SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Henry Ford"/1) | (@(roleclean,performerclean) "Henry Ford")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 3377 matches on Author, 1223 matches on Performance Title, 807 matches on Performance Comments, 407 matches on Event Comments, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: All In The Wrong

Performance Comment: Sir John Restless-Yates; Sir Wm Belmont-Burton; Blandford-Bransby; Belmont-Packer; Robert-Parsons; Beverley-Holland; Lady Restless-Mrs Palmer; Clarissa-Miss Plym; Tippet-Mrs Hippisley; Tattle-Mrs Bradshaw; Belinda-Mrs Yates.
Cast
Role: Blandford Actor: Bransby

Afterpiece Title: The Witches; or, Harlequin Cherokee

Performance Comment: Principal Witches-Vernon, Champnes, Johnston, Sga Grimaldi, Mrs Vincent, Miss Young, Mrs Dorman; Harlequin-Rooker; Misers-Castle, Parsons; Misers' Servants-Clough, Ackman; Lilliputian Harlequin-Miss Rogers; Lilliputian Colombine-Miss Ford; a Reel, a Hornpipe-Aldridge; Colombine-Miss Baker; To Conclude with the landing of the Cherokees in America-; Cherokees-Grimaldi, Giorgi, Tassoni, Sga Giorgi, Miss Baker.

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

Performance Comment: Antony-Powell; Ventidius-Holland; Dolabella-Lee; Alexas-Dodd; Cleopatra-Mrs Yates; Octavia-Mrs Hopkins; Serapion-Bransby; Myris-Keen; Romans-Ackman, Strange; Antonio-Miss Rogers; Agrippina-Miss Ford; Charmion-Miss Plym; Iras-Mrs Hippisley; In Act III, a Dance incident to the Play,-Sg Giorgi, Sga Giorgi, Miss Baker.
Cast
Role: Agrippina Actor: Miss Ford

Afterpiece Title: The Deuce Is in Him

Cast
Role: Major Belford Actor: Packer

Dance: End: The Irish Milk Maids, as17651209

Performances

Mainpiece Title: Cymon

Performance Comment: Parts by King, Bensley, Parsons, Champness, Fawcett, Fox, Vernon, Mrs Abington, Mrs Baddeley, Miss Plym, Miss Reynolds, Mrs Bradshaw, Mrs Dorman, Mrs Arne. Prologue and Epilogue. The Dances-Grimaldi, Guidetti, Duquesney, Giorgi, Mrs King, Sga Giorgi, Miss Rogers, Miss Ford, Miss Collet; Cymon-Vernon; Linco-King; Merlin (Enchanter)-Bensley; Dorus-Parsons; Damon and Dorilas-Fawcett, Fox; Demon of Revenge-Champness; Sylvia-Mrs Arne; Urganda (Enchantress)-Mrs Baddeley; Fatima-Mrs Abington; Dorcas-Mrs Bradshaw; 1st shepherdess-Miss Reynolds; 2nd Shepherdess-Miss Plym; Cupid-Miss Rogers; Parts-Mrs Dorman; Prologue for New Year's Day-King; Epilogue (by George Keate)-Mrs Abington (Edition of 1767).

Performances

Mainpiece Title: Cymon

Performance Comment: As17670109, but Miss_ Plym; The Dances-_Guidetti, Mrs _King, Sga _Giorgi, Miss _Ford.
Event Comment: Mainpiece: Not acted these 12 years. [See 24 Jan. 1758.] Prologue written by Paul Whitehead. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant (only) at the Stage-Door. No persons can be admitted behind scenes, nor any Money returned after curtain is drawn up. To begin exactly at 6 o'clock. [Customary note in succeeding bills.] Receipps: #190 14s. (Account Book). @The New Occasional Prologue@As when the merchant to increase his store@For Dubious seas, advent'rous quits the shore;@Still anxious for his freight, he trembling sees@Rocks in each buoy, and tempest in each breeze@The curling wave to mountain billow swells,@And every cloud a fancied storm fortells:@Thus rashly launch'd on this Theatric main,@Our All on board, each phantom gives Us pain;@The Aatcall's note seems thunder in our ears,@And every Hiss a hurricane appears;@In Journal Squibs we lightning's blast espy,@And meteors blaze in every Critic's eye.@Spite of these terrors, still come hopes we view,@Hopes, ne'er can fail us--since they're plac'd--in you.@Your breath the gale, our voyage is secure,@And safe the venture which your smiles insure;@Though weak his skill, th' adventurer must succeed,@Where Candour takes th' endeavor for the deed.@For Brentford's state, two kings could once suffice;@In ours, behold! four kings of Brentford rise;@All smelling to one nosegay's od'rous savor@The balmy nosegay of--the Public favor.@From hence alone, our royal funds we draw,@Your pleasure our support, your will our law.@While such our government, we hope you'll own us;@But should we ever Tyrant prove--dethrone us.@Like Brother Monarchs, who, to coax the nation@Began their reign, with some fair proclamation,@We too should talk at least--of reformation;@Declare that during our imperial sway,@No bard shall mourn his long-neglected Play;@But then the play must have some wit, some spirit,@And We allow'd sole umpires of its merit.@For those deep sages of the judging Pit,@Whose taste is too refin'd for modern wit,@From Rome's great Theatre we'll cull the piece,@And plant on Britain's stage the flow'rs of Greece.@If some there are, our British Bards can please,@Who taste the ancient wit of ancient days,@Be our's to save, from Time's devouring womb,@Their works, and snatch their laurels from the tomb.@For you, ye Fair, who sprightlier scenes may chuse,@Where Music decks in all her airs the Muse,@Gay Opera shall all its charms dispense,@Yet boast no tuneful triumph over sense;@The nobler Bard shall still assert his right,@Nor Handel rob a Shakespear of his night,@To greet the mortal brethren of our skies [upper galleries]@Here all the Gods of Pantomime shall rise:@Yet midst the pomp and magic of machines,@Some plot may mark the meaning of our scenes;@Scenes which were held, in good King Rich's days,@By sages, no bad epilogues to plays.@If terms like these your suffrage can engage,@To fix our mimic empire of the stage;@Confirm our title in your fair opinions,@And crowd each night to people our dominions.@--(Poems and Miscelaneous Compositions, Ed. Capt. Edward Thompson, 1777) Covent Garden opened with the Rehearsal with alterations. I was in the Pit. Powell, from Drury Lane, one of the new managers who have bought the patent from Rich's heirs, spoke an occasional Prologue. Shuter did Bayes pretty much to my liking, adding many crochets of his own.... Entertainment The Mock Doctor,...Young Jasper pretty well by one Massey, being his first appearance on that stage (Neville MS Diary)

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Shuter; Smith-Clarke; Johnson-Dyer; Others-Dunstall, Gibson, Perry, Davis, Dibdin, DuBellamy, Gardner, Bennet, Morgan, Barrington, R. Smith, Holtom, Cushing, Legg, Redman, Wignell, Baker, Mrs DuBellamy, Miss Pearce, Miss Mills, Miss Ford; With additional Reinforcements of Mr Bayes's New Rais'd Troops-; a New Occasional Prologue-.

Afterpiece Title: The Mock Doctor

Related Works
Related Work: The Mock Doctor; or, The Dumb Lady Cur'd Author(s): Henry Fielding

Performances

Mainpiece Title: The Orphan

Performance Comment: Castalio-Powell; Polydore-Bensley; Ernesto-Redman; Servant-T. Smith; Acasto-Gibson; Chaplain-Clarke; Chamont-Smith; Serina-Mrs DuBellamy; Florella-Mrs Pitt; Page-Miss Ford; Monimia-Mrs Bellamy.
Cast
Role: Page Actor: Miss Ford

Afterpiece Title: The Royal Chace, with the new Additional Scene

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: Orpheus and Eurydice, with the Metamorphoses of Harlequin

Performance Comment: Orpheus-Mattocks; Rhodope-Mrs Thompson; 1st Nymph (Follower of Eurydice)-Miss Valois; Harlequin-Miles; Pantaloon-Banks; Squire Gawky-Morgan; Mrs Motherly-Mrs Copin; Goody Gurton-Wignell; Clown (Drudge)-Morris; Cook-Baker; Porter-Quick; Dwarf-Miss Ford; Rural Swain-Arnauld; 2nd Nymph-Miss Valois; Colombine-Mrs Dyer; Eurydice-Mrs Baker.
Cast
Role: Dwarf Actor: Miss Ford
Related Works
Related Work: Orpheus and Euridyce: With Metamorphoses of Harlequin Author(s): Henry Sommer

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Edgar and Emmeline

Performance Comment: Edgar-A Gentleman; Florimond-Yates; Elfina-Miss Ford; Grotilla-Miss Besford; Emmeline-Mrs Yates; With Dances-incident to the piece.
Cast
Role: Elfina Actor: Miss Ford
Role: Grotilla Actor: Miss Besford

Dance: End: The Irish Lilt, as17670921

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Orpheus and Eurydice, with the Metamorphoses of Harlequin

Performance Comment: Orpheus-DuBellamy; Harlequin-Miles; Rhodope-Mrs Thompson; Drudge-Morgan; Gawky-Morris; Pantaloon-Banks; Mrs Motherly-Mrs Copin; Dwarf-Miss Ford; Rural Swain-Arnauld; Nymph-Miss Valois; Colombine-Mrs Dyer; Eurydice-Mrs Baker.
Cast
Role: Dwarf Actor: Miss Ford
Related Works
Related Work: Orpheus and Euridyce: With Metamorphoses of Harlequin Author(s): Henry Sommer

Dance: III: [See17671009.] The Merry Sailors-Aldridge

Event Comment: PPowell's 2nd appearance as Ford. N.B. The Characters dress'd in the HABITS of the TIME. Receipts: #127 4s. 6d. (Account Book)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Cast
Role: Ford Actor: Powell, 1st time
Role: Mrs Ford Actor: Mrs Bulkley.

Afterpiece Title: The Royal Chace

Event Comment: Garrick put the finish hand to the sale of half the patent &c. to Dr Ford, Linley, Ewart, and Sheridan for #35,000 to be delivered over in June next. Garrick it was said rais'd #12,000 last year by subscription to pay New Ornamentation, which cost #3000, so that the remaining #4500 and #35,000 was no bad interest for the #5,000 he gave in 1747. New property valuation giving him a...(Winston MS 11, from Burney News Cuttings). Paid Mr Palmer, spermacetti candle Bill #186 13s.; Mr Machin, Chorus, 19 times #4 15s. Rec'd Mr Percy's rent 1 year to Mich Last, #10; Stopages #14 5s. Receipts: #167 2s. (Treasurer's Book). From the Morning Chronicle, 19 Jan.: "David Garrick, Esq., has signed and sealed for the sale of his share in the patent and Property of Drury Lane Theatre. The purchasers are Dr Ford, Mr Ewart, Mr Linley, and Mr Richard Sheridan. The purchase money is #35,000. The public may now therefore depend upon it that this will be the last season of Mr Garrick's performing. The new proprietors as an act of their own, have stipulated that Mr Garrick shall continue to keep that box which has of late years been set apart for the accomodation of his family. Mr Garrick intimated last night to the audience his having sold his share in Drury Lane Theatre, by answering in the part of Abel Drugger , on being asked if he had any interest at the theatre, 'I had some, I don't know what I may have.'

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Jubilee

Related Works
Related Work: Harlequin's Jubilee Author(s): Henry Woodward
Event Comment: [As afterpiece Public Advertiser announces The Rival Candidates, but see Hopkins Diary, 12 Oct.] The Managers met again to-day, but nothing settled. Hamlet was given out. I saw Mr Sheridan, he told me that Mr Lacy and he had agreed that no Play should be given out, nor any Bills put up, till they had settled this Affair, which was to be done to-Morrow at Mr Wallis's (the Attorney's) where they were all to dine. I waited on Mr Lacy, who agreed to the same, and no Bills or Paragraph were sent to the Papers. All the Business of the Theatre is at a Stand, and no Rehearsal called. Wed. 16th--Mr Sheridan, Dr Ford and Mr Linley dined today by Appointment with Mr Wallis where Mr Lacy was to have met them; about four o'clock he sent a verbal Message that he could not come to Dinner, but would wait upon them in the Evening, and about nine o'clock he came, and everything was settled to the Satisfaction (of them all) and a Paragraph sent to the Papers, and the Hypocrite and Christmas Tale was advertised for Friday, but no Play was to be done on Thursday--Covent Garden did not play on Friday (Hopkins Diary). Public Advertiser, 16 Oct., summarizes the proprietors' dispute: the Drury Lane patent had been purchased [in 1747] by David Garrick and James Lacy. On his death Lacy had devised his half-share to his son, Willoughby Lacy; on his retirement from the stage Garrick had sold his half-share to Sheridan, Ford and Linley. The original agreement between Garrick and Lacy, as recited in a document retained by the attorney Albany Wallis was that, in case of the sale of either share of the patent, or any part of either share, the seller was obligated to offer the first refusal to purchase to the other partner, and that this was to be done only when the theatre was closed for the summer. In selling one half of his share to Robert Langford and to Edward Thompson, Willoughby Lacy was--so argued his three partners--acting illegally: he had not offered to them the first refusal, and he was negotiating the sale at a time when the theatre was open. Public Advertiser, 17 Oct.. prints a statement from Lacy saying that he did not feel himself bound by the original agreement between his father and Garrick, but that, in the interest of the business of the theatre, he had asked Langford and Thompson to withdraw their claim to partnership, to which request they had acceded. Receipts: #130 9s. 6d

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Afterpiece Title: The Waterman

Performances

Mainpiece Title: The Merry Wives Of Windsor

Performance Comment: As17790126, but Mrs Ford-Mrs Brereton (1st appearance in that character).
Cast
Role: Mrs Ford Actor: Mrs Brereton
Role: Mr Ford Actor: Smith

Afterpiece Title: The Camp

Song: End IV: Tally ho!, as17790413

Performances

Mainpiece Title: The Volunteers

Afterpiece Title: The Merry Wives of Windsor

Performance Comment: As17791113, but Mr Ford (1st time)-Peile; Fenton-Robson; Simple-_; Bardolph-_; Pistol-_.
Cast
Role: Mr Ford Actor: Peile

Afterpiece Title: The Deaf Lover

Performances

Mainpiece Title: The Merry Wives Of Windsor

Performance Comment: As17810303but Mrs Ford-Mrs Mattocks (1st appearance in that character).
Cast
Role: 810303but Mrs Ford Actor: Mrs Mattocks
Role: Mr Ford Actor: Wroughton
Role: Mrs Ford Actor: Miss Younge.

Afterpiece Title: Harlequin Free-Mason

Event Comment: By Permission of the Lord Chamberlain. Benefit for Silvester. Mainpiece: Written by Congreve. The Doors to be opened at 5:00. To begin at 6:00. Tickets to be had of Silvester, No. 50, Brewer-street, Golden-square, and at No. 25, North Audley-street, Grosvenor-square; of Massey, No. 18, Snow-hill; of Frith, No. 39, King-street, West Smithfield; and of Blandford, Pea-Hen, Bishopsgate-street

Performances

Mainpiece Title: The Mourning Bride

Performance Comment: Manuel (King of Granada)-Silvester; Gonzales-Gray; Garcia-Gardner; Heli-Ford; Selim-Guilford; Alonzo-Ryder; Perez-Smith; Osmyn-Wilkinson; Almeria-Mrs Somerville; Leonora-Miss Laudermey; Zara-A Lady (1st appearance on any stage [unidentified]).unidentified]).
Cast
Role: Heli Actor: Ford
Role: Selim Actor: Guilford

Afterpiece Title: The Apprentice

Performance Comment: Dick (with the original Prologue)-Wilkinson; Wingate-C. Stanley; Gargle-Ryder; Dennis O'Connor-Skyo; MacAndrews-Gray; Watchman-Guilford; President-Gardner; Simon-Cox; Charlotte-Miss Laudermey.
Cast
Role: Watchman Actor: Guilford

Dance: After 2nd song: A Pas Seul-Mons Symone

Song: End IV: Tippy Bob-C. Stanley; End: Poor Jack in character-Mrs Kennedy

Entertainment: Monologue After Dancing: The Monody on the Death of the late D. Garrick Esq. (Written by R. B. Sheridan, Esq.)-the Lady who performs Zara

Performances

Mainpiece Title: The Merry Wives Of Windsor

Performance Comment: As17961107, but Dr Caius-Murray (1st appearance in that character [in London]); Mrs Ford-Mrs Pope; Justice Shallow-_; Host-_; Jack Rugby-_.
Cast
Role: Mrs Ford Actor: Mrs Pope
Role: Mr Ford Actor: Pope

Afterpiece Title: Harlequin and Oberon

Performances

Mainpiece Title: The Merry Wives Of Windsor

Performance Comment: As17970927, but Mr Ford-Whitfield; added: Pistol-Davenport; Jack Rugby-_.
Cast
Role: Mr Ford Actor: Whitfield
Role: Mrs Ford Actor: Miss Chapman.

Afterpiece Title: A Divertisement

Afterpiece Title: England's Glory

Dance: In 2nd piece: Ballet, as17971013; In V 3rd piece: a Triple Hornpipe, as17971018

Event Comment: Edition of 1662: Being a True Relation of the Honourable the City of Londons Entertaining Their Sacred Majesties Upon the River of Thames, and Welcoming them from Hampton-Court to White-Hall. Expressed and set forth in several Shews and Pageants, the 23 day of August 1662. According to the printed version, the management of the pageant was under the care of Peter Mills, Surveyor; Malin, Water Bayliff; Thomas Whiting, Joyner; Richard Cleere, Carver. The songs were set by John Gamble, one of His Majesty's Servants. Evelyn, Diary: I this day was spectator of the most magnificent Triumph that certainly ever floted on the thames, considering the innumerable number of boates & Vessels, dressed and adorned with all imaginable Pomp: but above all, the Thrones, Arches, Pageants, & other representations, stately barges of the Lord Major, & Companies, with various Inventions, musique, & Peales of Ordnance both from the vessels & shore, going to meete & Conduct the new Queene from Hampton Court to White-hall, at the first time of her Coming to Towne.... his Majestie & the Queene, came in an antique-shaped open Vessell, convered with a State or Canopy of Cloth of Gold, made in forme of a Cupola, supported with high Corinthian Pillars, wreathd with flowers, festoones & Gyrlands: Pepys, Diary: We got into White Hall garden, and so to the Bowling-green, and up to the top of the new Banqueting House there, over the thames, which was a most pleasant place as any I could have got; and all the show consisted chiefly in the number of boats and barges; and two pageants, one of a King, and another of a Queen, with her Maydes of Honour sitting at her feet very prettily; and they tell me the Queen is Sir Richard Ford's daughter. Anon come the King and Queen in a barge under a canopy with 10,000 barges and boats, I think, for we could see no water for them, nor discern the King nor Queen. And so they landed at White Hall Bridge, and the great guns on the other side went off

Performances

Mainpiece Title: Aqua Triumphalis

Event Comment: Benefit Ford, the Numberer, and Mrs Cantrell. At the particular Desire of several Persons of Quality. Receipts: money #49 3s. 6d.; tickets #117 9s. [A Ticket (Pit, No. 119) for this performance is in the Folger Library; another (Pit, No. 107) is reproduced in Thaler, Shakespere to Sheridan, facing P. 52.

Performances

Mainpiece Title: The Beggar's Opera

Dance: TTwo Pierrots-Nivelon, Poitier; Numidian Dance-Glover, Miss LaTour

Event Comment: Benefit Ford (Numberer) and Gwinn. Mainpiece: Written by the late Sir John Vanbrugh. Receipts: money #16 2s. 6d.; tickets #123 13s

Performances

Mainpiece Title: The False Friend

Afterpiece Title: The School Boy

Dance: III: French Peasant-Mrs Laguerre; IV: Saraband, Tambourin-Miss Rogers, Scholar to Salle; After I afterpiece: Highlander and his Mistress-Salle, Mrs Laguerre

Song: II: Miss Rogers; V: Mrs Wright

Event Comment: Benefit Ford and Salle's Widow. Mainpiece: Written by the late Sir John Vanbrugh. Receipts: money #20 4s.; tickets #154 18s

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: Flora

Dance: I: Scottish Dance-Master Weeks; II: Tambourine-Miss Rogers; IV: Dutch Skipper-Jones, Mrs Ogden; V: Clown-Nivelon; End of Afterpiece: Scottish Dance, as17330501

Song: III: Chanson a Boire-Leveridge, Laguerre

Event Comment: Benefit Ford and Mrs Forrester

Performances

Mainpiece Title: The Fatal Marriage

Afterpiece Title: The Lottery

Related Works
Related Work: The Lottery Author(s): Henry Fielding

Dance: II: Tambourine by Glover and Miss Rogers. IV: The Kilkenny by Glover and Mrs Laguerre. V: By Malter and Mlle Salle

Song: I: The Black and White Joke by Leveridge and Laguerre. III: By Mrs Wright

Event Comment: Benefit Ford and Mrs Forrester. [For a discussion of the production of plays, see Prompter, 6 May.]

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Toy Shop

Music: Handel's Overture to Ariadne

Dance: The Flanderkins by Duke and Mrs Ogden. Richmond Maggot by Le Sac and Miss Rogers. Harlequin by Miss Norsa Jr. Scot's Dance, as17350311

Song: As17350422

Event Comment: Benefit Phillips, Dignam, Legar, Ford, Levy, and others

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Devil to Pay