SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Harris"/1) | (@(roleclean,performerclean) "Harris")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 432 matches on Roles/Actors, 185 matches on Performance Comments, 89 matches on Event Comments, 77 matches on Performance Title, and 16 matches on Author.
Event Comment: Pepys, Diary: [Mrs Knepp] tells me Harris is well again, having been very ill

Performances

Event Comment: The Duke's Company. Pepys, Diary: Away to my wife at the Duke of York's house, in the pit, and so left her; and to Mrs Pierce, and took her and her cozen Corbet, Knepp and little James, and brought them to the Duke's house; and, the house being full, was forced to carry them to a box, which did cost me 20s., besides oranges, which troubled me, though their company did please me. Thence, after the play, stayed till Harris was undressed, there being acted The Tempest, and so he withall, all by coach, home

Performances

Mainpiece Title: The Tempest

Event Comment: Pepys, Diary: [Mercer] and I to the Duke of York's playhouse, and there saw The Tempest, and between two acts, I went out to Mr Harris, and got him to repeat to me the words of the Echo, while I writ them down, having tried in the play to have wrote them; but, when I had done it, having done it, withour looking upon my paper, I find I could not read the blacklead. But now I have got the words clear, and, in going in thither, had the pleasure to see the actors in their several dresses, especially the seamen and monster, which were very droll. So into the play again. But there happened one thing which vexed me, which is, that the orange-woman did come in the pit, and challenge me for twelve oranges, which she delivered by my order at a late play, at night, to give to some ladies in a box, which was wholly untrue, but yet she swore it to be true. But, however, I did deny it, and did not pay her; but, for quiet, did buy 4s. worth of oranges of her, at 6d. a-piece. Here I first saw my Lord Ormond since his coming from Ireland, which is now about eight days

Performances

Mainpiece Title: The Tempest

Event Comment: The Duke's Company. Pepys, Diary: Thence carried Harris to his playhouse, where, though four o'clock, so few people there at The Impertinents, as I went out; and do believe they did not act, though there was my Lord Arlington and his company there. So I out

Performances

Mainpiece Title: The Sullen Lovers; Or, The Impertinents

Event Comment: The Duke's Company. This play is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 14. A song in this play, Thus all our Lives, with music by John Banister, is in Choice Songs and Ayres, 1673. Downes (Roscius Anglicanus, p. 31): [Concerning several plays] All which Expir'd the third Day, save the Royal Shepherdess, which liv'd Six. Pepys, Diary: To the Duke of York's house, and there before one, but the house infinite full, where, by and by, the King and Court come, it being a new play, or an old one new vamped, by Shadwell, called The Royal Shepherdesse!; but the silliest for words and design, and evepything, that ever I saw in my whole life, there being nothing in the world pleasing in it, but a good martial dance of pikemen, where Harris and another do handle their pikes in a dance to admiration; but never less satisfied with a play in my life

Performances

Mainpiece Title: The Royal Shepherdess

Event Comment: The Duke's Company. Pepys, Diary: And my wife being gone abroad with W. Hewer, to see the new play to-day, at the Duke of York's house, Guzman, I dined alone.... I thence presently to the Duke of York's playhouse, and there, in the 18d. seat, did get room to see almost three acts of the play; but it seemed to me but very ordinary. After the play done, I into the pit, and there find my wife and W. Hewer...[and] here I did meet with Shadwell, the poet, who, to my great wonder, do tell me that my Lord of Orrery? did write this play, trying what he could do in comedy, since his heroique plays could do no more wonders. This do trouble me; for it is as mean a thing, and so he says, as hath been upon the stage a great while; and Harris, who hath no part in it, did come to me, and told me in discourse that he was glad of it, it being a play that will not take

Performances

Mainpiece Title: Guzman

Event Comment: The Duke's Company. This date marks the opening of the new theatre in Dorset Garden. Downes (Roscius Anglicanus, p. 31): The new Theatre in Dorset-Garden being Finish'd, and our Company after Sir William's Death, being under the Rule and Dominion of his Widow the Lady Davenant, Mr Betterton and Mr Harris, (Mr Charles Davenant her Son Acting for her) they remov'd from Lincolns-Inn-Fields thither. And on the Ninth Day of November 1671, they open'd their new Theatre with Sir Martin Marral, which continu'd Acting 3 Days together, with a full Audience each Day; notwithstanding it had been Acted 30 Days before in Lincolns-Inn-Fields, and above 4 times at court. [This play is also on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 18: Sir Martin.

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: Edition of 1681: Duke-$Lydal; Brabantio-$Cartwright; Gratiano-$Griffin; Lodovico-$Harris; Othello-$Hart; Cassio-$Kynaston; Iago-$Mohun; Roderigo-$Beeston; Montano-$Watson; Clown-$Jo Haynes; Desdemona-$Mrs Cox; Emilia-$Mrs Rutter; Bianca-$Mrs James. See also 6 Feb. 1668@9.
Cast
Role: Lodovico Actor: Harris

Performances

Mainpiece Title: Psyche Debauched

Performance Comment: [Edition of 1678: King Andrew-Harris; Apollo-$Lyddall; Jeffrey-$Coysh; Costard-$Poell $Powell?">Mrs Corbett; Nicholas-$Mrs Knep; Phillip-$Charleton; Bruine-$Harris; Apollo-$Lyddall; Jeffrey-$Coysh; Costard-$Poell $Powell?]; Justice Crabb-$Wiltshire; Wou'dhamore-$Mrs Rutter; None-so-fair-$Haynes; Redstreak-$Cory; Woossat-$Clarke; Prologue-; Epilogue-.
Cast
Role: Bruine Actor: Harris

Performances

Mainpiece Title: The Duchess Of Malfy

Performance Comment: [An edition of 1678 has a cast partially pertaining to this time (see also 31 Jan. 1672): Ferdinand-$Harris; Cardinal-$Young; Antonio-$Smith; Delio-$Midburn; Bosola-$Betterton; Castruchio-$Richards; Sylvio-$Cademan probably not acting now]; Pescara-$Norris; Malateste-$Price (not living in 1676); Roderigo-$Cogun (not living in 1676); Grisolan-$Percival; Dutchess of Malfey-$Mrs Betterton; Cariola-$Mrs Norris; Old Lady-$Mrs Osborn; Julia-$Mrs Shadwell.
Cast
Role: Ferdinand Actor: Harris
Event Comment: MMr Harris James dy'd at 8 in ye Morn (Cross). Mainpiece: Acted there but once these 20 years. Receipts: #120 (Cross)

Performances

Mainpiece Title: The Revenge

Afterpiece Title: The Chaplet

Event Comment: Benefit for Shuter. Mainpiece: By Particular Desire. Afterpiece: By Particular Desire of several persons of Distinction, to be added for that night only. Neville MS Diary: Covent Garden Theatre after being shut up for the season was open'd tonight as a high favour to Shuter...Before [the farce] the Gods having call'd for the Music to play Roast Beef, would not suffer the play to begin till their request was complied with. They pelted Davies and Hull, who appeared first, with orange skins, crying Off, Off'...Glad Shuter had a good house. He is an excellent comedian and is said to have a good heart. [The income for this night not listed in the Account Books. On 10 June however, the treasurer received from Shuter #10 'for the renters for the night of his benefit," and #1 13s. 9d. for oyl that night. On 20 July the treasurer received from Shuter #43 15s. for tickets for his first benefit, and #1 4s. 1 1!2d. in money, along with #20 for his second benefit." On July 22, the treasurer paid "to sundry Creditors of Mr Shuter as per Receipt Books #245 4s. 1 1!2d., and to Mr Wilford by order of Shuter #60, and to Beard #26 16s." N.B. On Wednesday 1 July The sum of #60,000 was this day paid down for the purchase of the Theatre Royal in Covent Garden, pursuant to agreement. The patentees are Messieurs Colman, Harris, Rutherford and Powell"--Gentleman's Magazine, p. 379.

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Love a-la-Mode

Event Comment: Third Day. For the Author. House charges and Candles #64 5s. Balance to Bickerstaffe #155 11s. 6d. (Account Book). This month were published Harris and Rutherford's Narrative of the Rise and Progress of the Disputes subsisting between the Patentees of Covent Garden Theatre, and Colman's True State of The Differences subsisting....Both were reviewed in the Gentleman's Magazine. Receipts: #219 16s. 6d. (Account Book)

Performances

Mainpiece Title: Lionel And Clarissa

Afterpiece Title: The Upholsterer

Dance: End of Opera: A New Comic Dance, call'd the Provenzales-Mas. Blurton, Miss Besford, Miss Ford 1st time

Event Comment: Benefit for Quick, Furkins, Wilkinson, Abbott, Symonds, and others. Tickets deliver'd by Pullin, Claridge, Mrs Griffiths, Bagg, Bassan, Stephenson and Constable will be admitted. [Green and Ansell paid up their deficiencies for 2 June.] @Tickets Box Pit Gallery Value 1!2 Value@Quick 1 20 31 #8 18s. #3 9s.@Furkins 12 52 34 #13 6s. #6 13s.@Wilkinson 27 10 16 #10 3s. #5 1s. 6d.@Abbott 5 56 65 #16 12s. #8 6s.@Simmonds 5 36 24 #8 9s. #4 4s. 6d.@Pullen 2 71 46 #14 10s. #7 5s.@Claridge 8 24 1 #4 11s. #2 5s. 6d.@Griffiths 20 27 #6 1s. #3 6d.@Bagg 36 24 #7 4s. #3 12s.@Bassan 5 50 16 #8 13s. #4 6s. 6d.@Stephenson 23 78 45 #20 6d. #10 3s.@Asbury Gallery 22 8 #3 8s. #1 14s.@Total House value #120 1s. plus the receipts.@ Paid Master Harris for his performance this season #4 4s. Receipts: #25 3s. 6d. (Account Book)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Orpheus and Eurydice

Dance: II: Hornpipe-Miss Stede, 2nd time (scholar of Fishar)

Event Comment: Benefit for Mrs Green. Charges #64 10s. Deficit to Mrs Green #11 4s. 6d. covered by #49 6s. from tickets (Box 118; Pit 80; Gallery 78) (Account Book). Rec'd from Mas. Harris for his 1!2 value of tickets 24th Inst. #20 9s. 6d. Receipts; #53 5s. 6d. (Account Book)

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: Catherine and Petruchio

Dance: III: The Provenzales-Mas. Blurton, Miss Besford, Miss Ford [see17681123]; End: The Merry Sailors, as17680920

Event Comment: The Last time of the Company's performing this season. The Oxonian in Town, cannot be perform'd on account of the indisposition of a performer. Doors open at Half past 5. To begin at Half past 6. [Account Book indicates the following as paying up their deficiencies or half value of tickets: Perry, Gardner, Legg, Mrs Lampe and Mrs Jones, Wignell, Barnshaw, Wild, Mrs Hartle, Miss Brown, Ellis and Sherratt. Master Harris receiv'd #5 5s. for his performances this season. The Salary list for 25 May, recording payments for a ten day Period, amounted to #639 2s. 2d., or about #63 per day. Basic house charges of #63 may have been based on this salary figure, with the extras of candles, music, wardrobe, &c. added. See 6 June.] Receipts: #67 12s. (Account Book)

Performances

Mainpiece Title: Cyrus

Afterpiece Title: The Apprentice

Dance: End: The Merry Sailors, as17680920

Event Comment: [Maria Macklin wrote her father (13 March 1773): Smith has rais'd such a fury in the Town, owing to Colman's having refus'd Mrs Yates to play for him, that last Saturday [6 March] being the fifth night of Alzuma, when the play ought to have begun, the Audience made a most violent noise, called for Colman, insisted that the play should not begin till he was found & the reasons given why Mrs Yates was not suffered to play for Smith. In vain did Bensley endeavor frequently to speak and tell them that Colman was not to be found. The still continued hissing and roaring, and this last till past seven o'clock. Dagge and Harris were behind in a dreadful consternation least the house should be demolished, of which indeed it was in some danger. At last they said something must be said to quiet them, when Smith in the confusion ran on and told them that the managers had consented Mrs Yates should play for him. Then they sent him off to tell them that his day must be settled whenever he thought proper, to give her time to come here. He went off and made them fix it for the 19th of April, went on and told them it was settled. They then insisted that Smith should tell them whether everything was settled to his entire satisfaction. He assured them it was. The play was then ordered to begin. I am told they have given him up his articles for three years, at his desire. Several Gentlemen went round into the Hall and sent for Smith, telling him his private quarrels with the managers were nothing to them. That if Mrs Yates play'd they should be glad to see her, but that as she was not in the company it was not right in him to disturb the play and hinder them from seeing it. He expostulated with them and told his story. The Town rings with this affair. Various are the opinions. Some think it is her plan to get once more upon the stage, and they say there is a most powerful Party making to oppose her & that she shall not play that night. Others say Colman is very wrong to hinder her. I find she entirely built upon your playing for me, and there has been a very impatient card in the Ledger to Colman insisting upon his telling the town why Mrs Yates was hindered to play, and why Mr Macklin had any more right to be suffered to come over so long unmolested to play for Miss Macklin? But that everybody sees thru'....Colman I am certain has not a thing against your playing for me. He seems rather to wish for your coming....I do not think the Yeats's will be engag'd tho' the Town rail much at Mrs Hartley & Miss Miller, and sure enough they are bitter bad....On Tuesday I shall send you the fate of Dr Goldsmith's Comedy, which comes out on Monday next. It is call'd the Mistakes of a Night....Foote's Rary Shew has been rehears'd three mornings but he got no money, so he shews off again at night instead-but it does not fill violently. Alonzo goes on but Barry is too ill to play. The great support of it is Mrs Barry's acting." (Harvard Theatre Collection, A.L.S.)] Receipts: #196 19s

Performances

Mainpiece Title: Alzuma

Afterpiece Title: Cross Purposes

Event Comment: Benefit for Mrs Lessingham. Mainpiece: Not acted these 5 years. [See 29 Dec. 1766.] Afterpiece: A Comedy of two acts taken from Vanbrugh's Relapse [by John Lee?]. Tickets by Mas. Harris will be taken. Charges #65 18s.; Profit to Mrs Lessingham #39 18s. 6d., plus #79 13s. from tickets (Box 166; Pit 131; Gallery 185) (Account Book). [The Gentleman who played King Henry was George Savile Carey (Hogan).] Receipts: #105 16s. 6d

Performances

Mainpiece Title: King Henry Iv, Part Ii

Afterpiece Title: The Man of Quality

Music: End: A Concerto on the Double Mandoline, Royal Guitar-Sg Mussolini, after which he will accompany a young Gentlewoman in a song, being their first appearance in Public

Event Comment: Benefit for Miss Jameson. Hull is to succeed Colman in the management of Covent Garden (Winston MS 10). Colman sold his share of the patent to Harris in the spring of this year, this departure to take place in June (Page, George Colman, The Elder). Michel Dyer Died (Genest, V, 424). Miss Jameson's charges #77 13s. 6d. Profit to her #59 10s., plus #66 7s. from tickets. (Box 127; Pit 138; Gallery 139). Receipts: #137 3s. 6d. (Account Book)

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: The Author

Dance: II: The Corsican Sailors, as17731013; End Opera: The Highland Reel, as17731112

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: The Commissary

Dance: End Opera: A New Comic Dance (Never Performed)-Dagueville, Sga Vidini, Mas. Holland, Harris, Miss Mathews, Miss Ross, etc

Performance Comment: Holland, Harris, Miss Mathews, Miss Ross, etc.

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Miss in Her Teens

Dance: End Opera: a New Comic Dance call'd La Soiree A@la@mode-Dagueville, Sga Vidini, Mas. Holland, Harris, Miss Ross, a girl only 5 years old, scholar to Dagueville

Performance Comment: Holland, Harris, Miss Ross, a girl only 5 years old, scholar to Dagueville.
Event Comment: Paid Harris for his Trouble and Expenses in half a year's superintendence of the Business of the Theatre #250. Receipts: #181 11s. 6d. (181.2.0; 0.9.6)

Performances

Mainpiece Title: Caractacus

Afterpiece Title: Harlequin's Frolicks

Dance: End: The Merry Sailors, as17761106; In afterpiece: Rural Dance, as17761226

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Apprentice

Dance: End: La Soiree a la Mode-Dagueville, Mast. Holland, Harris, Sga Tinte

Performance Comment: Holland, Harris, Sga Tinte.

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: The Invasion

Dance: End: La Soiree a la Mode, as17781023, but Mast. Dagueville, Miss +Simonet, _Harris

Performance Comment: Dagueville, Miss +Simonet, _Harris.
Event Comment: The last Time of performing this Season. [This was Mrs Hartley's last appearance on the tstage.] Account-Book, 29 May: Paid Foulis for writing Music #101 17s.; 31 May: Received of Their Majesties for this Season #60, of Prince of Wales #30; 16 June: Paid Pattinson, tallow chandler, #332 8s. Paid Cooper, printer, #335 11s. Paid Harris, manager, #500. Paid Enderby, oil merchant, #1,061 17s. Paid Hull, salary as Acting Manager #150. Paid Mrs Hartley in lieu of a Benefit #105; 6 July: Received Stage Forfeits this season #42 3s. 6d. Receipts: #63 8s. (61.14.6; 1.13.6)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: The Siege of Gibraltar

Dance: As17800417