SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Irish Scotch Italian and French Airs"/1) | (@(roleclean,performerclean) "Irish Scotch Italian and French Airs")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2135 matches on Performance Title, 898 matches on Event Comments, 730 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Principal Instrumental Performers-C. Ashley, Bridgtower, Archer, Harvey, Sarjant, Mahon, Boyce, Cantelo, Parkinson, Taylor, J. Sharp, Lavenu, Napier, Simpson, the Flacks, Purney, Seutze, Gwilliam, Monro, Wood, Warren, Woodham, Francis, M. Sharp, &c. Organ by J. Ashley. Double Drums by R. Ashley. The Chorusses will be numerous and compleat, and the Orchestra will consist of upwards of Two Hundred Performers. The whole under the Direction of Ashley. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. Places to be taken, and Tickets for the Boxes may be had of Brandon at the Office in Hart-street. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]. [This performance was originally advertised to take place at the Pantheon, Oxford-street, but "The routed Host of Harmonists, driven from their new works in Oxford-road, hastily encamped last night [at Covent Garden]. Their performance...went off as might be expected from a scanty band, thus collected, without any previous rehearsal" (Morning Herald, 21 Feb.). The Pantheon had been destroyed by fire in January 1792. Work on its reconstruction had only recently been begun, and Was still not completed. It was reopened with a masquerade on 9 April 1795, the "usual licenses being now fully renewed and established" (Morning Herald, 9 Apr.).

Performances

Mainpiece Title: A Grand Selection 0 Main Of Sacred Music, From The Works Of handel

Performance Comment: Principal Vocal Performers-Master Elliot, Kelly, Nield, Burdon (from Salisbury), Gray, Linton, Bartleman, Miss Parke, Miss Poole; Leader of the Band-G. Ashley.

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Overture and Dead March (Saul)-; Gentle Airs-; accompanied on violoncello-C. Ashley (Athalia); Fall'n is the foe-Chorus (Judas Maccabaeus); He was eyes unto the blind [Redemption]-; Lord of Eternity-Chorus; Behold the nations-; O Baal=-Chorus (Deborah); Tune your Harps [Esther]-; He smote all the first born-Chorus (Israel in Egypt); What though I trace-Miss Parke (Solomon); He gave them hailstones-Double Chorus (Israel in Egypt).
Cast
Role: Overture and Dead March Actor:
Role: Gentle Airs Actor:

Afterpiece Title: Grand Selection 3

Performance Comment: Second Oboe Concerto-; Happy Iphis (Jephtha)-; My arms, Sound an alarm, We hear-Chorus (Judas Maccabaeus); O magnify the Lord [Chandos Anthems]-; Hear Jacob's God-Chorus (Samson); What's sweeter than the new@blown rose (Joseph)-; I feel the Deity within-; Arm arm ye brave-; We come-Chorus (Judas Maccabaeus); From mighty Kings-Miss Parke (Judas Maccabaeus); Gloria Patri-Chorus (Jubilate).
Cast
Role: Chandos Anthems] Actor:

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music Chiefly From handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Grand Overture- (Haydn); Angels ever bright and fair-Mme Banti; May no rash intruder-Chorus; Oft on a plat of rising ground-Harrison; Lo he is our God-Miss Leak (Dr Arnold); For unto us-Chorus; Air accompanied on harp by Mrs Dussek-Mme Banti (Gulielmi); Recitativo-Miss Leak, Harrison; Sing ye to the Lord-Mme Banti; The horse and his rider-Chorus.

Performances

Mainpiece Title: A Grand Selection 0of Sacred Music From The Works Of handel; Messiah

Afterpiece Title: Grand Selection 1

Cast
Role: Overture and Dead March Actor:
Role: Gentle Airs Actor:
Role: Chandos Anthems] Actor:

Afterpiece Title: Grand Selection 2

Performance Comment: Overture- (Ariadne); Gentle airs-Nield; O had I Jubal's lyre-Mrs Hindmarsh; Fall'n is the foe-Chorus; Deeper and deeper still, Waft her angels-Kelly; The Soldier tir'd-Miss Parke; From the Censer-Chorus.
Cast
Role: Gentle airs Actor: Nield

Afterpiece Title: Grand Selection 3

Performance Comment: Selected Entirely from the Messiah. Comfort ye, Every valley-Kelly; And the Glory of the Lord-Chorus; But thou didst not-Mrs Hindmarsh; He was despised-Nield; For unto us-Chorus; Behold I tell you, The Trumpet shall sound-Bartleman; I know that my Redeemer-Miss Parke; Hallelujah-Grand Chorus.
Event Comment: 3rd piece: With additional airs. [Bannister Jun.'s 1st appearance as Hob was at dl, 3 June 1795.

Performances

Mainpiece Title: All In Good Humour

Afterpiece Title: Hob in the Well

Event Comment: Afterpiece [1st time; P 2 (?), by William Linley. Also attributed to Cordal Powel, librarian to the Prince of Wales (London Chronicle, 19 Jan. 1796). Larpent MS 1106; not published, except for Airs (C. Lowndes, 1796). Synopsis of action in Pocket Magazine, Jan. 1796, p. 59]. The Musick composed by W. Linley. The Scenes [for a description of which see Theatre Notebook, 1965, XIX, p. 58] entirely new, and painted by Greenwood. The Machinery and Decorations by Cabanel, Johnston and Jacobs. The Dresses by Johnston and Miss Rein. Nothing under Full Prince will be taken. Account-Book, 22 Jan.: Paid Wm. Linley for music of new pantomime #25. Receipts: #619 3s. (608.9; 10.14)

Performances

Mainpiece Title: Douglas

Performance Comment: As17951116, but Lord Randolph-Barrymore; Anna-Miss Heard; Servant-_; Prisoner-_.
Cast
Role: Lord Randolph Actor: Barrymore

Afterpiece Title: Harlequin Captive; or, The Magick Fire

Performance Comment: Characters by Caulfield, Banks, Boimaison, Master Welsh, Dubois, Fairbrother, Wathen, Russell, Benson, Hollingsworth, Burton, Phillimore, Maddocks, Jones, Webb, Fisher, Wentworth, Evans, Roffey, Keys, Whitmell, Wells, Butler, W. Banks, Nicolini, Garman, Master Gregson, Master DeCamp; Miss DeCamp, Miss Mellon, Mrs Boimaison, Miss Heard, Mrs Cuyler, Mrs Booth, Miss Tidswell, Mrs Maddocks, Mrs Hedges, Mrs Heard, Mrs Butler, Mrs Brooker, Miss Chatterley, Mrs Jones, Mrs Mills, Mrs Brigg, Mrs Haskey, Mrs Barrett. Chorus of Knights and Ladies (Vocal Parts)-Sedgwick, Dignum, Trueman, Danby, Cooke, Welsh, Mrs Bland, Miss Leak, Miss Arne, Mrs Bramwell, Miss Granger, Miss Jackson, Miss Menage, Miss Stuart, Miss Wentworth; Cast adjusted from playbill of 9 Nov. 1796: Ormandine-Caulfield; Harlequin-Banks; Ormandine's Servant-Boimaison; Ariel-Master Welsh; Clown-Dubois; Sailor-Fairbrother; Sir Epicure-Hollingsworth; Crop-Burton; Landlord-Phillimore; Countrymen-Maddocks, Jones; Constable-Webb; Prigg-Fisher; Gipsies-Evans, Garman, Mrs Butler, Mrs Jones, Mrs Mills, Mrs Brigg; Furies-Roffey, Wells, Master Gregson; Gardener-Whitmell; Waiter-Butler; Cheesemonger-Nicolini; Postboy-Master DeCamp; Colombine-Miss DeCamp; Minerva-Miss Mellon; Spirit-Miss Heard; Landlady-Mrs Booth; Lady-Miss Tidswell; Countrywomen-Mrs Maddocks, Mrs Heard; Cook-Mrs Brooker; Chambermaid-Miss Chatterley; unassigned-Wathen, Russell, Benson, Wentworth, Keys, W. Banks, Mrs Boimaison, Mrs Cuyler, Mrs Hedges, Mrs Haskey, Mrs Barrett.

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of Handel

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Occasional Oratorio)-; Come ever smiling-Miss Leak (Judas Maccabaeus); It must be so-Sale; Pour forth no more-Sale; No more to Ammon's God-Chorus (Jephtha); Now heaven-Miss Parke; Lord what is man-Miss Parke (Semele); Every day will I give-Kelly (Chandos? Anthems); Then round about-Chorus (Samson); O worse than death-Mme Mara; Angels ever bright-Mme Mara (Theodora); The Mighty power-Chorus [Athalia].Athalia].

Afterpiece Title: Grand Selection 2

Performance Comment: Second Oboe Concerto-; Gentle airs-Nield (Athalia); Ye men of Gaza-Miss Leak (Samson); The trumpet's loud-Kelly, Chorus [Dryden's Ode]; Sweet bird-Miss Parke; accompanied on the violin-G. Ashley (L'Allegro); Arm arm ye brave-; We come-Chorus (Judas Maccabaeus); Lord remember David-Mme Mara (Redemption); Gird on thy sword-Chorus (Saul).
Cast
Role: Gentle airs Actor: Nield

Afterpiece Title: Grand Selection 3

Performance Comment: Introduction and Chorus-; Ye sons of Israel-byChorus (Joshua); Tears such as tender-Bartleman [Deborah]; O let eternal honors-Miss Parke; From mighty Kings-Miss Parke (Judas Maccabaeus); Softly rise-Nield; accompanied on the bassoon-Parkinson; Ye southern breezes-Chorus (Solomon, by Boyce); Mad Bess-Mme Mara (composed by Purcell); The horse and his rider-Double Chorus (Israel in Egypt).

Music: As17960219

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Wedding Day

Cast
Role: Lord Rakeland Actor: Benson

Entertainment: Monologue.End: a Serio-Comic, Poetic, Prosaic Paraphrase on Shakespeare's Seven Ages-King

Event Comment: Benefit for Mrs Powell. "If we make allowances for embarrassment and imperfect study, the performance of Mrs Powell was by no means indifferent" (Monthly Mirror, May 1796, p. 50). Afterpiece: Not acted these 4 years. Morning Herald, 2 May: Tickets to be had of Mrs Powell, No. 22, Henrietta-street, Covent-Garden. Receipts: #466 11s. 6d. (189.3.6; 53.1.6; 4.14.6; tickets: 216.15.0) (charge: #212)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Follies of a Day

Performance Comment: Count Almaviva-Bannister Jun.; Figaro-R. Palmer; Antonio-Wewitzer; Bazil-Phillimore; Page-Mrs Bland; Countess-Mrs Goodall; Agnes-Mrs Heard; Susan-Miss Farren.
Cast
Role: Page Actor: Mrs Bland
Event Comment: Benefit for Mme Rose. The Opera [will be performed] instead of Antigona, already announced in the papers of yesterday, it having been found impossible to get ready the machinery of the new Ballet after the performance of the Serious Opera. Mme Rose having been presented with an Engraving Ticket for her night, she proposes to give one with each Ticket, separately from the Ticket which will be admitted at the door. The Nobility and Gentry are respectfully entreated not be on that part of the stage where the mountain stands, as the machinery of the Ballet will be attended with danger. Tickets to be had of Mme Rose, No. 9, Hay-market. "The most bewitching dance we ever witnessed, for novelty of idea, charm of fancy, and delicacy of passion was performed last night. Not content with the common praise, the audience called forward the author, Didelot, and paid to him the tribute due to original and inventive talents. The ballet was entitled L'Amour Vange. The invention, which was perfectly new, was that of bands of Cupidsv floating in air-suspended seemingly on their own wings, without the intervention of any grosser medium" (Morning Chronicle, 3 June)

Performances

Mainpiece Title: La Modista Raggiratrice

Dance: End II: [a new Ballet Episodique (in the style Anacreontique), in 2 acts, composed by Didelot with music by Bossi] L'Amour Vange- [;ou, La MetamorphoseMme Rose, Mme Hilligsberg, Mlle Parisot, Mme Bossi, Didelot, Gentili

Ballet: End I: a new Indian Divertisement by Didelot, The Caravan at Rest. Cast from Morning Herald, 27 May: Nair (Malabar Officer)-Didelot; Moor-Gentili; Arab (Chief of the Caravan)-Fialon; Malabar Woman-Mme Rose; Negro Caffre (of the natural country)-Mme Hilligsberg; Arab Woman-Mlle Parisot; Young Woman, Wotyake-Mme Bossi; Two Audalisques-Mlles Cabanel

Event Comment: Mainpiece [1st time: CO 3, by Joseph George Holman. Text: George Cawthorn, 1796]: The new Music composed by Shield. The Selections from Gretry, Giornovichi, Jackson, and Mahon. The new Scenery painted by Richards. Books of the Songs to be had in the Theatre. Oracle, 7 Dec. 1796: Tomorrow will be published Abroad and at Home (2s.). Receipts: #220 9s. (219.2; 1.7)

Performances

Mainpiece Title: Abroad And At Home

Performance Comment: Principal Characters by Quick, Incledon, Johnstone, Munden, Fawcett, Murray, Bowden, Knight, Waddy, Davenport, Lee, Claremont, Simmons, Linton, Gray, Street, Mrs Martyr, Mrs Knight, Mrs Second. Cast from Airs (T. N. Longman, 1796): Sir Simmon Flourish-Quick; Harcourt-Incledon; Captain O'Neil-Johnstone; Old Testy-Munden; Young Flourish-Fawcett; Monsieur Grand Pas-Murray; Bluff-Bowden; Young Testy-Knight; Snare-Waddy; Folio-Davenport; Mahogany-Lee; Gamester-Claremont; Dicky-Simmons; Bailiffs-Linton, Gray, Street; Keeper-Thompson; Follower-Blurton; Sir Simon's Servant-Curties; Servant-Abbot; Kitty-Mrs Martyr; Lady Flourish-Mrs Knight; Miss Hartley-Mrs Second.
Cast
Role: Monsieur Grand Pas Actor: Murray

Afterpiece Title: The Deaf Lover

Event Comment: 2nd ballet: Revived, and brought forward under the direction of Barre. The Music, with additional Airs, by Mazzinghi. The Scenery entirely new, painted by Greenwood and assistants under his Direction. The Dresses new by Sestini. "This dance is the composition of the celebrated Noverre, and it is totally different from the ballet under the same title, brought out at Paris under Gardel...The torches and swords of fire in hands of Furies produced so tremendous an effect that a part of audience seemed petrified at agonies of Psyche. Much of this effect was produced by the strong reflection from glass pannels of boxes" (Morning Chronicle, 19 Dec.). The frequenters of Opera are respectfully acquainted that Posts with Chains are placed all along front of Theatre to prevent Carriages from driving upon the foot way, so that Chairs can in future come by great door in the Haymarket with perfect safety

Performances

Mainpiece Title: L'amor Fra Le Vendemmie

Dance: End I: Flora et Zephire, as17961126

Ballet: End Opera: L'Amour et Psiche. L'Amour-Didelot; Psiche-Mme Hilligsberg (Oracle, 19 Dec.); Adonis-Gentili (Morning Chronicle, 19 Dec.); unassigned-Mme Rose, Mlle Parisot, Fialon

Event Comment: Mainpiece: Not acted these 6 years [acted 7 Oct. 1791]. Middleton, after performing the first scene of Nerestan, retired abruptly into the wardrobe, pulled off his coat, and telling the dresser he should be back in ten minutes, left the theatre; he did not return, however, according to his appointment, and Davenport read the remainder of the character: a fit of insanity is supposed to have seized him" (Monthly Mirror, Jan. 1797, p. 55). [Middleton did not appear on the stage again until 27 Feb. 1797.] Afterpiece [1st time: P 2 (?), by James Wild and John Follett. MS of Songs only: Larpent MS 1148; synopsis of action in Pocket Magazine, Dec. 1796, p. 412]: With entire new Scenery, Machinery, Music, Dresses. The Overture and Music by Reeve. The Scenery painted by Phillips, Blackmore, Hollogan, Thorne, Byrn. The Machinery, Trick and Changes of Scenery invented and executed by Cresswell and Sloper. The Dresses by Dick, Mrs Egan. Books of the Songs to be had at the Theatre. "Among the changes are a trunk into a gingerbread nut-man's wheel-barrow--a poor man's hut into an old oak, with a group of Gypsies boiling their kettle under it--one of the clowns into a thick candle, and the candle afterwards into a green-house tub, with a large shrub in it" (Oracle, 20 Dec.). Receipts: #193 5s. 6d. (183.4.6; 10.1.0)

Performances

Mainpiece Title: Zara

Afterpiece Title: Harlequin and Oberon; or, The Chace to Gretna

Performance Comment: Principal Vocal Parts-Incledon, Townsend, Linton, Gray, Street, Blurton, Tett, J. Linton, Lee, Philipps, Master Woodham, Master Platt, Master Goodwin, Master Paul, Master Ramage, Master Speare, Master Bernard, Mrs Henley, Mrs Castelle, Miss Burnett, Miss Leserve, Miss Walcup, Miss Owen, Mrs Masters, Mrs Watts, Miss Gray; Principal Pantomime Characters-Simpson, Follett, Delpini, Hawtin, Simmons, Powers, Wilde, Abbot, Thompson, Lee, Rayner, Cranfield, Claremont, Curties, Lewiss, Davies, Mlle St.Amand, Mrs Gilbert, Mrs Norton, Mrs Lloyd, Mrs Blurton; Fantoccini-, executed byMarinelli; Cast from Airs (T. N. Longman, 1796): Postman-Townsend; Lieutenant-Linton; Gypsies-Gray, Street; Oberon-Miss Gray; Harlequin-Simpson; Clown-Follett; Lover-Delpini; Father-Hawtin; Lover's Servant-Simmons; Old Gypsey-Mrs Henley; Colombine-Mlle St.Amand. No other parts assigned.

Performances

Afterpiece Title: A Grand Sacred Selection 1

Performance Comment: Part I. Overture- (Occasional Oratorio); Arm arm ye brave-Bartleman; We come-Chorus [Judas Maccabaeus]; Lord what is man?-Miss Poole [Semele]; Total eclipse-Braham; O first created beam-Chorus [Samson]; The mighty power-Chorus [Athalia]; O worse than death, Angels ever bright and fair-Mme Mara [Theodora]; Fixed in his everlasting seat-Chorus [Samson].Samson].

Afterpiece Title: A Grand Sacred Selection 2

Performance Comment: Part II. Ye Sons of Israel-Chorus; Shall I in Mamre's-Bartleman; For all these mercies-Chorus [Joshua]; My Faith and Truth-Miss Poole, Master Elliot; Return O God of Hosts-Sga Galli [Samson]; First concerto Op. 3 Geminiani-G. Ashley; Deeper and deeper still, Waft her angels-Braham [Jephtha]; Thy right hand O Lord-Chorus [Israel in Egypt]; Holy Holy Lord-Mme Mara [Redemption]; He gave them hailstones-Chorus [Israel in Egypt].Israel in Egypt].

Afterpiece Title: A Grand Sacred Selection 3

Performance Comment: Part III. Overture and Dead March- (Saul); Great Jehovah's awful-Master Elliot [Israel in Egypt]; In sweetest Harmony-Mme Mara; O fatal Day-Chorus [Saul]; Gentle Airs-Braham; [accompanied on the violoncello-C. Ashley [Athalia]; Fallen is the Foe-Chorus [Judas Maccabaeus]; O magnify the Lord-Miss Poole [Chandos Anthems]; The Lord shall reign-Chorus; For the Horse of Pharoah, Sing ye to the Lord-Mme Mara; The Horse and his Rider-Double Chorus [Israel in Egypt].Israel in Egypt].

Music: End I: concerto on pedal harp-Miss Dupree (1st appearance in public)

Event Comment: 2nd piece: Compressed for First Time into two acts, with several new Airs, &c. [Miss Sims was from the Theatre, Sadler's Wells.] Receipts: #259 17s. (253.15; 6.2)

Performances

Mainpiece Title: The Orphan

Cast
Role: Page Actor: Master Standen

Afterpiece Title: The Maid of the Mill

Afterpiece Title: England's Glory

Performance Comment: As17971018, but in Scene I: Hearts of Oak-Townsend; in Scene IV: We've bade the restless Seas adieu-Townsend, _Incledon; in Scene V: +Rule Britannia-Townsend, Gray; from Scene IV: With pride we steer'd for England's Coast-_.

Dance: As17971018

Event Comment: Afterpiece: The Airs composed by Attwood. Receipts: #87 2s. (53.17.0; 32.3.6; 1.1.6)

Performances

Mainpiece Title: Love For Love

Performance Comment: Sir Sampson Legend-King; Valentine-Kemble; Scandal-Barrymore; Tattle-Russell; Ben-Bannister Jun.; Foresight-Suett; Jeremy-Wathen; Trapland-Hollingsworth; Buckram-Maddocks; Snap-Wentworth; Angelica-Miss Humphries; Mrs Foresight-Mrs Goodall; Mrs Frail-Miss Pope; Miss Prue-Mrs Jordan; Nurse-Miss Tidswell; Jenny-Mrs Jones.
Cast
Role: Scandal Actor: Barrymore
Role: Trapland Actor: Hollingsworth

Afterpiece Title: Fast Asleep

Event Comment: Mainpiece: With Additions from Dryden; the Musick by Purcell and Dr Arne, and the new Airs and Chorusses by the late Mr Linley Jun. Receipts: #142 7s. 6d. (79.17.6; 60.10.0; 2.0.0)

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

Performance Comment: Prospero-Palmer; Alonzo-Packer; Antonio-Gibbon; Ferdinand-C. Kemble; Gonzalez-Maddocks; Stephano-Bannister Jun.; Trincalo-Suett; Caliban-Bannister; Ariel-Miss DeCamp; Hyppolito-Mrs Goodall; Miranda-Mrs Crouch; Dorinda-Miss Miller.
Cast
Role: Ferdinand Actor: C. Kemble
Role: Miranda Actor: Mrs Crouch

Afterpiece Title: Who's the Dupe

Performance Comment: Doiley-Suett; Sandford-R. Palmer; Granger-Barrymore; Gradus-Bannister Jun.; Elizabeth-Miss Heard; Charlotte-Miss Mellon.
Cast
Role: Sandford Actor: R. Palmer

Song: Mainpiece: Vocal Parts-Sedgwick, Dignum, Caulfield, Danby, Brown, Fisher, Evans, Phillimore, Ms Leak, Ms Arne, Ms Wentworth, Ms Butler, Ms Jackson, Ms Benson, Ms Menage, Ms Roffey, Ms Gaudry

Monologue: V: The Masque of Neptune and Amphitrite. Neptune-Sedgwick; Amphitrite-Miss Dufour

Event Comment: In compliance with the request of several Ladies and Gentlemen, lovers of Handel's music, who find it inconvenient to attend at the beginning of the evening, Mr Ashley informs them that Half Price will be taken at the end of the Second Part

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of Handel; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Fifth Grand Concerto-; Come all noble souls who skill'd in music's art- (composed by Dr Rogers, 1673); The smiling dawn-Miss Dufour (Jephtha); Honour and arms-Reinhold (Samson); O Magnify the Lord-Miss Poole (Chandos? Anthems); O Baal-Chorus (Deborah); Gentle Airs-Incledon; accompanied on the violoncello-C. Ashley (Athalia); My faith and truth-Miss Poole, Master Elliot (Samson); Ye sacred priests, Farewell ye limpid-Mme Mara (Jephtha); He gave them hailstones-Double Chorus (Israel in Egypt).

Afterpiece Title: Grand Selection 3

Performance Comment: Overture and Dead March-; In sweetest harmony-Mme Mara; O fatal day-Chorus (Saul); Ye men of Gaza-Miss Poole (Samson); Softly rise-Incledon; accompanied on the bassoon-Parkinson (Boyce's Solomon); Mad Bess, Let them come if they dare, Genius of England from thy pleasant bower of bliss arise-Mme Mara, Chorus (Purcell); To arms Britons strike home-Incledon, Reinhold, Full Chorus.

Music: End I: concerto on violin-Master Pinto; End II: concerto on the Piano Forte-Dussek

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of handel; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Second Oboe Concerto-; Thou shalt bring them in-Miss Celson (1st appearance); He smote all the first@born of Egypt-Chorus (Israel in Egypt); Here amid these shady woods-Master Elliot (Alexander Balus); The trumpet's loud clangour-Incledon; The double double beat-Chorus (Dryden's Ode); He was eyes unto the blind-Miss Poole (Siroe); He layeth the beams-Reinhold (Ezio); He rebuked the Red Sea-Chorus (Israel in Egypt); Lord remember David-Mme Mara; From the censer-Chorus (Solomon).

Afterpiece Title: Grand Selection 3

Performance Comment: Introduction-; Ye sons of Israel-Chorus; Relieve thy Champion, Return O God of Hosts-Miss Dufour (Samson); Air-Reinhold; Let the bright seraphim-Mme Mara (Samson); Let them come if they dare-Incledon, Chorus (Purcell); What's sweeter than the new blown rose-Miss Poole, Master Elliot (Joseph); For the horse of Pharaoh-Incledon; The Lord shall reign-Chorus; And Miriam the Prophetess, Sing ye to the Lord-Incledon; The horse and his rider-Double Chorus (Israel in Egypt).

Music: End I: concerto on the violoncello-C. Ashley; End II: concerto= on the Piano Forte-Dussek

Performances

Mainpiece Title: A Grand Selection 0 From The Most Favourite Works Of Handel; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Overture and March- (Scipio); Tyrants would-Mme Mara; Tyrants ye in vain-Chorus (Athalia); He layeth the beams-Reinhold (Ezio); Grateful hearts-Miss Dufour (Nabal); Fall'n is the foe-Chorus (Judas Maccabaeus); Great Jehovah's awful word-Miss Poole (Israel in Egypt); Gentle Airs-Incledon; accompanied on the violoncello-C. Ashley (Athalia); Bravura Agitata-Mme Mara; The Lord shall reign-Chorus; For the Horse of Pharaoh, And Miriam-Incledon; Sing ye to the Lord-Mme Mara; The Horse and his Rider-Chorus (Israel in Egypt); Mad Bess-Mme Mara (Purcell).
Cast
Role: Overture and March Actor:
Role: Gentle Airs Actor: Incledon
Role: And Miriam Actor: Incledon
Role: The Horse and his Rider Actor: Chorus

Afterpiece Title: Grand Selection 3

Performance Comment: Selected from The Messiah. Overture-; Comfort ye, Every Valley-Incledon; And the Glory-Chorus; How beautiful-Master Elliot; The trumpet shall sound-Reinhold; Rejoice greatly-Miss Poole; For unto us a Child is born-Chorus; I know that my Redeemer Liveth-Mme Mara; Hallelujah-Chorus.
Cast
Role: And the Glory Actor: Chorus

Music: End I: concerto on the oboe-W. Parke; End II: concerto on the violin-G. Ashley

Event Comment: 3rd piece [1st time; P 2 (?), by John Cartwright Cross. MS of Songs only: Larpent MS 1203]: Partly New and Partly Selected. The Overture and Music by Reeve. The Scenery partly new & the rest completely repaired by Phillips, Lupino, Hollogan, Blackmore, &c. The Machinery by Cresswell, Sloper, Goostree, Goostree Jun., &c. Receipts: #195 9s. (193.2; 2.7)

Performances

Mainpiece Title: The Raft

Performance Comment: As17980331Principal Characters-Johnstone, Townsend, Waddy, Farley, Simmons, Mrs Gilbert, Mrs Henley, Mrs Martyr. And see17980331 .

Afterpiece Title: The Orphan

Cast
Role: Principal Pantomime Characters Actor: Bologna Jun., Bologna, Follett, Dyke, Hawtin,Blurton, Abbot, Wilde, Curties, Findlay, Cranfield, Parsloe, Davis, Master Blackmore, Mrs Parker, Mlle St.Amand, Mrs Follett, Mrs Norton, Miss Leserve, Mrs Henley
Role: Grandee Actor: Hawtin
Role: Savoyard Girls Actor: Mlle St.Amand, Mrs Watts
Role: Maritornes Actor: Mrs Henley. Commencing with the Representation of the Ruins of a Peruvian Temple, where an injured Inca and his Son had taken refuge from the malice of their Persecutors-the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: where an injured Inca and his Son had taken refuge Actor: the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: to attempt the re Actor: obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and has betrothed her to the Knight Errant of La M Actor: to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: the Magic Arm appearing to guard him in the Actor: they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and re Actor: appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England

Afterpiece Title: Harlequin's Return

Performance Comment: Principal Pantomime Characters. Harlequin-Bologna Jun.; Sammy Scrip-Simmons; Outre (his Man)-Bologna; Father to Columbine-Hawtin; Clown (his Man)-Follett; The other Pantomime Characters-Goostree Jun., Parsloe, Coombs, Noble; Columbine-Mlle St.Amand; Principal Vocal Characters. Jack Junk-Townsend; Fisherman-Linton; Harlequin's Father-Street; Mimic-Rees; Lawyers-Gray, Abbot, Blurton, Wilde; Country Boy-Miss Sims; Potter's Girl-Mrs Clendining; Milk@maid-Miss Wheatley; Harlequin's Mother-Mrs Henley; Lapland Witch-Mrs Iliff; Other Vocal Characters-Ms Castelle, Ms Watts, Ms Follett, Ms Norton, Ms Lloyd, Ms Burnett, Ms G. Walcup, Ms Bologna, Ms Gray; Sylph-Mrs Martyr; The Pantomime commences with a Sea View-the Father and Mother of Harlequin enter from their Hut and meeting their Friend, a Fisherman, according to Evening custom, deplore the absence of their Son, whom they conceive lost at Sea-a small Bark is discernable at a distance, which enlarging as it approaches, and making towards them, gives them hopes, which are realized by their Son's landing in the habit of a Sailor; but are dreadfully disappointed on finding that, being wrecked on the Coast of Lapland, a Witch of that Country, for his wishing to re-visit England, had struck him dumb; but to make amends bestowed on him an Enchanted Sword, which has the various qualities of becoming Sable when Danger is near, and being waved in different Directions produces the effect of making Dance, Laugh or Sleep those living objects it is employed upon-Escaped from the Witch, he has to contend with her Power-the Genius attendant on the Talismanic Influence of his Sword rises, promises assistance, and transforming him to the motley Hero, brings to his View his beloved Columbine-from hence the Harlequinade takes place, followed up by a variety of Changes, Tricks, Metamorphoses. A Short Description of the Scenery, Machinery.: Sea View. +Oft have our footsteps-Linton, Street, Mrs Henley; The wind blew fresh and fair-Townsend; Inside of Fisherman's Cottage, change to Corn-field. Brave offspring of Ocean-Mrs Martyr; Country Publicans. A Prize in the Lottery and its consequence. Outside of Town Hall. Behold natty Sammy-Simmons, Bologna; Changes to Inside of Ditto. Rustic rejoicings-Harlequin in armour, and Columbine's escape. Rural View. In the spring when the meadows-Miss Sims, Miss Wheatley; Milk pail change to Milk-maids, Garland, and Jack in the Green. Artist's Chamber. You take off good likenesses-Rees; in which a Variety of New Imitations-Rees; Fashionable Rout change to Billingsgate. Catch-Linton, Street, Gray, Abbot, Blurton, Wilde, Dyke, Curties, Mrs Castelle, Mrs Leserve, Mrs Bologna; Garden of Love. Chamber. Harlequin and Columbine in jeopardy-make their Pursuers dance to some tune. Landscape leading to the Pottery. Come buy my earthenware-Mrs Clendining; Inside View of the Pottery, change to Subterraneous Cavern. Rash stripling-Mrs Iliff; Bottle changes to Tarantula-the effects of its bite upon Harlequin, cured by Music. By sweet Music's powerful Note-Mrs Martyr; Cavern of Necromancy. With the entrance to the Fiery Gulph, where the Witch consults her Familiar, guarded by an immense Dragon, whose power is counteracted by that of the Sylph, who after singing the following air, Hither haste the young and gay-Mrs Martyr changes the Scene to The Bower of Constancy; The Lovers are united by their Parents, and the Piece concludes with an appropriate Finale-.
Cast
Role: Columbine Actor: Mlle St.Amand
Role: Lapland Witch Actor: Mrs Iliff
Role: The Pantomime commences with a Sea View Actor: the Father and Mother of Harlequin enter from their Hut and meeting their Friend, a Fisherman, according to Evening custom, deplore the absence of their Son, whom they conceive lost at Sea-a small Bark is discernable at a distance, which enlarging as it approaches, and making towards them, gives them hopes, which are realized by their Son's landing in the habit of a Sailor
Role: whom they conceive lost at Sea Actor: a small Bark is discernable at a distance, which enlarging as it approaches, and making towards them, gives them hopes, which are realized by their Son's landing in the habit of a Sailor
Role: for his wishing to re Actor: visit England, had struck him dumb
Role: Laugh or Sleep those living objects it is employed Actor: Escaped from the Witch, he has to contend with her Power-the Genius attendant on the Talismanic Influence of his Sword rises, promises assistance, and transforming him to the motley Hero, brings to his View his beloved Columbine-from hence the Harlequinade takes place, followed up by a variety of Changes, Tricks, Metamorphoses. A Short Description of the Scenery, Machinery.: Sea View. +Oft have our footsteps-Linton, Street, Mrs Henley
Role: he has to contend with her Power Actor: the Genius attendant on the Talismanic Influence of his Sword rises, promises assistance, and transforming him to the motley Hero, brings to his View his beloved Columbine-from hence the Harlequinade takes place, followed up by a variety of Changes, Tricks, Metamorphoses. A Short Description of the Scenery, Machinery.: Sea View. +Oft have our footsteps-Linton, Street, Mrs Henley
Role: The wind blew fresh and fair Actor: Townsend
Role: Rustic rejoicings Actor: Harlequin in armour, and Columbine's escape. Rural View. In the spring when the meadows-Miss Sims, Miss Wheatley
Role: Milk pail change to Milk Actor: maids, Garland, and Jack in the Green. Artist's Chamber. You take off good likenesses-Rees
Role: Harlequin and Columbine in jeopardy Actor: make their Pursuers dance to some tune. Landscape leading to the Pottery. Come buy my earthenware-Mrs Clendining
Role: Hither haste the young and gay Actor: Mrs Martyr changes the Scene to The Bower of Constancy
Role: and the Piece concludes with an appropriate Finale Actor: .
Event Comment: Benefit for Johnston. [He had 1st acted Hamlet at Edinburgh, 9 July 1794: Egerton's 1st appearance at cg was on 5 June 1797.] 2nd piece [1st time at this theatre; M. PAST 1, author unknown. Larpent MS 1207; not published. 1st acted at Sadler's Wells, 28 May 1787, when the playbill gives the 2nd title as "The Highland Laddie", and adds "The Words of the Airs selected from Allan Ramsay"]. Times, 13 Apr.: Tickets to be had of Johnston, No. 31, King-street, Covent-garden. Receipts: #230 19s. 6d. (110.2.6; 1.14.0; tickets: 119.3.0)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Hooly and Fairly; or, The Highland Lad and Lowland Lass

Afterpiece Title: A Divertisement

Dance: 2nd piece to conclude with: Highland Reel-; In 3rd piece: Ballet, as17971013

Song: In V 1st piece: a Dirge, as17970925; In 2nd piece: Highland Laddy-; Hooly and Fairly-; Katharine Ogie- [recte Oggy]; Andrew and his Cutty Gun-; Todlen Hame-; Tulloch Goram-; The Little Farthing Rushlight-Graham

Event Comment: Benefit for Mrs Bland. Afterpiece: By permission of the Proprietors of the Theatre-Royal, Drury-Lane. Times, 18 Aug.: Tickets to be had of Mrs Bland, No. 25, King-street, Covent-garden

Performances

Mainpiece Title: Cambro-britons

Afterpiece Title: The Shipwreck

Performance Comment: Selwyn-D'Arcy; Harry Hawser-Wathen; Michael Goto-R. Palmer; Stave-Suett; Dick-Mrs Edward; Angelica Goto-Miss Griffiths; Fanny-Miss DeCamp; Sally Shamrock-Mrs Bland; There stood Jonas- [from The Isle of St. Marguerite sic]-Mrs Bland.
Cast
Role: Sally Shamrock Actor: Mrs Bland
Role: Marguerite sic] Actor: Mrs Bland.

Song: End II: (by permission of the Proprietors of the Theatre-Royal Drury-Lane) the favourite song in The Stranger I have a silent sorrow here (The Words by R. B. Sheridan, Esq., the Air by her Grace the Duchess of Devonshire)-Mrs Bland; End: A Musical Elegy on the late Mr Palmer- (composed by The Earl of Abingdon; the words from The Stranger); The United Englishmen-Munden; A favourite song-Mrs Hindmarsh; Little Taffline ; or, The silken sash-Mrs Bland

Performance Comment: B. Sheridan, Esq.=, the Air by her Grace the Duchess of Devonshire)-Mrs Bland; End: A Musical Elegy on the late Mr Palmer- (composed by The Earl of Abingdon; the words from The Stranger); The United Englishmen-Munden; A favourite song-Mrs Hindmarsh; Little Taffline ; or, The silken sash-Mrs Bland.
Cast
Role: Actor: Mrs Bland
Role: The silken sash Actor: Mrs Bland.
Event Comment: [Huddart, whose 1st appearance on the stage was at the Crow Street Theatre Dublin, on 14 May 1798, is identified in European Magazine, Oct. 1798, p. 258.] "In the gentle and tender scenes [Huddart] was impressive...but in the impassioned parts he was often too boisterous, and from his too eager exertion, he exhausted himself, in a great measure, before the conclusion of the piece" (Morning Herald, 16 Oct.). [Mrs Pope, as Miss Campion, had 1st appeared as Desdemona at the same theatre, 11 Mar. 1790. Mrs Wybrow was from the Royal Circus. She had appeared at cg on 6 June 1798.] Afterp iece [1st time; BALL. PI, by John Cartwright Cross. Larpent MS 1228. Text (i.e. synopsis of the ballet, and the songs) in his Circusiana (Lackington, Allen & Co., 1890), Vol. 1; it lists the cast for the Royal Circus]: Taken chiefly from the favourtie Piece of the latter Title [1st acted at the Royal Circus, 9 Apr. 1798], with Alterations and Additions by the original Author. The Music by Sanderson, and Scenery by Phillips, Lupino, Hollogan, Blackmore, &c. Receipts: #294 15s. 6d. (290.8.6; 4.7.0)

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: Othello-A Young Gentleman (from the Theatre Royal Dublin; 1st appearance on this, and 4th on any stage [Huddart]); Roderigo-Knight; Cassio (1st time)-Betterton; Brabantio-Hull; Lodovico-Whitfield; Duke-Waddy; Gratiano-Powel; Montano-Clarke; Iago-Murray; Emilia (1st time)-Mrs Litchfield; Desdemona-Mrs Pope (1st appearance in that character [in London]).in London]).

Afterpiece Title: The Genoese Pirate; or, Black-Beard

Performance Comment: Principal Ballet Characters-Follett, Bologna Jun., Bologna Sen., Dyke, Whitmore, Abbot, Wilde, Blurton, Platt, Jackson, Hawtin, Powers, Findlay, Rayner, Webb, Farley, Mrs Watts, Mrs Follett, Mrs Bologna, Miss Burnett, Mrs Ward, Miss Bologna, Mrs Wybrow (1st appearance); Vocal Characters-Townsend, Hill, Linton, Street, Tett, Curties, Master Standen, Miss Gray; [Larpent MS lists the parts: Abdallah, Capt. Teach, Garrat Gibbons, Cesar, Gunner, Carpenter, Seamen-anden, Lieut. Maynard, Sailors, Nancy, Servants, Orra, Ismena. For the three assigned parts see Songs, below.] the following new Scenes, Songs: Grand Cabin. While the jolly grog-Townsend, Hill, Linton, Street, Abbot; [Entrance into Cabin. My Willy was a Sailor bold-Miss Gray; [Between Decks. Stand to your guns our cannons thunder-Townsend, Hill; [Entrance into Cabin. A pirate's Life-Townsend; [Roads of Madagascar. Negro Air: When sunny Beams-Master Standen; [Sea Ballad. Three Years I've bade sweet Home adieu-Hill; [Inside of Black-Beard's Hut. West Indian View. Seaman and Drunken Negro: In Search of a Pirate-Clarke, Simmons; [Romantic Heights, with Black-Beard's Ship at a Distance. Grand cabin by Moonlight. No longer heave the heart@felt sigh-Hill, Miss Gray [The Powder Magazine. To conclude with a representation of the recent Glorious Engagement fought by His Majesty's Sloop, L'Espoir, of 14 Guns, and the Genoese Pirate's Ship, $the Liguria">Clarke, William, Drunken Negro-$Simmons, Servants, Negro Boy-$Master Standen, Lieut. Maynard, Sailors, Nancy, Servants, Orra, Ismena. For the three assigned parts see Songs, below.] the following new Scenes, Songs: Grand Cabin. While the jolly grog-Townsend, Hill, Linton, Street, Abbot; [Entrance into Cabin. My Willy was a Sailor bold-Miss Gray; [Between Decks. Stand to your guns our cannons thunder-Townsend, Hill; [Entrance into Cabin. A pirate's Life-Townsend; [Roads of Madagascar. Negro Air: When sunny Beams-Master Standen; [Sea Ballad. Three Years I've bade sweet Home adieu-Hill; [Inside of Black-Beard's Hut. West Indian View. Seaman and Drunken Negro: In Search of a Pirate-Clarke, Simmons; [Romantic Heights, with Black-Beard's Ship at a Distance. Grand cabin by Moonlight. No longer heave the heart@felt sigh-Hill, Miss Gray [The Powder Magazine. To conclude with a representation of the recent Glorious Engagement fought by His Majesty's Sloop, L'Espoir, of 14 Guns, and the Genoese Pirate's Ship, $the Liguria, of 42 Guns and 120 Men [on 7 Aug. 1798, off Malaga], with the Striking the Black Flag, and Plunging the Pirate into the Sea.The Powder Magazine. To conclude with a representation of the recent Glorious Engagement fought by His Majesty's Sloop, L'Espoir, of 14 Guns, and the Genoese Pirate's Ship, the Liguria, of 42 Guns and 120 Men [on 7 Aug. 1798, off Malaga], with the Striking the Black Flag, and Plunging the Pirate into the Sea.

Dance: In afterpiece: Dance of Negroes-

Event Comment: Opera: 1st time [in London; 1st performed at Naples, 1794]. The Music entirely new, composed [i.e. revised] here by Bianchi. With new Scenes (painted by Marinari, and under his direction), Dresses and Decorations. "In the second act there is an Air of Madame Banti in a singular style:-she is accompanied by the Hautboys and Tenors only; the Violins are mute. It had a very fine effect" Morning Chronicle, 23 Jan.)

Performances

Mainpiece Title: Ines De Castro

Performance Comment: [Principal Characters by Rovedino, Viganoni, Mme Banti. Cast from libretto (Da Ponte [1799]: Rodrigo-Rovedino; Don Pietro-Viganoni; Alfonso-Benelli; Fernando-DeGiovanni; Ines-Mme Banti; La Regina-Sga Pastorelli.
Cast
Role: Fernando Actor: DeGiovanni

Dance: As17990101

Event Comment: Afterpiece [1st time; P 2, by Thomas John Dibdin; pantomime by Charles Farley]: With new Scenery, Machinery, Tricks, Dresses, and Decorations. The Overture, Airs and Chorusses by Attwood. The Pantomime Music by Attwood, Mountain, and Ealy [recte Eley]. The Scenery by Phillips, Lupino, Hollogan, Blackmore, Thorne, Wilkins, &c. The Machinery and Tricks by Cresswell, Sloper and Goostree. The Dresses by Dick and Mrs Egan. Books of the Songs to be had at the Theatre. Receipts: #364 (353.12; 10.8)

Performances

Mainpiece Title: Lover's Vows

Cast
Role: Landlord Actor: Thompson
Related Works
Related Work: Lovers' Vows Author(s): August Friedrich Ferdinand von Kotzebue

Afterpiece Title: The Magic Oak; or, Harlequin Woodcutter

Performance Comment: [Principal Characters by Bologna Jun., Bologna, Simpson, Simmons, Whitmore, Hawtin, Dyke, Wilde, Blurton, Claremont, Klanert, the Master Blackmores, Platt, Abbot, T. Cranfield, Powers, Lewiss, Davies, L. Bologna, Letteney, Lee, Delahoy, Wilkins, Farley, Miss Lupino, Miss Cranfield, Miss Denny, Mrs Watts, Mrs Bologna, Mrs Whitmore, Mrs Gilbert, Miss Gray, Miss Leserve, Mrs Norton, Mrs Masters, Mrs Lloyd, Miss Burnett, Miss Walcup, Mrs Blurton, Miss Bologna, Miss Cox, Mrs Crow, Miss Davenett recte Dibdin], Mrs Ward, Miss Coombes, Miss Standen, Mrs Wybrow. Vocal Characters-Townsend, Hill, Emery, Street, Gray, Linton, Thomas, Russel, Curties, J. Linton, Oddwell, Little, Tett, Master Ramage, Master Goodwin, Mrs Chapman; [Cast from Songs (J. Barker, 1799): Harlequin Woodcutter-Bologna Jun.; Lout-Bologna; Tasner-Simpson; Phisgig-Simmons; Pantaloon-Whitmore; Landlord-Hawtin; Haymakers-Wilde, Blurton, Platt, T. Cranfield, Powers, Lewiss, L. Bologna; Dutch Lover-Klanert; Beadle-Abbot; Dutch Servant-Davies; Man Milliner-Lee; Brisk-Farley; Sailor-Townsend; Officer of Volunteers-Hill; Recruits-Street, Gray, Linton, Thomas, Russel, Curties; Haymakers-Mrs Watts, Mrs Bologna, Miss Burnett, Miss Bologna, Miss Cox, Mrs Crow; Harlequin's Mother-Mrs Whitmore; Landlady-Mrs Gilbert; Market Women-Miss Leserve, Mrs Norton, Mrs Blurton; Old Maid-Mrs Lloyd; Columbine-Mrs Wybrow; unassigned-Dyke, Claremont, the Master Blackmores, Letteney, Delahoy, Wilkins, Emery, J. Linton, Master Goodwin, Miss Lupino, Miss Cranfield, Miss Denny, Miss Gray, Mrs Masters, Miss Walcup, Miss Dibdin, Miss Standen, Mrs Chapman.

Music: End I afterpiece: A Medley Overture on the Union Pipes and Pedal Harp-Murphy, Weippert