SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "G Thorn Drury"/1) | (@(roleclean,performerclean) "G Thorn Drury")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 776 matches on Event Comments, 263 matches on Performance Comments, 73 matches on Author, 64 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: The Englishman in Paris

Performance Comment: As17681021, but Buck-King (from Drury Lane); Subtle-Lewis.

Dance: End: The Wapping Landlady, with Double Hornpipe, as17690408

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: As17690307 but Patty-Mrs Baddeley (from Drury Lane); Theodosia-Miss Valois.

Afterpiece Title: The Knights

Dance: End: The Wapping Landlady, Double Hornpipe, as17690408

Performances

Mainpiece Title: The Countess Of Salisbury

Performance Comment: As17681029, but Alwin-Bensley, 1st time; Raymond-Packer (from Drury Lane); LaRoches-Davis.

Afterpiece Title: Catherine and Petruchio

Dance: III: The Provenzales-Mas. Blurton, Miss Besford, Miss Ford [see17681123]; End: The Merry Sailors, as17680920

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Thomasand Sally

Performance Comment: As17690414 but Sally-Miss Young (from Drury Lane.)

Dance: I: (By Particular Desire) a Minuet-Aldridge, Mrs Bulkley; III: The Tambourine, as17690314 End: A New Dance call'd the Whim-Aldridge, Sga Manesiere

Event Comment: FFreeholder's Magazine, Jan., p. 247: A Card. The frequenters of Drury Lane playhouse present their compliments to Mr Garrick, and take the liberty of reminding him, that as he has now no capital performer, besides himself, belonging to that house, to engage Mr Lee, if at liberty. As Mr Garrick's reputation as a player, and a fortune, are now established upon a basis sufficiently firm and solid, he need not entertain those jealous apprehensions of Mr Lee he formerly did. And as the Public have encouraged Mr Garrick so far, as to acquire an immense fortune, they esteem it incumbent upon him, in point of gratitude, to oblige them in whatever may contribute to their satisfaction and pleasure

Performances

Mainpiece Title: False Delicacy

Afterpiece Title: The Jubilee

Event Comment: The Afterpiece a New Pantomime [by Henry Woodward, satirizing Garrick's Jubilee] with New Music by Fisher. New Scenes painted by Messrs Dahl and Richards. Nothing under Full Prices will be taken. [Full Prices notice throughout the run of the pantomime this season. Town and Country Magazine (from Theatre No XIII) comments: "In the Pageant scene several of the characters that walk at Drury Lane are highly ridiculed, particularly Mark Antony and Cleopatra, who dance off with their black retinue to the playing of casquets." The scene closes with the descent of the statue of the late Mr Rich under the name of Lun, and the Harlequins all pay him honour.] Receipts: #250 6s

Performances

Mainpiece Title: The Refusal

Afterpiece Title: Harlequin's Jubilee

Event Comment: By Command of their Majesties. Tickets to be had and Places for the Boxes to be taken of Mr Johnston at the Stage Door of the Theatre, at Half a Guinea. Pit 5s. First Gallery 3s. 6d. Second Gallery 2s. The doors to be opened at 5 o'clock. To begin at Half past six. [Stanley and Smith carried their Royal Prerogative over to Drury Lane this season.

Performances

Mainpiece Title: Samson

Music: FFirst Violin-Barthelemon; Concerto on Hautboy-Fischer

Event Comment: This day Publish'd Price 6d. Three Old Women Weatherwise: an Interlude, as performed with great applause at the Theatre Royal in Drury Lane. Printed for S. Bladon

Performances

Mainpiece Title: None

Event Comment: Mr Inchbald from the Norwich Compy. made his first appearance in Osmyn very bad Figure, Indifferent voice and a very bad Actor. a Small hiss at End of Play (Hopkins Diary). Osmyn, Young Gentleman (Cross Diary). This appears to be the last night of Miss Younge's performing in London this season--She left Drury Lane, and went ot Dublin. Mr Joseph Inchbald became an actor in the York Company of Comedians--He died at Leeds in Yorkshire, where he is buried--I knew him intimately--he was an excellent man, and an admirable actor of old comic characters, and of drunken men--He was at once-poor fellow-the greatest Sloven and in many Particulars of the nicest Delicacy too, that could be imagined (Hopkins Diary-MacMillan)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: The Mistake

Performance Comment: Don Carlos-Jones; Don Alvarez-young Gentleman; Don Felix-Booth; Don Lorenzo-Perkins; Lopez-Hall; Sancho-Smith; Isabella-Miss Vincent; Jacinta-Mrs Smith; Leonora-Miss Fairlamb; Camillo (with a Song in Character)-Mrs Forbes (who play'd Arbaces in Artaxerses at Drury Lane).

Afterpiece Title: The Padlock

Music: End: Concerto on Flute-Palmer

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Author

Performance Comment: As17710319 but Cadwallader-Bannister (from Drury Lane); Mrs Cadwallader-Mrs Gardner; Poet-_; Printer's Devil-_; Robin-_.

Dance: I: The Tartars, as17701003; I Farce: (By Desire) An Allemande-Aldridge, Mrs Bulkley (playbill)

Event Comment: The Doors to be opened at Five o'clock. To Begin exactly at Six o'clock. [Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s.] Vivant Rex et Regina. [Customary footnote for each succeeding Bill. Only significant variations will be noted further. Criticism: For contemporary comment on performances and plays this season see John Potter's Theatrical Review, or New Companion to the Playhouse. 2 vols. London, 1772, a day by day account of Plays and actors at Drury Lane and Covent Garden theatres for the season 1771-72. He is rather severe in his comments on most of the actors at cg. The four relatively constant expenditures set up for each night this season include music: averaging #7 5s.; wardrobe charges of from 1 to #3; properties 7s. to #1; and renters, paid to Garton, the treasurer, #10. Extras, when they occur, which is almost nightly, for such things as kettle drum, side drum, bagpipes, chorus singers, supernumeraries, together with all repair bills paid advances to actors, &c. are duly recorded. I include only what appear to be significant ones which illustrate the theatre as a show business.] Receipts: #186 4s. 6d. (Account Book)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Commissary

Dance: End of Play: The Dutch Milkmaid-Mas. Blurton, Miss Besford. [See17700924.

Event Comment: [The play bill of the day noted that Baddeley from Drury Lane would play Polonius for Shuter who had sprained his ankle (Hogan).] Receipts: #207 6s. (Account Book)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Midas

Event Comment: Paid Mr Chapman for horsekeeping [for Jubilee] #12 6s. (Treasurer's Book). [Published this month A Letter to David Garrick, Esq. on his conduct as Principal Manager and Actor at Drury Lane. Printed for S. Bladon. Accuses Garrick of controlling the press, save for two papers, and thus getting more favourbale treatment than his position and actions deserve. "You are a mere actor. You affect to feel where you do not, and imitate tones, looks and gestures, while your heart is at ease. This should heighten our opinion of you as an artist, whatever we might think of you as a man. I believe you are not generally judged of in this manner. It is not difficult to impose on the world." The author (David Williams?) deprecates Garrick's supposed handling of the actors of his company, and desires to see more Shakespeare. Suggests Garricks' acting perfection lies in the extreme, in exaggerated gesture, and sudden bursts of passion." Suggests he is getting old and should try his hand at Shylock.] Receipts: #271 (Treasurer's Book)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: Wit's Last Stake

Event Comment: Paid Mr Dibdin's draft on Managers, #50; Mrs Weston 4 nights in the Garter in full, 10s. (Treasurer's Book). Mr Daigueville, First Dancer and Ballet Master at Drury Lane House, gives notice to the Nobility and Gentry, that he has an elegant dancing room, No. 38 Cow Lane, Snowhill; where he continues to teach every day the Dauphin's Minuet and others...Teaches abroad also when required; and at the request of his scholars, he will give a Ball on the 10th instant. The Gentlemen are desired to call at his house for the tickets 10s. 6d. each, to admit one Gentleman and a Lady. If any Gentleman wants the Ballroom for private assembly or concert they may have it for one or two nights in the week. Receipts: #159 6s. (Treasurer Book)

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Witches

Event Comment: G[arrick] This Night was advertis'd for Mr Barry's Benefit but he being ill his Benefit was deferr'd (Hopkins Diary). Garrick is removed from Southampton St. to Adelphi Terrace (Winston MS 10). This day is publish'd Theatrical Biography; or, Memoirs of the principal performers of the three Theatres Royal. Drury Lane: Garrick, Barry, Reddish, Aickin, King, Moody, Dodd, Love, Vernon, Parsons, Baddeley, Mrs Barry, Mrs Abington, Miss Younger, Miss Hayward, Mrs Baddeley, Miss Pope, Mrs Egerton, Mrs W. Barry and Mrs Jefferson. Covent Garden: Ross, Smith, Savigny, Woodward, Yates, Shuter, Bensley, Dyer, Mattocks, Clark, Mrs Yates, Mrs Mattocks, Miss Macklin, Mrs Bulkley, Mrs Green, and Mrs Thompson. Haymarket: Foote, Weston, Aikin, Didier, Davies, Mrs Gardner, Mrs Jewell, and Mrs Didier. Together with critical and impartial remarks on their respective professional merits. Printed for S. Bladon. Receipts: #265 18s. (Treasurer's Book)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Lyar

Dance: V: The Sailors Revels, as17711008

Performances

Mainpiece Title: Hamlet

Performance Comment: As17710925, but King-Clarke, 1st time; Laertes-Davis; Polonius-Baddeley (from Drury Lane); Ophelia-Mrs Lessingham; 1st time. Rosencraus-_; Guildenstern-_.

Afterpiece Title: Chrononhotonthologos

Monologue: True Blue. As 7 April, but Principal Parts-Mrs Mattocks, Mrs _Baker

Event Comment: Benefit for Mrs Egerton. Afterpiece: Not acted in 3 years. [See 3 April 1769.] [Genest in Volume of News Clippings (Harvard Library) quotes Edinburg Evening Courant of 29 April: Last night between the play and the farce at Drury Lane Theatre, a disturbance arose which continued for a full hour. Mr Weston it appeared was in debt to the managers a considerable sum of money, on which account they had impounded all the cash received on his benefit night. This the comedian did not like, and therefore yesterday evening sent word that he could not play, that he was arrested and detained in a springing house, but desired that no apology should be made of his being 'suddenly ill' (the usual stage plea) as it would be an egregious falsehood. After the play Mr Vernon came forward and inform'd the audience that Mr Weston 'was suddenly taken ill' and could not perform. Weston instantly started up in the front of the upper Gallery, and inform'd the house that he was not ill, but in the custody of an officer, and if the audience would have patience he'd inform them of the whole affair. A long altercation ensued. The Managers sent on Mr Vernon repeatedly; and after much pro and con Weston came down and played his part of Sneak." The article must have referred to the 24th of April, when Weston play'd Sneak in The Mayor of Garratt. The Managers promis'd the Town a publication of the whole affair."] Paid Mr Brathwait for men's cloaths #33s. Receipts: #200 8s. Charges: #70 12s. Profit to Mrs Egerton: #129 16s. (Treasurer's Book)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Citizen

Entertainment: V:(By Desire,) Cupid's Remonstrance, as17720427

Event Comment: The last night of the Subscription of this Season. N.B. By particular desire many of the Nobility and Gentry who are engag'd to Drury Lane Theatre on Tuesday next for the benefit of decay'd actors, the last serious opera of Demetrio (Music entirely new, Composed by Guglielmi) is deferred till Wednesday next when Mlle Heinel is to dance for the last time of her engagement in England

Performances

Mainpiece Title: Artaserse

Dance: As17720519

Event Comment: Mainpiece: Not acted for 14 years, altered from Shirley. [See 7 Feb. 1758.] Characters New Dress'd in the Habits of the Times. This Comedy is reviv'd with Alterations. It is well perform'd & had great Applause (Hopkins Diary). Paid Half year's paving &c. to Mich. last for Drury Lane & Russel St. #14. Mr Godfrey for women's cloaths, #15. Mr Clutterbuck's last summer's balance #57 15s. 2d.; Mrs Foster for men's cloaths, #25 (Treasurer's Book). Receipts: #121 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Gamesters

Afterpiece Title: The Witches

Event Comment: Paid Patrick (tinman) #51 19s. (Account Book). As the tragedy of Elfrida, written (after the Greek manner) by that most excellent poet Mr Mason, has met with such singular applause at Covent Garden Theatre, I cannot help lamenting that our English Roscius has never had a play of Sophocles (translated into English blank verse) represented at Drury Lane. The plays in general, are the finest ever written; and the Oedipus Tyrannus is, in my opinion, the properest to be represented at present, both for the grandeur of the chorusses and the magnificence of the scenery. I mention this because I think this new species of drama would be better received, by an English audience, than all the Golden Pippins, or Nonpareils, that have lately appeared on the stage. (signed) Cantab (Gentleman's Magazine , XLIII, 74). Receipts: #183 16s

Performances

Mainpiece Title: Elfrida

Afterpiece Title: Cross Purposes

Dance: End of Piece: The Bird Catchers, as17721207

Performances

Mainpiece Title: La Zingara; Or, The Gipsey

Performance Comment: Vocal parts-Dibdin (of Drury Lane), Phillips, Mrs Barthelemon.

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: Lord Aimworth-Davies; Sycamore-Parsons; Giles-[Fearon]; Ralph-Dibdin; Merwin-J. Aickin; Fairfield-Aickin; Patty-Mrs Hunt; Theodosia-Mrs Scott; Fanny-Mrs Wrighten (from Drury Lane); first time; Lady Sycamore-Mrs Williams[, first time., first time.

Afterpiece Title: The Mock Doctor

Monologue: 1773 9 20 Interlude. Piety in Pattens. As 23 Aug

Performances

Mainpiece Title: King Henry Viii

Performance Comment: King Henry-Moody (from Drury Lane); Wolsey-Bensley; Norfolk-Davis; Suffolk-Owenson; Surrey-Dyer; Lord Chamberlain-Lewes; Campeius-DuBellamy; Sands-Kniveton; Buckingham-Wroughton; Cranmer-Gardner; Cromwell-Hull; Gardiner-Shuter; Anne Bullen-Mrs Baker; Patience (with a Song)-Miss Twist; Queen Catherine-Mrs Hartley; In Act I, The Banquet with dancing-Fishar, Miss Twist; Act IV, the Procession from the Abbey at the Coronation of Anne Bullen-; With the New Occasional Prologue (spoken but once)-Woodward.

Afterpiece Title: The Musical Lady

Event Comment: [Before the performance this evening Macklin came to the audience in person with a sheaf of newsclippings in his hand and belabored his detractors, falsely accusing Reddish and Sparks from Drury Lane as leading a planned coalition against him. The play went on with applause, but affidavits sworn under oath by both Sparks and Reddish the following day, brought the dispute to such a head in the newspaper that a riot occured the night of 18 Nov., when Macklin did Shylock (since Colman would not risk Macbeth after 13 Nov.) and announcement was made by Colman that Macklin had been dismissed. See 23 Oct.] Receipts: #152 11s. 6d. (Account Book)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Upholsterer