SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Giffard great Service I have had great Success in all "/1) | (@(roleclean,performerclean) "Giffard great Service I have had great Success in all ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1625 matches on Event Comments, 989 matches on Performance Comments, 338 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for one Barry a Jeweller (Cross). A Charity Play, recommended by the City of London for Barry, Jeweller in Salisbury Court (being in great distress). Tickets at Grigsby's, Shadwell's, Janeway's and Sam's Coffee Houses by the Royal Exchange; Peele's, Nando's Anderton's and Temple Exchange in Fleet St., Marsh's Coffee House in Silver St., and at the stage door. Stage will be form'd into an Amphitheatre (General Advertiser). Mr Reinhold dy'd (Cross). A man no less admired for his private character than his publick performance. He has left behind him a Wife and Four small children in great distress; for the relief of whom the Managers of Drury Lane, and the actors have agreed to perform a play Gratis, some time next week; when it is hop'd the good nature of the publick will favour the intention of the performers. Tickets to be had of Mr Beard, at his house in North St., Red Lion Square, and at the theatre (General Advertiser, 16 May). Receipts: #60 (Cross)

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Lying Valet

Dance: IV: Comic Dance, as17501231

Event Comment: Wednesday the Eunuch of Terence was acted by the scholars at the Charter House, to a very polite Audience with Great Applause (General Advertiser). [The London Daily Advertiser and Literary Gazette for 30 May noted: "Publish'd, Epilogue to the Eunuchus of Terence, acted lately by the Charter House Scholars, with great applause, spoken in his own cloaths, by the scholar who acted the part of Thais."

Performances

Event Comment: A blunder in ye same place (the Giants) a great noise-Horse beans thrown-when ye curtain was down, Mr Woodward went on & said-Gentlemen I am very sorry this Accident shou'd happen, but before this little piece is perform'd again, I'll take care to see it so well practis'd that no Mistake can happen for ye furture. Great Applause.-The play was hiss'd again at the End (Cross). Receipts: #120 (Cross)

Performances

Mainpiece Title: Sir Courtly Nice

Afterpiece Title: Queen Mab

Dance: II: A Comic Dance-Sg Piettero, Sga Piettero second time upon English Stage; IV: By Desire a Hornpipe-the Little Swiss

Event Comment: Mainpiece: Not acted in 5 years. [See 11 Dec. 1744. For further comment on Dexter, see Genest, IV, p. 341.] One Mr Dexter did Oroonoko , a Gent of Ireland--who never appear'd upon a Stage before--he had ye Greatest applause ever heard & indeed deservedly a Sweet Voice, great feeling--his name was not in ye Bills--only by a Gent (Cross). We hear that a Comedy call'd Eastward Hoe; or, The Prentices, written by Ben Johnson, Chapman, and Marston, is now reviving at the Theatre Royal in Drury Lane, and will be acted the 29th. [A four page double column account of the text of Oroonoko appeared in the Gentleman's Magazine, 1752, pp. 163-67.] Receipts: #130 (Cross)

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: The Anatomist

Event Comment: Mainpiece: Acted but once these five years. Mr Dexter has given us in the character of Oroonoko the greatest first essay that perhaps any stage has produced. He has great feeling, and equal expression; a fine figure, a vast deal of grace in his deportment and uncommon tenderness in his manner, and a voice formed by nature for expressing it (Inspector No 201, in Daily Advertiser and Literary Gazette). Receipts: #140 (Cross)

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The Intriguing Chambermaid

Cast
Role: Goodall Actor: Winstone

Dance: IV: L'Entree de Flore, as17511017; Peasant Dance, as17511017

Event Comment: Some Hissing, tho' play'd Well-Garrick Kiteley &c. (Cross). Mainpiece: Written by Ben Johnson, never acted there. Characters Dress'd in the Old English@Manner. Receipts: #200 (Cross). We hear that His Majesty intended to go to the theatre Royal in Drury Lane this evening, to see the Comedy of Every Man in his Humour, wrote by Ben Johnson in 1598, acted the same year by the Lord Chamberlain's Servants, and dedicated to the great Mr Camden; and was reviv'd since the Revolution with Great Applause, having a new Epilogue spoken by Ben Johnson's Ghost , written by the late Earl of Dorset (Daily Advertiser)

Performances

Mainpiece Title: Every Man In His Humour

Dance: LL'Entree de Flore, as17511015; Peasant Dance, as17511015

Event Comment: No alterations were made in the farce, but cutting out a little, & it was play'd with great Applause, & given out again with great Clapping. Benefit for Mr Worsdale (Cross). Tickets to be had at the Bedford Coffee House. Part of Pit laid into boxes. We hear that Miss Bellamy, belonging to Drury Lane Theatre, was taken ill on Sunday last, and continues very much indispos'd. Receipts: #230 (Cross)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Taste

Dance: End IV: a Comic Dance-Sg Piettro, Sga Piettro

Event Comment: This Tragedy is taken from ye French by ye Revd Mr Francis. A great Noise before ye play began, occasion'd by ye Music not playing what they lik'd, they being Palted wou'd not come into the Orchestra-a Branch knock'd down, Candles thrown &c.-Mr Garrick went on, order'd ye Music in, & all was quiet-went off with great Applause (Cross). Never acted before. Characters New Dress'd Mr Garrick is intitled to my sincerest Gratitude for his Performance as an Actor, and for his Punctuality as a Manager...his strong good Sence, with that Spirit of Theatrical Criticism, which is his peculiar natural Genius (Prefatory matter by Francis first in ed.). Receipts: 180 (Cross)

Performances

Mainpiece Title: Eugenia

Event Comment: [N.B. There is no playbill for this date.] This Week will be publish'd A Letter from Henry Woodward, Comedian, the meanest of all characters [see Inspector N. 524] to Dr John Hill, Inspector General of Great Britain, the greatest of all Characters [see all the Inspectors]. "I do remember an Apothecary...whom late I noted In Tatter'd Weeds;.. .Culling of simples..." Shakespeare. Printed and publish'd by M. Cooper in Pater Noster Row. Receipts: #100 (Cross)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Queen Mab

Dance: TThe Hungarian Peasants, as17521125, but A Dutch Dance-_; Comic Dance, as17521125

Event Comment: The Dr New Dress'd & in a New Manner with a Prologue by ye old Dr to introduce the New by the Author of the Hilliad. The Prologue was forbid by the Licencer, & struck out of the bills, but by Mistake was left in ye News; a great noise for it, Woodward said; as he had face to study, he had not time to do it--more Noise--I went on--& told 'em the Prologue was forbid--Noise still--Woodward went on & said it was forbid by L@or@d Chamberlain--it cool'd a little but when he came on dress'd like Dr Hill, it began again, & so ye farce ended (Cross). Benefit for Mr Woodward. Part of Pit laid into Boxes, and Stage commodiously built in form of an Amphitheatre. Boxes and Stage 5s. Ladies send servants by 3. Tickets to be had of Woodward in Great Piazza, Covent Garden; and at Stage Door. This day publish'd The Chaplet at 6d. a Musical entertainment as performed at Drury Lane. Receipts: #330 (Cross)

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: The Mock Doctor

Dance: Devisse, Ferrere, Mlle Auretti

Event Comment: An Italian Comic Opera by some performers just arriv'd from Paris. Went off pretty well, -a Girl greatly admir'd (Cross). [The girl seems to have been Sga Spiletta.] She plays off with inexhaustible spirits all muscular evolutions of the face and brows; while in her eye wantons a studied archness, and pleasing malignity. Her voice has strength and scope sufficient; has neither too much of the feminine, nor an inclining to the male. Her gestures are ever varying; her transitions quick and easy. Some over-nice critics, forgetting, or not knowing the meaning of the word Burletta, cry that her manner is outre. Wou'd she not be faulty were it otherwise? The thing chargeable to her is (perhaps) too great a luxurience of comic tricks; which (an austere censor would say) border on unlaced lasciviousness, and extravagant petulance of action (Paul Hiffernan, The Tuner, No 1). [Spiletta was the name of the character to whom Sga Nicolina Giordani gave such life that the name stuck to her. See Saxe Wyndham, Annals of Covent Garden Theatre.] [A Comic Opera by G. Giordani, Music by G. Cocchi-Nicoll, English Drama, III, p. 349.] Nothing less than the full price will be taken during the Performance. Printed books of the opera sold at the theatre. Tomorrow, Venice Preserved. [Murphy commented in Gray's Inn Journal (22 Dec.): "A great deal of whatever humour this production may contain, is certainly lost to an English audience; and the manner of acting, being a burlesque upon what people here are not very well acquainted with, is not universally felt. But notwithstanding these disadvantages, there is one among them, Sga Nicolina Giordani, who displayed such lively traces of Humour in her countenance, and such pleasing variety of action, and such variety of graceful deportment, that she is generally acknowledged to be, in that Cast of playing, an excellent comic actress."

Performances

Mainpiece Title: L'amanti Gelosi

Dance: [Unspecified.]

Event Comment: FFoote play'd Ben , Miss Macklin Miss Prue , Mrs Clive Mrs Frail . Foote cou'd not sing ye Song in Ben, so said two or three times, I can't do it & upon a little Hissing, said, Gentlemen I have no talents for singing-ye whole play Hum (Cross). [Opposed to Cross's summary of the effect of the performance appeared in Gray's Inn Journal the Murphy account (19 Jan.): The excellent Comedy of Love for Love has been revived here this week, the humorous and diverting Part of Ben, the sailor, was performed with great pleasantry by Mr Foote, who showed by his manner and his looks, that he had entered into the secret of the character, tho' twas visible at the same time, that his powers were greatly suppressed by his solicitude for his first appearance in a new character. It may be said of Miss Macklin, tho perhaps better qualified for spirited genteel comedy, that she acquitted herself with great applause in a part in which Mrs Clive has displayed so many inimitable strokes of humour."] Receipts: #160 (Cross)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Chaplet

Dance: III: A Hornpipe-Granier

Event Comment: On Tuesday next a New Tragedy called Philoclea. On Monday 28 January will be a Benefit for Sga Nicolina Giordani, A comic Opera with dances. Tickets and places for the Boxes may be had at Sg Giordani's Lodging, at Mr Milbourn's Grocer, in James St. Covent Garden. To the Young Gentlewoman who has performed Hermione [see 19 Jan.]: @Great was th' Applause you met, great your desert,@You charm'd the Eye, the Ear, the Head, the Heart.@Amaz'd we saw you at the first appear,@Ev'n in the hardest part, a perfect play'r.@Your person, your deportment set to view,@The youthful princess that the poet drew.@All was propriety, and all was grace,@We read the author's meaning in your face.@Your elocution was both just and strong,@Mix'd with due ease, and not an accent wrong,@Such varied Musick in your voice we heard,@That in the Tones both Taste and Sense appear'd.@Love, Jealousy, and Rage so well expres't@Engag'd our souls, nor knew we which was best,@'Twas Nature all-she form'd you for the stage,@Follow her steps, and glad th' Admiring Age.-Public Advertiser@

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: Harlequin Skeleton

Cast
Role: Colombine Actor: Mrs Dunstall
Event Comment: Benefit for Sga Passerini. [From charges and countercharges published in great length in the Public Advertiser, it appears that Sga Frasi had earlier arranged to produce Samson at the King's on this night for her benefit. Learning that the subscribers to the opera season could enter on their own tickets on this night she decided to change nights to avoid any losses, only to find that her singers were engaged at one theatre or another on other nights. Meanwhile, Signor Passerini got permission to have this night scheduled at King's for his wife's benefit, and Sga Frasi lost out all around. Passerini asserted that the charge for renting the Great Room, Dean St. Soho was 5 guineas for a night.

Performances

Mainpiece Title: Didone

Event Comment: At Phillips's Great Theatrical Booth, Bowling Green. To begin each day at 12 Noon. Boxes 2s. 6d. Pit 1s. 6d. Gallery 1s. Upper Gallery 6d. During the time of the Fair the Town will be entertain'd with an excellent droll, The Distress'd Merchant...Mr Phillips has been at great Expense in getting proper Machinery, Habits, and Decorations

Performances

Mainpiece Title: The Distress'd Merchant; Or, The Jew Of Venice

Afterpiece Title: The Escapes of Harlequin; or, Fribble Trick'd

Dance: Comic Dance,%Humours of Cloth Fair-

Event Comment: Both pieces by His Majesty's command. [John Pringle wrote to Blayney Townley on 14 Nov.: Great are the disputes at present between the rival theatres, vieing with each other in different characters which afford unusual entertainment to all frequenting the stage. His Majesty on Saturday night paid his first visit to Covent Garden in perference to the opera at Drury Lane, when Lady Townley by Pegg Woffington gave him great pleasure, with the addition of unusual huzzas in a part of the Miller of Mansfield." -Historical MS Commission, 10th Report, Appendix, Part IV (London 1887), p. 257.

Performances

Mainpiece Title: The Provok'd Husband

Cast
Role: Moody Actor: Dunstall

Afterpiece Title: The King and Miller

Event Comment: Benefit for the Widow Vince (Cross). Tickets at Temple-Exchange Coffee House; Fleet St.; Mr Hanson's, Poulterer, Corner Fleet Market; the Cock at Temple Bar, and at Stage Door (playbill). This night Mr Foote open'd an Oratory against Macklin at ye little Haymarket House--great crowd-great Applause (Cross). Receipts: #190 (Cross)

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Devil to Pay

Dance: II: A Hornpipe-Mathews; IV: A New Dance-Sga Sabatini, as17541115

Event Comment: At the Great Tiled Booth, Bowling Green. Mainpiece: An Historical Play presented by Warner and the Widow Yeates's Company of Comedians, during the time of the Fair. The Scenes and Cloaths are entirely New, and the Droll the same that was performed by Mrs Lee, twenty Years ago, with Great Applause. [Repeated.

Performances

Mainpiece Title: The Unnatural Parents; Or, The Fair Maid Of The West

Afterpiece Title: The Comical Humours and Adventures of Trusty, her Father's Man, and Three Witches

Entertainment: Kettle Drums-Jos. Woodbridge. A Good Band is provided consisting of Kettle Drums, Trumpets, French Horns, Violins, Hautboys, Bassoons

Event Comment: This night the Riot was very Great, the Gentlemen came with Sticks, & tho' the play went on quiet 'till the last Act, we had there a great Stop, notwithstanding we ended it, & then the rout went on, ye Boxes drove many out of the Pit, & broken heads were plenty on both Sides; the dance began,--was Stop'd--& so again & again--while this was doing numbers were assembl'd in the Passages of the pit, broke down & were getting into the Cellar, but were repuls'd by our Scene men &c.--heavy blows on both sides--Justice Fielding--& Welch came with Constables & a Guard; but without effect, tho' the Justices stood upon ye Stage--I thought ye proclamation must have been read--after ye battle in the Passages numbers went & broke Garrick's Windows in Southhampton Street, --part of ye Guard went to protect it-Garrick was oblig'd to give up the Dancers-& ye Audience disperc'd (Cross). This day publish'd at 1s. The Country Coquet; or, Miss in her Breeches, a Ballad Opera, as it may be acted at Drury Lane. @Men, some to business, some to pleasure take@But every woman is at heart a Rake.@ Pope By a Young Lady. Printed for and sold for J. Major, in Three-Tun Court, leading from the Ship in Ivy Lane into Newgate Market. Receipts: #200 (Cross)

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: The Chinese Festival

Event Comment: Speedily will be publish'd at 1s. 6d. Dedicated to David Garrick Esq a New Edition of the Orphan of China...acted at Paris with great applause. [A weekly writer says of this performance: "I could wish that our modern Play-wrights would endeavor to imitate this author in the judicious choice and dispositions of their Fable; and further think this very piece not unworthy the notice of our managers. The Translator has indeed, with great propriety, laid his version at Mr Garrick's door, since there is nobody so well qualified to take the orphan under their protection."] Printed for R. Baldwin in Paternoster Row. Receipts: #220 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Apprentice

Event Comment: Benefit for Sga Passerini at the Great Room, Dean Street, Soho. N.B. The Pastoral will precede the Oratorio. The Pastoral, by Desire. The overture and greatest part of which composed by his Majesty the King of Prussia. Mainpiece by Handel. Tickets for the 29th will be taken. Tickets at half a guinea for the Pit, and 5s. for the Gallery. To begin at 6:30 p.m. [The Pastoral is not named in the Bill, but from comment on its musical composer is deemed to be Charlottenburg Festegiante. See 16 March.

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: Charlottenburg Festegiante

Performances

Mainpiece Title: An Impromptu Faragolio

Performance Comment: An Address-Cibber; Comic Oration-Miss Dorothy Midnight; Hooley and Farley, a Scots song-Lauder; Blindman's Buff-; Comic Lectures-Cibber; Lilliputian Taylors-Master Settree, Miss Twist; Wounded Gizzard-Lauder; Grand Concerto for French Horns-; Kitty-Miss Gaudry; Auction-Cibber; Italian Air-Signora Mimicotti as17570902; Italian Peasants-Joly, Madam Dulisse as17570902; The Marine Boys Marching to Portsmouth-as17570617; Handel's Water Musick-Mother Midnight; Dialogue-Mr Gaudry, Miss Gaudry; Speech of Old Time to the People of Great Britain-; Minuet-Master Settree, Miss Twist; Miss Midnight, for this Night only, will give Caudle; Comic Epilogue-Miss Midnight riding on an Ass; Prussians March to Bohemia-; Colin and his Rival Lassies-.

Afterpiece Title: Harlequin's Frolic

Event Comment: Benefit for a Widow Gentlewoman in great Distress. To begin at half an hour past Six. A greater number of Tickets being disposed of than Mr Hickford's Room can contain, makes it necessary to remove the performance to Dean St. Books of the Serenata will be sold at the place of performance

Performances

Mainpiece Title: Acis And Galatea

Music: First Violin-Brown; Second Violin-Froud; First Violoncello-Gordon; Harpsichord-Cooke; Between I and II: a Concerto on Hautboy-Vincent

Event Comment: OObrien did Brazen, for his first appearance, & met with great Applause (Cross). [See a two-column comment on The Recruiting Officer and O'Brien's acting in Theatre No II published in The London Chronicle, No. 277, 5-7 Oct., p. 343: "The character of Brazen never existed in human nature, but is merely the child of Farquhar's own licentious invention...and for this reason I imagined it impossible for any actor to appear to advantage in it, without having recourse to that buffoonery and grimace which has always been made use of by the most eminent to support it; but I was agreeably surprised to find myself mistaken: for the young gentleman who has now got it into his possession goes through the whole with a genuine comic spirit; and, by his peculiar method of acting it, in a great measure corrects the unnatural absurdity of the writer." Specific details of his acting as well as comments on other roles are given.] Receipts: #150 (Cross); #174 3s. 6d. (Winston MS 8)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Anatomist

Event Comment: At Shuter's Booth, George Yard. At Shuter's Warehouse [in advance notices]; At Shuter's Theatrical Microcosm. [The English Mirror is not the name of a play.] Mr Shuter begs leave to acquaint the Public that his English Mirror is highly polished, and he hopes it will give the greatest Satisfaction, especially as it is the true English Manufacture reflecting the most striking Views of Modern Times and National Glory. He would be very far from imposing upon the Inhabitants of this great Metropolis, and, unconscious of a Puff, he takes upon him to say that the Gay and Learned will find his Piece ornamented with a Festoon of Flowers gathered by an admitted Genius on the Banks of Avon and enriched with Wreaths twined by the Fingers of the Muses. Here it may be said Pomona has given the Apple Wit, in which every agreeable Flavour is combined, and Bacchusr has sent a Store of genuine Falernian from a Receipt which anciently belonged to Homer, and has lately been discovered with the Ruins of Herculaneum. In fact we shall give a new Exhiliration to Mirth, and dilate the Sides of Laughter, make Vice bleed under the corrective Lash, and give a Lecture that shall stimulate Virtue to pursue the Road of Happiness. [Repeated.

Performances

Mainpiece Title: The English Mirror; Or, Fun At The Fair