SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "English French Dutch and Italian Manner"/1) | (@(roleclean,performerclean) "English French Dutch and Italian Manner")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1969 matches on Performance Title, 1168 matches on Event Comments, 768 matches on Performance Comments, 7 matches on Roles/Actors, and 0 matches on Author.
Event Comment: Benefit Mrs Pritchard. Mainpiece: Written by Shakespear. Servants admitted to keep places on the stage, which will be fram'd into Front and side boxes, and entirely enclosed after the manner of an Oratorio. Ladies are desired to send servants to keep places to prevent mistakes. Tickets and places to be had at Mrs Pritchard's in Duke's late Earl's Court, Bow St.; At Mr Vaughan's, the Royal Exchange, Cornhill, and at the stage door

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: Benedick-Ryan; Pedro-Cashell; Don John-Ridout; Leonato-Johnson; Claudio-Hale; Dogberry-Hippisley; Balthazar-Hayman; Hero-Mrs Hale; Margaret-Miss Hippisley; Antonio-Carr; Boracchio-Gibson; Conrade-Anderson; Verges-James; Fryar-Rosco; Town Clerk-Marten; Sexton-Arthur; Watch-Stoppelaer; Ursula-Mrs Vaughan; Boy-Miss Morrison; Beatrice-Mrs Pritchard.
Cast
Role: Conrade Actor: Anderson

Afterpiece Title: Duke and no Duke

Cast
Role: Isabella Actor: Mrs Bland

Dance: PPeasant-Cooke; Comic Ballet-Cooke, Signora Campioni

Song: SSong of Diana from Dryden's Secular Masque,-Beard (set by Mr Boyce); Genius of England-Beard

Event Comment: [Whereas, from various accidents and disappointments the Undertaking an opera for the next year was resolv'd upon too late in the season to permit of solliciting the Subscriptions in the Usual Manner; and as the Proposals for the ensuing year are of a different nature, and, as it is presumed, much more to the Advantage of the Subscribers than any hitherto offered, it has been thought proper to take this method of informing the Publick, that attendance will be given at the Opera-Office in the Haymarket, every Tuesday, Thursday, and Saturday, from ten o'clock in the Morning till three in the afternoon, in order to shew the Proposals, take in subscriptions, and deliver our proper receipts.

Performances

Event Comment: At the Late Wells, at the bottom of Lemon St., Goodman's Fields, a Concert, etc. The House is alter'd in a more Theatrical Manner, is made warm, and Front Boxes made at the upper end of the Pit. We shall perform every Night. Boxes 2s. 6d. Pit and First Gallery 1s. 6d. Upper Gallery 1s. 6 p.m

Performances

Mainpiece Title: The Revenge

Afterpiece Title: The Lying Valet

Dance: II: Peasant Dance-Master Morgan, Miss Baker; III: Scotch Dance-Mr Miles, Mrs Miles; IV: Tambourine-Master Morgan, Miss Baker; V: Drunken Peasant-Miles

Event Comment: A few days since died at Bristol, Mr Burk Thumoth, well known for his excellent manner of performing on the German Flute

Performances

Mainpiece Title: The Merchant Of Venice

Dance: Salomon, Mlle Violette

Event Comment: Benefit Mrs Clive. Mainpiece written by Beaumont and Fletcher, never acted there. Servants allow'd to keep places on the stage which will be form'd into front and side boxes, and so commodiously enclos'd as to prevent the Ladies from taking cold. Ladies send servants by three. Tickets of Mrs Clive at her House in Great Queen Street, Lincoln's Inn Fields, and of Hobson at the stage door

Performances

Mainpiece Title: The Wild Goose Chase

Afterpiece Title: The Dragon of Wantley

Performance Comment: Margerina-Mrs Clive (to be performed in a burlesque manner) 1st time; Moore-Lowe; Gubbins-Sullivan; Dragon-Reinhold; Mauxalinda-Mrs Mozeen.

Dance: Muilment, the Mechels

Event Comment: Paid Gallini in part of his Bond #50 (Account Books, Egerton 2268). Mrs Cibber, being Indisposed with a violent Fever, which renders her incapable of performing in the Distrest Mother this day for her Benefit, she is therefore oblig'd to defer it till further Notice. On Tuesday next will be publish'd (Address'd to Mr Garrick) The Pretty Gentleman, or Softness of Manners vindicated from the False Ridicule exhibited unter the character of William Fribble, Esq:...Printed for M. Cooper in Paternoster Row. We hear the Comedy of the Suspicious Husband will be performed in a few days, and the continuance of Mr Garrick's Indisposition, rendering his appearance on the Stage entirely uncertain; the part of Ranger will be attempted by Mr Chapman.--General Advertiser

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: Phebe

Event Comment: Benefit Mrs Pritchard. [Receipts: #61 6s., plus #141 8s. from tickets, amounting to a house of #202 14s. without Stage (Account Books, Egerton 2268), i.e., perhaps, without counting income from those invited by Mrs Pritchard to sit on the stage.] Note: The Amphitheatre used on the stage at Benefits will be enclosed and divided into distinct Boxes, with a ceiling and illuminated; in the same manner as those in Front of the House. Ladies are desired to send their servants by Three.--General Advertiser. [House charges were #60.

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Devil to Pay

Dance: As17461231

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bays-Ecnad [i.e., Dance]; Drawcansir-Furnival; Amarillis-Miss Budgell; With a New Epilogue against Epilogues by Mr Bayes [in a new Manner, all new Wit,-Miss Budgell [in a new Way.in a new Way.

Afterpiece Title: Miss in Her Teens

Song: Brett

Dance: As17461124

Event Comment: Afterpiece: A Farce in 2 Acts [by Garrick] never perform'd there before. The characters new Dress'd. [For comment on this piece, see Fugitive Pieces on Various Subjects, printed by Dodsley, 1761, I, pp. 194 ff.: "The Pretty Gentlemen; or Softness of Manners Vindicated from the False ridicule under the Character of William Fribble, First printed in the year 1747."] Receipts: #140 (Cross); #149 (Powel)

Performances

Mainpiece Title: The Constant Couple; Or, A Trip To The Jubilee

Performance Comment: Sir Harry Wildair (by Desire)-Mrs Woffington; Col Standard-Delane; Smuggler-Taswell; Beau Clincher-Yates; Clincher Jun-Neale; Vizard-Havard; Dickey-Ray; Tom Errand-Leigh; Constable-Winstone; Angelica-Mrs Mills; Lady Darling-Mrs Cross; Parley-Mrs Green; Lady Lurewell-Mrs Clive.
Cast
Role: Col Standard Actor: Delane
Role: Tom Errand Actor: Leigh

Afterpiece Title: Miss in Her Teens

Event Comment: On Thursday next Hamlet, the part of Hamlet by Barry. And on Saturday the Foundling. N.B.: All Places taken by Ladies and Gentlemen for the Foundling this night [Tuesday] will be continued for Saturday, unless notice is given to the contrary (General Advertiser). This play was for the benefit of Mr Garrick, clear of all charges; and therefore I shall at the end of the account subtract this sum from the total amount, it being return'd him again. And the reason of entering it among the rest of the sums was, because the principle [sic] treasurer should know nothing of the matter; and therefore as it stands in their books in the same manner as above, I think it proper to set it down here (Powel). Receipts: #200 (Cross); #193 16s. (Powel)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Lying Valet

Event Comment: Benefit for Mrs Cibber (Cross). And the Stage (for the better Accommodation of the Ladies) will be form'd into Front and Side Boxes, where Servants will be allow'd to keep Places, as well as in the Boxes and the Pit. Ladies are desired to send Servants to keep Places by 3 o'clock. Tickets to be had of Mrs Cibber, at her house in Thrift St, Soho, and of Hobson, at the Stage Door of the Theatre, where Places may be taken. Tomorrow The Foundling (being the 13th Night). Receipts: #250 (Cross); house charges, #60 (Powel); cash, #81 17s.; tickets, #187 5s. 6d. (Clay MS). This charge was also set down that the principle [sic] treasurer should not know to the contrary, because it was told him that Mrs Cibber paid for her benefit, and if he had imagin'd otherwise, he perhaps would have insisted upon the same terms for his wife (Mrs Pr-h-d). I must therefore subtract it with Mr G-k's Benefit, it standing in their Books exactly in the same manner as his (Powel)

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: The Lying Valet

Dance: Cooke, Anne Auretti

Event Comment: Gift for ye Sufferers by ye fire in Cornhill (Cross). [A column and a half "Letter to the Author" appeared in the General Advertiser this day, laying historical background for Ford's Lover's Melancholy]. The history of the stage before the Restoration is like a Foreign Land, in which no Englishman had ever travelled; we know there were such things as Playhouses, and one Shakespear a great writer, but the historical traces of them are so imperfect, that the manner in which they existed is less known to us, than that of Eschylus or the theatres of Greece. For this reason, 'tis hoped that the following Gleaning of Theatrical History will readily obtain a place in your paper. 'Tis taken from a Pamphlet written in the reign of Charles I, with this quaint title, "Old Ben's Light Heart made heavy by young John's Melancholly Lover"; and as it contains some historical anecdotes and altercations concerning Ben Johnson, Ford, Shakespear, and the Lover's Melancholy it is imagined that a few extracts from it at this juncture, will not be unentertaining to the Public. [The substance of the remainder retails Jonson's critical cantankerousness and his wounded pride at the failure of the New Inn, quoting some epigrams made at Jonson's expense on his allegation that Ford was a plagiary. This second "puff" for the play, presumably also written by Macklin, formed the basis for a Steevens-Malone controversy late in the century, centering on the existence or nonexistence of the pamphlet referred to by Macklin as "Old Ben's Light Heart made Heavy, &c." A summary account of the evidence appears in the Dramatic Works of John Ford, by Henry Weber (Edinburgh, 1811) I, Intro. XVI, XXXI.] Receipts: #210 (Cross); #208 1s. (Powel)

Performances

Mainpiece Title: King Lear And His Three Daughters

Afterpiece Title: The Double Disappointment

Dance: Cooke, Anne Auretti, Matthews, Mrs Addison

Event Comment: At Lee and Yeates Sen and Jun great Theatrical Booth...will be reviv'd that celebrated Droll, call'd The Unnatural Parents; or, The Fair Maid of the West. Shewing the Manner of her being forced to wander from Home, by the Cruelty of her Parents and beg her Bread; and directs her to a Nobleman's House: How she was there taken in as a Servant; and, at length, for her Beauty and modest Behaviour, married to a Gentleman of great Fortune; with her Return to her Parents, and their happy Reconciliation. Also the Comical Humours and Adventures of Trusty her Father's Man, and the three Witches. The Scenes and Cloaths are entirely new; and the Droll the same that was perform'd by Mrs Lee 15 Years ago with great Applause. Boxes: 2s. 6d. Pit 1s. 6d. First Gallery 1s. Upper Gallery 6d. To begin each Day at Twelve o'Clock. [Notice repeated 25, 26, 27 Aug.

Performances

Mainpiece Title: The Unnatural Parents

Dance: The original Dance-Three Wild Cats of the Wood; Between the Acts: Dancing-Adams, Mrs Ogden

Music: A Good Band of Musick

Event Comment: To be seen a Person who performs the most surprizing Things...he presents you with a common Wine bottle, which any of the Spectators may first examine; this Bottle is plac'd on a Table in the Middle of the Stage, and he (without any Equivocation) goes into it in Sight of all the Spectators, and sings in it; during his Stay in the Bottle, any Person may handle it, and see plainly that it does not exceed a common Tavern Bottle. The Performance continues about Two Hours and a Half. These Performances have been seen by most of the Crowned Heads of Asia, Africa, and Europe, and never appear'd anywhere Public but once. Stage 7s. 6d. where Masks may be worn. Boxes 5s. Pit 3s. Gallery 2s. [The famous Bottle Conjurer hoax.] Theatre was crowded...by five o'clock; at seven the house was lighted up [but not music]...a Person came before the Curtain, and, bowing, promis'd if Mr Conjurer did not arrive in half an Hour, their Money should be return'd...after near an Hour...a Gentleman in the Box snatch'd a Candle lighted, and in Violence threw it on the Stage; this was the Signal for the Onset of Battle...the Boxes, Seats, Glasses, Scenes, Chairs, Machinery, and all the Furniture of the Play House, were in less than ten Minutes carried into the Street...an excellent Bonfire was made of Mr Foote's Auction Room...it may put a [pe]riod to the Auction, till the Theatre can be refitted.--Charles Adams to John Gilbert-Cooper, Theatre Notebook, XI (1957) p. 139. [Potter was still owner of this theatre.] Those opposed to a recent late book would have been gratified had the Conjurer jumped into the bottle and proved that miracles had not yet ceased."--Daily Advertiser, 17 Jan. Last Night a numerous Audience, among whom were several Persons of Quality, was at the New Theatre in the Haymarket, in wonderful Expectation of seeing the Miraculous Man creep into a Bottle, and do several other Miracles; but the only one he perform'd was, that he render'd himself invisible (without any Equivocation) to the no small Disappointment of the gaping Multitude; who, being told from behind the Curtain that the Performer had not yet appear'd, but that if they would stay until the next Night, instead of a Quart Bottle he should creep into a Pint, immediately grew outrageous, and in a Quarter of an Hour's Time broke to Pieces all the Boxes, Benches, Scenes, and everything that was in their power to destroy, leaving only the Shell of the House remaining. Surely this will deter anyone from venturing to impose on the public in the like manner for the future.--General Advertiser, 17 Jan. [See also dl Comment 18, 19, 20, 27 Jan.

Performances

Mainpiece Title: None

Event Comment: Peace Proclaim'd (Cross). Yesterday most of the Foreign Ministers had a very grand entertainment at Pontack's, on Account of the Peace being proclaimed yesterday at Paris. This morning the Peace is to be proclaim'd, pursuant to his majesty's royal warrant, signed for that purpose, the ceremony of which is to be in the following manner (General Advertiser). [Follows an account of the five places and times of reading the proclamation throughout the city.] Receipts: #120 (Cross); #116 15s. (Powel)

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Lying Valet

Dance: Mathews, Mrs Addison; New Scotch Dance, as17490118

Music: By Desire-the Child

Event Comment: [M$Macklin apparently gave this lecture four times and advertised a fifth as follows]: @W 1 March 1749, at the Black Bull, Pudding Lane, 7 p.m., 1s.@F 3 March, Globe Tavern, Fleet St. (The Subsequent Lectures will conclude with a Rehearsal of some favourite Scenes taken from the Plays therein treated of.)@M 6 March, James St. at twelve o'clock.@W 8 March, Queens Arms, Spittlefields, at seven o'clock.@M 13 March, James St. Prices: 2s. 6d., 1s. 6d., 1s. "it is no Joke" at half past twelve.

Performances

Mainpiece Title: Dramatic Lecture

Performance Comment: Don Buskin-Socco, Professor of Dramatic Exercises proposes to instruct (upon reasonable Terms, publickly or privately) such young Gentlemen, Ladies, etc., who for amusement, or otherwise, are willing to become Pupils in the Art of Theatrical Speaking and Acting...The Professor also gives Notice, that he intends to go through a Course of fifteen Dramatic Lectures founded on Shakespear's Plays. Each one to consist of three parts, and to be exhibited thrice weekly, as follow: The Heads of the first Lecture are as follow, viz. An Introduction to the Course. An Account of Dramatick Poesy. Aristotle's Definition of Tragedy and Comedy. The Sentiments of the Judicious concerning Shakespear. His Play of Hamlet consider'd, the Fable, Manners, Sentiments, and with Remarks on his Instructions to the Actors.
Event Comment: Benefit for Mr and Mrs Bridges. Tickets to be had of Mr Bridges at Mr Courteen's in Bow St., Covent Garden; and of Hobson at the stage door. Publish'd this day at 1s. Miss in Her Teens; or, the Medley of Lovers, a Farce in Two Acts, as it is performed at Drury Lane. Written by Mr Garrick. Printed for J. and R. Tonson. Receipts: #140 (Cross); charges, #63 (Powel)

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Lethe and Jumpedo

Performance Comment: Frenchman-Garrick the only character listed; see17490407. The whole to conclude with an extraordinary and surprising performance of the Original Seignor Capitello Jumpedo, who after entertaining the audience with a Hornpipe-Seignor Capitello Jumpedo; will in a manner entirely new, Jump down his own throat-Seignor Capitello Jumpedo.
Event Comment: At Cushing's Booth, facing the King's Head, Smithfield. The tragedy contains the barbarous contrivances of King John against his nephew Prince Arthur; his method of persuading Hubert to undertake the cruel murder of that youth; the sufferings of Arthur in his confinement, where Hubert attempts to put out eyes with a red-hot iron, til moved to compassion by the tender entreating of the young prince, he quits his horrid purpose. The manner of Arthur's leaping from the battlements of the tower where he was imprisoned, when by attempting to escape his severe treatment he loses his life. The terrors that attended the villainous Uncle King John, and at length his dreadful death, who is poisoned in the midst of all his glory, and in terrible anguish and distraction, pays his nephew's blood with the price of his own. The comic contains the exquisite drolleries of Sir Lubberly and his man, their whimsical journey from Cumberland, and no less whimsical exploits in London; the odd reception they met with from their three faithful friends, Tom Rash the Porter, Jeffrey Holdfast the Constable, and Moll Tatter the Beggar Woman, the one getting a wife, the other a bastard

Performances

Mainpiece Title: The Life And Death Of King John

Performance Comment: King John-Redman; Hubert-Simpson; Bastard-Pinner; Chatillion-Walker; Pembroke-Johnson; Pandulph-White; Prince Arthur-Miss Yates; Constance-Mrs Cushing.
Cast
Role: Pandulph Actor: White

Afterpiece Title: The Adventures of Sir Lubberly Lackbrains and His Man Blunderbuss

Event Comment: [At Lee, Yeates, and Warner's Booth, opposite the Hospital Gate, West Smithfield. The Droll performed in the same Manner as it was by Mrs Lee Fifteen Years ago. Prices: 1s. 6d., 1s., 6d. To begin at twelve noon. [Same time and prices throughout.

Performances

Mainpiece Title: The True And Ancient History Of Whittington, Thrice Lord Mayor Of London

Dance: [Between the acts: Entertainments of Dancing-

Song: [Between the acts: Entertainments of Singing-; A good Band of Musick

Event Comment: [At Lee, Yeates and Warner's Great Tiled Booth, Bowling Green, Southwark Fair. [Time, entertainments, prices and description as 23 Aug., bf.] The Proprietors have been at a great Expense in having their Booth repair'd and surveyed, in order to accommodate the Gentry and others in an agreeable Manner, and to prevent any Accident that might happen through the Carelessness of the Workmen

Performances

Mainpiece Title: The True And Ancient History Of Whittington

Event Comment: At the Great Tiled Booth, Bowling Green, Southwark. By Desire. A burlesque Tragedy. The whole to be dressed after the Quaerumanian manner (Daily Advertiser)

Performances

Mainpiece Title: Tunbridge Walks

Afterpiece Title: Chrononhotonthologos

Event Comment: This is to acquaint the Publick that the Famous Turk Carata, who has already had the honour to entertain the town with his surprising Exercises on the SLACK ROPE, is arrived with a numerous company of Turks, Men and Women, and that he is to perform Tuesday the 31st Instant, at the New Theatre in the Haymarket. There will be dancing and music after the Turkish manner (General Advertiser). [His charges were: Box, 5s.; Pit, 3s.; Gallery, 2s. See notes for 29 Sept., and 23 Dec.] Receipts: #90 8s. 6d

Performances

Mainpiece Title: The Conscious Lovers

Cast
Role: Sealand Actor: Sparkes
Role: Mrs Sealand Actor: Mrs Bambridge

Afterpiece Title: Hob

Cast
Role: Dick Actor: Anderson
Event Comment: [M$Mr Carata the Turk, 2nd Week's salary #26 5s. A Dancer on the slack rope. Met general approbation in London two years earlier. Engaged this season at the Haymarket, where he first perform'd "after the Turkish Manner with surprising execution on the slack wire" 31 Oct. 1749. Rich took him over in December and kept him on the payroll at #26 5s. weekly for thirteen weeks until 10 May 1750. His salary included pay for this equipment and apparently a small company of assistants, as the Account Book refers to him often as Carata the Turk & Co.] Receipts: #105 14s

Performances

Mainpiece Title: Lady Jane Gray

Cast
Role: Northumberland Actor: Sparks
Role: Sussex Actor: Anderson
Role: Dutchess of Suffolk Actor: Mrs Horton

Afterpiece Title: Perseus and Andromeda

Event Comment: This play was wrote by Mr Shirly & was at Lisbon when Acted--it was receiv'd with great Applause--only a little groaning at some of the Love Scenes; the prologue greatly lik'd--he says the play attempted after ye Manner of Shakespear (Cross). Paid salary list at #51 7s. 7d. per diem, #308 5s. 6d.; Blakes per order #1 1s.; Maltair added to salary list at 10s. per day. Paid Lacy as per draft #105; Xmas box to Prince and Princess's footmen #2 2s.; Mr Maltair for 11 days #5 10s. (Treasurer's Book). [Maltair is presumably the dancer Maltare who had appeared at dl in 1740.] Receipts: #180 (Cross); #185 13s. (Treasurer's Book)

Performances

Mainpiece Title: Edward The Black Prince; Or, The Battle Of Poictiers

Performance Comment: Edward-Garrick; Lord Ribemont-Barry; Cardinal Perigort-Berry; King John-Sowdon; Arnold-Havard; Duke of Athens-King; Charney-Winstone; Audley-Palmer; Chandos-Blakes; Warwick-Usher; Salisbury-Bridges; Dauphin-Simpson; Tourain-Marr; Louisa-Miss Murgatroyd; Mariana-Mrs Ward [from 1st edition but listed in the order in which the actors' names appear in General Advertiser]; Archbisop of Sens-Burton; Prologue-Havard; Epilogue-Mrs Clive [1st edition].1st edition].
Cast
Role: Chandos Actor: Blakes
Event Comment: Benefit for Jones. A Serenata. Books of which may be had at the theatre. To begin at twelve o'clock promptly (General Advertiser). To the Publick: Walking in St James's Park the other day, I followed two young Gentlemen along the Mall, and overheard one of them say to the other, "shall we go and offer sacrifice to the Manes of Milton?" To which the other reply'd "with all my heart." I must own I had some curiosity to know in what this ceremony would consist, and determined to observe them. I accordingly followed them at some distance, into Dodsley the Bookseler's in Pall Mall; where to my great satisfaction I found that this most acceptable sacrifice was only an offering of Charity to the Granddaughter of Milton; who on account of her age, her poverty, and her relation to that great Man, is to have a Benefit at Drury Lane Theatre on Wednesday next. I willingly joined in their devotions, and rejoice with the Publick on their having an opportunity of shewing their gratitude and Veneration to a man whose Genius reflects a lustre on the British Literature, and whose sentiments have added strength to the British liberties; to an author whose works have been the delight of our Fathers, and will be the Admiration of our sons: latest posterity; to an Englishman who is not only the Glory of our Country, but the Honour to Human Nature. This fair Opportunity of paying a respect to his Memory (the last of the kind that can be offered to us, as Mrs Foster is the only surviving branch of his family) must certainly be embraced with Eagerness and pleasure; all who have any pretence to an Elegant Taste, all lovers of Liberty, and every friend of the Muses, will surely crowd to the house on this distinguish'd night, and give at once an instance of the politeness of their manners, and the goodness of their hearts, I am, &c. A Lover of Milton (General Advertiser)

Performances

Mainpiece Title: Solomon

Music: CConcerto on Violincello-Jones