SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Henry Man"/1) | (@(roleclean,performerclean) "Henry Man")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3375 matches on Author, 2621 matches on Performance Title, 1194 matches on Performance Comments, 837 matches on Event Comments, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: Not acted these 3 years [acted in place of Love Makes a Man, advertised on playbill of 15 Mar.]. Afterpiece: Loutherbourg's celebrated Pantomimev. Not acted these 3 years [acted 4 Dec. 1786]. With new Decorations, and the Scenery new painted. With a Processionv exactly representing the Dresses, Weapons, and Manners of the Inhabitants of Otaheite, New Zealand, Tanna, Marquesas, the Friendly Islands, Sandwich Islands and Easter Islands, Tschutzki, Siberia, Kamtschatka, Nootka Sound, Onalashka, Prince William's Sound, and the other Countries visited by Captain Cook. [This was included in all subsequent performances.] Receipts: #256 17s. 6d. (250.5.6; 6.12.0)

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Performance Comment: Oroonoko-Pope; Governor-Davies; Blandford-Hull; Captain Driver-Fearon; Stanmore-Cubitt; Jack Stanmore-Macready; Hotman-Thompson; Daniel-Quick; Aboan-Aickin; Charlotte Weldon-Mrs Bernard; Lucy-Mrs Lewis; Widow Lackit-Mrs Webb; Imoinda-Mrs Pope.
Cast
Role: Hotman Actor: Thompson
Related Works
Related Work: The Royal Slave Author(s): Francis Gentleman

Afterpiece Title: Omai; or, A Trip round the World

Event Comment: A new Serious Opera (1st time [in London; 1st performed at Venice, 1781]); the music by Sarti, under the direction of Mazzinghi. "At length in the spring arrived the celebrated Marchesi, whose fame had long reached this country, and who had been extolled to such a degree that impatience and expectation were raised to the highest pitch; and on the first night of his appearance the theatre was not only crowed to the utmost in every part, but on the rising of the curtain, the stage was so full of spectators that it was some time before order and silence could be obtained, and with some difficulty that Marchesi, who was to open the opera, could make his way before the audience. Marchesi was at this time a very well-looking young man, of good figure, and graceful deportment. His acting was spirited and expressive: his vocal powers were very great, his voice of extensive compass, but a little inclined to be thick (Mount-Edgcumbe, 66-67). Receipts: #437 15s. 6d., i.e. 560 tickets delivered to Prendergrass [see 8 Dec. 1787], who sold 558; 110 to Toosey, who sold 86; 400 to Butler, who sold 285; 236 to Snelson, who sold 204. Total non-subscription tickets sold: 1133

Performances

Mainpiece Title: Giulio Sabino

Dance: End: The Military Dance, as17880115; End Opera: Les Fetes de Tempe, as17880228

Event Comment: Mr Gallini Respectfully informs the Nobility, Subscribers, and Gentry that he sent a person to Paris on Monday last to engage the best capital Female Dancer that can be got; and if a good Man Dancer is to be procured, he is very ready to engage him, as he shall be happy to do every thing in his power to please the public and will spare no pains or expense for that purpose [see 7 Feb.] Didelot having had the misfortune to hurt his leg the first dance on Saturday last is unable to appear for some days

Performances

Mainpiece Title: La Cosa Rara

Dance: End I: New Divertissement, as17890110, but _Didelot; End Opera: Les Fetes Provencales, as17890207, but _Didelot, Mlle _Normand

Event Comment: Benefit for Ryder. Public Advertiser, 20 Mar.: Tickets to be had of Ryder at his house, No. 5, Bow-street, Covent-garden. 1st piece: The Overture, Airs, &c. by Dr Arnold. The selected by Handel, Vento, Giordani, Giardini, Bertoni, Dr Arne, Carolan the Irish Bard. 2nd piece: 1st time Here. Translated from the French of La Bonne Mere, by Horatio Edgar? Robson, and at this Time reading with great success and general applause by LeTexier in Lisle-Street [and 1st acted at the hay, 22 Aug. 1788]. 3rd piece [1st time; F 2, by Thomas Ryder, altered from The Man of Parts, by Isaac Jackman; not published]. Receipts: #271 0s. 6d. (191.15.6; 5.7.0; tickets: 73.18.0)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: Look before You Leap

Afterpiece Title: Such Things Have Been

Related Works
Related Work: Such Things Have Been Author(s): Isaac Jackman

Song: End 3rd piece: Paddy's Ramble from Dublin to Londonwritten and to be sung-Ryder

Entertainment: Monologue. In course of Entertainments: Bucks have at Ye All-Ryder

Performances

Mainpiece Title: A Grand Selection From The Works Of handel 0

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Atalanta)-; Sin not O King against the youth-Miss Romanzini [Saul]; Bless the true Church and save the King-Gore, Chorus Athalia]; [Funeral Scene from Samson: Glorious Hero may thy Grave-Reinhold; The virgins too-Sga Storace; Bring the laurels bring the bays-Chorus of Virgins; May every Hero fall like thee-Sga Storace; Bring the laurels bring the bays-Full Chorus; Dead March (Saul)-; My faith and truth-Mrs Crouch [Samson]; Mad Bess-Sga Storace (composed by Purcell; 1st time and for that night only); Gird on thy sword-Chorus [Saul].Saul].

Afterpiece Title: Grand Selection 2

Performance Comment: The Prince unable to conceal his pain-Sga Storace [Alexander's Feast]; Welcome welcome mighty King-Chorus [Saul]; See the conquering Hero comes-Chorus; See the godlike youth advance-Sga Storace, Miss Romanzini, Chorus; March (Judas Maccabaeus)-; Concerto on the violin-Weichsel; Shall I in Mamre's fertile plain-Reinhold; For all his mercies we will sing-Chorus [Joshua]; O! Liberty-Cizo; accompanied on the violoncello-Mason; 'Tis liberty-Miss Romanzini [Judas Maccabaeus]; Arise O God with glory crowned-Chorus.

Afterpiece Title: Grand Selection 3

Performance Comment: Grand Concerto-; He shall feed his flock-Miss Romanzini; Come unto Him all ye that labour-Mrs Crouch (The Messiah); The list'ning crowd-Chorus [Alexander's Feast]; 'Tis mighty wine inspires us-Reinhold [Otho]; I'll proclaim the wondrous story-Miss Romanzini, Cizo [Esther]; How vain is man-Dignum [Judas Maccabaeus]; With plaintive notes-Mrs Crouch [Samson]; Gloria Patri-Chorus [Jubilate].Jubilate].
Event Comment: Benefit for Farren. Tickets delivered for Which is the Man? [originally advertised for this night] will be admitted. Gazetteer, 14 Apr.: Tickets to be had of Farren, Gower-street. Receipts: #379 (128.19.6; 1.19.6; tickets: 248.1.0)

Performances

Mainpiece Title: The Child Of Nature

Cast
Role: Marquis Almanza Actor: Farren
Role: Amanthis Actor: Miss Brunton.

Dance: As17891128

Event Comment: Paid Scott, Copper lace man, #100. Mainpiece: Masquerade as 13 Sept. Receipts: #200 7s. 6d. (196.6.0; 4.1.6)

Performances

Mainpiece Title: Romeo And Juliet

Cast
Role: Romeo Actor: Holman

Afterpiece Title: The Provocation

Song: As17900913, but Solemn Dirge-_Cubitt, Miss _Rowson

Performances

Mainpiece Title: A Grand Selection 0 From The Works Of Handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: As17910311but PART II. How vain is Man-Dignum (Judas Maccabaeus); There beneath a lowly shade-_; What tho' I trace-Mrs Crouch (Solomon).

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: Love a-la-Mode

Performance Comment: Sir Archy Macsarcasm-Wilson (1st appearance in that character); Squire Groom-Lewis; Sir Callaghan O'Brallaghan (with You never did hear of an Irishman's fear and Let other Men sing of their Goddess's bright, with accompaniments by Shield)-Johnstone; Beau Mordecai-Quick; Sir Theodore Goodchild-Thompson; Charlotte-Mrs Bernard.

Song: End I: Wine cannot cure the pain I endure for my Chloe-Johnstone, Incledon; with new accompaniments by Shield-; End: Catches and Glees-Bannister, Johnstone, Incledon, Davies, Blanchard, Williamson; The Anacreontic Song-Bannister; The Introductory Dialogue, in Irish Character-Rock

Event Comment: The Last Time of Performing in This Theatre. Kemble Mem.: Sheridan wrote the Address [not listed on playbill; see Gazetteer, 6 June], Palmer delivered it. Universal Magazine, June 1791, p. 438: On Saturday night, of a gradual decay, and in the 117th year of her age, died old Madam Drury, who lived through six reigns, and saw many generations pass in review before her...She had a rout of near 2000 people at her house the very night of her death; and the old lady found herself in so much spirits, that she said she would give them 'No Supper' without a 'Song'; which being complied with, she fell back gently in her chair, and expired without a groan. Dr Palmer, one of her family physicians, attended her in her last moments, and announced her dissolution to the company. [This was written by George Colman, ynger.] Gazetteer, 6 June: Samuel Johnson was powerfully and pathetically shewn the universal horror which men feel of the last even towards things indifferent, or sometimes unpleasant; and there seemed to be some apprehension of this sort of pain on Saturday, for a very few attended to take their leave of the scene where they have been so often regaled with fictitious sorrow and gladness. [This theatre was first opened on 26 March 1674. It has been altered and redecorated on several occasions, notably by the architects Robert and James Adam in the summer of 1775, for which see illustration in The London Stage, Part IV, Vol. III, 1650. The new theatre was not in readiness until April, 1794. The principal reason for the delay was that the patent had lapsed, and "it being necessary to obtain one previous to the payment of their respective sums on the part of the subscribers, application was made to Mr Harris, of Covent Garden Theatre, who possessed a dormant patent." The price set was #15,000, and the patent was sent to a banker for inspection. A Mr George White, who had married a daughter of William Powell, one of the former patentees, and had thereby a financial interest, objected to this price, and "obtained a prohibition in the Court of Chancery which obliged the banker to restore the patent to the Manager of Covent Garden Theatre." The subscribers to the new Drury Lane thereupon refused to pay their subscriptions, and work on the demolition of the old theatre was halted (London Chronicle, 30 July 1792). Sheridan finally offered #20,000: #15,000 to Harris and #5,000 to White, which was accepted, and work on the theatre was resumed, the cornerstone being laid on 4 Sept. 1792 (Morning Chronicle, 6 Sept.; London Chronicle, 12 Sept. 1792). The Actual sum eventually paid to Harris was #11,667.] Paid in lieu of Benefits: Kelly #100; Miss Farren #300; Aickin #60; Williames #42. Received from Their Majesties for Season #78. Paid Renters #20 apiece (Account-Book). Receipts: #105 5s. 6d. (74.7.0; 24.0.6; 6.18.0)

Performances

Mainpiece Title: The Country Girl

Cast
Role: Footman Actor: Spencer
Role: Countryman Actor: Jones

Afterpiece Title: No Song No Supper

Event Comment: [In 2nd piece the playbill assigns Orlando to Kemble, but "On account of indisposition, Barrymore last night performed Orlando for Kemble" (Oracle, 4 Oct.).] 3rd piece: To conclude with the Glorious Defeat of the Spanish Armada, and a Grand Procession. "Equal to any actor I ever saw, as far as his line extends, is Mr Parsons; his conception and expression of Sir Fretful Plagiary, in Mr Sheridan's Critic, are as strong and masterly as were Garrick's in Kitely [in Every Man in his Humour]; and his 'laughing without mirth' therein equally admirable" (Jonson, ed. Waldron, 171). Receipts: #251 4s. 6d. (213.6.6; 37.0.0; 0.18.0)

Performances

Mainpiece Title: Poor Old Drury

Afterpiece Title: As You Like It

Afterpiece Title: The Critic

Song: V 2nd piece: song-Miss Hagley

Performances

Mainpiece Title: Wild Oats; Or, The Strolling Gentlemen

Performance Comment: Rover-Lewis; Sir George Thunder-Quick; Harry-Holman; Sim-Blanchard; John Dory-Wilson; Ephraim Smooth-Munden; Banks-Hull; Gammon-Cubitt; Muz [in all playbills beginning 1 Dec. called Midge]-Macready; Men [in text: Sailors]-Milburne, Thompson, Farley; Landlord-Powel; Twitch-Rock; Trap-Evatt; Zachariah-Rees; Lamp-C. Powell; Sheriff's Officer-Cross; Coachman-Ledger; Waiter-Master Simmons; Jane-Mrs Wells; Amelia-Miss Chapman; Lady Amaranth-Mrs Pope.
Cast
Role: Harry Actor: Holman
Role: Coachman Actor: Ledger
Role: Amelia Actor: Miss Chapman

Afterpiece Title: Robin Hood

Cast
Role: Bowman Actor: Cubitt
Event Comment: [Afterpiece in place of The Positive Man, advertised on playbill of 15 Feb.] Receipts: #157 13s. 6d. (146.15.6; 10.18.0)

Performances

Mainpiece Title: Notoriety

Afterpiece Title: Oscar and Malvina

Music: As17920125

Event Comment: Benefit for Incledon. [Afterpiece in place of The Positive Man, advertised on playbill of 8 May.] Morning Herald, 20 Apr.: Tickets to be had of Incledon, No. 5, Bow-street, Covent-Garden. Receipts: #399 6s. (170.15.6; 3.15.6; tickets: 224.15.0) (charge: #105)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Love in a Camp

Dance: In III: a Hornpipe-Byrne

Song: End: Black Eyed Susan-Incledon

Event Comment: By Permission of the Lord Chamberlain. Benefit for Sims. Mainpiece: As altered from Wycherley by David Garrick, Esq. The Doors to be opened at 5:30. To begin at 6:30. Tickets to be had of Sims, the Theatrical Register, Wrekin Tavern, Broad-court, Long-acre; at the Blue Post Coffee-house, Charlotte-street, Rathbone-place; the Tun, Goodge-street, Middlesex Hospital; the Green Man, Union-street, Middlesex Hospital; the Wheat Sheaf, Rathbone-place; of Price, at the Coach and Horses, Holborn; at the Duke of Clarence Coffee-house, Haymarket; Spencer's, Two Blue Posts, Southampton-buildings; and of Rice at the Theatre

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Who's the Dupe

Song: End I: song-a Young Lady; End II: song-Incledon; End III: song-a Lady; End IV: song-Johannot

Entertainment: Monologues End: Roxana's Epilogue-; British Loyalty; or, A Squeeze to St. Paul's-Lyon

Event Comment: Genest, VII, 88: On this evening there was not any play performed, from respect to the memory of the unfortunate monarch, Louis 16th, who was murdered in Paris on that day [sic] -Kemble, without consulting Sheridan, closed the theatre -Sheridan, who was out of town, arrived late that evening, and finding there was no play, was highly incensed at the shutting up of the theatre upon such an occasion; for, he said, it was an invariable maxim with him, that neither politics nor religion should be taken notice of in his playhouse, yet no man deplored the tragical event more sincerely than he did. (Kelly, Reminiscences, II, 37). [The playbill of 23 Jan. advertises Cymon and The Ghost for this present evening.

Performances

Mainpiece Title: At King's None

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Sailor's Festival; or, All Alive at Portsmouth

Performance Comment: [Scene I. The Deck of a Man of War.] When on board our trim Vessel-Incledon; We be three poor Mariners-Johnstone, Incledon, Linton, Gray; The Mid Watch When 'tis night-Incledon; The good subjects of Old England-Incledon, Gray, Darley; [Scene II. A Landscape.] A song-Mrs Martyr; A song-Johnstone; [Scene III] In storms when clouds-Incledon; Treble Hornpipe-Byrn, Holland, Mme Rossi; A new Loyal Song and Chorus-Incledon.

Afterpiece Title: Catherine and Petruchio

Dance: III: Hornpipe, as17920920

Song: End I: Black Eyed Susan-Incledon

Event Comment: Benefit for Wild. 2nd piece [1st time; F 1, by Robert Woodbridge]. Morning Herald, 4 June 1793: This day is published The Pad (price not listed). 3rd piece [1st time; BALL. P 2 (?), by James Byrn, altered from his The Provocation!]: The Incidents partly new, and partly selected from the much admired Pantomime called Provocation. In the course of the Pantomime a representation of an Engagement between an English and French Man of War; A Ship-wreck; The original Allegoric Scene from Provocation: A View of an English Camp; A Naval and Military Procession. Morning Herald, 9 May: Tickets to be had of Wild, No. 46, Drury-lane. Receipts: #335 1s. 6d

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Pad

Afterpiece Title: The Shipwreck; or, French Ingratitude

Performance Comment: English Characters : Captain Briton-Byrn; Boatswain-Farley; Midshipman-Jackson; Cabin Boy-Simmons; Captain's Lady-Mme Rossi; French Characters : General Sanguinaire-Cranfield; Monsieur L'Ingrate-Holland; Indian Characters : Indian Chief-Follett; Female Savage-Mr Rock.
Cast
Role: Midshipman Actor: Jackson
Related Works
Related Work: The Shipwreck Author(s): Henry Mackenzie

Song: End: Captivity (Supposed to be sung by an Unfortunate Queen [Marie Antoinette] during her confinement)-; End 2nd piece: Black Eyed Susan-; In 3rd piece: Farewell to old England dear Mary adieu-Incledon

Event Comment: THE WORLD IN A VILLAGE [advertised on playbill of 9 Dec.] is obliged to be deferr'd till Friday next on account of Johnstone's Illness. [Afterpiece in place of THE POSITIVE MAN, also advertised as above.] Receipts: #233 10s. 6d. (219/15/6; 13/15/0)

Performances

Mainpiece Title: Wild Oats

Cast
Role: Harry Actor: Holman
Role: Amelia Actor: Miss Chapman

Afterpiece Title: THE MIDNIGHT WANDERERS

Dance: As17931022

Event Comment: [Mainpiece in place of THE DUENNA; afterpiece of THE IRISH MAN IN LONDON, both advertised on playbill of 13 Dec. In mainpiece "Mrs Follett was the Lucinda of the third act, in the room of Mrs Mountain, who was suddenly taken ill towards the close of the second" (Public Advertiser, 16 Dec.).) Receipts: #230 6s. (225/9/6; 4/16/6)

Performances

Mainpiece Title: Love In A Village

Cast
Role: Footman Actor: Blurton

Afterpiece Title: THE PRISONER AT LARGE

Cast
Role: Adelaide Actor: Miss Chapman.

Dance: As17931102

Performances

Mainpiece Title: L'allegro Ed Il Pensieroso

Performance Comment: Principal Vocal Performers, Leader, Organ as17940307ART I. Fifth Grand Concerto. Hence! loathed. Hence! vain deluding. Come, thou goddess. Come rather, goddess. Haste thee nymph. Come, and trip it. Come, pensive man. Come, but keep. Join with thee. Hence! loathed. And if I give thee honor. Mirth admit me. First and chief. Sweet bird, accompanied on the violin by G. Ashley. If I give thee honor. Mirth admit me, corno obligato by Shutze. Oft on a plat. If I give thee honor. Let me wander. Or let the merry bells. And young and old. PART II. Hence, vain deluding. But O, sad virgin, accompanied on the violoncello by C. Ashley. Thus night, oft see me. Populous cities please. There let Hymen. Me when the sun. Hide me from day's. As steals the morn. These delights if thou canst give. PART III. A GRAND MISCELLANEOUS ACT. Fourth Oboe Concerto. The Lord worketh wonders by Bartleman (JUDAS MACCABAEUS). In sweetest harmony by Mme Mara; O fatal day by Chorus (SAUL). Disdainful of danger by Incledon, Hill, Linton (JUDAS MACCABAEUS). When the sun by Florio (ISRAEL IN EGYPT). May no rash intruder by Chorus (SOLOMON). The soldier tired [from ARTAXERXES, by Dr Arne] by Mme Mara. Kings shall be thy nursing fathers by Grand Chorus ([CORONATION] ANTHEMS). To conclude with God save Great George our King and Rule Britannia .

Music: As17940319athi

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: Mr Oakly-Pope; Major Oakly-Quick; Sir Harry Beagle-Fawcett; Capt. O'Cuttcr-Johnstone; Charles Oakly-Holman; Russet-Munden (Their 1st appearance in those characters); Lord Trinket-Lewis//Lady Freelove-Mrs Mattocks; Harriet-Mrs Mountain (Their 1st appearance in those characters); Mrs Oakly-Mrs Pope .
Cast
Role: Charles Oakly Actor: Holman
Related Works
Related Work: The Jealous Wife Author(s): George Colman, the elder

Afterpiece Title: THE SAILOR'S FESTIVAL; or, All Alive at Portsmouth

Performance Comment: SCENE I. The Deck of a Man of War. Blow bigh, blow low by Incledon. We be three poor Mariners by Johnstone, Incledon, Linton. Jack at the Windlass by Fawcett. The Mid-Watch, When 'tis Night, by Incledon. The good Subjects of England by Incledon, Richardson, Townsend. SCENE II. A Landscape. The Disconsolate Sailor, When my Money was gone, by Mrs Martyr, in character. When Daisies mead by Miss Barnett. SCENE III. Irish Song by Johnstone. Treble Hornpipe by Byrn, Holland, Mme Rossi. Rule Britannia by Incledon. With a Representation of the Grand Fleet at Anchor in Portsmouth Harbour .

Performances

Mainpiece Title: The Jealous Wife

Cast
Role: Charles Oakly Actor: Holman
Related Works
Related Work: The Jealous Wife Author(s): George Colman, the elder

Afterpiece Title: TRUE BLUE

Afterpiece Title: THE UPHOLSTERER

Performance Comment: Razor-Quick; Pamphlet-Fawcett; Quidnunc-Munden; Rovewell-Davies; Belmour-Macready//Harriet-Miss Chapman; Termagant-Mrs Mattocks. To conclude with a new Occasional Epilogue by Quick .

Dance: In 2nd piece Hornpipe by Blurton

Event Comment: Benefit for Wild, prompter. 1st piece: Not acted these 20 years; altered from Dryden (by Joseph George Holman (Not. Dram.)]. 2nd piece [Ist time; M.INT 1, probably by John Cartwright Cross. MS: Larpent 1028; not published]. 3rd piece: In which an Engagement between an English and a French Man of War, a Shipwreck, and a Grand Military Procession as it pass'd, when the French Colours taken by the British Army were conveyed from St. James's to St. Paul's Cathedral [on 17 May 1794]. The above Procession is represented by Moving Figures, in which the Horse and Foot Guards, the Band of Music, the French Colours, &c. are seen to pass in the exact order they appeared on that memorable occasion. Morning Herald, 17 May: Tickets to be had of Wild, No. 46, Drury-lane. Receipts: #293 2s. 6d. (112/17/6; 14/2/0; tickets: 166/3/0)

Performances

Mainpiece Title: Don Sebastian

Performance Comment: Don Sebastian-Pope; Muley Moluch-Harley; Muley Zeydan-Middleton; Don Antonio-Lewis; Abdallah-Fawcett; Don Alvarez-Thompson; M ustapha-Quick; Dorax-Holman//Morayma-Mrs Mattocks; Johayma-Mrs Henley; Almeyda-Mrs Pope .

Afterpiece Title: THE NEW DIVERTISEMENT

Cast
Role: Leonora Actor: Miss Chapman
Role: Caroline Actor: Miss Chapman

Afterpiece Title: THE SHIPWRECK; or, French Ingratitude

Performance Comment: Cast not listed, but probably same as17930527: English Characters. Captain Briton-Byrn; Boatswain-Farley; Midshipman-Jackson; Cabin Boy-Simmons//Captain's Lady-Mme Rossi. French Characters. General Sanguinaire-Cranfield; Monsieur L'Ingrate-Holland. Indian Characters. Indian Chief-Follett//Female Savage-Mr Rock .
Cast
Role: Midshipman Actor: Jackson
Related Works
Related Work: The Shipwreck Author(s): Henry Mackenzie

Music: End of Act II of 1st piece a Solo on the Union Pipes by Courtney; In the course of the Evening a Duetto on the Union Pipes and Harp by Courtney and Weippert

Event Comment: Paid for Beer for the Men removing Music Books #2 19s. 6d. [In mainpiece the playbill assigns First Constantia to Mrs Powell, but she "having sprain'd her Ancle [sic] Miss Collins play'd 1st Constantia" (Powell)]. Powell: Chances rehearsed at 10 (Barrymore absent; Caulfield, Cooke, Welsh each two scenes; Trueman one scene). Receipts: #139 6s. 6d. (78/10/6; 57/16/6; 2/19/6)

Performances

Mainpiece Title: The Chances

Performance Comment: Don John-Palmer; Frederick-Barrymore; Duke-Whitfield; Petruchio-Benson; Antonio-Waldron; Peter-Burton; Anthony-Trueman; Surgeon-Jones//First Constantia-Miss Collins; Mother-Mrs Hopkins; Kinswoman-Miss Heard; Landlady-Mrs Booth; Nurse-Miss Tidswell; Second Constantia-Miss Farren .
Cast
Role: Anthony Actor: Trueman
Role: Kinswoman Actor: Miss Heard

Afterpiece Title: LODOISKA

Cast
Role: Gustavus Actor: Trueman