1.13.6; tickets: 213.5.0) (charge: #107 17s.)

Performances

Mainpiece Title: A New Way To Pay Old Debts

Performance Comment: As17871214, but Lord Lovel-Benson.

Afterpiece Title: The Waterman

Performance Comment: As17880508.

Dance: As17880607

Event Comment: Receipts: #155 14s. (112.11.0: 43.1.6; 0.1.6)

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Kemble (1st appearance in that character); Manly-Bensley; Count Basset-Dodd; John Moody-Moody; Squire Richard-Suett; Sir Francis Wronghead-Parsons; Lady Grace-Mrs Ward; Lady Wronghead-Mrs Hopkins; Miss Jenny (with songs)-Mrs Forster; Trusty-Miss Heard; Myrtilla-Miss Barnes; Mrs Motherly-Mrs Love; Lady Townly-Miss Farren.

Afterpiece Title: Arthur and Emmeline

Performance Comment: As17881009, but Osmond-Benson; Vocal Parts-Danby, +Fawcett, +Wilson, +Chaplin, Mrs +Love, Miss +Barnes, Miss +Cranford, Miss J. +Stageldoir.
Event Comment: Receipts: #107 8s. 6d. (68.5.0; 37.2.6; 2.1.0)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: As17881105, but Cacafogo-Hollingsworth.

Afterpiece Title: Arthur and Emmeline

Performance Comment: As17881009, but Vocal Parts-Danby, Fawcett, Wilson, Chaplin, Mrs Love, Miss Barnes, Miss Cranford, Miss J. Stageldoir.
Event Comment: Mainpiece [1st time; MD 3, by Prince Hoare. Larpent MS 1126; not published; synopsis of plot in Monthly Magazine, May 1796, p. 320]: With new Scenes, Dresses, Decorations, &c. The Musick principally composed by the late Mr Storace [who had died on 19 Mar.], with a few Selections from Paisiello, Haydn and Sarti. [Grove, under Storace, states that the music was completed and prepared for the stage by Kelly and Sga Storace.] The Scenes designed and executed by Marinari and assistants. The Dresses by Johnston, Gay and Miss Rein. Books of the Songs to be had in the Theatre. "It was exceedingly tedious the first night, not being over till eleven o'clock. Since, it has been prudently cut down, and yet has lost nothing. A prologue, written on the very morning of representation, deploring the loss of the composer, was spoken (perfectly) by the last unfortunate Benson [for whom see 9 June. It was written by Hoare (Universal Magazine, May 1796, p. 362), and Was perhaps spoken only on the 1st night; it is not listed on any playbill]" (Monthly Magazine, May 1796, p. 320). "In short, possessing all the science of Harrison, the melody of Incledon, and the pleasing articulation of the late Mrs Kennedy, we have no hesitation in pronouncing [Braham] the first public singer of the present day. He was three times encored. His action is indifferent, and his dialogue scarcely audible" (Morning Herald, 2 May). Receipts: #297 14s. (258.10.6; 38.19.6; 0.4.0)

Performances

Mainpiece Title: Mahmoud; Or, The Prince Of Persia

Performance Comment: [Characters-Aickin, Kemble, Braham (1st appearance on any stage i.e. as an actor, not a singer]), Packer, Suett, Bannister Jun., Kelly, Dignum, Sedgwick, Maddocks, Cooke, Caulfield, Evans, Webb, Trueman, Wentworth, Phillimore, Banks, Master Gregson, Miss Menage, Miss Leak, Miss Miller, Mrs Bland, Sga Storace; Cast from Songs (no pub., 1796): Sultan-Aickin; Mahmoud-Kemble; Noureddin-Braham (whose 1st appearance on the stage was at cg, 21 Apr. 1787); Helim-Packer; Barakka-Suett; Abdoul Cassan-Bannister Jun.; Mossafer-Kelly; Hassan-Dignum; Malek-Sedgwick; Petitioners-Caulfield; Muley-Banks; Aladdin-Miss Menage; Balsora-Miss Leak; Zobeide-Miss Miller; Desra-Mrs Bland; Zelica-Sga Storace; unassigned-Maddocks, Cooke, Evans, Webb, Trueman, Wentworth, Phillimore, Master Gregson; General Chorus-Danby, J. Fisher, Welsh, Master DeCamp, Atkins, Boyce, Brown, Denman, Fisher, Tett, Aylmer, Caulfield Jun., Dibble, Gallot, Willoughby, Annereau, Bardoleau, Cook, Walker, Miss Arne, Mrs Boimaison, Mrs Bramwell, Mrs Butler, Miss Chatterley, Miss Jackson, Mrs Maddocks, Miss Mellon, Miss Stuart, Miss Wentworth. [Prologue, not listed on playbill, spoken by Benson.]Prologue, not listed on playbill, spoken by Benson.]

Afterpiece Title: All the World's a Stage

Event Comment: Receipts: #285 2s. (281.16; 3.6)

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Holman; Macduff-Pope; Duncan-Hull; Malcolm-Middleton; Banquo-Macready; Donalbaine-Simmons; Doctor-Powel; Seward-Davenport; Seyton-Thompson; Fleance-Curties; Macbeth's Servant-Ledger; Officer-Farley; Murderers-Claremont, Abbot, J. Lee; Witches-Munden, Townsend, Lee; Hecate-Bowden; Waiting@Gentlewoman-Mrs Platt; Lady Macbeth-Mrs Pope.

Afterpiece Title: Barataria; or, Sancho Turn'd Governor

Performance Comment: Sancho Pancha-Quick; Duke-Claremont; Manuel-Davenport; Pedro-Thompson; Recorder-Powel; Alonzo-Haymes; Don Quixotte-Follett; Custom@house Officer-Farley; Thin Man-Simmons; Taylor-Wilde; Gardener-Gray; Cryer-Street; Lady Tereza Pancha-Mrs Davenport; Big Woman-Mrs Gilbert; Spanish Lady-Mrs Platt; Duchess-Miss Logan; Mary the Buxom-Mrs Mattocks.

Song: Mainpiece: Vocal Parts-Johnstone, Incledon, Haymes, Linton, Blurton, Street, Abbot, Lee, Little, Sawyer, Tett, Mrs Mountain, Mrs Clendining, Mrs Lloyd, Mrs Follett, Mrs Castelle, Mrs Masters, Mrs Blurton, Mrs Norton, Mrs Watts, Miss Leserve, Miss Walcup, Mrs Henley, Miss Owen, Miss Logan, Mrs Martyr

Event Comment: Afterpiece: Never [previously] performed at this Theatre [1st acted by the dl Company at king's, 18 Oct. 1792]. The new Scenes by Greenwood. The Musick composed principally by Attwood; rest from Mozart and Sarti. Receipts: #363 9s. (262.10; 99.2; 1.17)

Performances

Mainpiece Title: The Wheel Of Fortune

Performance Comment: Sir David Daw-R. Palmer; Governor Tempest-King; Mr Penruddock-Kemble; Mr Woodville-Whitfield; Mr Sydenham-Palmer; Capt. Woodville-C. Kemble; Weazle-Suett; Servant to Woodville-Maddocks; Officer-Phillimore; Jenkins-Caulfield; Coachman-Hollingsworth; Mrs Woodville-Mrs Powell; Emily Tempest-Miss Farren; Dame Dunckley-Mrs Maddocks; Maid-Miss Tidswell.

Afterpiece Title: The Prisoner

Performance Comment: Marcos-Kelly; Bernardo-Dignum; Pasqual-Caulfield; Roberto-Suett; Lewis-Wewitzer; Narcisso-Master Welsh; Clara-Miss DeCamp; Theresa-Miss Leak; Nina-Mrs Bland; Juliana-Miss Menage; Chorus of Soldiers-Evans, J.? Fisher, Maddocks, Phillimore, Trueman, Welsh, Atkins, Burrows, Meyers, Caulfield Jun., Denman, Fisher, Tett, Aylmer, Dibble, Gallot, Potts, Annereau, Bardoleau, Walker, Willoughby, Peck.
Event Comment: Mainpiece: Never acted at this Theatre. [Under his real name, Snow, Hargrave had 1st appeared at this theatre on 7 Oct. 1791. In mainpiece the playbill assigns Sadi to Knight, but "The part of Sadi, which [Knight] was prevented from appearing in by indisposition, was undertaken by Townsend, who acquitted himself very ably" (Morning Herald, 8 Oct.). Townsend's part as a Muleteer was probably omitted.] Receipts: #128 11s. (125.16; 2.15)

Performances

Mainpiece Title: The Mountaineers

Performance Comment: Octavian-Hargrave (from the Theatre Royal Dublin; 1st appearance); Kilmallock-Johnstone; Lope Tocho-Quick; Sadi-Townsend; Virolet-Middleton; Bulcazin Muley-Macready; Muleteers-Bowden, Townsend?, Haymes; Goatherds-Powel, Simmons, Thompson; Roque-Davenport; Ganem-Toms; Pacha-Farley; Ali Beg-Abbot; Agnes-Mrs Clendining; Floranthe-Miss Mansel; Zorayda-Miss Wallis; Musical Characters-Linton, Blurton, Street, Gray, Abbot, Little, Lee, Sawyer, Tett, Kenrick, J. Linton, Thomas, Oddwell, Cooke, Everett, Philipps, Mrs Mountain, Mrs Gilbert, Mrs Lloyd, Mrs Follett, Mrs Castelle, Mrs Masters, Mrs Blurton, Mrs Norton, Mrs Watts, Miss Leserve, Miss Walcup, Mrs Henley, Miss Owen, Miss Logan, Mrs Martyr.

Afterpiece Title: Netley Abbey

Performance Comment: Capt. Oakland-Incledon; Oakland-Munden; Gunnel-Fawcett; Jeffery-Townsend; Sterling-Powel; M'Scrape-Johnstone; Ellen Woodbine-Mrs Mountain; Lucy Oakland-Mrs Follett; Catherine-Mrs Martyr.
Event Comment: Mainpiece: Not acted these 6 years [acted 7 Oct. 1791]. Middleton, after performing the first scene of Nerestan, retired abruptly into the wardrobe, pulled off his coat, and telling the dresser he should be back in ten minutes, left the theatre; he did not return, however, according to his appointment, and Davenport read the remainder of the character: a fit of insanity is supposed to have seized him" (Monthly Mirror, Jan. 1797, p. 55). [Middleton did not appear on the stage again until 27 Feb. 1797.] Afterpiece [1st time: P 2 (?), by James Wild and John Follett. MS of Songs only: Larpent MS 1148; synopsis of action in Pocket Magazine, Dec. 1796, p. 412]: With entire new Scenery, Machinery, Music, Dresses. The Overture and Music by Reeve. The Scenery painted by Phillips, Blackmore, Hollogan, Thorne, Byrn. The Machinery, Trick and Changes of Scenery invented and executed by Cresswell and Sloper. The Dresses by Dick, Mrs Egan. Books of the Songs to be had at the Theatre. "Among the changes are a trunk into a gingerbread nut-man's wheel-barrow--a poor man's hut into an old oak, with a group of Gypsies boiling their kettle under it--one of the clowns into a thick candle, and the candle afterwards into a green-house tub, with a large shrub in it" (Oracle, 20 Dec.). Receipts: #193 5s. 6d. (183.4.6; 10.1.0)

Performances

Mainpiece Title: Zara

Performance Comment: Lusignan-Murray; Osman-Hargrave; Nerestan-Middleton (Act I only), Davenport (remainder of play); Orasmin-Macready; Chatillon-Hull; Melidor-Thompson; Selima-Miss Chapman; Zara-Mrs Pope.

Afterpiece Title: Harlequin and Oberon; or, The Chace to Gretna

Performance Comment: Principal Vocal Parts-Incledon, Townsend, Linton, Gray, Street, Blurton, Tett, J. Linton, Lee, Philipps, Master Woodham, Master Platt, Master Goodwin, Master Paul, Master Ramage, Master Speare, Master Bernard, Mrs Henley, Mrs Castelle, Miss Burnett, Miss Leserve, Miss Walcup, Miss Owen, Mrs Masters, Mrs Watts, Miss Gray; Principal Pantomime Characters-Simpson, Follett, Delpini, Hawtin, Simmons, Powers, Wilde, Abbot, Thompson, Lee, Rayner, Cranfield, Claremont, Curties, Lewiss, Davies, Mlle St.Amand, Mrs Gilbert, Mrs Norton, Mrs Lloyd, Mrs Blurton; Fantoccini-, executed byMarinelli; Cast from Airs (T. N. Longman, 1796): Postman-Townsend; Lieutenant-Linton; Gypsies-Gray, Street; Oberon-Miss Gray; Harlequin-Simpson; Clown-Follett; Lover-Delpini; Father-Hawtin; Lover's Servant-Simmons; Old Gypsey-Mrs Henley; Colombine-Mlle St.Amand. No other parts assigned.
Event Comment: Mainpiece [1st time; CO 3, by Prince Hoare. Larpent MS 1159; not published; synopsis of plot in Universal Magazine, May 1797, p. 364]: Overture and rest of Music composed and selected by Shield. Harp by Weippert. The new Scenery by Richards. Books of the Songs to be had in the Theatre. Receipts: #172 10s. 6d. (169.6.6; 3.4.0)

Performances

Mainpiece Title: Italian Villagers

Performance Comment: Principal Characters-Quick, Incledon, Munden, Fawcett, Murray, Knight, Hull, Farley, Simmons, Abbot, Gray, Mrs Mountain, Mrs Clendining, Mrs Henley, Mrs Castelle, Mrs Martyr. Cast from Airs (T. Rickaby, 1797): Saveall-Quick; Lorenzo-Incledon; Jeremy Maythorn-Munden; Valentine-Fawcett; Duke of Urbino-Murray; Hilary-Knight; Octavio-Hull; Marco-Farley; Premiss-Simmons; Moro-Abbot; Lawyer's Clerks-Gray, Street, Linton; Isabel-Mrs Mountain; Lucilla-Mrs Clendining; Rodriga-Mrs Henley; Flora-Mrs Castelle; Annetta-Mrs Martyr; Chorusses-Gray, Linton, Street, Thomas, Oddwell, J. Linton, Everett, Lee, Curties, Blurton, Mrs Gilbert, Miss Leserve, Mrs Follett, Mrs Watts, Mrs Norton, Mrs Blurton, Mrs Masters, Mrs Lloyd, Miss Walcup, Miss Burnett, Miss Owen, Miss Gray.

Afterpiece Title: The Farm House

Performance Comment: As17961025, but Constables-_.
Event Comment: [Mrs Gibbs was from the Haymarket.] Afterpiece: A Representation of the Defeat of the Dutch Fleet [at Camperdown] by Admiral Duncan, on the Glorious 11th of October [1797; in which Incledon, as a sailor, sang Come, cheer up, my lads, and, with full chorus, Rule Britannia (True Briton, 17 Oct.).] Receipts: #253 18s. 6d. (248.9.6; 5.9.0)

Performances

Mainpiece Title: A Cure For The Heart Ache

Performance Comment: Young Rapid-Lewis; Vortex-Quick; Charles Stanley-Pope; Old Rapid-Munden; Frank Oatland-Fawcett; Sir Hubert Stanley-Murray; Heartley-Hull; Bronze-Farley; Farmer Oatland-Waddy; Jessy Oatland-Mrs Gibbs (1st appearance on this stage); Miss Vortex-Mrs Mattocks; Ellen-Miss Mansel.

Afterpiece Title: Harlequin and Oberon; or, The Chace to Gretna

Performance Comment: Principal Vocal Parts-Townsend, Linton, Gray, Street, Blurton, Tett, J. Linton, Miss Leserve, Mrs Henley, Mrs Castelle, Miss Burnett, Mrs Watts, Miss Walcup, Mrs Masters, Miss Gray; Principal Pantomime Characters-Simpson, Follett, Abbot, Hawtin, Simmons, Findlay, Wilde, Mlle St.Amand, Mrs Gilbert, Mrs Norton, Mrs Lloyd, Mrs Blurton.
Event Comment: A Serious Opera (1st time [in London; 1st performed at Rome, 1766]); the music partly by Sarti and partly [i.e. with additions] by Paisiello. 2nd ballet: With entire new scenes by Degotti and executed by himself and Marinari. "The dresses [in this ballet] are said to be after designs from David; the costume is correct, perhaps, but it may be a little softened without injury to the effect. The contrast of colours is in some of them too harsh...The scenery is in a new stile. It has been our taste to assist the perspective by contracting the stage to a point. This was but a clumsy method, as the illusion was rarely complete, and it gave the idea of littleness. In this instance the stage is thrown open on every side, and the perspective is managed as every painter is obliged to manage it, on the broad surface, but still with the mechanic aids which scenery affords. The effect was enchanting" (Morning Chronicle, 30 Nov.). The Doors to be opened at 6:30. To begin at 7:30 [same throughout season]. Pit 10s. 6d. Gallery 5s. No Money to be returned. The Subscribers are most earnestly entreated to observe that, on account of the abuses frequently practised in their names, it has become absolutely necessary to adopt the former rule for Subscribers themselves to produce their Tickets at the doors as they pass into the Theatre. The Upper Boxes to be lett by the night, at one Guinea each for four persons. The way to them through the Gallery Staircase

Performances

Mainpiece Title: Ipermestra

Performance Comment: [Principal Characters by Rovedino, Viganoni, Braghetti, DeGiovanni, Mme Banti, Sga Pastorelli. Cast from libretto (E. Jackson [1797]): Danao-Rovedino; Linceo-Viganoni; Plistene-Braghetti; Adrasto-DeGiovanni; Ipermestra-Mme Banti; Elpinice-Sga Pastorelli.

Dance: End I: Divertisement, composed by Gallet [with music by Bossi] L'Offrande a Terpsichore-Didelot, Mme Rose, Laborie (1st appearance in this country since 1790 [recte 1792]), Mme Hilligsberg, Mlle J. Hilligsberg, Mme Laborie

Performance Comment: Hilligsberg, Mme Laborie.

Ballet: End Opera: a new Grand, Heroic, Pastoral Ballet, composed by Gallet [with music by Bossi] Ariadne et Bacchus. Bacchus-Laborie; Ariadne-Mme Laborie; Silenus-Blake; Cupid-Master Menage; Followers of Bacchus-Mme Hilligsberg, Mlle J. Hilligsberg, Didelot, Mme Rose. [And see dl, 9 May 1798.

Performance Comment: Bacchus-Laborie; Ariadne-Mme Laborie; Silenus-Blake; Cupid-Master Menage; Followers of Bacchus-Mme Hilligsberg, Mlle J. Hilligsberg, Didelot, Mme Rose. [And see dl, 9 May 1798.]And see dl, 9 May 1798.]
Event Comment: Afterpiece [1st time; P 2 (?), by John Cartwright Cross]: With new Music, Scenery, Machinery, Dresses, &c. The Overture and new Music by Reeve. The Scenery painted by Richards, Phillips, Lupino, Hollogan, and Blackmore. The Machinery by Cresswell, Sloper, Goostree, &c. The Dresses by Dick, Mrs Egan, &c. Receipts: #314 15s. (303.1; 11.14)

Performances

Mainpiece Title: The Orphan

Performance Comment: As17971013, but Acasto-Murray.

Afterpiece Title: Harlequin and Quixotte; or, The Magic Arm

Performance Comment: Principal Pantomime Characters-Bologna Jun., Bologna, Follett, Dyke, Hawtin,Blurton, Abbot, Wilde, Curties, Findlay, Cranfield, Parsloe, Davis, Master Blackmore, Mrs Parker, Mlle St.Amand, Mrs Follett, Mrs Norton, Miss Leserve, Mrs Henley; Principal Vocal Characters-Townsend, Linton,Simmons, Gray, Street, Rees, Smith, Tett, Oddwell, Thomas, Everett, Little, J. Linton, Mrs Clendining, Miss Sims, Miss Wheatley, Mrs Watts, Mrs Follett, Miss Walcup, Mrs Masters, Mrs Lloyd, Mrs Bologna; Cast from Songs (T. N. Longman, 1797): Harlequin-Bologna Jun.; Sancho-Bologna; Scaramouchillo-Follett; Don Quixotte-Dyke; Grandee-Hawtin; Inca-Townsend; Chinese Magician-Linton; Colembine-Mrs Parker; Savoyard Girls-Mlle St.Amand, Mrs Watts; Goddess of Silence-Mrs Follett; Maritornes-Mrs Henley. Commencing with the Representation of the Ruins of a Peruvian Temple, where an injured Inca and his Son had taken refuge from the malice of their Persecutors-the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England; where after a succession of whimsical transitions, warned from the Grotto of the Goddess Pleasure by the Magic Arm-they take shelter in one of the +East India Company's Warehouses, which on their being closely pursued, is transform'd into a Picturesque Chinese Apartment. In this country he is deprived, by an adverse Magician, of his Columbine; and in despair is on the point of destroying himself by Fire, when the Magic Arm appears in the flames to prevent him; the object of his choice is restored by the old Inca, his Father; and their Union and the Restoration of his Right, preceded by their Visit to the Great Wall of China, which separates that Empire from Tartary, after which is seen a Chinese and European Procession; concluding with a Representation of the reception of a British Embassy to China, with the Exchange of Presents in the Grand Hall of Audience. and in despair is on the point of destroying himself by Fire, when the Magic Arm appears in the flames to prevent him; the object of his choice is restored by the old Inca, his Father; and their Union and the Restoration of his Right, preceded by their Visit to the Great Wall of China, which separates that Empire from Tartary, after which is seen a Chinese and European Procession; concluding with a Representation of the reception of a British Embassy to China, with the Exchange of Presents in the Grand Hall of Audience.
Event Comment: Afterpiece [1st time; MD 2, by George Colman, ynger, based on Raoul Barbe Bleue, by Michel Jean Sedaine (although, in the 1st edition of the play, this denied by Colman). Text (Cadell and Davies, 1798)]: The Scenery, Machinery, Dresses, and Decorations entirely new. The Musick composed and selected [from Paisiello] by Kelly. The Scenes designed and executed by Greenwood? Jun, Chalmers, and others. The Machinery, Decorations, and Dresses designed and under the direction of Johnston, and executed by him, Underwood, Gay, and Miss Rein. Books of the Songs to be had in the Theatre. Times, 8 Feb. 1798: This Day is published Blue Beard (1s. 6d.). "In the course of the representation, many blunders in working the scenery, which are unavoidable in a first representation of this nature, occurred, and the delays which took place were frequently very great...It was twelve o'-clock before the curtain dropped...The Expense of getting it up is said to be not less than #2,000" (London Chronicle, 18 Jan.). Proud swells the tide, with loads of capering heels, And vacant Folly shouts applause in peals; Hoards, even beyond th miser's wish, are thrown, To deck some sham farago for the town...Money for dresses, money for new scenes, New music, decorations, and machines; The cost of these, including every freak, Would pay ten decent players four pounds a week. Anthony Pasquin (pseud. for John Williams), "Innovation," in The Devil [1787], II, no. 2, 46. Receipts: #319 14s. 6d. (216.17.6; 102.2.0; 0.15.0)

Performances

Mainpiece Title: The Country Girl

Performance Comment: As17971122, but Moody-Wroughton; Countryman-_; William-_.

Afterpiece Title: Blue-Beard; or, Female Curiosity

Performance Comment: Abomelique (Blue-Beard)-Palmer; Ibrahim-Suett; Selim-Kelly; Shacabac-Bannister Jun.; Hassan-Hollingsworth; Mustapha-Webb; Aladin-Davis; Spahis-Sedgwick, Bannister, Dignum, Wathen, Trueman, Maddocks; Janizaries-Danby, Wentworth, Brown, Tett, Denman, Atkins, Phillimore, Fisher, Meyers, Peck, Bardoleau, Walker, Cook, J. Fisher, Dibble, Simpson; Male Peasants-Grimaldi, Gregson, Gallot, Aylmer, Potts, Willoughby, Evans; Male Slaves-Roffey, Thomson, Whitmell, Wells, Male, Garman, W. Banks, Nicolini; Fatima-Mrs Crouch; Irene-Miss DeCamp; Beda-Mrs Bland; Female Peasants-Ms Arne, Ms Roffey, Ms Wentworth, Ms Jackson, Ms Maddocks, Ms Menage; Principal Dancer-Mlle Parisot (1st appearance this season); Female Slaves-Ms Brooker, Ms Daniels, Ms Brigg, Ms Haskey, Ms Hillingsworth [recte Illingham], Ms Byrne, Ms Willis, Ms Vining.recte Illingham], Ms Byrne, Ms Willis, Ms Vining.
Event Comment: Receipts: #355 2s. (258.14.6; 89.13.6; 6.14.0)

Performances

Mainpiece Title: Knave Or Not

Performance Comment: As17980125, but Trueman_; Evans_.

Afterpiece Title: Blue-Beard

Performance Comment: As17980126, but Janizaries-_Phillimore, _Fisher, _Meyers, _Peck, _Bardoleau, _Walker, _Cook, J. _Fisher, _Dibble.
Event Comment: Benefit for Kelly. Ballet: By permission of the Proprietor of the Opera House. Composed by Gallet. With appropriate Dresses, Scenery, and Decorations. Times, 30 Apr.: Tickets to be had of Kelly, No. 9, New Lisle-street, Leicester-fields. Receipts: #681 4s. (370.8.0; 45.1.6; 3.12.0; tickets: 262.2.6) (charge: #237 3s. 2d.)

Performances

Mainpiece Title: The Country Girl

Performance Comment: As17970926, but Alithea-Miss Heard; Lucy-Miss Mellon; Countryman-_; William-_; Servants-_.

Afterpiece Title: Blue-Beard

Performance Comment: As17980424, but Spahis-_Trueman, _Maddocks; Janizaries-_; Male Peasants-_; Female Peasants-_; Male Slaves-_; Female Slaves-_.

Ballet: End II: the Grand Anacreontic Ballet, Bacchus et Ariadne. Bacchus-Laborie; Ariadne-Mme Lombard Laborie; Theseus-St. Pierre; Phedra-Miss D'Egville; Silenus-Blake; Cupid-Master Menage; Hymen-Miss Denys; Chief Persons of the Train of Bacchus representing Divinities of Olympus-Didelot, Mme Hilligsberg, Miss J. Hilligsberg; Deities of the Olympus, with a Grand Procession of Bacchanals, Bacchants, Nymphs, Satyrs, Fauns-The whole Corps de Ballet from the Opera House; the celebrated Pas de Quatre from Panurge-Didelot, Laborie, Mme Laborie, Mme Hilligsberg

Performance Comment: Bacchus-Laborie; Ariadne-Mme Lombard Laborie; Theseus-St. Pierre; Phedra-Miss D'Egville; Silenus-Blake; Cupid-Master Menage; Hymen-Miss Denys; Chief Persons of the Train of Bacchus representing Divinities of Olympus-Didelot, Mme Hilligsberg, Miss J. Hilligsberg; Deities of the Olympus, with a Grand Procession of Bacchanals, Bacchants, Nymphs, Satyrs, Fauns-The whole Corps de Ballet from the Opera House; the celebrated Pas de Quatre from Panurge-Didelot, Laborie, Mme Laborie, Mme Hilligsberg.
Event Comment: Afterpiece [1st time; MD 3, by Samuel Birch, adapted from Camille; ou, Le Souterrain, by Benoit Joseph Marsollier des Vivetieres, and from Les Victimes Cloitrees, by Jacques Marie Boutet de Monvel; the songs written by Thomas John Dibdin. Larpent MS 1236; not published. The playbill states that this was "Taken from the German," but London Chronicle, 12 Dec., says that its source is the same as that of The Captive of Spilburg (see dl, 14 Nov.). An examination of the MSS of these two pieces (Larpent 1230 and 1236) proves that such is unmistakably the case]: With entire new Scenes, Machinery, Dresses & Decorations. The Music composed and selected by Steibelt and Attwood. The Action of the Chorusaes, Finales, &c. under the Direction of Farley, and the Action of the Overture by Bologna Jun. A new Descriptive Overture, composed by Steibelt, on a Plan never before introduced on the English Stage, accompanied by Action. "The overture is...nothing more than music adapted to pantomime; and, in the present instance, the dumb shew is an unnecessary anticipation of the procession with which the piece opens" (Monthly Mirror, Dec. 1798, p. 369). The Scenery painted by Richards, Phillips, Lupino, Hollogan, Blackmore, &c. The Dresses by Dick and Mrs Egan. Books of the Songs to be had at the Theatre. Receipts: #338 17s. 6d. (325.14.6; 13.3.0)

Performances

Mainpiece Title: Laugh When You Can

Performance Comment: As17981208, but unassigned-_Platt.

Afterpiece Title: Albert and Adelaide; or, The Victim of Constancy

Performance Comment: Principal Characters-Incledon, Fawcett, H. Johnston, Betterton, Townsend, Simmons, Miss Webb (1st appearance), Follett; Miss Wheatley, Miss Walcup, Mrs Whitmore, Mrs Johnson. [Cast from Songs (T. Rickaby [1798]): Henrico-Incledon; Jocelin-Fawcett [in Songs: Emery (see17981214)]; Albert-H. Johnson; Rudolph-Betterton; Bertolt-Townsend; Gariga-Simmons; Adolphus-Miss Webb; Rosella-Miss Wheatley; Cicely-Miss Walcup; Algonde-Mrs Whitmore; Adelaide-Mrs Johnson; unassigned-Follett; Chorus of Soldiers and Followers in the Black Forest-Oddwell, Clarke, Sawyer, Curties, Little, Thomas, Everett, J. Linton, Smith, Lee, Powers, Lewiss; Chorus of Guards in the Castle-Linton, Gray, Street, Abbot, Kenrick, Silvester, Jones, Fairclough, Tett, Russel.

Dance: In afterpiece: Procession and Dance of Swabian Peasants-Blurton, Dyke, Wilde, L. Bologna, T. Cranfield, Platt, Masters, Slape, Ramage, Goodwin, Little, Ms Watts, Ms Iliff, Ms Norton, Ms Castelle, Ms Leserve, Miss Gray, Ms Bologna, Ms Masters, Ms Burnett, Ms Gilbert, Ms Lloyd, Ms Blurton, Ms Ward

Performance Comment: Bologna, T. Cranfield, Platt, Masters, Slape, Ramage, Goodwin, Little, Ms Watts, Ms Iliff, Ms Norton, Ms Castelle, Ms Leserve, Miss Gray, Ms Bologna, Ms Masters, Ms Burnett, Ms Gilbert, Ms Lloyd, Ms Blurton, Ms Ward.
Event Comment: Receipts: #348 19s. (339.16; 9.3)

Performances

Mainpiece Title: The Votary Of Wealth

Performance Comment: As17990112.

Afterpiece Title: Albert and Adelaide

Performance Comment: Principal Characters-Incledon, Emery, Clarke, Betterton, Townsend, Simmons, Miss Webb, Abbot, Miss Sims, Miss Walcup, Mrs Whitmore, Mrs Johnson; Chorus of Soldiers and Followers in the Black Forest-Oddwell, Clarke, Sawyer, Curties, Little, Thomas, Everett, J. Linton, Smith, Lee, Powers, Lewiss as17981211. [And see17981211.]And see17981211.]

Dance: As17981211

Event Comment: Ballet: 1st time, composed by Roffey; the Musick by Rhodes. Receipts: #189 11s. (127.1.6; 61.2.6; 1.7.0)

Performances

Mainpiece Title: The Castle-spectre

Performance Comment: As17980929, but Reginald-Cory.

Afterpiece Title: The Apprentice

Performance Comment: As17981004.

Ballet: End: Moggy and Jemmy. Jemmy-Garman; Bauldi-Grimaldi; Lady-Miss Daniels; Maude-Mrs Brooker; Moggy-Sga Bossi DelCaro; Peasants-Goodman, Whitmell, Wells, Bayzand, Johnston, Gauron, Masters J. and W. Chatterley, Ms Brigg, Ms Byrne, Ms Vining, Ms Riches, Ms Luciet, Ms Drake, Ms Connelly

Performance Comment: Jemmy-Garman; Bauldi-Grimaldi; Lady-Miss Daniels; Maude-Mrs Brooker; Moggy-Sga Bossi DelCaro; Peasants-Goodman, Whitmell, Wells, Bayzand, Johnston, Gauron, Masters J. and W. Chatterley, Ms Brigg, Ms Byrne, Ms Vining, Ms Riches, Ms Luciet, Ms Drake, Ms Connelly.
Event Comment: Receipts: #286 11s. 6d. (197.1.6; 88.11.6; 0.18.6)

Performances

Mainpiece Title: The Country Girl

Performance Comment: As17990118, but Moody-King; Miss Peggy-Mrs Jordan.

Afterpiece Title: Feudal Times

Performance Comment: As17990214, but Villagers-_Dignum, J?. Fisher.

Performances

Mainpiece Title: A Grand Selection 0 Of Music, From The Works Of handel, boyce And purcell

Performance Comment: Principal Vocal Performers-Incledon, Sale, Denman, Page, Bartleman, Mme Mara, Miss Capper, Miss Waters, Miss Poole.

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Occasional Oratorio)-; My cup is full, Shall I in Mamre's-Sale; For all these mercies-Chorus (Joshua); Ye men of Gaza-Miss Poole; Hear Jacob's God-Chorus; Honour and arms-Bartleman (Samson); What though I trace-Mme Mara (Solomon); Sound an alarm-Chorus (Judas Maccabaeus).

Afterpiece Title: Grand Selection 2

Performance Comment: Raimondi's celebrated Piece descriptive of a Battle-; concluding with God save the King-full Chorus; Thou shalt bring them in-Miss Waters (Israel in Egypt); Dulce Domum (by desire of several Wykehamists)-Mme Mara, with a grand Chorus , composed by J. Reading, 1680; Wise men flattering-Miss Capper (Judas Maccabaeus); Tears such as-Bartleman (Deborah); Agitata-Mme Mara; He gave them hailstones-Chorus (Israel in Egypt).

Afterpiece Title: Grand Selection 3

Performance Comment: The Water Music-; Together let us range the fields-Mme Mara, Incledon (Boyce's Solomon); He was eyes unto the blind-Miss Poole (Siroe); Total eclipse-Incledon; O first created beam-Chorus (Samson); Mad Bess-Mme Mara (Purcell); Gird on thy sword-Chorus (Saul).

Music: As17990306

Event Comment: A Translation [by Conrad Ludger] of Kotzebue's Reconciliation, having been advertised as the Play now performing at this Theatre, the Public are respectfully informed that the Genuine Copy of The Birth Day (which is materially altered from the above) will not published till next Season. 3rd piece: The Overture and Music by Reeve. The Ballet composed by Farley. [For synopsis of scenes see 16 Mar. 1797.] Receipts: #239 3s. 6d. (234.17.6; 4.6.0)

Performances

Mainpiece Title: A Divertisement

Performance Comment: As17990327 .

Afterpiece Title: The Birth Day

Performance Comment: As17990408.

Afterpiece Title: Raymond and Agnes; or, The Castle of Lindenbergh

Performance Comment: Don Raymond-Farley; Robert and Jaques (two Robbers)-Bologna Jun. (1st time), Blurton; Baptist (their Father)-Bologna; Claud (a Postillion and one of the Banditti)-King; Don Felix (Father to Raymond)-Hawtin; Count of Lindenbergh-Dyke; Theodore (Page to Raymond)-Simmons; Father Ansellum-Whitmore; Master of Hotel-Thompson; Friars and Muleteers-Street, Linton, Thomas, Curties, Little, Oddwell, Everett, Sawyer, J. Linton, Lee, Russel, Smith; Choral Boys-Master Ramage, Master Goodwin, Master Little, Master Slape, Master Bernard, Master Platt, Master Speare, Master Sawyer; Domestics-Platt, Wilde, L. Bologna, Jackson, Webb, Chapman, Abbot, Goostree, Howell, Vials, Letteney, Wilkins, Mrs Bologna, Ms Gilbert, Ms Crow, Ms Cox, Miss Bologna, Ms Dibdin, Ms Blurton, Ms Ward, Ms Coombes; Maugerette (Baptist's mistress)-Mrs Mills (1st appearance in that character); Spectre of the Bleeding Nun (mother of Agnes)-Mrs Watts; Countess of Lindenbergh (Step-mother to Agnes)-Mrs Follett; Annette-Miss Burnett; Abbess of St. Claire-Mrs Platt; Agnes (Daughter to the Count of Lindenbergh)-Mrs Chapman (1st appearance in that character); Nuns of the Covent of St. Claire-Ms Sims, Ms Castelle, Ms Iliff, Ms Leserve, Ms Walcup, Ms Lloyd, Ms Norton, Ms Masters.

Dance: In: As17990316

Event Comment: Benefit for H. Johnston. Mainpiece: 1st time at this Theatre; by Permission of Mr Colman. Morning Chronicle, 9 Apr.: Tickets to be had of H. Johnston, No. 47, Great Queen-street, Lincoln's Inn Fields. Receipts: #334 3s. 6d. (174.7.6; 1.14.0; tickets: 158.2.0)

Performances

Mainpiece Title: The Iron Chest

Performance Comment: Sir Edward Mortimer-H. Johnston; Adam Winterton-Fawcett; Rawbold-Murray; Fitzharding-Betterton; Samson-Suett (By Permission of the Proprietors of the Theatre Royal, Drury-Lane); Armstrong-Mansel; Orson-Emery; Robbers-Whitmore, Thompson, Master Webb; Wilford-A Young Gentleman (1st appearance [unidentified]); Helen-Miss Betterton; Blanch-Mrs Gibbs; Judith-Mrs Litchfield; Barbara-Mrs Chapman; Chorus of Robbers-Linton, Oddwell, Thomas, Everett; Chorus of Servants-Street, Curties, Abbot, Lee, J. Linton, Smith, Tett, Ms Castelle, Ms Morton, Ms Leserve, Ms Burnett, Ms Follett, Ms Iliff, Ms Gilbert.

Afterpiece Title: The Follies of a Day

Performance Comment: As17981001, but Bazil-Rees; Susan (1st time)-Mrs H. Johnston.

Dance: End: a new Scotch Ballet, The Highland Lovers (under the direction of Bologna Jun.)-Bologna Jun., Hawtin, King, Mrs Watts, Miss Brugier (1st appearance)

Performance Comment: )-Bologna Jun., Hawtin, King, Mrs Watts, Miss Brugier (1st appearance).

Song: In course Evening: Sally in our Alley-Incledon

Event Comment: 2nd piece [1st time; F 1, by Thomas John Dibdin; incidental music by John Moorehead]: Altered from [Die Witwe und das Reitpferd, This Day is published The Horse and the Widow (1s.). 3rd piece: Altered into Two acts. Receipts: #187 17s. 6d. (180.6.6; 7.11.0)

Performances

Mainpiece Title: The Birth Day

Performance Comment: As17990408.

Afterpiece Title: The Horse and the Widow

Performance Comment: Principal Characters by Johnstone, Murray, Emery, Farley, Abbot, Mrs Davenport. Cast from text (J. Barker, 1799): Killruddery-Johnstone; Touchwood-Murray; Ferret-Emery; Count Sans Chateau-Farley; Peter-Abbot; Mrs Touchwood-Mrs Davenport.

Afterpiece Title: Albert and Adelaide

Performance Comment: Principal Characters-Incledon, Emery, Clarke, Betterton, Townsend, Miss Gilbert, Simmons, Claremont, Mrs Atkins, Miss Walcup, Mrs Whitmore, Mrs Chapman; Chorus of Soldiers and Followers in the Black Forest-Oddwell, Clarke, Sawyer, Curties, Little, Thomas, Everett, J. Linton, Smith, Lee; Chorus of Guards in the Castle-Linton, Street, Abbot, Kenrick, Silvester, Jones, Fairclough, Tett, Russel. [And see17981211.]And see17981211.]

Dance: In 3rd piece: Procession and Dance of Swabian Peasants, as17981211, but Miss _Gray