SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "G Lady Chaworth"/1) | (@(roleclean,performerclean) "G Lady Chaworth")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5049 matches on Performance Comments, 2666 matches on Event Comments, 535 matches on Performance Title, 56 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Shuter. Mainpiece: Not acted in 10 years. Receipts: #194 10s. in cash, plus #147 18s. from tickets (Boxes 378; Pit 356). Charges #64 5s. Advanced to Mrs Ward #30. [Shuter called for imaginative participation of his audience in his Medley Skit (see Larpent MS 171): @"Suppose my dress alter'd with each exhibition....@If I speak like a Dutchman, or Brogue it like Paddy,@Or mimic Monsieur, or lisp like a Lady"@ Parts for The English Sailors in America (by G. A. Steevens) are listed in Larpent MS 172: Indian King , English Captain , Irishman , Sailor Ned and Sailor Ben , a Black Messenger , Guards , White Savage Lady , Black Woman , Image .

Performances

Mainpiece Title: The Royal Merchant Or The Beggars Bush

Dance: TThe Dutch Skipper-Poitier

Entertainment: E+Extravaganza. Shuter will entertain the audience in an Oratorical, Poetical, Operatical Method (never befoer attempted) with a Comic Extravaganza call'd A Day of Taste; or, London Raree Show-Shuter being a Ranelagh Breakfast, a Coffee House Conversation, An Auction at Noon, and the Choice Spirits at Night; conclude with: The Cries of London-. *uó‘cg To which will (By Desire) be added (for this Night only) Mr Shuter's Droll that was perform'd at Bartholomew Fair, call'd The English Sailors in America. Mackfinnen (the Irish Volunteer)-Shuter; Princess-Miss Dawson, her first Time of speaking on the stage

Performances

Mainpiece Title: King Richard Iii

Cast
Role: Lady Anne Actor: Mrs Siddons, first time

Afterpiece Title: The Anatomist or The Sham Doctor

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Invasion or A Trip to Brighthelmstone

Performance Comment: Principal Characters by Quick, Whitfield, Mahon, Wewitzer, Brunsdon, Egan, Lee Lewes, Mrs Pitt, Mrs Morton, Mrs Willems, Mrs Green. Cast from text (G. Kearsly, 1778): Sir John Evergreen-Quick; Charles Evergreen-Whitfield; Beaufort-Mahon; Drill-Wewitzer; Tattoo-Brunsdon; Roger-Egan; Cameleon-Lee Lewes; Brussels-Mrs Pitt; Emily-Mrs Morton; Maid-Mrs Willems; Lady Catherine Rouge-Mrs Green; New Prologue-Whitfield.

Song: In: To thee O gentle sleep!-Mrs Farrell

Performances

Mainpiece Title: The Belles Stratagem

Performance Comment: Doricourt-Lewis; Sir G. Touchwood-Wroughton; Flutter-Lee Lewes; Saville-Aickin; Villers-Whitfield; Courtall-Robson; Silver Tongue-W. Bates; Hardy-Quick; Lady Touchwood-Mrs Inchbald; Mrs Racket-Mrs Mattocks; Miss Ogle-Mrs Morton; Letitia-Miss Younge.
Cast
Role: Lady Touchwood Actor: Mrs Inchbald

Afterpiece Title: The Humours of an Election

Dance: As17801107

Performances

Mainpiece Title: The Belles Stratagem

Performance Comment: Doricourt-Lewis; Sir G. Touchwood-Wroughton; Flutter-Lee Lewes; Saville-Aickin; Villers-Whitfield; Courtall-Robson; Silver Tongue-W. Bates; Mountebank-Booth; French Servant-Wewitzer; Porter-Fearon; Hardy-Quick; Lady Touchwood-Mrs Inchbald; Mrs Racket-Mrs Mattocks; Miss Ogle-Mrs Morton; Letitia-Miss Younge .
Cast
Role: Lady Touchwood Actor: Mrs Inchbald

Afterpiece Title: The Marriage Act

Performances

Mainpiece Title: King Arthur

Afterpiece Title: The Divorce

Performance Comment: Principal Characters by Palmer, Parsons, Suett, Phillimore, Griffiths, Helme, Moody; Mrs Wrighten, Mrs Hopkins, Miss Farren. [Cast from text (G. Kearsly, 1781): Sir Harry Trifle-Palmer; Qui Tarn-Parsons; Tom-Suett; Timothy-Phillimore; Sambo-Griffiths; Servant-Helme; Dennis Dogherty-Moody; Biddy-Mrs Wrighten; Mrs Annaseed-Mrs Hopkins; Lady Harriet Trifle-Miss Farren.] Prologue spoken by Palmer. Epilogue (taken from a celebrated passage in Thompson's Seasons [an abridgement of lines 1113-65 of Spring]) spoken by Miss Farren. [The Prologue was spoken, as here assigned, at all subsequent performances. The Epilogue was spoken, as here assigned, at the first 3 performances only (see17811115).] hathi. Prologue spoken by Palmer. Epilogue (taken from a celebrated passage in Thompson's Seasons [an abridgement of lines 1113-65 of Spring]) spoken by Miss Farren. [The Prologue was spoken, as here assigned, at all subsequent performances. The Epilogue was spoken, as here assigned, at the first 3 performances only (see17811115).] hathi.

Song: As17811022

Performances

Mainpiece Title: The Belles Stratagem

Performance Comment: Doricourt-Lewis; Sir G. Touchwood-Wroughton; Flutter-Bonnor; Saville-Aickin; Villers-Whitfield; Courtall-Davies; Porter-Fearon; French Servant-Wewitzer; Hardy-Quick; Lady Touchwood-Mrs Kemble; Mrs Racket-Mrs Mattocks; Miss Ogle-Mrs Morton; Kitty Willis-Miss Stuart; Letitia-Miss Younge .
Cast
Role: Lady Touchwood Actor: Mrs Kemble

Afterpiece Title: The Son in Law

Performances

Mainpiece Title: All In Good Humour

Cast
Role: Short Lady Actor:

Afterpiece Title: Cross Partners

Performance Comment: Principal Characters by Wilson, King, Williamson, Palmer, Wewitzer, Farley, Johnson, Lyons, Mrs Webb, Mrs Goodall, Miss Heard, Miss Fontenelle. Cast from text (C. and G. Kearsley, 1792): Sir Charles Cullender-Wilson; General Touchwood-King; George Cleveland-Williamson; Captain Herbert-Palmer; Corporal Smack-Wewitzer; Pompey-Farley; Thomas-Johnson; Servant-Lyons; Lady Diana Dupely-Mrs Webb; Maria Sydney (formerly Sophia Hobson)-Mrs Goodall; Louisa Fairfax-Miss Heard; Mrs Mutter-Miss Fontenelle; Prologue-Palmer; Epilogue-Mrs Goodall.
Cast
Role: Lady Diana Dupely Actor: Mrs Webb

Performances

Mainpiece Title: Lovers Vows

Afterpiece Title: A Day at Rome

Performance Comment: Principal Characters by Incledon, Munden, Fawcett, Townsend, Rees, Linton, Gray, Street, Abbot, Blurton, Platt, Dyke, Whitmore, Lee, Mrs Davenport, Miss Wheatley, Miss Leserve, Mrs Follett, Mrs Blurton, Mrs Watts, Mrs Martyr. Cast from text (H. D. Symonds and G. Cawthorn, 1798): Rivers-Incledon; Sir Timothy Hopkins-Munden; Pisani-Fawcett; MacRusty-Townsend; Gioachino-Abbot; Lady Hopkins-Mrs Davenport; Juliana-Miss Wheatley; Mrs Blarney-Mrs Martyr; unAssigned-Rees, Linton, Gray, Street, Blurton, Platt, Dyke, Whitmore, Lee, Miss Leserve, Mrs Follett, Mrs Blurton, Mrs Watts.
Cast
Role: Lady Hopkins Actor: Mrs Davenport

Performances

Mainpiece Title: Othello

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Irish Widow

Dance: I: The Irish Fair, as 18 Sept

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: May Day

Performances

Mainpiece Title: Artaserse

Dance: End I: new Ballet, Les Oiseleurs-Sg Zuchelli, Sga Zuchelli, Mlle Vidini, LeDet; End II: Les Moissonneurs, as17781229; End: Les Nymphes de Diane, as17781124

Performances

Mainpiece Title: Enea E Lavinia

Dance: End I: a new Ballet, Hippomene et Atalante. Hippomene-Simonet, Atalante- Mlle Baccelli, Sg and Sga Zuchelli, Mlle Vidini, Slingsby; End II: a new Ballet, connected with the Opera, +Les Forges de Vulcain. Venus-Mme Simonet, the 3 Graces- Sga Zuchelli, Sga Tinti, Miss Rose, +Cupid- young Miss Simonet, +the 3 Cyclopes- Banti, Zuchelli, LeDet, +Vulcain- Slingsby; With a grand Chorus of the Cyclopes by $Sacchini-

Ballet: End Opera: a new Serious Ballet, La Fete du Ciel. Apollo-Mme Simonet; Flora-Sga Tinti; Zephir-Banti; Iris-Mlle Baccelli; To conclude with a grand Chaconne, in which-Mme Simonet will dance in a Man's Dress

Performances

Mainpiece Title: Artaserse

Dance: As17850329hroughout

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: LODOISKA

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Miss in her Teens

Entertainment: Monologue. End: Occasional Address-the Widow (see below); After which: Collins's Ode on the Passions-Mrs G. Aickin

Performances

Mainpiece Title: The School For Scandal

Performance Comment: Sir Peter Teazle-Munden; Sir Oliver Surface-Murray; Sir Benjamin Backbite-Knight; Joseph Surface-Pope; Charles Surface-Lewis; Crabtree-Quick; Careless-Clarke; Rowley-Davenport; Moses-Fawcett; Trip-Farley; Snake-Powel; Mrs Candour-Mrs Mattocks; Lady Sneerwell-Miss Chapman; Maria-Miss Mansel; Lady Teazle-Mrs Abington.

Afterpiece Title: The Raft or Both Sides of the Water

Afterpiece Title: Lovers Quarrels

Song: In III 1st piece: a song-Incledon

Event Comment: Pepys, Diary: We met with Mr Salisbury, who took Mr Creed and me to the cockpitt to see The Moore of Venice, which was well done. Burt acted the Moore; by the same token, a very pretty lady that sat by me, called out, to see Desdemona smothered. Possibly Clun acted Iago. Pepys (6 Feb. 1668@9) refers to his playing that role, and a reference to Clun as Iago appears in A Most Execrable Murther in A Little Ark, ed. G. Thorn-Drury, pp. 30-31. See also entry of 14 Aug. 1660

Performances

Mainpiece Title: The Moore Of Venice

Event Comment: In an edition of Covent Garden Drollery, M. Summers, p. 67, prints an Epilogue, Spoken by the Lady Mary Mordant, before the King and Queen, at court, to the faithfull Shepherdess; Summers includes a letter (p. 121) from Gerrard to Lord Strafford, 9 Jan. 1662@3, concerning a performance of The Faithfull Shepherdess at Court. In another edition of the Covent Garden Drollery (London, 1928), G. Thorn-Drury argues that the performance belongs to Twelfth Night, 1633@4 (pp. 146-47)

Performances

Performances

Mainpiece Title: Psyche Or Loves Mistress

Event Comment: The Duke's Company. It is uncertain whether this performance and those for 13 and 28 March belong to 1670@1 or 1671@2. They are on the L. C. list, 5@141, p. 2 (see also Nicoll, Restoration Drama, p. 347), but VanLennep's discovery of an L. C. list for the Duke's Company covering March 1670@1 but not including these plays led him to believe that they Pertain to March 1671@2. See VanLennep, Plays on the English Stage, p. 19. On 9 March 1670@1 or 1671@2 Henry Herbert qranted permission to the Duke's Company to act The Lady Errant. See The Plays and Poems of William Cartwright, ed. G. Blakemore Evans (Madison, Wisc., 1951), p. 85

Performances

Mainpiece Title: Hannibal

Event Comment: The United Company. Newdigate newsletters, 20 Jan. 1682@3: Yesterday was acted at the Theatre Royall the first of a new play Entituled the City Politiques the novelty of wch drew a Confluence of Spectators under both Qualifications of Whigg and Tory to hear and behold a Ld Mayor Sheriffs & some Aldermen with their wives in yr usuall formalityes buffoond & Reviled a great Lawyer with his young Lady Jeared and Intreagued Dr Oates pfectly represented berogued & beslaved the papist plott Egregiously Rediculed the Irish Testemonyes Contradictiorily disproved & befoold the Whiggs totally vanquished & undon Law & property men oreruld & there wanted nothing of Artifice in behaviour and discourse to render all those obnoxious & dispised in fine such a medly of occurences intervened that twas a question whether more of Loyalty designe or Rhetorique prvailed but there were mighty clappings among the poeple of both partyes in Expressing either their sattisfaction or displeasure (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81). The Prologue and Epilogue, separately Printed, have 20 Jan. 1682@3 as Luttrell's date of acquisition (Huntington Library) and are reprinted in Wiley's Rare Prologues and Epilogues, pp. 166-69. John Dennis, To Mr --- In which are some Passages of the Life of Mr John Crown, Author of Sir Courtly Nice, June 23, 1719: About that time he writ The City Politicks, on purpose to Satyrize and expose the Whigs; a Comedy so agreeable, that it deserv'd to be writ in a much better Cause: But after he had writ he met with very great Difficulties in the getting it acted. Bennet Lord Arlington, who was then Lord Chamberlain of the King's Houshold, and who had secretly espous'd the Whigs, who were at that time powerful in Parliament, in order to support himself against the Favour and Power of the Lord Treasurer Danby, who was his declared Enemy, us'd all his Authority to suppress it. One While it was prohibited on the account of its being Dangerous, another while it was laid aside on the pretence of its being Falt and Insipid; till Mr Crown at last was forc'd to have Recourse to the king himself, and to engage him to give his absolute Command to the Lord Chamberlain for the acting of it; which Command the King was Pleas'd to give in his own Person (I, 49-50). Morrice Entry Book, Vol.1 1682@3: Mr Crowne [was cudgled on Wednesday last in St Martin's Lane and] hee that beat him said hee did it at the suite of the Earle of Rochester some time since deceased who greatly abused in the play for his penetency &c. (p. 353. I owe this note to the courtesy of Professor David M. Vieth of the University of Kansas and Professor G. H. Jones of Kansas State University)

Performances

Mainpiece Title: The City Politiques

Event Comment: Tickets deliver'd out by Miss Copin for the Merchant of Venice will be taken to the Conscious Lovers (General Advertiser). This day is publish'd, Price 1s., A Letter of Complaint to the Ingenious author of a Treatise on the Passions, so far as they regard the stage; with a critical Enquiry into the theatrical merit of Mr G-k, Mr Q-n, and Mr B-y, &c. With some further remarks on Mr M-n. And a few hints on our modern Actresses, particularly Mrs C-r and Mrs P-d. Magna est Veritas, & pravalebit. Printed for C. Corbett, over against St. Dunstan's Church, Fleet St. (General Advertiser). [Illuminating discussion of actors' abilities]: The Stage is much indebted to Mr M- for his incessant successful endeavours; he not only grac'd it with his own personal merits, but rais'd up several Branches who tho' they have not yet quite eclips'd Mr Giffard's Nursery from Goodman's Fields, will certainly in time prove stars of the first magnitude.--(p. 28). Touch Messrs. Giffard and Ryan and give them better voices; there is nothing else wanting. Help Mr Delane to a new manner and judgment to display the best pipe that ever was heard. Polish a little the rough Beauties of Mr L. Sparkes, give the sensible Mr Havard a few more spirits; and mend the Humour of Hippisley, Chapman, Barrington, and Blakes if you can. Poor Yates wants nothing but a front of brass, a necessary self-sufficient Manner of pushing himself upon a Publick.--(p. 31). If Mrs Giffard's Manner was equal to her understanding, she wou'd compell everybody to acknowledge her a surprising Performer. In Lady Macbeth she is excellent; and Hermione was very near eclipsing a much more popular actress; in short in every Part she performs, the severest of her enemies cannot but own she is more than decent.--(pp. 32-33). [Gives two pages each to discussion of Mrs Clive, Mrs Woffington, Mrs Cibber, and Mrs Pritchard.

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Dragon of Wantley

Dance: New entertainments-Salomon, Sga Padouana, Salomon's son

Performances

Mainpiece Title: Merope

Afterpiece Title: The Hermit or Harlequin at Rhodes