SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "English High German Dutch and Morocco Companies"/1) | (@(roleclean,performerclean) "English High German Dutch and Morocco Companies")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2260 matches on Event Comments, 1398 matches on Performance Title, 534 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Being oblig'd to begin exactly at 6 a Clock, by reason of the Practice. Admission as 25 Feb. [The shortness of the farce, high admission charges, and mention of a "Practice" suggest that the spectators were privileged to remain for the rehearsal of an opera, presumably Hydaspes. See also 6 March.

Performances

Mainpiece Title: The School Boy

Event Comment: Benefit Leveridge. Afterpiece: [By Richard Leveridge.] A Comic Masque, compos'd in the high Style of Italy. N.B. The Books of the Masque are just printed for W. Mears...and sold by him, and at Mr Leveridge's in Tavistock-street. Receipts: #37 10s. 6d. and tickets #75 4s

Performances

Mainpiece Title: The Island Princess

Afterpiece Title: Pyramus and Thisbe, Lyon, Moonshine, and Wall

Performance Comment: Edition of 1716 lists: Peter Quince-Bullock Sr; Bottom-Spiller; Flute-H. Bullock; Starveling-Cocker; Semibreve-Knap; Crotchet-H. Bullock; Gamut-Cocker; Prologue-Leveridge; Pyramus-Leveridge; Wall-Randal; Lyon-Cook; Moonshine-Reading; Thisbe-Pack; Epilogue-Leveridge, Pack.
Cast
Role: Wall Actor: Randal

Music: With all New Musick (for that Night) both Vocal and Instrumental Musick-

Event Comment: Afterpiece: Compos'd in the High Stile of Italy. Receipts: #49 3s. 6d

Performances

Mainpiece Title: The Island Princess; Or, The Generous Portuguese

Afterpiece Title: Pyramus and Thisbe

Dance: delaGarde, Moreau, Thurmond Jr, Mrs Bullock, Mrs Schoolding, Miss Smith; A new Spanish Entry-Mlle Salle, Salle; a new Harlequin-Salle, Mlle Salle

Event Comment: Admission as 7 Nov. 1722. London Journal, 2 March: The new Opera Tickets are very high, and like to continue so as long as Mrs Cotzoni is so much admired. They are traded in at the other End of the Town, as much as Lottery Tickets are in Exchange-Alley

Performances

Mainpiece Title: Coriolanus

Event Comment: At about 11 a Clock at Mrs Lee's@great@Booth on the Green in Southwark, happen'd a very sad Accident: The Gallery over the Stage not being thoroughly secured, gave way, when between Twenty and Thirty People fell with it....It is high Time for Authority to interpose, to suppress those Nurseries of Lewdness, if so little Care is taken that those who resort to their Entertainments, must be in Jeopardy.--Parker's Penny Post, 13 Sept

Performances

Event Comment: As 18 March. Daily Journal, 15 April: Signora Faustina lies very ill of the Measles, attended with a high Fever

Performances

Mainpiece Title: Admetus

Event Comment: DDaily Journal, 4 June: There is building, and almost finish'd here [in Richmond], a small, but very neat and regular Theatre, a little higher on the Hill than where the late Mr Penkethman's stood. We hear it will be open'd next Week by a Company...from...Lincoln's Inn Fields, and that their first Play will be the Recruiting Officer...and that they design to perform three or four Times a Week during the Summer Season

Performances

Mainpiece Title: The Author's Farce

Afterpiece Title: Tom Thumb

Event Comment: DDaily Journal, 22 July: Last Night when the Company...was going to perform the Fall of Mortimer, the High Constable...came with a Warrant from several Justices of the Peace, to seize Mr Mullet, who play'd the part of Mortimer, and the rest of the Performers, but they all made their Escapes

Performances

Mainpiece Title: The Fall Of Mortimer

Event Comment: Benefit Author of Chrononhotonthologos. Note, the Author gives out no Tickets (a few Boxes excepted) depending intirely upon the Courtesy of the Town. Egmont, Diary, II, 40: After dinner I went to the Haymarket playhouse, where among other representations I saw the strong man show one of his feats. Two chairs were placed on the stage at such a distance as that laying himself along, his head and a small part of his shoulders rested on one, and his feet on the other, so that his body and legs were suspended in the air. Then six grown men (two of whom I observed to be remarkably tall) go up, and stood perpendicular upon his body, two on his chest, two on his body, and two on his legs. He bore them all a quarter of a minute, and bending his body downward till it almost touched the ground between the chairs, with a surprising spring and force raised his body with all that weight upon it, not only level as he lay at first, but higher in the air. The mob of the gallery not satisfied with this, hissed, whereupon he refused to show any other of his tricks

Performances

Mainpiece Title:

Entertainment: The strong Man from Islington (not in Defiance to Mynheer Cajanus) as was Yesterday improperly advertis'd, but out of good Will to the Author, and to oblige the Audience, for that Night only, will perform several surprizing proofs of Manly Strength, unequall'd yet by any

Related Works
Related Work: The Marriage Night Author(s): Henry Cary, Viscount Falkland

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Devil to Pay

Music: III: The Cuckoo Concerto by Eversman

Dance: II: Pierrots by Vallois and Delagarde. IV: Hornpipe by a Dwarf three Foot high, lately arrived from Germany. V: Hornpipe by a Gentleman who never performed on the Stage before

Performance Comment: IV: Hornpipe by a Dwarf three Foot high, lately arrived from Germany. V: Hornpipe by a Gentleman who never performed on the Stage before .
Event Comment: At the noted Yeates, Warner, and Hind's Booth in the London-Spaw Fields. Begins at Noon. The Fair runs 23, 25, 26, 28 Aug

Performances

Mainpiece Title: The Author's Farce

Performance Comment: By Wax Figures, five Feet High .

Afterpiece Title: The Mistake; or, The Lover's Quarrel

Performance Comment: By Men and Women. Concluding with the Grand Machine of the Royal Nuptials of the Prince of Orange in the Temple of Hymen .
Event Comment: Benefit Lacy. Afterpiece: A new Satyrical, Allegorical, Political, Philosophical Farce, [Apparently by Lacy.] Daily Advertiser, 30 April: Yesterday I accidentally call'd in at the Theatre in the Hay-Market, and saw the Rehearsal of a new Farce call'd Fame...Which is to be acted there on Wednesday next...for the Benefit of Mr Lacy the Author. As I am neither acquainted with him, nor the Master of the Playhouse, I cannot be accus'd of Partiality, in affirming, that I think this the best Farce this Age has produc'd. It seems to be writ in Imitation of Shakespear, and entirely calculated for the present Taste. The Characters are strong, lively, majestic, and just; the incidents natural and moving; the Conduct regular; the Distresses extremely affecting; the Stile sublime; the Sentiments grand, full of Patriotism; and the Catastrophe so masterly wrought up, that, I am persuaded, no Farce whatsoever, now acting, will draw more Tears than this. But what affected me beyond all, was, the Zeal, the exemplary Zeal of a worthy Magistrate, who so strictly adheres to the very Letter of the Law, as to send a rich and honest Merchant, and Freeholder, to the House of Correction, as a sturdy Beggar, or Loiterer. I could enlarg in its Praise, but fear I may do the Author wrong, in raising your Expectations too high. See it, and I am convinc'd you will entertain the same Sentiments of it, as does Your Humble Servant, James Lacy. Alias Fustian, alias Sour-Wit, alias--But hold:--If I should be arraign'd for the Murder of this Farce, so many Alias's will half condemn me before I am heard

Performances

Mainpiece Title: Pasquin

Afterpiece Title: Fame; or, Queen Elizabeth's Trumpets; or, Never plead's Hopes of being a Lord Chancellor; or, The Lover turn'd Philosopher; or, The Miser's Resolve upon the Lowering of Interest

Performance Comment: The Characters are, Sir Hardheart Pelf, an Usurer, and Justice of the Peace-; Counsellor Pleadwell, a Man of Honour-; in love with Charlotte, the Miser's Daughter-; Counsellor Neverplead, of Brick-Court in the Temple, an Original-; Fustian turn'd Auctioneer, preparatory to a Presbyterian Parson-; Mr Jamaica, an honest Merchant, sent as a Vagrant to the House of Correction-; Mr Quidnunc, a very deep-headed Man-; a Pack of fashionable Ladies and Beaux-; Famine, the Usurer's Servant-; George, Counsellor Neverplead's chief Clerk-.
Event Comment: LLondon Daily Post and General Advertiser, 27 Nov.: At the particular Desire of several Persons of Quality. Last Night there was a great Number of Persons of Quality and Distinction at the Theatre in Goodman's Fields, to see the Play of Richard the Third, who all express'd the highest Satisfaction at the whole Performance, several hundred Persons were obliged to return for want of room, the House being full soon after Five o'clock

Performances

Mainpiece Title: Richard Iii

Dance: two Mwo Masters and Miss Granier

Event Comment: Mainpiece, not acted in 10 years. [The British Champion, or Impartial Advertiser, No. 109, gives a four column comment upon the players versus the managers at Drury Lane. It appears to be written by a citizen appalled at the large salaries of the players as well as at the reputed high living of Fleetwood. Concludes by suggesting that theatre prices be much reduced.

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Lying Valet

Song: II: Sullivan; IV: Bumper Squire Jones-Sullivan

Dance: III: Italian Masquerade-Muilment, Desse, Leviez, Mrs Walter, Mrs Thomson

Event Comment: Benefit Dukes. 5s., 3s., 2s. At the General Session...for Courts of Middlesex...on Thursday the 10th Day of May, 17 George II....This Court being informed, that several common Players of Interludes have for several Years used and accusdomed to assemble and meet together at or near a certain place called Tattenhoe, alias Tattenhall, alias Tottenham Court, in the Parish of St.@Pancras in this County, and to erect Booths, and act or exhibit Drolls and other Shews...whereby great Numbers of His Majesty's Subjects have been encouraged to assemble and to commit Riots and other Misdemeanors, in breach of His Majesty's Peace, and to the disturbance of the Neighborhood, of that Place; and that some of the said Players of Interludes, and other evil disposed Persons, are now seeking out and contracting for ground in or near the Place aforesaid, to build Booths for showing and acting said Plays and Drolls...and whereas all such Players of Interludes are deemed and declared Rogues and Vagabonds, and the Acting of such Plays, Drolls and Shews, are contrary to the Inns and Statues of the Realm...require the High Constable to apprehend all and every Players of Interludes, Plays, and Drolls.--Daily Advertiser, 17 May

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Mock Doctor

Performance Comment: Mock Doctor-Macklin; Sir Jasper-French; Charlotte-Miss Jarvis; Leander-Newman; Hellebore-Clark; James-Nelson; Harry-Townly; Dorcas-Mrs Macklin.
Cast
Role: Leander Actor: Newman
Event Comment: TThe Suspicious Husband deferr'd by Garrick's Indisposition [repeated in the bills]. From The Museum, or Literary and Historical Register, No 25, 28 Feb. 1747, p. 382: On the Present State of the Theatre: I remember when you and I were last in Town together, some years ago, we were eternally repining at the wretched condition of the stage. Quin was then at the head of the Fraternity; but a very different man from what he is at present, and merely a bad copy of Booth; with all his mouthing and pageantry, but without his musical elocution, or his dignity. Whether Time or Emulation has had the greatest hand in Improving him, I know not; but certain it is, that he is improved, beyond what you will really imagine. He has got much more variety, and much more Spirit. He was always a tolerably just speaker; but then he has hardly anything more; he recited rather than acted....However, Rich has...got Quin, Garrick, Mrs Cibber and Mrs Pritchard to the new house. The consequence has been, that the stage was never, in my memory, so fashionable; not even in the Time of Mrs Oldfield's highest fame. A good taste both of acting and of plays themselves, is much more general than I ever expected to have seen it; and those who are skilled in such matters, tell me, that Rich will be a greater gainer this season than has been known for these many years. Receipts: #108 1s. 6d

Performances

Mainpiece Title: The Conscious Lovers

Cast
Role: Sealand Actor: Rosco
Role: Mrs Sealand Actor: Mrs James
Role: Isabella Actor: Mrs Bland

Afterpiece Title: Orpheus and Eurydice

Event Comment: Rehears'd...the Opera of Lucius Verus: This Drama Consists of Airs, borrow'd entirely from Mr Handel's favourite Operas; and so may (probably) be justly styled the most exquisite Composition of Harmony, ever offer'd to the Publick. Those Lovers of Musick among us, whose Ears have been charm'd with Farinello, Faustina, Senesino, Cuzzoni, and other great Performers will now have an Opportunity of Reviving their former delight, which, if not so transporting as then, may yet prove a very high Entertainment. Mr Handel is acknowledged (universally) so great a Master of the Lyre; that nothing urg'd in Favour of his Captial Performances can reasonably be consider'd as a Puff (General Advertiser, 13 Nov.)

Performances

Performances

Mainpiece Title: Solomon

Performance Comment: Parts were: Zadoch (High Priest)-; a Levite-; Chorus of Priests-; Chorus of Israelite-s; Pharoah's Daughter-; Nicaule (Queen of Sheba)-; 1st Harlot-; 2nd Harlot- (Larpent MS). [Deutsch, Handel, p. 66o, lists cast as: Solomon-Signora Galli; Zadok-Lowe; Levite-Reinhold; Pharoah's Daughter, Nicaule, First Harlot-Signora Frasi; Second Harlot-Signora Sibilla.]

Afterpiece Title: a C Concerto

Event Comment: Last Thursday morning, Mr Harrington, Prompter to the Theatre Royal, being delerious and in a high fever, in the absence of his Nurse-keeper, threw himself out of his lodging window, and was killed by the fall. [See A Full and true Account of the woeful and wonderftl apparition of Hurloe Harrington, late prompter to the Theatre Royal in Dublin (London, 1750).] Receipts: #140 (Cross)

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Anatomist

Song: IV: Master Mattocks

Event Comment: Whereas it has been industriously given out in order to prejudice Mr Barry, that he has frequently of late refused to act, when his health would have permitted; He takes this opportunity of assuring the publick, whose favour it is his highest ambition to deserve, that he scorns to make use of tricks or Evasions of this kind, and that nothing but real illness has, or shall ever oblige him to decline his duty as an actor (General Advertiser). Receipts: #130 (Cross); #144 12s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Hamlet

Event Comment: Benefit for Master Mattocks and Mlle L'Contri. Paid Salary List #296 10s. 6d.; Mrs Hobson a bill 3s. (Treasurer's Book). [The George Garrick Treasurer's Book breaks off at this point. It records for 165 nights, a total income of #17,296 9s. as against a total outlay of #12,055 14s. 5d. Cross, who jots down receipts in round figures, and is almost always high, indicates the income from the 164th to the 174th and last night to be #1,446, but since all except one night (11 May) were benefits, the theatre probably received only about #800 (At #63 per benefit). Total income for this season is estimated to be, therefore, #18,096 9s. It is difficult to estimate end of season expenditures. At least #789 10s. 6d. went out in the three final pay days of the season and probably another #500 went out in bills before the books were closed at Midsummer. From this it appears that the profits to the managers that year came to about #4,600.] This day is Publish'd The Actor at 3s. In One Volume (dedicated to the Managers of the British Theatre. A treatise on the art of playing, interspersed with theatrical anecdotes, critical remarks on plays and occasional observations on audiences Printed for R. Griffiths (General Advertiser). Receipts: #120 (Cross). [Income missing from Treasurer's Book.

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Lethe

Song: I: The Highland Lad (set by Master Arne)-Master Mattocks; III: Singing-Master Mattocks

Dance: II: La Sabotiere-Master Maltere, Miss Foulcade; IV: Les Fantasies de la Dance-Mlle DelaContri; End: Minuet-Mathews, Mlle Contri

Event Comment: Benefit for Costollo and Miss Minors. Tickets of Costollo at his lodgings at Mr Waiter's, Chymist, the Golden Cross, in Russel St., Covent Garden; of Miss Minors, at Mr Nichols's a Baker, in Catherine St., near Russel Court, and at the Stage Door. We are assured that Sg Giardini's Performance on the Violin, at Sga Cuzzoni's Benefit, at the New Theatre in Haymarket, on Saturday Night last, gave the highest pleasure to several of the best judges of that instrument. Receipts: #90 (Cross)

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Afterpiece Title: Lethe

Song: Master Mattocks

Dance: Mathews, Mad Camargo, McNeil

Event Comment: Benefit for Mrs James and Miss Minors. No building on stage. Tickets of Mrs James at her lodgings at Mr Saunder's Carpenter, in Little Wild St., Lincoln's Inn Fields; Miss Minors' at Mr Nicholl, a Baker in Catherine St., and at stage door. An Information was given to Henry Fielding, Esq; that a Set of Barber's apprentices, journeymen staymakers, maid-servants, &c. had taken a large Room at the Black Horse in the Strand, to act the tragedy of The Orphan; the Price of Admittance One Shilling. About eight o'clock the said Justice issued his warrant, directed to Mr Welch, High Constable, who apprehended the said actors, and brought them before the said Justice, who, out of compassion to their youth, only bound them over to their good behavior. They were all conducted through the streets in their Tragedy Dresses, to the no small Diversion of the Populace. (General Advertiser). Receipts: #138 (Cross)

Performances

Mainpiece Title: Oroonoko

Cast
Role: Blandford Actor: Palmer

Afterpiece Title: Miss in Her Teens

Dance: IV: Sg Piettro, Janeton Auretti, Master Piettro

Event Comment: [Performance of mainpiece highly praised in Gray's Inn Journal 3 Nov. It is no wonder that in some scenes the Emotions of the Audien ce run so extremely high, as they were acted upon by the two best Tragedians in the world." Garrick and Mossop. Also praises Foote's Fondlewife in previous performances of the Old Batchelor.] Receipts: #170 (Cross)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Lottery

Event Comment: Two days ago a Letter [price 1s.] came out to Miss Nossiter in which Mrs Cibber is abu'd & tother greatly extoll'd. The Author has also fell foul upon Mr Murphy author of Gray's Inn Journal. It is wrote by one Morgan an Irish Gent: High words has pass'd at ye Bedford Coff. H. between him and Murphy & 'tis thought a Duel will be ye Consequence (Cross). [See The Authorship of a Letter to Miss Nossiter, Shakespeare Quarterly, January 1952, p. 69.

Performances

Mainpiece Title: The Twin Rivals

Performance Comment: Wou'dbe-Sparks; Elder Wou'dbe-Ryan; Trueman-Anderson; Richmore-Ridout; Balderdash-Wignel; Subtleman-White; Fairbanks-Redman; Constable-Dunstall; Mrs Clearaccount-Mrs Dunstall; Midnight-Mrs Bambridge; Teague (with Song in Character)-Barrington; Alderman-Arthur; Clearaccount-Collins; Aurelia-Mrs Dyer; Constant-Mrs Vincent.
Cast
Role: Trueman Actor: Anderson

Afterpiece Title: Harlequin Sorcerer