SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "English High German Dutch and Morocco Companies"/1) | (@(roleclean,performerclean) "English High German Dutch and Morocco Companies")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2260 matches on Event Comments, 1398 matches on Performance Title, 534 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Wignell and Barnshaw. As the Indisposition of the vocal performers renders it impossible to perform the Jovial Crew, Messrs Wignell and Barnshaw, hope their Friends will honour them with their company to the above Comedy, to which, tickets delivered for the Jovial Crew, will be taken. Charges #64 10s. Deficit to actors #25 2s. covered by income form tickets: Wignell #85 (Box 69; Pit 347; Gallery 157); Barnshaw #96 1s. (Box 88; Pit 381; Gallery 169) (Account Book). Mrs Paddick paid up her 1!2 value of tickets for the 6th Inst. Paid Kirkman for a new Harpsichord and tuning the old one #62 3s. (Account Book). Receipts: #39 8s. (Account Book)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Thomasand Sally

Dance: End: The Merry Sailors, as17680920

Event Comment: TThe Freeholder's Magazine, Jan. (p. 247): A Card to the Managers of Covent Garden Theatre. A Citizen whose circumstances will not allow him often to attend Theatrical amusements, and who wishes to be entertained for his money, desires a nuisance may be removed which has totally deprived him of all satisfaction the few nights that he has been in the first gallery of your house. Of a cool evening the company within generally draw up the wooden shutters of the openings improperly called windows. An when the gentry without, who are admitted at half-price, find them shut, they begin a violent noise with their sticks, while those within as obstinately insist, that being in a violent heat, they will not let them down to the endangering their healths, by sudden letting in the cold air. Thus a riot is commenced, which frequently stops the play. It was the case in the Best Scene in the Orphan, the first night the Court of Alexander was performed. N.B. The orange girls shamefully encourage it. But the covetousness of the managers is the origin of the evil, by suffering intruders at half-price, after the inside of the gallery is completely filled. If this remonstrance fails, you may expect worse effects, from the injured parties. [See performance of 5 Jan.

Performances

Mainpiece Title: The Brothers

Related Works
Related Work: Fatal Love; or, The Degenerate Brother Author(s): Osborne Sidney Wandesford
Related Work: The Brothers Author(s): Richard Cumberland

Afterpiece Title: The Court of Alexander

Cast
Role: Alexander Actor: Shuter

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: IV: The Whim, as17691123; End: A Minuet-Fishar, Miss Macklin

Event Comment: By Desire of the Most Noble Grand of the Honorable Order of Select Albions. For the Benefit of their Brother Hurst, and Mr Rooker. N.B. The Grand of the Albion Lodge desires his officers to meet him at the Rose Tavern in Bridges St., at 5 o'clock, to proceed from thence to the front boxes, in procession, with the Ensigns of their Order. The company of any other of the Brethren will be esteemed a favour, to join the Grand and Officers--Care will be taken to preserve Places in the Boxes for the Ladies belonging to the members of this Society (playbill)

Performances

Mainpiece Title: The School For Rakes

Cast
Role: Sir William Evans Actor: Holland

Afterpiece Title: Fortunatus

Song: End: The Albion Song-Vernon

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: A Trip to Scotland

Performance Comment: Griskin-Parsons; Jemmy Twinkle-Brereton; Sotherton-Palmer; Cupid-Mas. Cape; Chamberlin-Booth; Landlady-Mrs Love; Filagree-Mrs Bradshaw; Miss Flack-Miss Platt; Miss Griskin-Miss Pope; With Dances incidental to the piece-Giorgi, Atkins; To Conclude with a Country Dance-.
Cast
Role: Landlady Actor: Mrs Love

Dance: I: A Dance-Daigville, Sga Vidini

Event Comment: Mr Inchbald from the Norwich Compy. made his first appearance in Osmyn very bad Figure, Indifferent voice and a very bad Actor. a Small hiss at End of Play (Hopkins Diary). Osmyn, Young Gentleman (Cross Diary). This appears to be the last night of Miss Younge's performing in London this season--She left Drury Lane, and went ot Dublin. Mr Joseph Inchbald became an actor in the York Company of Comedians--He died at Leeds in Yorkshire, where he is buried--I knew him intimately--he was an excellent man, and an admirable actor of old comic characters, and of drunken men--He was at once-poor fellow-the greatest Sloven and in many Particulars of the nicest Delicacy too, that could be imagined (Hopkins Diary-MacMillan)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Jubilee

Event Comment: Positively the last night but one of Mr Foote's company performing this season. By permission of the Lord Chamberlain. A new mock Tragedy of three Acts. Tickets delivered out by Davis and Griffiths will be taken. Twenty box Tickets for the above mock Tragedy being taken out of a lady's pocket at Marybone 27 Aug., those sold at the doors will not be admitted

Performances

Mainpiece Title: Madrigal And Truletta

Performance Comment: Parts-Davis, Dancer, Knowles, Vandermere, Griffiths, Farrell, Groves, Vowell, Mas. Sewett (with songs), Miss Smith, first time on any stage, Mrs Granger, Mrs Collins; Prologue-; Epilogue-.

Afterpiece Title: The Busy Body

Performance Comment: Marplot-a Gentleman from the City, first appearance on any stage; Sir George Airy-Davis; Charles-Dancer; Sir Francis Gripe-Vandermere; Sir Jealous Traffick-Fearon; Whisper-Knowles; Servants-Groves, Vowell; Miranda-Mrs Didier; Isabinda-Mrs Granger; Scentwell-Miss Willis; Patch-Mrs Gardner.
Cast
Role: Sir Francis Gripe Actor: Vandermere
Role: Miranda Actor: Mrs Didier
Event Comment: Paid Mr Chapman for horsekeeping [for Jubilee] #12 6s. (Treasurer's Book). [Published this month A Letter to David Garrick, Esq. on his conduct as Principal Manager and Actor at Drury Lane. Printed for S. Bladon. Accuses Garrick of controlling the press, save for two papers, and thus getting more favourbale treatment than his position and actions deserve. "You are a mere actor. You affect to feel where you do not, and imitate tones, looks and gestures, while your heart is at ease. This should heighten our opinion of you as an artist, whatever we might think of you as a man. I believe you are not generally judged of in this manner. It is not difficult to impose on the world." The author (David Williams?) deprecates Garrick's supposed handling of the actors of his company, and desires to see more Shakespeare. Suggests Garricks' acting perfection lies in the extreme, in exaggerated gesture, and sudden bursts of passion." Suggests he is getting old and should try his hand at Shylock.] Receipts: #271 (Treasurer's Book)

Performances

Mainpiece Title: The Grecian Daughter

Cast
Role: Evander Actor: Barry

Afterpiece Title: Wit's Last Stake

Event Comment: Benefit for Mrs Lessingham. Afterpiece: Not acted these 30 years, Being the most Tragical Tragedy that ever was Tragedized by any company of Tragedians. Charges #76 4s. 6d. Profit to Mrs Lessingham #74 15s.; plus #91 13s. from tickets (Box 205; Pit 164; Gallery 158). Paid Wills (mercer) #13 19s.; Paid Kingwood for flowers and feathers as per bill #13 8s. (Account Book). Receipts: #141 19s. 6d. (Account Book)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Chrononhotonthologos

Monologue: True Blue. As 7 April, but Principal Parts-Mrs Mattocks, Mrs _Baker

Event Comment: [Maria Macklin wrote her father (13 March 1773): Smith has rais'd such a fury in the Town, owing to Colman's having refus'd Mrs Yates to play for him, that last Saturday [6 March] being the fifth night of Alzuma, when the play ought to have begun, the Audience made a most violent noise, called for Colman, insisted that the play should not begin till he was found & the reasons given why Mrs Yates was not suffered to play for Smith. In vain did Bensley endeavor frequently to speak and tell them that Colman was not to be found. The still continued hissing and roaring, and this last till past seven o'clock. Dagge and Harris were behind in a dreadful consternation least the house should be demolished, of which indeed it was in some danger. At last they said something must be said to quiet them, when Smith in the confusion ran on and told them that the managers had consented Mrs Yates should play for him. Then they sent him off to tell them that his day must be settled whenever he thought proper, to give her time to come here. He went off and made them fix it for the 19th of April, went on and told them it was settled. They then insisted that Smith should tell them whether everything was settled to his entire satisfaction. He assured them it was. The play was then ordered to begin. I am told they have given him up his articles for three years, at his desire. Several Gentlemen went round into the Hall and sent for Smith, telling him his private quarrels with the managers were nothing to them. That if Mrs Yates play'd they should be glad to see her, but that as she was not in the company it was not right in him to disturb the play and hinder them from seeing it. He expostulated with them and told his story. The Town rings with this affair. Various are the opinions. Some think it is her plan to get once more upon the stage, and they say there is a most powerful Party making to oppose her & that she shall not play that night. Others say Colman is very wrong to hinder her. I find she entirely built upon your playing for me, and there has been a very impatient card in the Ledger to Colman insisting upon his telling the town why Mrs Yates was hindered to play, and why Mr Macklin had any more right to be suffered to come over so long unmolested to play for Miss Macklin? But that everybody sees thru'....Colman I am certain has not a thing against your playing for me. He seems rather to wish for your coming....I do not think the Yeats's will be engag'd tho' the Town rail much at Mrs Hartley & Miss Miller, and sure enough they are bitter bad....On Tuesday I shall send you the fate of Dr Goldsmith's Comedy, which comes out on Monday next. It is call'd the Mistakes of a Night....Foote's Rary Shew has been rehears'd three mornings but he got no money, so he shews off again at night instead-but it does not fill violently. Alonzo goes on but Barry is too ill to play. The great support of it is Mrs Barry's acting." (Harvard Theatre Collection, A.L.S.)] Receipts: #196 19s

Performances

Mainpiece Title: Alzuma

Afterpiece Title: Cross Purposes

Event Comment: The proprietors of the Opera House think it is their duty to lay before the Nobility and Gentry to whose patronage they are highly endebted a list of the engagements made for the ensuing season. [No attention or expense spared to make the operas brilliant. Gordon spent two months in Italy, and made two trips to Paris to select the best singers and dancers.] The ill health of Sg Carabaldi having prevented his setting out in time and made it impossible for him to be here at the opening of the theatre. Sg Scheroli, the Tenor who has played the first Buffo with the greatest reputation in Italy, has kindly undertaken to play the part until his arrival. Company: Serious Opera-Millico, Mrs Davies, Scheroli (Tenor), Sga Galli, Sga Lodi. Comic Opera-Carabaldi, Scheroli, Sga Marchetti, Sga Galli, Fochetti, Sga Lodi, Sga Gardi. Poet-Sg Badini. Master of the Dances-Petro. Principal Dancers-Fierville, Pico, Vicenzo Lorenzo, Bocchini, Mariottini, Sga Mimi Faviere, Sga Mazzoni, Sga Nina Faviere, Colomba (from Milan), Mr Canter. Book-Boxkeeper-Yates. [Requests nobility and subscribers to pay up their subscriptions.

Performances

Event Comment: Afterpiece: By Particular Desire. House (Hopkins Diary). Paid present to Messrs Younger & Kennedy [burnt out] #21 (Treasurer's Book). [See further payments to Kennedy 25 May. See also cg 12 May. An account of the fire given in Westminster Magazine, May 1774, p. 267: Mr and Mrs Kennedy who directed the company of performers at Richmond last summer were upon a visit to Mr Younger." Kennedy and Younger escaped, but Mrs Kennedy and a young friend, who had been reading in bed and who had fallen asleep without putting out the candle, were burned to death. Fire broke out at 2 o'clock in the morning.] Receipts: #261 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Deserter

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: A Trip to Scotland

Cast
Role: Landlady Actor: Mrs Love

Entertainment: End: (By Particular Desire) Bannister's Imitations-Bannister

Performances

Mainpiece Title: Philaster

Afterpiece Title: No One's Enemy but His Own

Dance: II: The Provencale, as17740928; III: The Merry Sailors-Aldridge [See17731007]; End: The Vintage Festival, as17741007

Event Comment: Boxes 5s. Gallery 3s. Pit 2s. Upper Gallery 1s. Doors open at half past five. Play begin at half past six. [Repeated.] Before the Play a new Overture and New Occasional Prelude (Public Advertiser). The House has been quite alter'd since last Season and is now fitted up in the most elegant manner Possible by the Adam's etc. and is the most Compleat of any Theater in Europe. Great applause to the House before the Curtain. The Theatrical Candidates is wrote by D. G. Esq and was received with great Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording. In Judging the popularity of a play in terms of box receipts for this season one must be aware of the fact that the treasurer's account books here differ from those of the five preceding years in not recording the income from the tickets delivered out for benefit nights. Hence on those nights the stated income reflects only the money taken at the door the night of the performance, and does not indicate the larger amounts which the actors received for their tickets. Deficits to various actors listed on the following pages were all paid up, presumably from the ticket receipts. Each actor doubtless at least broke even on his benefit.] Ceiling rais'd 12 feet. Old side Boxes top and bottom remov'd. New passages to Boxes. Entrance Bridges St. Light pillars to support Boxes inlaid with plate glass on green and crimson ground. Old chandeliers remov'd. Gilt branches with two candles each on pillars. Four new chandeliers in front. No slit i Curtain. Adam architects. 4,000 guineas. Persons not employed in the night's amusement ordered not to come behind the scenes--performers by that means go cross stage (Winston MS 11, from Dr Burney's News Cuttings). Paid Renters #8; Supernumeraries and Drum #1 16s.; taylor's Bill #10 11s. 6d. (Treasurer's Book). [For the 188 acting nights of the season and for 11 Oratorio nights the Renters were paid a total of #1,692. The Supernumeraries were paid an average of #5 per night or #940 for the season. No further account of these items will be made. Full account of the new look given to Drury Lane by the Adam's brothers in the Westminster Magazine for Sept. along with an approving review of the Meeting of the Company.] From Lloyd's Evening Post, 25 Sept., "On the New Front of Drury Lane Theatre": @Garrick asham'd to poke his nose@Too sheepishly beneath the Rose:@And fearing, poor man, what were Worse,@His bashfulness might hurt his purse;@Resolves this year to push a front,@And put a better face upon't.@Not surely meaning to give o'er@His Art, and make no faces more.@Yet, fair as tis, I'd have him know@If tis the last he means to show.@This face will never make amends,@For turning tail upon his friends;@Who own, by general consent,@His face the best Stage ornament.@ (In Folger Library, David Garrick Verses, Prologues and Epilogues, MS, p. 86.) Receipts: #208 11s. (Treasurer's Book)

Performances

Mainpiece Title: The Brothers

Related Works
Related Work: Fatal Love; or, The Degenerate Brother Author(s): Osborne Sidney Wandesford
Related Work: The Brothers Author(s): Richard Cumberland

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Miller of Mansfield

Event Comment: Afterpiece: A Pantomime Entertainment not acted these eight years. [See 20 Oct. 1768.] New Scenes, Dresses and other Decorations. Doors open at 5 o'clock. To begin exactly at 6 o'clock. Theatrical intelligence, Covent Garden: Mrs Hunter, lately returned from Ireland was very well receiv'd in Mrs Oakly, and to do her justice she played the part throughout better than it has been performed for some time at either house. The labourings of Mr Wroughton's jealousy in Oakly reminded us of the progressive workings of a fatt of small beer, when inflated with powerful yeast....Orpheus and Eurydice was reviv'd after the play-the dullest of all dull Pantomimes (Harlequin's Jacket excepted). The two additional scenes we were summoned by the bills to behold, are two of the late memorable regatta:-The first is a perspective of Ranelagh Gardensv to the water, illuminated with party-coloured lamps, which terminates with the temporary obelisk erected on that occasion:-Behind this we just catch the streamers of the barges and etc., supposed to be rowing up to the stairs, and landing their company, to martial music and under the discharge of cannon, imitated by the unnatural slamming of one of the Green Room doors. This scene, however, had a tolerable appearance, but being on too confined a scale, its intended effect must have been lost. The other represented the inside of as much of the Temple of Neptunev as was possible to give the spectators in a theatre:-we cannot extol it by any means as a perfect representation:-and to prevent it coming too near the original, Harlequin, Perot, Pantaloon, and etc. were made to lounge in the orchestra instead of its being occupied by a good band of music:-in short the whole pantomime went off rather flat. It is recommended to the managers here never to suffer the scene shifters to appear again in such garb as they did; old greasy plush waistcoats, with red-stocking sleeves!-such a habit may be in keeping with a blacksmaith's forge, but not for a theatre royal in the metropolis of a polished country (Folger News Clipping)

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Orpheus and Eurydice; or, The Metamorphoses of Harlequin

Performance Comment: Harlequin-Lee Lewes; Orpheus-DuBellamy; Pantaloon-Banks; Squire Gawky-Wewitzer; Clown-Cushing; Witch-Thompson; Fish Woman-Walters; Drawer-Jones; Eurydice-Miss Brown; Rhodope-Miss Dayes; Dwarf-Mas. Jones; Nymph-Mrs Masters; Maid-Mrs Lawr; Colombine-Miss Matthews; first time. The Dances-Sg and Sga Zuchelli, Daguville, Sga Vidini; the Whole to conclude with Two Additional Scenes-. See17751016 .
Event Comment: Queen Mab is reviv'd with Alterations and Additions particularly Grand New Scene with a Representation of a Regatta very well executed but is too much like The Naval Review (Hopkins Diary). [MacMillan's note from Hopkins differs slightly. He also adds from the Public Advertiser, 13 Nov., The last grand scene is a Representation of the whole Regatta sailing by Ranelagh. That and the Red House were invented and drawn by Mr deLoutherberg, and painted by Messrs French, deRoy, Greenwood, and others."] Rec'd stopages #11 12s. 6d. Paid Salary list #626 16s. 6d. Receipts: #152 12s. (Treasurer's Book). [Fuller descriptions of the Regatta scene appeared in the Westminster Magazine for Nov.: The Scene affords a picturesque view of the Thames on the Surry Side to Ranelagh Gardens representing the procession of barges etc., of the different squadrons, previous to their landing the company. The effect produced by this united scenery and machinery was very pleasing; every barge appeared to be rowed to the time of the band of music which is supposed to be upon the water, and evepy man and oar keeps a regular stroke: the sky, flat behind, was finely designed and executed for the general relief, and disposition of the men and boats near shore, in the foreground, was beautiful and did the painter great credit. The whole concluded with a Tar 's song in character, by Mr Bannister, and a dance by sailors and their doxies.'

Performances

Mainpiece Title: Old City Manners

Cast
Role: Drawer Actor: Garland

Afterpiece Title: Queen Mab

Performance Comment: Parts-Wright, Garland, Grimaldi, Burton, Carpenter, Cubitt, Kear, Griffith, Norris, Mas. Blanchard, Fawcett, Legg, Bannister, Mrs Bradshaw, Mrs Smith, Mrs Sutton.

Performances

Mainpiece Title: None

Event Comment: Being the last time of Garrick's appearing in character of Sir John Brute . When the Song Encor'd Mr Garrick said Come Col. give us that Song again for two very good Reasons, the first because your friends desire it-and Secondly because I believe I shall never be in such good company again. House Mr and Mrs Davies (Sold) (Hopkins Diary). Paid Mr Davies in lieu of Bt #60. Rec'd of Mr Davis on acct #30. Receipts: #281 7s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Padlock

Cast
Role: Leander Actor: Vernon.
Event Comment: By Permission [of the Lord Chamberlain]. Benefit for Follet, Smith & T. Smith, late of the Bear, Westminster-bridge. Tickets to be had of Follet, No. 20, Little Wild-street, Lincoln's-inn-fields; of T. Smith at the Golden Cross, Charing Cross. T. Smith hopes to be honoured with the company of his brother Free Masons, Bucks, &c., Gentlemen of the Welsh Society, Hereford Society and West-moreland Society

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Mayor of Garratt

Song: Between Acts: Singing, particularly Black Ey'd Susanthe new Hunting Song-T. Smith

Entertainment: Monologue.End: The Farmer's Blunder-Follet

Event Comment: 1st piece [1st time; CO I, by Charles Dibdin, based on Rose et Colas, by Michel Jean Sedaine]. 3rd piece [1st time; CO I, by Charles Dibdin, based on Les Femmes Vengees, by Michel Jean Sedaine]: With new Scenery [Public Advertiser, 19 Sept.: by Richards] and Decorations. Both the Musical Pieces, with new Overtures, composed by Dibdin. Books of the new Musical Pieces to be had at the Theatre. Places for the Boxes to be taken of Brandon (only) at the Stage Door. No Money to be taken at the Stage Door, nor any Money to be returned after the Curtain is drawn up. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:15. To begin at 6:15 [see 21 Sept.]. Public Advertiser, 18 Sept.: This Afternoon at Three will be published Rose and Colin and The Wives Revenged (each 6d.). "At this season of the year the little company upon the Ton, who are in town, seldom rise from the table till after the beginning of the play; in order, therefore, to obviate the disturbance that the fracas in the boxes usually makes towards the close of the first act, or the beginning of the second, this comic opera [Rose and Colin] was prefaced. It at the same time affords these late comers an opportunity of seeing the play [i.e. the mainpiece] complete" (Town and Country Magazine, Sept. 1778, p.453)

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: She Wou'd and She Wou'd Not

Afterpiece Title: The Wives Revenged

Event Comment: [As afterpiece the playbill announces the 31st night of The Touchstone (see 20 Feb.), but "The entertaiment at Covent-garden theatre was obliged to be changed last night, on account of Lee Lewes being seized with a most violent inflammation in his right arm...Hand-bills, announcing that The Reprisal would be the farce, were distributed at each door of the theatre as the company came in; when the tragedy, however, was ended, some persons in the galleries...began an alarming disturbance, calling out vociferously for the pantomime...and continued throughout the farce to behave in the most savage manner, pelting every actor and actress as fast as either came on the stage. Mrs Morton stood their fire of oranges, apples, and pieces of wood, with more heroism than prudence. At length the brutes aimed at her head with an orange, which struck her a violent blow, and she fainted immediately" (Morning Chronicle, 16 Feb.).

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Reprisal

Event Comment: Benefit for Mr and Mrs Jerrold. Afterpiece: Containing the Life and Death of King Chrononhotonthologos, the valiant Exploits of Bombardimian, his general, the unsuccessful Love of Fadladinada, Queen of Queerumania, to the Antipodean King, concluding with the marriage of the aforesaid Queen to her two fortunate Lovers, Aldiborrontiphoscophornio and Rigdum Funnidos. Mr and Mrs Jerrold present their humble respects to the Ladies and Gentlemen, and as through the badness of the weather, and being Assembly-Night on their former Benefit, there was not the Expenses in the House; therefore solicit the Favour of their Company, and Interest in this their second Attempt. To begin precisely at 6:30. Pit 2s. Gallery 1s. Tickets to be had at the Crown, and at the Cock, Well's row

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-Jerrold; Strickland-Price; Frankly-Jones; Bellamy-Wilson; Jack Meggot-Davis; Tester-Leach; Simon-Wortley; Buckle-Master Simson; Jacintha-Mrs Kingham; Mrs Strickland-Mrs Weeks; Lucetta-Mrs Robinson; Clarinda-Mrs Jerrold; Prologue-Miss Jerrold (a child of 3 years old).
Cast
Role: Strickland Actor: Price
Role: Mrs Strickland Actor: Mrs Weeks

Afterpiece Title: Chrononhotonthologos

Dance: A Hornpipe-a Gentleman [unidentified]

Entertainment: Monologues. End: The Examination of Dr Last before the College of Physicians taken from The Devil upon Two Sticks-Jerrold; End afterpiece: The Picture of a Play-House; or, Bucks have at Ye All-

Event Comment: [In afterpiece the playbill retains Wood, but "As soon as the play was finished, Palmer stepped forward, and...informed the Audience that Wood was taken suddenly and dangerously ill, but in order to prevent the Company from being disappointed of the farce, R. Palmer had undertaken to perform the character of Bouquet at a few hours notice. After the usual Musick the farce commenced, and it is but justice to R. Palmer to declare that he acquitted himself much to his own credit and entirely to the satisfaction of the audience" (Morning Chronicle, 14 July).

Performances

Mainpiece Title: The Separate Maintenance

Cast
Role: Miss English Actor: Mrs Hitchcock
Event Comment: For the better convenience of the company, during the Performance the Pit will be open as usual, and the passage through the Boxes into the Galleries will be open. As soon as the Performance is over, the Supper Rooms will be opened, and, during the time of Supper, the Pit will be covered and the Galleries shut up. The Decorations are entirely new planned, and executed by Novosielski. The whole under the Direction of Crawford. Tickets 2 guineas each. The Doors to be opened at 9:00. The Performance to begin at 10:00. [Le Picq was from the Opera, Naples.]

Performances

Mainpiece Title: A Grand Masked Ball, With A Supper

Performance Comment: Before the Ball commences will be performed the 1st Act of L'Eroe Cinese, as17820316 and the last Act of I Viaggiatori Felici, as17811211 .

Dance: End of Part I a new Dance (1st time; composed by Noverre), Apollon et let Muses by Le Picq (1st appearance in England), Nivelon, Mme Simonet, Mlle Theodore, Sga Crespi, Mlle Baccelli; End of Part 11 a New Dance, demicharacter (composed by Noverre) by Le Picq, Nivelon, Slingsby, Mlle Theodore, Sga Crespi, Mlle Baccelli