Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Handel"/1) | (@(roleclean,performerclean) "Handel")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
703 results for: Keyword - Handel
We found 291 matches on Event Comments, 196 matches on Performance Title, 184 matches on Performance Comments, 77 matches on Author, and 73 matches on Roles/Actors.

51
24 March 1775 @ King's Theatre

Event Comment: By Handel. By Command of their Majesties

Performances

Mainpiece Title: Alexander's Feast

Related Works
Related Work: Alexander's Feast; or, The Power of Musique Author(s): George Frideric Handel

Music: I: Bach Concerto-Tacet, Cramer, Cervetto, Fisher; II: Concerto for Two Violins and a Violin@cello by Bach-

52
15 March 1782 @ Drury Lane Theatre

Event Comment: Oratorio: Set to Music by Handel. 2nd piece: By the late Henry Purcel

Performances

Mainpiece Title: Alexander's Feast

Related Works
Related Work: Alexander's Feast; or, The Power of Musique Author(s): George Frideric Handel

Afterpiece Title: Bonduca

Music: As17820215

53
18 March 1784 @ King's Theatre

Performances

Mainpiece Title: La Regina Di Golconda

Dance: Three new ballets composed by D'Aubcrval. End of Act I Ballet [of Warriors] by Lepicq, Henry, Zuchelli, the two Miss Simonets, Mme Theodore; End of Act II Dance [of Shepherds] by Lepicq, Mme Simonet, D'Aubcrval (1st appearance), Mme Rossi, Vestris [Jun.], Mme Theodore; End of Opera The Four Ages of Man, in which a Pas de Trois of Chinese by Henry, Zuchelli, Blake. Childhood-the two Miss Simonets; Youth-Slingsby and Mme Theodore; Manhood-Lepicq, Mme Rossi, Vestris [Jun.]; Old Age-D'Auberval and Mme Simonet, who will dance to the celebrated Musette of Handel. To conclude with a Pas de Huit, in a stile entirely new, by the Couples who represent the Four Ages

Performance Comment: End of Act I Ballet [of Warriors] by Lepicq, Henry, Zuchelli, the two Miss Simonets, Mme Theodore; End of Act II Dance [of Shepherds] by Lepicq, Mme Simonet, D'Aubcrval (1st appearance), Mme Rossi, Vestris [Jun.], Mme Theodore; End of Opera The Four Ages of Man, in which a Pas de Trois of Chinese by Henry, Zuchelli, Blake. Childhood-the two Miss Simonets; Youth-Slingsby and Mme Theodore; Manhood-Lepicq, Mme Rossi, Vestris [Jun.]; Old Age-D'Auberval and Mme Simonet, who will dance to the celebrated Musette of Handel. To conclude with a Pas de Huit, in a stile entirely new, by the Couples who represent the Four Ages .
Cast
Role: Old Age Actor: D'Auberval and Mme Simonet, who will dance to the celebrated Musette of Handel. To conclude with a Pas de Huit, in a stile entirely new, by the Couples who represent the Four Ages

54
06 March 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: A Prelude

Afterpiece Title: Acis and Galatea; Triumph of Truth 0

Afterpiece Title: A Miscellaneous Concert

Performance Comment: Air on the Recovery of the King-, by Handel Reinhold; Concerto Bassoon-Parkinson; Sweet Bird-[L'Allegro] Mrs Ambrose; accompanied on the violin-Shaw; Sound an Alarm [Judas Maccabaeus]-Kelly; concerto hautboy-W. Parke; Se non avate O Dio![, by Sacchini-Mrs Crouch; Lungi del caro bene [Giulio Sabino, by Sarti-Mrs Ambrose; accompanied on the harp-Mme Krumpholtz; God save Great George our King-; 1st Violin-Shaw.
Cast
Role: Air on the Recovery of the King Actor: , by Handel Reinhold

Music: End I: serenata solo on harp-Mme Krumpholtz (2nd appearance in this Kingdom)

55
14 March 1794 @ Covent Garden

Event Comment: Ode: Written by Dryden, and set to Music by Handel

Performances

Mainpiece Title: Alexander's Feast

Related Works
Related Work: Alexander's Feast; or, The Power of Musique Author(s): George Frideric Handel

Music: End of Part I Giardini's Sixth Concerto on the Violin by G. Ashley

56
17 March 1733 @ King's Theatre

Event Comment: By His Majesty's Command. A New Oratorio in English. Composed by Mr Handel. And to be perform'd by a great Number of the best Voices and Instruments. The House to be fitted up and illuminated in a new and particular manner. Tickets One Guinea. Gallery Half a Guinea. [Text by Samuel Humphreys. Their Majesties, Prince, and three eldest Princesses present.] Daily Advertiser, 20 March: An Entertainment, perhaps, the most magnificent that has ever been exhibited on an English Theatre....The Composition of the Musick is by no means inferior to the most finish'd of that Gentleman's Works; but the Disposition of the Performers was in a Taste beyond what has been attempted. There was a very great Number of Instruments by the best Hands, and such as would properly accompany three Organs. The Pit and Orchestre were cover'd as at an Assembly, and the whole House Illuminated in a new and most beautiful manner. [See also Lady A. Irwin to Lord Carlisle, in Deutsch, Handel, pp. 309-10.

Performances

Mainpiece Title: Deborah

Performance Comment: Edition of 1733 does not list performers' names, but Daily Advertiser, 20 March, states: Wherein Principal Parts-Signor Senosini, Signora Strada, Signora Gismundi, Signora Bertoldi, Signor Montagnana, Miss Young, Miss Arne, Mrs Wright, Mr Swartzs[, perform'd the principal Parts. [See also Deutsch, Handel, p. 308, and Dean, Handel's Dramatic Oratorios, p. 236.], perform'd the principal Parts. [See also Deutsch, Handel, p. 308, and Dean, Handel's Dramatic Oratorios, p. 236.]

57
24 February 1744 @ Covent Garden

Event Comment: LLondon Daily Post and General Advertiser, 25 Feb. contained the following verses: Hearing Mr Handel's Samson at Covent Garden. Rais'd by his subject Milton nobly flew And all Parnassus open'd to our view; By Milton fir'd Great Handel strikes our ear, And every power of harmony we hear. When two such mighty artists blend their fire Pour forth each Charm that Genius can inspire The man whose bosom does not raptures feel, Must have no soul, or all his heart be steel

Performances

Mainpiece Title: Samson

Performance Comment: Samson-Beard; Dalila-Signora Francesina; Micah-Signora Francesina, Sullivan; Harapha-Reinhold; Israelite Woman-Signora Avolio (Dean, Handel's Dramatic Oratorios, p. 351). Mrs Delany to Mrs Dewes, 25 Feb.: Francesina sings most of Mrs Cibber's parts and some of Mrs Clive's. [See Deutsch, Handel, p. 585.]See Deutsch, Handel, p. 585.]

58
18 February 1743 @ Covent Garden

Event Comment: A New Oratorio. Tickets will be deliver'd to subscribers (on paying their Subscription money), this day, and every day following at Mr Handel's in Brook Street, near Hanover Square. Attendance will be given from 9 o'clock in the Morning till Three in the Afternoon. Pit and Boxes to be put together and no persons to be admitted without tickets, which will be deliver'd that day at the Office in Covent Garden Theatre, at Half a Guinea each, First Gallery 5s. Upper Gallery 3s. 6d. N.B. Each subscriber is to pay Six Guineas upon taking out his subscription ticket, which entitles him to three Box tickets every night of Mr Handel's first six performances in Lent; and if Mr. Handel should have any more performances after his first six nights, each subscriber may continue on the same conditions. The Gallery will be open'd at Four O'Clock. Pit and Boxes at Five. To begin at Six o'clock. [These notices concerning price, subscription, and time of performance recur regularly, but will not be recorded further here.

Performances

Mainpiece Title: Samson

Performance Comment: Samson-Beard; Manoa-Savage; Micah-Mrs Cibber; Dalila-Mrs Clive; Harapha-Reinhold; Officer-Lowe; Israelite Women-Signora Avoglio, Miss Edwards; Philistine Women-Signora Avoglio, Miss Edwards; Philistine-Lowe (Deutsch, Handel p. 559).

59
15 November 1743 @ King's Theatre

Event Comment: Today, will be reviv'd an Opera. The Musick compos'd by Mr Handel. With Dances and other Decorations entirely new. Pit and Boxes to be put together; and no Person to be admitted without Tickets, which will be deliver'd this Day at the Office in the Haymarket, at Half a Guinea each. Gallery 5s. 6 p.m. Note. The Subscribers to the Opera are desir'd to send for their Silver Tickets to the Opera-Office in the Hay-Market. [This customary notice will not be included further. According to Loewenberg, Annals of Opera, I, 102, this is the new opera Rossane, Lampugnani's first composition, at the house for which he was the new resident composer. Musicologists have not arrived at the identity of this piece, Burney and Loewenburg attributing it to Lampugnani, Schoelcher and Deutsch to Handel. See Deutsch, Handel, p. 572, where he reviews the evidence.

Performances

Mainpiece Title: Roxana; Or, Alexander In India

Performance Comment: Allessandro-Monticelli; Rossane-Siga Visconti; Lisaura-Rosa Mancini; Tassile-Giulia Frasi; Clito-Signora Fratesanti (Deutsch Handel, p. 573). Lady Hertford to Lord Beauchamp: The singers are Monticelli, Visconti, Julietta, a bass from Italy whose name is Fratanzanti, and two new women; one whose name is Rosa Mancini...and the other, Caselli.-Hughes, Hertford, p. 297.
Related Works
Related Work: Alexander's Feast; or, The Power of Musique Author(s): George Frideric Handel

60
10 February 1744 @ Covent Garden

Event Comment: Performance After the manner of an Oratorio Set by Mr Handel. Tickets will be deliver'd to subscribers on paying their subscription money, this day and every day following at Mr Handel's House in Brook Street, near Hanover Square, where attendance will be given from nine o'clock in the Morning till three in the afternoon. Pit and Boxes to be put together, and no person to be admitted without tickets, which will be deliver'd at the Office in the theatre at Half a Guinea each, First Gallery 5s.; Upper Gallery 3s. 6d. [Customary notice which will not be repeated.] Gallery opened at Four o'clock, Pit and Boxes at Five. To begin at Six. Mrs Delany to Mrs Dewes: There is a four-part song that is delightfully pretty...there was no disturbance at the playhouse. -Delany, Autobiography, II, 262. [Libretto by Congreve.

Performances

Mainpiece Title: Semele

Performance Comment: Semele-Signora Francesina [Elizabeth Duparc ( Delany, Autobiography, II, 254)]; Jupiter-Beard, tenor; Cadmus-Reinhold[, bass; Athamas-Daniel Sullivan[, alto; Juno-Miss Young[, mezzo soprano; Iris-Signora Avoglio[, soprano; Ino-Miss Young[, contralto; High Priest-Reinhold[, bass [Deutsch, Handel, p. 582]., bass [Deutsch, Handel, p. 582].

61
02 March 1744 @ Covent Garden

Event Comment: Music by Handel; libretto by James Miller. See Earl of Egmont's Diary, III, 290, where he speaks of attending on 1 March, probably a rehearsal

Performances

Mainpiece Title: Joseph And His Brethren

Performance Comment: Pharaoh-Reinhold, bass; Joseph-Sullivan, alto; Reuben-Reinhold, bass; Simeon-Beard, tenor; Asenath-Signora Francesina, soprano; Phanor-Signora Galli, mezzosoprano (Deutsch, Handel, pp. 586-67), Esther Young (Dean, Handel's Dramatic Oratorios, p. 407); Benjamin-Samuel Champness (Dean, Handel's Dramatic Oratorios, p. 407).

Music: Concerto on the Organ-

62
27 March 1745 @ King's Theatre

Event Comment: A New Oratorio. Libretto-Jennens; Music-Handel

Performances

Mainpiece Title: Belshazzar

Performance Comment: Belshazzar-Beard, tenor; Nitocris-Signora Francesina, soprano; Cyrus-Reinhold or Miss Robinson, contralto; Daniel-Miss Robinson,contralto; Gobrias-Reinhold, bass; Arioch-, tenor; Messenger-, bass. (Deutsch, Handel, p. 610; Dean, Handel's Dramatic Oratorios, p. 454.) Dean, Handel's Dramatic Oratorios, p. 454.)

63
14 February 1746 @ Covent Garden

Event Comment: Pit and Boxes to be put together, and no person to be admitted without Tickets, which will be deliver'd that day at the office at cg theatre, at half a Guinea each. First Gallery 5s. Second Gallery 3s. 6d. Galleries to be opened at half an hour after Four o'clock. Pit and Boxes at Five. To begin at half an hour after Six. The Subscribers who favoured Mr Handel last season with their subscription, are desired to send to the office at cg on the day of the performance, where two tickets shall be deliver'd to each Gratis, in order to make good the Number of Performances subscrib'd to last season. [Recitative and chorus. Words taken from Milton and Spenser (Edition of 1746). Rehearsed at Handel's lodgings on 7 Feb. Burney and DeFesch in orchestra. (Deutsch, Handel, pp. 629-30.) Librettist not known, possibly Thomas Morell.

Performances

Mainpiece Title: The New Occasional Oratorio

Performance Comment: [No characters.] First soprano-Signora Francesina; Tenor-Beard; Bass-Reinhold (Deutsch, Handel, pp. 629-30.); With a newConcerto on the Organ-.

64
23 February 1732 @ Crown and Anchor Tavern

Event Comment: A private performance. For details, see Deutsch, Handel, pp. 285-86, Dean, Handel's Dramatic Oratorios, pp. 203-204, and Egmont, Diary, I, 225

Performances

Mainpiece Title: Esther

Performance Comment: Esther-John Randall; Assuerus-James Butler; Haman-John Moore; Mordecai-John Brown; Priest of the Israelites-John Beard; Harbonach-Price Cleavely; Persian Officer-James Allen; First Israelite-James Butler; Second Israelite-James Allen; Israelite Boy-John Brown; Israelites and Officers-Samuel Howard, ThomasBarrow, Robert Denham (Dean, Handel's Dramatic Oratorios, p. 204).

65
19 February 1736 @ Covent Garden

Event Comment: Written by the late Mr Dryden. Set to Musick by Mr Handel. Pit and Boxes half a Guinea. Galleries 4s. and 2s. 6d. London Daily Post and General Advertiser, 20 Feb.: Last Night his Royal Highness the Duke, and her Royal Highness the Princess Amelia were at. . . Mr Dryden's Ode, set to Musick by Mr Handel. Never was upon the like Occasion so numerous and splendid an Audience at any Theatre in London, there being at least 1300 Persons present; and it is judg'd that the Receipt of the House could not amount to less than 450l. It met with general Applause, tho attended with the Inconvenience of having the Performers placed at too great a distance from the Audience, which we hear will be rectified the next Time of Performance. [Egmont also present.]

Performances

Mainpiece Title: The Feast Of Alexander

Performance Comment: Cast not listed, and none in edition of 1736, but Deutsch, Handel, p. 399, lists: Soprano-Signora Strada; Contralto-Mrs Arne-Young; Tenor-Beard; Bass-Erard, with violoncelli by Andrea Caporale and Pasqualino de Mareis and harpsichord by Walsh .

66
11 March 1757 @ Covent Garden

Event Comment: Alter'd from the Italian with several new Additions. [By Dr Morell. Set by Handel. The words entirely adapted to the Music of Il Trionfo del Tempo, composed at Rome about 1707 (Biographia Dramatica).

Performances

Mainpiece Title: The Triumph Of Time And Truth

Performance Comment: See17580210. Time-Champness, bass; Counsel (or Truth)-Miss Young [Mrs Scott?] [mezzosoprano; Beauty-Signora Frasi[, soprano; Pleasure-Beard[, tenor; Deceit-Signora Beralta[, soprano (Deutsch, Handel, p. 783)., soprano (Deutsch, Handel, p. 783).

67
14 May 1723 @ King's Theatre

Event Comment: [Text by Haym. Music by Handel.] Pit and Boxes at half a guinea. Gallery 5s. By Reason of the shortness of the Opera, to begin exactly at Eight a-Clock

Performances

Mainpiece Title: Flavius

Performance Comment: No cast listed in edition of 1723, but Deutsch, Handel(, p. 153) lists: Flavio-Berenstadt; Guido-Senesino; Emilia-Signora Cuzzoni; Teodata-Mrs Robinson; Vitige-Signora Durastanti; Ugone-Gordon; Lotario-Boschi.

68
20 February 1724 @ King's Theatre

Event Comment: [Text by Haym. Music by Handel.] Admission as 14 Jan. Daily Journal, 21 Feb.: Last Night his Majesty, the Prince and Princess, with great Numbers of the Nobility, went to see the new Opera

Performances

Mainpiece Title: Julius Caesar

Performance Comment: Edition of 1724 lists: Giulio Cesare-Senesino; Cornelia-Mrs Robinson; Sesto Pompeo-Signora Durastanti; Cleopatra-Signora Cuzzoni; Tolomeo-Berenstadt; Achilla-Boschi; Nireno-Bigonsi; Deutsch, Handel, p. 157 adds: Curio-Lagarde.

69
26 February 1729 @ Drury Lane Theatre

Event Comment: Benefit Holcombe. At the Desire of several Ladies of Quality. Pit and Front Boxes at half a guinea. Gallery 5s. See also Deutsch, Handel, pp. 238-39

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the Best Masters from the Opera House. [According to Mrs Pendarves, Holcomb sang six songs; there were overtures by Handel and two concertos by Corelli.

Performance Comment: [According to Mrs Pendarves, Holcomb sang six songs; there were overtures by Handel and two concertos by Corelli.]

70
02 April 1734 @ King's Theatre

Event Comment: Composed by Mr Handel. [Prince and Princess of Orange, Princess Caroline, Mrs Pendarves, Lady Rich, and Egmont present.]

Performances

Mainpiece Title: Deborah

Performance Comment: Cast not listed, but Deutsch, Handel, p. 362, conjectures it to be: Deborah-Signora Strada; Barak-Signora Maria Caterina Negri (?); Abinoam-Reinhold (?); Sisera-Carestini; Jael-Signora Rosa Negri; Israelite Women-Signora Durastanti; Chief Priest-Waltz; Chief Priest of Israelites-Reinhold (?) .

71
18 May 1734 @ King's Theatre

Event Comment: An Opera, compos'd by Mr Handel. Intermix'd with Chorusses. 6:30 P.M. [Prince of Wales present.]

Performances

Mainpiece Title: Pastor Fido

Performance Comment: Cast not listed, but Deutsch, Handel, p. 365, suggests a possible cast: Mirtillo-Carestini; Amarilli-Signora Strada; Eurilla-Signora Durastanti; Silvio-Scalzi; Dorinda-Signora Maria Caterina Negi; Tirenio-Waltz .
Related Works
Related Work: The Faithful Shepherd Author(s): George Frideric Handel

72
08 January 1735 @ Covent Garden

Event Comment: A New Opera. [Text by A. Salvi. Music by Handel. King, Queen, Princesses Amelia and Caroline present.]

Performances

Mainpiece Title: Ariodante

Performance Comment: Cast not listed, but Deutsch, Handel, p. 382, lists: Il Re di Scozia-Waltz; Ginevra-Signora Strada; Ariodante-Carestini; Lurcanio-Beard; Dalinda-Miss Young; Polinesso-Signora Maria Caterina Negri; Odoardo-Stoppelaer .

73
15 March 1735 @ Covent Garden

Performances

Mainpiece Title: Sophonisba; Or, Hannibal's Overthrow

Afterpiece Title: The Toy Shop

Music: Handel's Water Musick, with Preamble on Kettle Drum by Benj. Baker

Dance: La Coquette Francoise by Lally, S. Lally, Mlle Salle. Scot's Dance by Glover, Miss Rogers, Le Sac, Miss Baston, Delagarde, Mrs De l'Orme

Song: Tippling Philosophers by Leveridge

74
28 March 1735 @ Covent Garden

Event Comment: Ijmdon Daily Post and General Advertiser, 27 March: We hear . . . that to perfect the Performance, Mr Handel designs to introduce, to-morrow Night (in the Oratorio of Deborah) a large new Organ, which is remarkable for its Variety of curious Stops; being a new Invention, and a great Improvement of that Instrument

Performances

Mainpiece Title: Deborah

Performance Comment: Cast not listed, but Dean, Handel's Dramatic Oratorios, p. 238, conjectures: Deborah-Signora Strada; Barak-Carestini; Jael-Miss Cecilia Young; Priest of Baal-Hussey, with Reinhold and Beard possibly singing also. With a new Concerto on the Organ;..

Afterpiece Title: the two Concertos in the Oratorio of Esther

75
06 May 1735 @ Covent Garden

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Toy Shop

Music: Handel's Overture to Ariadne

Dance: The Flanderkins by Duke and Mrs Ogden. Richmond Maggot by Le Sac and Miss Rogers. Harlequin by Miss Norsa Jr. Scot's Dance, as17350311

Song: As17350422